Did you ever think about it,
That everyone gets lifted all the time?
And you want to fade away
Wishing we could be normal for awhile
So you want to feel good?
Well maybe you should just work it
And you want to breathe oxygen?
So why not go out and buy it
Did you ever think about it,
That maybe we were all crazy for the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Did you ever think about it,
That everyone gets lucky some of the time?

As you walk the razor blade, thinking we could fall to either side
So we came to crash the party
And spraypaint on your carpet
And You heard it was an accident
But maybe you don't believe it
Did you ever think about it,
That maybe we were all crazy from the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Spraypaint my name on the wall
Question me I have the time
Fits your profile
Anything you need to make a profit
Have the time
Fix your profile
Anything that you need to make up

(No Longer Sung:)

Take me slowly down the road
Pull me over I'll drive the car
Get your profile, anything you need to make a paycheck
Drive the car, get your profile
Anything that you need to make up
And you want to sail away
wishing you could be simply out of life (thinking we could be simply out of time)

","spray",298,"4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","

","How can I add it up, that freedom is a gun, with giant bags of money wrapped in uniform",142,"2025-08-24T00:00:00.000Z","2002-07-27T00:00:00.000Z",{"_104":210,"_106":57,"_112":211,"_113":101,"_212":103,"_114":213,"_115":213,"_116":57,"_117":101,"_118":128,"_119":109,"_120":128,"_121":109,"_122":57,"_123":128,"_124":128,"_214":103,"_125":101,"_126":128,"_127":109,"_129":101,"_215":109},15,8,"2008",14,"2020","2025",{"_217":218,"_222":223,"_227":228,"_232":233,"_237":238,"_242":243,"_246":247,"_250":251,"_153":254,"_258":259},"15",{"_25":219,"_135":220,"_137":221},"2003-07-26","2002-11-10",258,"22",{"_25":224,"_135":225,"_137":226},"2006-08-25","2003-11-28",1001,"38",{"_25":229,"_135":230,"_137":231},"2008-12-27","2008-06-08",202,"75",{"_25":234,"_135":235,"_137":236},"2012-07-07","2012-01-28",161,"81",{"_25":239,"_135":240,"_137":241},"2013-08-30","2013-01-25",217,"86",{"_25":244,"_135":245,"_137":236},"2014-08-01","2014-02-21","107",{"_25":248,"_135":249,"_137":236},"2018-11-02","2018-05-25","110",{"_25":169,"_135":252,"_137":253},"2019-02-02",168,{"_25":255,"_135":256,"_137":257},"2020-06-23","2019-12-28",178,"123",{"_25":260,"_135":261,"_137":262},"2022-08-21","2022-03-10",164,2008,"http://sickbarberlicks.weebly.com/spraypaint.html",[],{"_21":194,"_51":22,"_52":267,"_54":55,"_56":128,"_58":268,"_31":269,"_33":269,"_35":36,"_23":270,"_61":-5,"_62":63,"_64":189,"_66":271,"_39":36,"_41":36,"_46":-5,"_67":272,"_186":337},"21556014-aa6e-4f53-8beb-e4a378998360",">","2020-02-22T16:35:05.354Z","2003-08-13-7-11","b3aadf3d-0779-4db2-a172-862e908e85a6",{"_21":267,"_69":273,"_23":273,"_31":274,"_33":275,"_74":276,"_76":78,"_27":277,"_79":278,"_29":279,"_81":63,"_82":202,"_84":203,"_86":280,"_87":281,"_88":282,"_90":283,"_92":284,"_94":285,"_130":289,"_180":183,"_182":335,"_184":336,"_46":273},"7-11","2020-02-22T15:50:22.697Z","2025-08-26T02:09:32.974Z","

My girl she left,
so the story goes,
what do you know?
All the things that I thought that I knew went out the window.

There's a last time for everything,
What do you say?
It happens that way.
Stormed out yelling, gone forever, but she called me today...

And maybe, all that you want to be is all that you had to be,
When flakes of gold and fallen rubies are never enough, never enough
So you spend your time opening doors for everyone else but me.
In the morning time, the sky up above you, the sun'll come up.

I Work too hard so I buy myself style for walking the mile,
Hours a day that I spend doing nonsense worth somebody's while.

I'm gonna go out and jam
I'm gonna go out and party
I got a brand new mission
So bring your ass to the party

Cover it up
I know you got eyes,
you know you got time.
You want free from the octopus wrapped around your mind.

Run to the hills,
out on your own,
fig leaves for clothes.
Whip that tongue,
as you search for a grip,
and you reach for the phone.

And maybe, all that you want to be is all that you had to be,
When flakes of gold and fallen rubies are never enough, never enough
So you spend your time opening doors for everyone else but me.
In the morning time, the sky up above you, the sun'll come up.

I Work too hard so I buy myself style for walking the mile,
Hours a day that I spend doing nonsense worth somebody's while.

I'm gonna go out and jam!
I'm gonna go out and party!
I got a brand new mission (sometimes it's 'I got a pool full of bitches')
so bring your ass to the party!

You can't stop me
You can't stop me
You can't stop me
You can't stop me

Crossed off, laid up till noon in bed,
Got cauliflower dreams as your brain's ripped to shreds
You made it to the dance, but you're wearing a towel.
Let me play you one that'll make you howl.

Crossed off, laid up till noon in bed,
got cauliflower dreams as your brain's ripped to shreds
you made it to the dance, but you're wearing a towel.
Let me play you one that'll make you howl,
Ladies give me one that'll make me howl,
Let me play you one that'll make you wanna go out and jam!
Gonna go out and party!
I got a brand new mission
so bring your ass to the party!

","Also known as 'Bring Your Ass To The Party'.","bringyoass",27,"

7-11, in its earliest stage, almost feels like a symbolic statement on the band. It debuted 3/11/00, the first show after Marc Brownstein was fired, a show rife with experimentation, new ideas and techniques. A morose breakup song with a resigned yet optimistic and somewhat fuck-it-all refrain seems very fitting for this mood.

Before the debut, Barber told the audience that the song came from “a very emotional time… I was working a 7-11, and then I got back to 7-11 and the song was in the rotation. We’re going to play it once. Only today.” Shortly before its second performance, Barber told the audience that people had been telling him to keep it in the rotation.

Perhaps no song changed as much from its debut as 7-11. The earliest versions of the song, called “Bring Your Ass to the Party” until its first rework in 2001, were considerably slower and the lyrics much less polished and rawer than later versions. There is a poignant personalness to the lyrics in the 2000 versions not present in the post-rework versions: take for example the line, “girl, I even wrote a rock opera for you, it wasn’t enough, it wasn’t enough.” The distinct “I’m gonna go out and jam” refrain is present and largely the same as modern versions, but the pre-chorus is absent and the verses are very different.

Bring Your Ass to the Party was played six times before being shelved, five without Marc Brownstein. The jam section, like the song itself, was considerably rawer than with modern iterations, often resulting in wild exploratory jams. The best example of this is the only version played with the full band before the song was reworked, 8/26/00 at Camp Bisco, sandwiched between the debut of Home Again. The segues into and out of Bring Your Ass to the Party put this segment in easy contention for the best versions ever played of both songs.

After Camp Bisco, Bring Your Ass to the Party was shelved until it was debuted again, reworked and rebranded as 7-11, on 6/27/01 at the private show at Lisa Klein’s house. This show also featured the debuts of The Tunnel and the Spy rework. The differences in the song structure are numerous and profound. The song was much faster post-rework, and the lyrics no longer make reference to a breakup. The composition is considerably more fleshed out as well. The “maybe all that you want to be is all that you have to be” pre-chorus/ending and the “towel” bridge were both added--and, in fact, prior to the rework, the song didn’t really have an ending at all.

7-11 became a staple of the fall tour of 2001, which is replete with standout versions of the song, most notably 9/9/01. The band also became more adventurous with the song structure. It was split up for the first time on 8/8/01, split up at the middle (or towel section) on 9/14/01 and 9/15/01, and inverted on 12/1/01.

7-11 remained a staple of the band’s catalog after the rework, not disappearing from the rotation for more than 40 shows, however it still was not fully finished. 3/9/02 is a particularly interesting version, featuring both the first verse referencing a breakup and the distinctive heavy intro riff; the former was not standard until 8/7/02 and the latter not until 9/28/02. Additionally, the Perfume version, often called Wawa, was introduced on 5/28/03. Despite the fact that it was played only the once, it has remained a popular request ever since.

The song remained solid for the remainder of Sammy’s tenure, particularly in the fall of 2002. 9/28/02 was the first three part version and 11/9/02 the second and final until 1/4/20. Other significant versions from this era include 10/19/02 and 10/26/02.

7-11 remained in the rotation after Allen joined the band, but over the years the ending became rarer and rarer. Allen played the ending for the first time on 10/19/07, whereupon it reentered the rotation sporadically. It was played two more times in 2007, twice in 2008, twice in 2009, then shelved again until 2014.

7-11 was especially strong in the golden years of 2.0, 2007 and 2009. 10/26/07 stands head and shoulders above the others from the year, although they’re all fairly consistent. 2009 was possibly the best year for the song; the most notable versions include 2/25/09, 6/4/09, 9/25/09, and 10/2/09. The song was only played three times in 2010, but all three are worthwhile.

The song remained in fairly steady rotation in the setbreak era with at least one or two per year. It became fairly interesting again in 2018, with two massive contenders for GOAT status: 5/24/18, a type two full version complete with outro, and 12/28/18, an unfinished version with two lengthy jams including one of the longest towel jams ever.

After setbreak was declared to be over, the song became somewhat more of a rarity, appearing only twice per year in 2020-2022 and just once in 2023. Of these versions, 4/8/22 is notable as being the fourth three-part 7-11 ever, and 10/16/21 is worth hearing for a particularly strong towel jam.

","I’ve got a brand new mission\nSo bring your ass to the party",155,"2025-08-20T00:00:00.000Z","2000-03-11T00:00:00.000Z",{"_100":101,"_102":286,"_104":287,"_106":42,"_108":128,"_110":103,"_112":288,"_113":288,"_212":107,"_114":42,"_115":103,"_116":111,"_117":105,"_118":111,"_119":128,"_120":103,"_121":111,"_122":103,"_123":103,"_124":111,"_214":111,"_125":111,"_126":111,"_127":105,"_129":109,"_215":211},20,22,12,{"_290":291,"_295":296,"_300":301,"_305":306,"_310":311,"_176":314,"_318":319,"_323":324,"_327":328,"_331":332},"6",{"_25":292,"_135":293,"_137":294},"2001-06-27","2000-08-26",305,"114",{"_25":297,"_135":298,"_137":299},"2011-12-30","2011-01-15",349,"118",{"_25":302,"_135":303,"_137":304},"2014-02-20","2013-07-11",224,"124",{"_25":307,"_135":308,"_137":309},"2015-12-31","2015-04-15",260,"125",{"_25":312,"_135":307,"_137":313},"2016-08-19",232,{"_25":315,"_135":316,"_137":317},"2017-12-28","2017-04-27",245,"136",{"_25":320,"_135":321,"_137":322},"2020-10-29","2020-01-04",299,"140",{"_25":325,"_135":326,"_137":304},"2022-11-18","2022-04-08","141",{"_25":329,"_135":325,"_137":330},"2023-07-07",231,"142",{"_25":333,"_135":329,"_137":334},"2024-03-09",246,2012,"http://sickbarberlicks.weebly.com/7-11.html",[338],{"_21":339,"_340":194,"_341":342,"_31":343,"_33":343},"95f25a58-87cb-44b1-9ca6-f02535cb4974","trackId","desc","unfinished","2020-03-19T17:09:26.502Z",{"_21":271,"_51":22,"_52":345,"_54":55,"_56":109,"_58":268,"_31":346,"_33":346,"_35":36,"_23":347,"_61":-5,"_62":63,"_64":194,"_66":65,"_39":36,"_41":36,"_46":-5,"_67":348,"_186":412},"e9b63339-4800-4ddd-ba25-caa3c291e942","2020-02-22T16:35:05.378Z","2003-08-13-aquatic-ape",{"_21":345,"_69":349,"_23":350,"_31":274,"_33":351,"_74":352,"_76":78,"_27":78,"_79":353,"_29":107,"_81":63,"_82":83,"_84":85,"_86":354,"_87":355,"_88":356,"_90":357,"_92":358,"_94":359,"_130":364,"_180":409,"_182":410,"_184":411,"_46":349},"Aquatic Ape","aquatic-ape","2025-08-26T02:09:35.026Z","

Woo-hoo!

Webs on our hands and webs on our toes
Lost all our hair but still we breathe through the nose
Hunts in the water, carnivorous ape
Swims like a porpoise, but is simian-shaped
Aquatic ape
Aquatic ape
Aquatic ape
Aquatic ape

(chorus used to be:
Aquatic Ape
Swimmin' in the water with erotical grape
Erotic Grape
Swimmin' in the water with aquatical ape)

Comes out of the streams and into the lake
We're having fish for dinner, for heaven's sake
And after dinner, we'll pick some fruit
And then we'll go back, bring your swimsuit

I met you in the street (yeah) and you know who I am
Took you back to my place where we started to jam
I looked in your eyes... then I realized
Your head's pretty big, but not as big as the sky
(used to be '...as big as your thighs')

","ape","

Arguably the silliest song in the Biscuits’ catalog, Aquatic Ape is also one of the oldest: its debut is preceded only by the debuts of Nughuffer and Down to the Bottom. Its silly lyrics and composition are contrasted by a generally dark jam section bookended by an infectious and simple guitar riff.

Despite having been around longer than most songs, Aquatic Ape has always been something of a rarity, having been played less than a hundred times total. Aquatic Ape was played less than ten times in every year but 1999.

1999 was arguably the strongest and most important year for Ape. Traditionally, Aquatic Ape is played with a relaxed dub-style jam, and it was played this way through the middle of 1999. 6/11/99 is notable as the first Aquatic Ape not to be played with a dub style jam (also the first, and one of the only, to not feature the riff that serves as the segue to the song’s jam and peak), and it was played instead in a simple trance style. In the fall of 1999, Ape was played three times. The first, 9/11/99, was unfinished, and was the first jungle style Ape. The other two, on 10/6/99, and 10/10/99, were both ending only, and while the 9/11 version was incomplete, it would be a stretch to say either of these versions were intended to complete it. This was a very progressive setlisting move for the time, when songs were usually played in full or completed.

After 10/10/99, Aquatic Ape sat on the shelf for 35 shows (for about half of these, its author, Marc Brownstein, was out of the band) until it was reintroduced at Camp Bisco II on 8/25/00. Here Aquatic Ape was inverted for the first time (only the fourth song to ever be inverted) as part of a second set palindrome. This Ape, as well as the others from this year, are all played jungle style. The jungle style Ape was prevalent for the rest of its history, but the dub style Ape made occasional appearances, notably on 12/31/01 at the request of Max Dawson, and on 10/18/02, an inverted version widely considered the greatest Aquatic Ape ever.

When Allen joined the band, \tAquatic Ape made a brief resurgence before becoming even more of a rarity. On 2/04/06, Allen played Ape for the first time, segueing into Mr. Don for the show’s encore. This was the first Aquatic Ape in over a year, a gap of 26 shows. Ape was played three more times in 2006, with all but the final, on 12/28/06 at the Sonar, played in the jungle style.

After 2006, Ape sat on the shelf for over two years for its longest hiatus, a gap of 174 shows, until it was performed at the Electric Factory on 4/17/09. The storied three set show also featured the bust-outs of Eulogy (99 shows) and Wet (129 shows). After this perfunctory performance, Ape sat on the shelf for another year and a half before it was played again on 9/1/10 (a gap of 118 shows).

After 2010, Ape was upgraded from perennial rarity to once-or-twice a year status. It was played at least once every year in this time period, with the exception of 2015. The vast majority of these have been inverted, with more than two inverted versions for every other iteration since 2010. Since 2016, Aquatic Ape has only been played inverted. As Aquatic Ape has become something more of a staple, so too has the dub version. It has only been played with the dub jam five times since 12/28/06, but all of those versions were played after 2010: 1/23/11, 5/31/17, 4/19/18, 12/9/18, 5/23/19, were all played with dub jams.

","Your head’s real big but not as big as the sky",87,"2025-07-11T00:00:00.000Z","1995-09-16T00:00:00.000Z",{"_360":111,"_361":109,"_362":128,"_96":103,"_98":213,"_100":128,"_102":211,"_104":363,"_106":101,"_108":111,"_112":128,"_114":105,"_115":105,"_116":105,"_117":111,"_118":105,"_119":103,"_121":105,"_122":111,"_123":111,"_124":103,"_125":105,"_126":103,"_127":111,"_129":105,"_215":105},"1995","1996","1997",10,{"_365":366,"_370":371,"_375":376,"_380":381,"_384":385,"_388":389,"_391":392,"_139":396,"_400":401,"_405":406},"11",{"_25":367,"_135":368,"_137":369},"1998-10-30","1997-10-31",364,"28",{"_25":372,"_135":373,"_137":374},"2000-08-25","1999-10-10",320,"58",{"_25":377,"_135":378,"_137":379},"2006-02-04","2004-12-28",403,"62",{"_25":150,"_135":382,"_137":383},"2006-12-28",841,"63",{"_25":386,"_135":150,"_137":387},"2010-09-01",502,"65",{"_25":234,"_135":390,"_137":179},"2011-01-23","71",{"_25":393,"_135":394,"_137":395},"2016-08-20","2014-12-03",626,{"_25":397,"_135":398,"_137":399},"2021-10-16","2019-11-22",694,"83",{"_25":402,"_135":403,"_137":404},"2023-06-14","2022-08-26",292,"85",{"_25":407,"_135":408,"_137":166},"2024-11-20","2023-10-25",1999,2009,"http://sickbarberlicks.weebly.com/aquatic-ape.html",[413],{"_21":414,"_340":271,"_341":415,"_31":416,"_33":416},"c6e614e7-afd4-4224-b91c-1f077bee5ea1","inverted","2020-02-22T16:35:05.391Z",{"_21":418,"_51":22,"_52":419,"_54":55,"_56":105,"_58":268,"_31":420,"_33":420,"_35":36,"_23":421,"_61":-5,"_62":63,"_64":-5,"_66":193,"_39":36,"_41":36,"_46":-5,"_67":422,"_186":480},"f6bdd922-cb8c-4d6f-b6a3-4867f55b8b5a","94d3c24f-d62f-4f28-b2df-1c508ef07540","2020-02-22T16:35:05.267Z","2003-08-13-shelby-rose",{"_21":419,"_69":423,"_23":424,"_31":425,"_33":426,"_74":427,"_76":428,"_27":78,"_79":429,"_29":430,"_81":63,"_82":83,"_84":85,"_86":-5,"_87":-5,"_88":431,"_90":207,"_92":432,"_94":433,"_130":434,"_180":183,"_182":335,"_184":479,"_46":423},"Shelby Rose","shelby-rose","2020-02-22T15:50:23.147Z","2025-08-26T02:10:02.535Z","Springtime come, and the flowers bloom.
Quiet walk in the park.
And the sun sinks and reddens.
Shelby Rose in the dark.
A yellow bird on a tree stump.
You take a stroll by the lake.
And when you see Shelby coming,
You feel your heart palpitate.

And I suppose I can tell Shelby Rose how I feel.
And I suppose I can tell Shelby Rose what I do.

And in a few days you tell her,
that the future is bright.
You fill her in on the prospect,
And she fills with delight.
It's a good thing you tell her.
Because you know that she'll stay.
You celebrate with some champagne,
And you wake the next day.

Every day is a walk in the park, every afternoon to the days turn dark.
Every night is heaven sent.
Every night is heaven sent.
Every day that I spend with you, every afternoon that we go to the zoo.
Every place we ever went.
Every night is heaven sent.\\r","transcribed by Rich Steele

Shelby Rose

(intro riff - played 4 times)

E
B 8 6 6(p)5 6 5 5(p)3
G 7(p)5 5(p)3
D
A
E

E
B 5 3 3(p)2 3 2
G 3(p)2 3(p)2
D 3(p)0
A
E

F F#m G A
E 1 1 1 1 2 2 2 2 3 3 3 3 5
B 1 1 1 1 2 2 2 2 3 3 3 3 5
G 2 2 2 2 2 2 2 2 4 4 4 4 6
D 3 3 3 3 4 4 4 4 5 5 5 5 7
A 3 3 3 3 4 4 4 4 5 5 5 5 7
E 1 1 1 1 2 2 2 2 3 3 3 3 5

(verse chords)

Bm D C Bm D G
E
B 3 7 5 3 7 3
G 4 7 5 4 7 4
D 4 7 5 4 7 5
A 2 5 3 2 5 5
E

(chorus)

F G Bb
E 1 3
B 1 3 3
G 2 4 3
D 3 5 3
A 3 5 1
E 1 3
(every day is a walk in the park..)

C
E
B 5
G 5
D 5
A 3
E
(every afternoon, till the day turns dark..)

G
E 3
B 3
G 4
D 5
A 5
E 3
(every night is a heaven sent...)

(play chorus once, then on the second time around, replace that G with a D
on the 5th fret)

(then the intro riff and the F > F#m > G > A chords lead into the jam)

\\r","shelby",163,173,"2000-08-25T00:00:00.000Z",{"_100":107,"_102":286,"_104":279,"_106":210,"_108":109,"_110":111,"_112":211,"_113":42,"_212":363,"_114":213,"_115":57,"_116":128,"_117":105,"_118":103,"_119":111,"_120":111,"_121":111,"_122":103,"_123":111,"_124":105,"_214":105,"_125":111,"_126":111,"_127":101,"_129":101,"_215":211},{"_435":436,"_440":441,"_445":446,"_318":450,"_454":455,"_331":458,"_462":463,"_467":468,"_471":472,"_475":476},"77",{"_25":437,"_135":438,"_137":439},"2005-12-30","2005-03-24",281,"132",{"_25":442,"_135":443,"_137":444},"2012-12-27","2011-12-26",367,"134",{"_25":447,"_135":448,"_137":449},"2013-12-16","2013-04-25",235,{"_25":451,"_135":452,"_137":453},"2014-09-13","2013-12-31",256,"139",{"_25":307,"_135":456,"_137":457},"2015-02-21",313,{"_25":459,"_135":460,"_137":461},"2017-05-26","2016-07-16",314,"146",{"_25":464,"_135":465,"_137":466},"2018-12-15","2018-03-10",280,"148",{"_25":469,"_135":252,"_137":470},"2020-10-16",622,"151",{"_25":261,"_135":473,"_137":474},"2021-05-28",286,"153",{"_25":477,"_135":478,"_137":374},"2023-03-23","2022-05-07","http://sickbarberlicks.weebly.com/shelby-rose.html",[],{"_21":482,"_51":22,"_52":483,"_54":484,"_56":105,"_58":-5,"_31":485,"_33":485,"_35":36,"_23":486,"_61":-5,"_62":63,"_64":-5,"_66":-5,"_39":36,"_41":36,"_46":-5,"_67":487,"_186":551},"2d2bfc4d-07fb-4200-8aa5-9722ba1942f9","981ba91f-7e39-4140-aa5c-4aa8d96a876f","E1","2020-02-22T16:35:05.848Z","2003-08-13-munchkin-invasion",{"_21":483,"_69":488,"_23":489,"_31":425,"_33":490,"_74":491,"_76":492,"_27":78,"_79":493,"_29":494,"_81":63,"_82":202,"_84":495,"_86":-5,"_87":496,"_88":497,"_90":283,"_92":498,"_94":499,"_130":503,"_180":548,"_182":549,"_184":550,"_46":488},"Munchkin Invasion","munchkin-invasion","2025-08-26T02:09:54.314Z","

We come from the city,
We come from the jungle.

Hi, my name is Sally.
I'm a little munchkin.

A little munchkin!

","Tablature by Evan Leon:

Introduction:

F# | Bm | C# | C# (repeat)

The next section is the one with the really complicated rhythm that
I don't really know how to transcribe. All I can say is that the
figure is repeated twice on A, then once on F#. Following that,
slide up to A for the first verse section.

For the verse section, Jon plays a short figure in A similar to
the following (but usually different):

Figure 1:
e 9h10p9
B 12 10 10 10 9
G 9
D 11
A 12
E

Play around on that for 4 measures, then break into a reggae-type
strum on an A chord for seven measures, and the words start on the
8th measure:

A
We come from the city,

Bm A (3 measures)
We come from the jungle.

Repeat that part, then to the bridge section:

Bm | D | F# | F#
Bm | D | F# | E A
F# | Bm | C# | C#
F# | Bm | A | A

Then Jon takes a solo over the bridge progression.

More to come soon, I just wanted to get something up here to get
everyone started.","munchkin",126,"The Disco Biscuits, Zuniga","We come from the city, we come from\nthe jungle ",239,"2000-04-29T00:00:00.000Z",{"_100":213,"_102":500,"_104":501,"_106":213,"_108":109,"_110":109,"_112":210,"_113":502,"_212":101,"_114":288,"_115":57,"_116":128,"_117":101,"_118":128,"_119":101,"_120":109,"_121":101,"_122":101,"_123":128,"_124":57,"_214":105,"_125":211,"_126":57,"_127":363,"_129":107,"_215":57},29,26,16,{"_504":505,"_509":510,"_514":515,"_518":519,"_522":523,"_526":527,"_530":531,"_535":536,"_540":541,"_544":545},"129",{"_25":506,"_135":507,"_137":508},"2008-12-26","2008-07-25",154,"150",{"_25":511,"_135":512,"_137":513},"2011-07-02","2011-01-14",169,"154",{"_25":234,"_135":516,"_137":517},"2012-01-27",162,"160",{"_25":520,"_135":521,"_137":253},"2013-07-13","2013-01-26","161",{"_25":524,"_135":520,"_137":525},"2013-12-18",158,"165",{"_25":244,"_135":528,"_137":529},"2014-02-22",160,"172",{"_25":532,"_135":533,"_137":534},"2015-10-31","2015-04-18",196,"187",{"_25":537,"_135":538,"_137":539},"2018-09-21","2018-04-21",153,"197",{"_25":542,"_135":256,"_137":543},"2020-10-17",294,"198",{"_25":546,"_135":542,"_137":547},"2021-03-25",159,2001,2020,"http://sickbarberlicks.weebly.com/munchkin-invasion.html",[],{"_21":553,"_51":22,"_52":554,"_54":555,"_56":105,"_58":268,"_31":556,"_33":556,"_35":36,"_23":557,"_61":-5,"_62":63,"_64":-5,"_66":558,"_39":36,"_41":36,"_46":-5,"_67":559,"_186":615},"77857fcb-e306-4286-87ce-c8b1059f1d48","8f1613ff-9002-4e03-853d-04c7e84a8b9b","S2","2020-02-22T16:35:05.487Z","2003-08-13-astronaut","377d23b6-71c6-4760-826c-b140b5dc983c",{"_21":554,"_69":560,"_23":561,"_31":274,"_33":562,"_74":563,"_76":564,"_27":78,"_79":565,"_29":363,"_81":63,"_82":202,"_84":203,"_86":566,"_87":567,"_88":568,"_90":569,"_92":570,"_94":571,"_130":573,"_180":183,"_182":549,"_184":614,"_46":560},"Astronaut","astronaut","2025-08-26T02:09:35.129Z","

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

","Just smile as we unveil the surprise",191,"2025-08-23T00:00:00.000Z","2001-08-08T00:00:00.000Z",{"_102":288,"_104":286,"_106":42,"_108":128,"_110":128,"_112":210,"_113":210,"_212":363,"_114":572,"_115":363,"_116":128,"_117":103,"_118":128,"_119":128,"_120":128,"_121":128,"_122":211,"_123":103,"_124":109,"_214":111,"_125":101,"_126":109,"_127":57,"_129":211,"_215":101},17,{"_574":575,"_578":579,"_300":583,"_586":587,"_172":590,"_594":595,"_318":598,"_509":602,"_604":605,"_609":610},"48",{"_25":576,"_135":577,"_137":508},"2005-08-26","2005-03-25","88",{"_25":580,"_135":581,"_137":582},"2008-12-12","2008-07-19",146,{"_25":511,"_135":584,"_137":585},"2010-12-27",187,"122",{"_25":234,"_135":588,"_137":589},"2011-12-31",189,{"_25":591,"_135":592,"_137":593},"2013-12-27","2013-04-27",244,"130",{"_25":596,"_135":302,"_137":597},"2014-08-15",176,{"_25":599,"_135":600,"_137":601},"2015-12-05","2015-07-18",140,{"_25":248,"_135":538,"_137":603},195,"157",{"_25":606,"_135":607,"_137":608},"2020-10-18","2019-12-27",296,"159",{"_25":611,"_135":612,"_137":613},"2021-03-26","2020-10-30",147,"http://sickbarberlicks.weebly.com/astronaut.html",[],{"_21":558,"_51":22,"_52":617,"_54":555,"_56":111,"_58":268,"_31":618,"_33":618,"_35":36,"_23":619,"_61":-5,"_62":63,"_64":553,"_66":620,"_39":36,"_41":36,"_46":-5,"_67":621,"_186":678},"99b02027-c0e5-4f6e-a567-2ca91b75e7d6","2020-02-22T16:35:05.523Z","2003-08-13-king-of-the-world","870b56ed-3d58-4966-9443-c60a3108157b",{"_21":617,"_69":622,"_23":623,"_31":624,"_33":625,"_74":626,"_76":627,"_27":628,"_79":629,"_29":630,"_81":63,"_82":631,"_84":632,"_86":-5,"_87":-5,"_88":633,"_90":634,"_92":635,"_94":636,"_130":638,"_180":183,"_182":676,"_184":677,"_46":622},"King of the World","king-of-the-world","2020-02-22T15:50:23.009Z","2025-08-26T02:09:49.201Z","

I'm the king of the world, I'm pretty!

I'm so mean I make medicine sick

I'm the king of the world!

Hold it.

Float like a butterfly.

","transcribed by Rich Steele

Bm
E 7
B 7
G 7
D 9
A 9
E 7

E 7
B 7(h)8 7 7
G 9 7 7(h)9 7 7
D 9 7 7(h)9 9
A 9 7 9
E 7","Also known as 'FLAB SLAB' (Float Like A Butterfly, Sting Like A Bee). This song was built on the Pygmy Twylyte > I-Man jam from 5/6/99.","king",96,"e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64","The Disco Biscuits",128,"2025-06-26T00:00:00.000Z","2001-11-17T00:00:00.000Z",{"_102":109,"_104":637,"_106":288,"_108":103,"_110":111,"_112":288,"_113":105,"_212":128,"_114":211,"_115":111,"_116":128,"_117":128,"_118":103,"_119":103,"_120":111,"_121":101,"_122":128,"_123":111,"_124":128,"_214":105,"_125":57,"_126":57,"_127":101,"_129":105,"_215":105},24,{"_639":640,"_643":644,"_647":648,"_652":653,"_435":657,"_661":662,"_578":664,"_148":667,"_167":669,"_172":673},"43",{"_25":641,"_135":642,"_137":449},"2004-12-27","2004-05-06","46",{"_25":377,"_135":645,"_137":646},"2005-05-27",253,"59",{"_25":649,"_135":650,"_137":651},"2008-06-09","2007-01-04",522,"73",{"_25":654,"_135":655,"_137":656},"2011-01-13","2010-06-08",219,{"_25":658,"_135":659,"_137":660},"2012-07-05","2011-08-18",322,"84",{"_25":596,"_135":663,"_137":313},"2013-12-26",{"_25":665,"_135":164,"_137":666},"2015-10-29",252,{"_25":606,"_135":256,"_137":668},295,{"_25":670,"_135":671,"_137":672},"2024-09-11","2023-09-24",353,{"_25":674,"_135":670,"_137":675},"2025-06-26",288,2007,"http://sickbarberlicks.weebly.com/king-of-the-world.html",[],{"_21":620,"_51":22,"_52":419,"_54":555,"_56":103,"_58":-5,"_31":680,"_33":680,"_35":36,"_23":681,"_61":-5,"_62":63,"_64":558,"_66":682,"_39":36,"_41":36,"_46":-5,"_67":683,"_186":696},"2020-02-22T16:35:05.576Z","2003-08-13-shelby-rose-2","d84d0cb9-15a4-421b-a5a2-fd2dfc2d91d8",{"_21":419,"_69":423,"_23":424,"_31":425,"_33":426,"_74":427,"_76":428,"_27":78,"_79":429,"_29":430,"_81":63,"_82":83,"_84":85,"_86":-5,"_87":-5,"_88":431,"_90":207,"_92":432,"_94":684,"_130":685,"_180":183,"_182":335,"_184":479,"_46":423},{"_100":107,"_102":286,"_104":279,"_106":210,"_108":109,"_110":111,"_112":211,"_113":42,"_212":363,"_114":213,"_115":57,"_116":128,"_117":105,"_118":103,"_119":111,"_120":111,"_121":111,"_122":103,"_123":111,"_124":105,"_214":105,"_125":111,"_126":111,"_127":101,"_129":101,"_215":211},{"_435":686,"_440":687,"_445":688,"_318":689,"_454":690,"_331":691,"_462":692,"_467":693,"_471":694,"_475":695},{"_25":437,"_135":438,"_137":439},{"_25":442,"_135":443,"_137":444},{"_25":447,"_135":448,"_137":449},{"_25":451,"_135":452,"_137":453},{"_25":307,"_135":456,"_137":457},{"_25":459,"_135":460,"_137":461},{"_25":464,"_135":465,"_137":466},{"_25":469,"_135":252,"_137":470},{"_25":261,"_135":473,"_137":474},{"_25":477,"_135":478,"_137":374},[],{"_21":682,"_51":22,"_52":698,"_54":555,"_56":128,"_58":-5,"_31":699,"_33":699,"_35":36,"_23":700,"_61":-5,"_62":63,"_64":620,"_66":701,"_39":36,"_41":36,"_46":-5,"_67":702,"_186":756},"b850a0ea-f2e4-4c1e-bf3e-8070efbfe789","2020-02-22T16:35:05.649Z","2003-08-13-the-tunnel","f7285869-067e-4a4f-a4e2-e98a7d2dda11",{"_21":698,"_69":703,"_23":704,"_31":72,"_33":705,"_74":706,"_76":707,"_27":78,"_79":708,"_29":603,"_81":63,"_82":83,"_84":85,"_86":-5,"_87":-5,"_88":709,"_90":710,"_92":711,"_94":712,"_130":713,"_180":183,"_182":754,"_184":755,"_46":703},"The Tunnel","the-tunnel","2025-08-26T02:10:08.566Z","From rock to rock
and stone to stone,
It's what I do
when I'm alone.

With all the time,
such a place.
And now it seems,
without a face.

Laugh and mock
they don't believe,
I smile humbly
as they leave

Though I feel
a bit confused.
Its like the dream
where I can't move.

Alone at last,
the tide is low,
A great abyss
in which to go.

The ocean swells,
I move away.
It follows me
as if to play.

Rest in nature's arm,
tight and free from harm.

In a different
world of mine,
There comes a voice
to tell the time.
Tell the time.
Tell the time.
Tell the time.

Does something else exist beyond the sky?
Will the angels walk or will they fly?
A familiar voice I haven't heard in years.
Tell me what to do as heaven nears.

And if its not my time can I come back?

Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.

A storm rolls in
but still i'm safe.
I find myself
within a cave.

The lightning strikes
like a spiderweb.
I catch my breath
on a concrete bed.

I can't remember
certain things,
Like when and where
I got these wings.

The storm had passed
and the day was bright,
And each step
seemed aflight.

Now I've met
my guardian,
My lease on life
renewed again.

Peace has
overwhelmed my soul,
And the toll collector
takes its toll.

Can i have
a few more days,
To take in
just a few more rays?

Live the life
that I'd always hoped.
And tend the plants
that I meant to grow.
Meant to grow.
Meant to grow.
Meant to grow.

Does something else exist beyond the sky?
Will the angels walk or will they fly?
A familiar voice I haven't heard in years.
Tell me what to do in seven years.

And if its not my time can I come back?

Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.
Found myself in the tunnel of light,
and i didn't have the urge to fight.","Tab by Jason Hill

Intro

E------------------12~---------------14-15-17--------14-15-17---------------14-14-15~
B-----15~------------------------15------------15-----------------15------15--------------
G-----------------------------------------------------------------------------------------------

E------------------13~---------------15-16-18--------15-16-18---------------15-15-16~
B-----16~------------------------16------------16-----------------16------16--------------
G-----------------------------------------------------------------------------------------------

E------------------14~---------------16-17-19--------16-17-19---------------16-16-17~
B-----17~------------------------17------------17-----------------17------17--------------
G-----------------------------------------------------------------------------------------------

Verse:

C B5 Am7 ? Em G A B

E-0- - -x- - -0- - 0- - 0- - 3- - - - - - - -
B-1- - -x- - -1- - 0- - 0- - 0- - 2- - 4- -
G-0- - -4- - -0- - 0- - 0- - 0- - 2- - 4- -
D-2- - -x- - -2- - 2- - 2- - 0- - 2- - 4- -
A-3- - -2- - - -- - - --2- - 2- - - - - - - -
E-3- - -x- - - -- - - - 0- - 3- - - - - - - -

On 4th time of chorus chords, add this to end

E------------
B---5----6--
G---5----6--
D---5----6--
A------------
E------------

Into Chorus:

D A C# C
Does something else exist beyond the sky?

G C D
Will the angels walk or will they cry?

D A C# C
A familiar voice I haven?t heard in years

G C D
Tell me what to do in seven years

A D C G D C A D C G D C E
And if it?s not my time can I come back?

Solo 1??just in E maj I think?.

The found my self in the tunnel of light????
waaaaaahhhhhhhhhh

E-------------------------------
B---1-----2-----3------4------
G---1-----2-----3------4------
D---1-----2-----3------4------
A-------------------------------
E-------------------------------
","tunnel",65,"2025-06-24T00:00:00.000Z","2001-06-27T00:00:00.000Z",{"_102":572,"_104":287,"_106":57,"_108":111,"_212":103,"_114":111,"_115":105,"_116":111,"_119":105,"_121":105,"_122":105,"_123":111,"_124":105,"_125":105,"_215":111},{"_643":714,"_574":718,"_722":723,"_727":728,"_732":733,"_737":738,"_375":741,"_744":745,"_380":748,"_384":751},{"_25":715,"_135":716,"_137":717},"2004-09-03","2003-10-29",310,{"_25":719,"_135":720,"_137":721},"2008-04-17","2004-12-29",1205,"51",{"_25":724,"_135":725,"_137":726},"2009-04-18","2008-06-06",316,"53",{"_25":729,"_135":730,"_137":731},"2010-07-15","2009-06-27",383,"56",{"_25":734,"_135":735,"_137":736},"2014-12-27","2011-04-14",1353,"57",{"_25":739,"_135":734,"_137":740},"2016-02-06",406,{"_25":742,"_135":739,"_137":743},"2017-09-22",594,"61",{"_25":607,"_135":746,"_137":747},"2018-11-24",398,{"_25":749,"_135":607,"_137":750},"2021-11-19",693,{"_25":752,"_135":749,"_137":753},"2025-06-07",1296,2010,"http://sickbarberlicks.weebly.com/the-tunnel.html",[],{"_21":65,"_51":22,"_52":758,"_54":55,"_56":101,"_58":78,"_31":759,"_33":760,"_35":36,"_23":761,"_61":-5,"_62":63,"_64":271,"_66":50,"_39":36,"_41":36,"_46":-5,"_67":762,"_186":816},"72c45c22-b706-4632-a48c-95455ee82764","2020-02-22T16:35:05.416Z","2024-08-17T07:16:11.028Z","2003-08-13-floodlights",{"_21":758,"_69":763,"_23":764,"_31":765,"_33":766,"_74":767,"_76":768,"_27":78,"_79":769,"_29":709,"_81":63,"_82":83,"_84":85,"_86":-5,"_87":-5,"_88":770,"_90":771,"_92":772,"_94":773,"_130":775,"_180":183,"_182":814,"_184":815,"_46":763},"Floodlights","floodlights","2020-02-22T15:50:22.856Z","2025-08-26T02:09:43.573Z","Where did I go wrong, and it wasn't too long ago.
I didn't think I would ever change me.
but I know that it did, That the fruit that I was tempted by.
It didn't sink in, until the lights flashed in my eye.

And I knew they were flying up above in the sky.
I wouldn't let up until I couldn't push anymore.
And I thought if I ever had a chance before,
And I was set up, and now I'd say my chances are poor.

And you run for your life,
And you hide from the lights as they shine from the sky.
When your life's on the line,
And you think in your mind, are you ready to die?

How can I go on, and I'll live a long life you know
If I could outrun the whole damn state
And I think of the time that I didn't have to run
And then I thought it, I may never see the sun

In the morning all I got left is my gun
And I will use it to get myself out of this mess
And I thought if I'd ever taken more or less
Then I'd abuse it and all I'd have left is my stress

And you run for your life,
And you hide from the lights as they shine from the sky.
When your life's on the line,
And you think in your mind, are you ready to die?","transcribed by Rich Steele

(main riff)
E 0 0
B 0 0
G 1 1
D 2 2 12 12 12 12 14
A 2 2 12 12 12 12 12(h)14
E 0 0 0 12(h)14

(chorus)

E > A > B > G > E","flood",105,"2024-09-08T00:00:00.000Z","2000-10-11T00:00:00.000Z",{"_100":42,"_102":286,"_104":774,"_106":363,"_108":103,"_110":128,"_112":211,"_113":103,"_212":103,"_114":103,"_115":111,"_116":105,"_117":105,"_118":111,"_119":105,"_121":105,"_122":105,"_123":105,"_125":105,"_127":111,"_129":111},25,{"_776":777,"_780":781,"_784":785,"_788":789,"_792":793,"_796":797,"_798":799,"_801":802,"_805":806,"_809":810},"68",{"_25":720,"_135":778,"_137":779},"2004-05-28",215,"93",{"_25":782,"_135":512,"_137":783},"2012-12-28",714,"94",{"_25":786,"_135":782,"_137":787},"2013-09-28",274,"96",{"_25":790,"_135":452,"_137":791},"2014-09-26",269,"97",{"_25":794,"_135":790,"_137":795},"2016-06-01",614,"98",{"_25":742,"_135":794,"_137":143},"99",{"_25":800,"_135":742,"_137":334},"2018-05-26","100",{"_25":803,"_135":800,"_137":804},"2021-11-21",1275,"101",{"_25":807,"_135":803,"_137":808},"2023-03-10",474,"103",{"_25":811,"_135":812,"_137":813},"2024-08-28","2023-06-17",438,2011,"http://sickbarberlicks.weebly.com/floodlights.html",[817],{"_21":818,"_340":65,"_341":819,"_31":820,"_33":820},"da7884be-1fc6-4fe1-883c-d3c533357670","dub version","2024-08-17T07:16:11.420Z",{"_21":701,"_51":22,"_52":822,"_54":555,"_56":109,"_58":268,"_31":823,"_33":823,"_35":36,"_23":824,"_61":-5,"_62":63,"_64":682,"_66":825,"_39":36,"_41":36,"_46":-5,"_67":826,"_186":881},"d63c2607-6664-4e7f-9235-c042c03c92fa","2020-02-22T16:35:05.721Z","2003-08-13-mindless-dribble","4a07ca59-2b24-4fb6-8d1a-f1a9db11726c",{"_21":822,"_69":827,"_23":828,"_31":765,"_33":829,"_74":830,"_76":831,"_27":78,"_79":832,"_29":833,"_81":63,"_82":202,"_84":203,"_86":834,"_87":835,"_88":201,"_90":569,"_92":836,"_94":837,"_130":840,"_180":181,"_182":879,"_184":880,"_46":827},"Mindless Dribble","mindless-dribble","2025-08-26T02:09:53.167Z","

Whimsical, a pen in motion, thoughts roll in my mind,
scamper by so quickly now an agile word would find,
well I tried to grasp an angel, saw her wings, and watched her fly
reality for mingling dreams to scurry back and get in line.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

A gallery, a pen in motion, a delightful line instead,
it's chivalry outranks commotion on the roads most common tread,
and on those boots, the clicking heels, the dreams, the angel starts to fly,
to masquerade the world's parade for only seconds at a time.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
And they missed the perfume.

In a native centered world, one picks the fruit right off the trees,
on a wild blue island in the deep blue seas,
beyond a paleocentric world with all our people shaped in threes,
the only way I get around is some mild insanity.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
and they missed the perfume.

","

transcribed by Rich Steele
after intro, the chord they hit is a F# major played
on the 2nd fret.
They keep hitting this until you get to the next part, which is the part
during the verse too.

the way barber plays this kinda has this shuffle feel to it. the chords dont really sustain at all. for best
results don't press down all the way on the strings
to keep it from sounding too loud, avoiding the heavy
pick attack sound.

Am Am G G
E 5 5 3 3
B 5 5 10 10 10 10 12 12 3 3
G 5 5 9 9 9 9 12 12 4 4
D 7 7 10 10 10 10 12 12 5 5
A 7 7 10 10 5 5
E 3 3

(verses)
(start the part above with the first line of each verse with the Am, and
hit the G with the last word of each line.)

(#1)
Whimsical, a pen in motion, thoughts roll off my mind.
Scamper by so quickly, now a agile word would find.
Tried to grasp an angel, saw her wings and watched her fly.
Reality from mingling dreams, to scurry back and get in line.

(Chorus)

Am G Am D Bm
E 5 5 5 3 5 7 7 7 7
B 5 5 5 3 5 7 7 7 7 7 7 7 7
G 5 5 5 4 5 7 7 7 7 7 7 7 7
D 7 7 7 5 7 7 7 7 7 9 9 9 9
A 7 7 7 5 7 5 5 5 5 9 9 9 9
E 5 5 5 3 5 7 7 7 7

F F# G
E 1 1 1 1 2 3
B 1 1 1 1 2 3
G 2 2 2 2 3 4
D 3 3 3 3 4 5
A 3 3 3 3 4 5
E 1 1 1 1 2 3

We ordered out for Mindless Dribble
Overused half-wit, ishkabible.
Corner store junkies giving advice.
We ordered out for paradise.

(applebutter toast part)

E 7
B 4 4 4 7 4 7 5 5(p)4
G 4 4 4 4 6 4 4 4 4 6 4 4 4 4 6 6 4 4 4 4 6(p)4
D
A
E

Applebutter toast is nice.
Envisioned on a third wing, twice.
My fine breaded friend, was denied by the vice
and they missed the perfume.

","dribble",47,"

Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.

The first debut of 1998, Mindless Dribble signalled an important shift in the band’s style and songwriting maturity. It’s challenging lyrics and aggressive style placed it in contrast to the faux-hippie neo-psychedelia of 97-95.

The first few performances of Dribble were completely free of improv, but within a little more than a month the band was beginning to carve out the song’s nascent jam section. There is a tremendous observable growth throughout the year, with at least one must-hear version, 12/30/98 (also noteworthy as the first "happy" Dribble). Other noteworthy early versions include 4/18/98 and 5/2/98.

The song became a major jam vehicle in 1999, the year where most of the strongest versions can be found. The jam section remained fairly standard throughout the year, with a few notable deviations, e.g. the demented, primal 10/28/99 and the fairly blissful 12/30/99 (another "happy" Dribble). The song remained strong through 2000, with noteworthy versions including 10/31/00 (the longest version to date) and 10/6/00, in which the chord progression that eventually gave rise to The Big Happy, Highwire, and I Remember When was debuted.

Dribble remained a strong selection in 2001, with the split-up "happy" Dribble from 3/31/01 widely regarded as one of the best. The song also underwent some important developments in this year. On 4/20/01 (fittingly) the “dub” version of Mindless Dribble was debuted, a part of the larger trend of dubbed versions of Biscuits songs that swept up both I-Man and Floodlights during April 2001. Later in the year, the song became the vehicle for the composed jam that would eventually become known as Strobelights and Martinis. Beginning on 9/1/01, and continuing through the month, every Dribble (with the exception of 9/21/01) would bear the hallmarks of this jam. The section was briefly reprised again in April 2003 and occasionally after Strobelights was debuted as its own song.

Although Dribble remained a staple of the catalog, its appearance grew less frequent in 2.0. It was never shelved, and was often split up to keep it interesting. When not split up, Dribble often fell into predictable patterns that made it less interesting than it had been in the 1.0 era (though exceptions to this rule exist--most notably the Red Rocks Dribble of 5/29/10).

Dribble continued to be a common presence throughout the setbreak era, being played, on average, around once every five or six shows (the striking exception to this is in 2018, when, excluding the dub version from Camp Bisco, Dribble was only played once the entire year). The song had a major renaissance during the "Setbreak is Over" tour of fall 2019. 11/16/19 and 11/17/19 each feature half of a strong split version, and arguably the strongest full version played with Allen took place on 12/13/19.

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You slide into the world
The womb you have to leave
To be a boy or girl

When the man steals your nature with his watch
All in time a bit of peace, in time the chaos stops
Yellin' but you just can't find the words
Gaia, still loves all the pieces, of her jigsaw earth

Gaia...

Jacob left in the dark of night, hopped into his car
Finding street-wise Sandibel , and a volunteer chauffeur
Didn't see no reason to take a third
Gaia still loves all the trees, home to all the birds

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

Jacob sat on empty, Sandibel got tied up
The volunteer put on her clothes and pilfered her make-up
Guaranteed to be back for them soon
Gaia makes and takes the rain how ever opportune

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

I gathered myself, and rubbed my eyes, and wondered, did she know?
That I put glass and concrete beams as tall as trees can grow.
That I tear down the oldest statues, faces who've grown long
She may have known, may not have cared, continued with her song...

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.","tabbed by Rich Steele

intro/verse riff

E 9 8 6(h)7 6 6
B 9 9 7 7(h)9 9
G 10 10
D
A
E

then the quick little riff after the lick above is played 8 times.

E 14
B 12
G 11
D 13
A
E

then...

E 14 12 11 12 10 9 10 8 7 7
B 12 12 14 10 10 8 8 10 7 7
G 11 13 9 7 9
D 13 15 11 9
A
E

E 7 10 7 7 11
B 8 8 10 7 9
G 9 8
D 9
A
E

then it's the upward dubby strum on Abm

E 4
B 4
G 4
D 6
A 6
E 4

then...

Ebm Db Abm
E 6 4
B 7 6 4
G 8 6 4
D 8 6 6
A 6 4 6
E 4

quick in between riff

E
B
G 8 10 11 10 6 8
D
A
E

chorus - Ebm > C# > B > Ebm

the \\\"chase\\\" section

E
B 11
G 11 10 11 10 13 11 13 11
D 11 11 11 (play this twice)
A
E

E 11 13 11 11
B 11 11 13 10 11 12 13 11 11
G 11 10 11 10 10 11 12 13 11
D 11 11 11
A
E

E
B 9 10 7 9
G 9
D 7 6 7 6 9 7 6 7 6 (twice) 7 6 7 6 9 10
A 7 7 7 7 10
E

(still not 100% sure on the rest of that lick. will work on it and get it up along with the rest of the song very 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