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Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

It took a few months to infiltrate,
In just one night he bit the bait.
It didn't seem Lai would give it up.
Even when Shelby spiked his cup.

He ran a tight ship and closed his mouth,
Every time the ladies were in the house.
Everything she did was done in vain.
Couldn't get a wire tap in the drain.

Give it up! Give it up!

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

Little Shelby Rose, this is how it goes,
And you know what it takes.
Careful what you say, careful what you do,
Can't afford a mistake.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Little does he know she has him read.
In a couple minutes, they're off to bed.
Takes another name and sculpts her clay,
And not before long she's got her prey.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Give it up! Give it up!

","tabs","","legacyAbbr","ladies",99,"cover","authorId","e2397ce3-857e-425f-925e-1cb30de780d7","legacyAuthor","Marc Brownstein","history","

Ladies was first played by Electron on 8/18/00, debuted on the same night as the full Chemical Warfare Brigade opera, along with Floodlights, Shelby Rose and Confrontation. The lyrics are largely the same, but the structure of the song is slightly different: there are shouts of “give it up! give it up!” in the introduction and before the jam, and there is a brief synth jam in between the verses. The jam in this Electron version is also considerably slower and mellower than in Biscuits versions, and there is no peak; rather, the jam just resolves back into the same verse from the intro.

The first and only Biscuits version of Ladies in 2000 is tightened up considerably from the Electron version. It is much faster than the Electron version, and the peak has that much needed Barber “oomph.” Although slightly slower than modern versions, in all other ways the song is virtually indistinguishable.

Ladies was played a whopping 27 times each in 2001 and 2002, the years of the song’s first golden age. It was a staple of the early spring tour, and was mostly played standalone, although it was split on its second performance on 3/22/01 and segued into on 4/12/01 and 4/20/01. It was inverted for the first time at the Bisco Knights festival on 8/25/01. In the fall tour the song became a powerhouse, with standout versions including the set closing standalone on 9/8/01 and the massive inverted version on 9/22/01.

2002 was the year Ladies really took off. 4/25/02 is the first dyslexic version, and the standout version from the spring tour. The summer tour included many excellent versions, including 7/26/02 and 8/11/02, but the real apex for the song came in the fall tour, with two legendary versions on 10/4/02 and 10/18/02.

Ladies became less common after 2002, and although the 2003 versions aren’t as legendary as the late 2001 or 2002 versions, there are a couple with unmistakable merit, such as the unfinished 4/25/03 or the split-up 11/28/03 (which was a part of the fourth complete performance of the Chemical Warfare Brigade. Ladies was only played seven more times with Sammy after 2003.

When Allen joined the band, Ladies became a catalog staple once again. Its second golden age lines up nicely with the second golden age of the band overall, beginning in mid-2007 and lasting into early 2010. The Astronaut > Ladies (><) > Astronaut from 11/19/06 is arguably the first great Ladies with Allen, but the spectacular 5/27/07 Ladies > O Fortuna > Spacebird (><) > Ladies and the over 35 minute Ladies > Gangster from 10/23/07 definitively assured Ladies’ place in the pantheon of trance-fusion juggernauts.

Ladies remained a powerhouse staple through 08 (standout versions including 1/16/08, 4/18/08, 5/24/08, 6/13/08 and 12/30/08), but the song hit another level in 2009, when it was played 21 times (the most of any year since 2002). In a year of furious lightspeed trance jams, Ladies flourished. Notable versions including 2/15/09, 4/24/09, and 6/25/09 are hailed as some of the best ever. The song was played twice in 2010 before wristgate, on 1/29/10 and 3/17/10, and both versions are excellent.

Ladies remained a setlist staple in the setbreak era, and in addition to the numerous versions played during this time, the band frequently used a Ladies style jam to get from A to B in this era. In fact, the year where Ladies was most common was 2012, when it was played on average once every 3.3 shows. Notable versions from the setbreak era include the 1/26/14 Tractorbeam version, 3/26/16, 6/02/16, and 8/20/16.

In the post-setbreak era, Ladies continues to be a setlist staple. It is still frequently played inverted, although well-known exceptions include the set bookending 9/23/23 and the dyslexic 1/28/24 (part of a full set palindrome). Ladies is one of the most frequently played Biscuits songs, appearing on average once every five to six shows since its debut. It has only disappeared from the rotation for more than a dozen shows a few times, and never for more than sixteen shows. It is an indisputably important part of the Biscuits’ catalog.

","featuredLyric","Come on all the ladies, get down tonight.\nGive it up! Give it up!","timesPlayed",229,"dateLastPlayed","2025-08-21T00:00:00.000Z","dateFirstPlayed","2000-12-30T00:00:00.000Z","yearlyPlayData",{"_98":57,"_99":100,"_101":100,"_102":103,"_104":105,"_106":57,"_107":108,"_109":110,"_111":108,"_112":113,"_114":115,"_116":105,"_117":105,"_118":119,"_120":121,"_122":123,"_124":105,"_125":105,"_126":127,"_128":121,"_129":57,"_130":121,"_131":132,"_133":115,"_134":110,"_135":115},"2000","2001",27,"2002","2003",15,"2004",6,"2005","2006",13,"2007",11,"2008","2009",21,"2010",9,"2011","2012","2013",4,"2014",5,"2015",3,"2016","2017","2018",2,"2019","2020","2021","2022",7,"2023","2024","2025","longestGapsData",{"_138":139,"_145":146,"_150":151,"_154":155,"_159":160,"_164":165,"_169":170,"_174":175,"_179":180,"_184":185},"74",{"_25":140,"_141":142,"_143":144},"2004-11-26","previous","2004-05-06","delta_days",204,"76",{"_25":147,"_141":148,"_143":149},"2005-08-26","2004-12-31",238,"77",{"_25":152,"_141":147,"_143":153},"2006-02-04",162,"113",{"_25":156,"_141":157,"_143":158},"2008-12-30","2008-07-19",164,"150",{"_25":161,"_141":162,"_143":163},"2012-07-07","2011-12-28",192,"158",{"_25":166,"_141":167,"_143":168},"2013-12-19","2013-04-27",236,"166",{"_25":171,"_141":172,"_143":173},"2015-09-05","2015-02-21",196,"181",{"_25":176,"_141":177,"_143":178},"2018-12-07","2018-05-24",197,"183",{"_25":181,"_141":182,"_143":183},"2019-07-19","2019-01-25",175,"187",{"_25":186,"_141":187,"_143":188},"2020-10-16","2019-12-30",291,"mostCommonYear",2002,"leastCommonYear",2000,"guitarTabsUrl","http://sickbarberlicks.weebly.com/and-the-ladies-were-the-rest-of-the-night.html","annotations",[],{"_21":66,"_51":22,"_52":198,"_54":55,"_56":127,"_58":199,"_31":200,"_33":200,"_35":36,"_23":201,"_61":-5,"_62":63,"_64":50,"_65":202,"_39":36,"_41":36,"_46":-5,"_67":203,"_195":277},"626d2c0c-78c9-480d-9438-89fd26b61420",">","2020-02-22T16:34:52.615Z","2003-05-31-helicopters","14fb2e59-ba42-465a-8435-6daac310b615",{"_21":198,"_69":204,"_23":205,"_31":206,"_33":207,"_74":208,"_76":209,"_27":77,"_78":210,"_29":211,"_81":63,"_82":212,"_84":213,"_86":-5,"_88":214,"_90":215,"_92":216,"_94":217,"_96":218,"_136":228,"_189":274,"_191":275,"_193":276,"_46":204},"Helicopters","helicopters","2020-02-22T15:50:22.697Z","2025-08-26T02:09:45.719Z","

Three, three.
Fly high.
No wings.
To show.
Show, show.

HEY!
Helicopters, look out below.
Helicopters, flying low.

Night, night.
In the red sky.
Three fly.
All in a line.
Running out of time.

HEY!
Helicopters, look out below.
Helicopters, flying low.

","transcribed by Rich Steele

(intro)
E 12~~
B 12~~
G 12~~
D 12~~
A 5 6 7 (play this 7 5 7 7 7 7 5 7 7 12~~
E 4 times)
(twice)
E
B
G (play this twice)
D 5 7
A 3 5
E 3(h)5 5 5 5 5 5 3(h)5 5 5 5 5

E
B
G
D 7 5 7 (just keep looping
A 7 7 5 this riff over and over
E 5 till the chorus.
the ","copters",38,"4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","Look out below!",346,"2025-08-24T00:00:00.000Z","1998-08-28T00:00:00.000Z",{"_219":220,"_221":222,"_98":223,"_99":224,"_101":224,"_102":110,"_104":121,"_106":132,"_107":225,"_109":42,"_111":110,"_112":113,"_114":226,"_116":227,"_117":105,"_118":105,"_120":132,"_122":105,"_124":132,"_125":121,"_126":132,"_128":132,"_129":127,"_130":110,"_131":110,"_133":108,"_134":110,"_135":226},"1998",22,"1999",48,14,25,18,10,8,{"_229":230,"_234":235,"_237":238,"_241":242,"_246":247,"_251":252,"_256":257,"_260":261,"_265":266,"_270":271},"147",{"_25":231,"_141":232,"_143":233},"2004-07-10","2004-01-08",184,"148",{"_25":140,"_141":231,"_143":236},139,"175",{"_25":239,"_141":240,"_143":236},"2007-05-19","2006-12-31","196",{"_25":243,"_141":244,"_143":245},"2008-12-12","2008-07-25",140,"237",{"_25":248,"_141":249,"_143":250},"2012-07-05","2011-12-31",187,"246",{"_25":253,"_141":254,"_143":255},"2013-12-16","2013-07-12",157,"250",{"_25":258,"_141":259,"_143":250},"2014-07-31","2014-01-25","269",{"_25":262,"_141":263,"_143":264},"2017-05-26","2016-12-31",146,"284",{"_25":267,"_141":268,"_143":269},"2019-10-05","2019-05-25",133,"288",{"_25":272,"_141":273,"_143":188},"2020-10-17","2019-12-31",1999,2020,"https://sick-barber-licks.weebly.com/helicopters.html",[],{"_21":279,"_51":22,"_52":198,"_54":55,"_56":119,"_58":-5,"_31":280,"_33":280,"_35":36,"_23":281,"_61":-5,"_62":63,"_64":202,"_65":282,"_39":36,"_41":36,"_46":-5,"_67":283,"_195":296},"128b91f8-a991-4ce0-b7a4-f25a52221b0a","2020-02-22T16:34:52.770Z","2003-05-31-helicopters-2","aabce62d-2286-468e-a8b2-84497f942c74",{"_21":198,"_69":204,"_23":205,"_31":206,"_33":207,"_74":208,"_76":209,"_27":77,"_78":210,"_29":211,"_81":63,"_82":212,"_84":213,"_86":-5,"_88":214,"_90":215,"_92":216,"_94":217,"_96":284,"_136":285,"_189":274,"_191":275,"_193":276,"_46":204},{"_219":220,"_221":222,"_98":223,"_99":224,"_101":224,"_102":110,"_104":121,"_106":132,"_107":225,"_109":42,"_111":110,"_112":113,"_114":226,"_116":227,"_117":105,"_118":105,"_120":132,"_122":105,"_124":132,"_125":121,"_126":132,"_128":132,"_129":127,"_130":110,"_131":110,"_133":108,"_134":110,"_135":226},{"_229":286,"_234":287,"_237":288,"_241":289,"_246":290,"_251":291,"_256":292,"_260":293,"_265":294,"_270":295},{"_25":231,"_141":232,"_143":233},{"_25":140,"_141":231,"_143":236},{"_25":239,"_141":240,"_143":236},{"_25":243,"_141":244,"_143":245},{"_25":248,"_141":249,"_143":250},{"_25":253,"_141":254,"_143":255},{"_25":258,"_141":259,"_143":250},{"_25":262,"_141":263,"_143":264},{"_25":267,"_141":268,"_143":269},{"_25":272,"_141":273,"_143":188},[],{"_21":282,"_51":22,"_52":298,"_54":55,"_56":121,"_58":199,"_31":299,"_33":299,"_35":36,"_23":300,"_61":-5,"_62":63,"_64":279,"_65":301,"_39":36,"_41":36,"_46":-5,"_67":302,"_195":362},"747bebf1-ad9c-4e63-9aab-a8d518b33223","2020-02-22T16:34:52.829Z","2003-05-31-42","976867e7-efca-493a-a8e3-4c9fd55854ed",{"_21":298,"_69":303,"_23":303,"_31":304,"_33":305,"_74":306,"_76":77,"_27":77,"_78":307,"_29":308,"_81":63,"_82":83,"_84":85,"_86":309,"_88":310,"_90":311,"_92":312,"_94":313,"_96":314,"_136":317,"_189":359,"_191":360,"_193":361,"_46":303},"42","2020-02-22T15:50:22.856Z","2025-08-26T02:09:32.760Z","

vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

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In your favorite disguise,
With your button-down lips,
And your roller blind eyes.
With your empty smile,
And your hungry heart,
Feel the bile rising,
From your guilty past.
With your nerves in tatters,
As the cockleshell shatters,
And the hammers batter,
Down your door,
You better run.

You better run all day,
And run all night.
And keep your dirty feelings deep inside.
And if you're taking your girlfriend out tonight,
You better park the car well out of sight.
cause if they catch you in the back seat,
Trying to pick her locks,
They're gonna send you back to mother,
In a cardboard box.
You better run!","transcribed by Rich Steele

(intro)

E 10 10 9 9 7 7
B 10 10 10 10 8 8 7 7
G 11 11 9 9 7 7 7 7
D 0 0 0 0 0 0 0 0 7 7 0 0 0
A (play open D for
E 4 beats)

E 5 5 3 3
B 5 5 3 3 0 0 3 3
G 6 6 4 4 2 2 2 2
D 0 0 0 0 0 7 7 5 5 0 0 0 0 0 0 0 0 2 2 4 4
A 0 0
E

(chords over the Run....Run.. Run part are F > Em > C)

(verse)

Em
E 0
B 0
G 0
D 2
A 2
E 0

You better make your face up in your favorite disguise.

F
E 1
B 1
G 2
D 3
A 3
E 1

With your button down lips, and your roller blind eyes.

Em
E 0
B 0
G 0
D 2
A 2
E 0

With your empty smile, and your hungry heart.

C
E 8
B 8
G 9
D 10
A 10
E 8

Feel the bile rising from your guilty past.

E 7
B 7
G 8
D 9
A 9
E 7

With your nerves in tatters, as the cockle shell shatters.

Em
E 7
B 8
G 9
D 9
A
E

As the hammers batter down your door, you better run.

Everything above is the only part of the actual song they do the same
way everytime. Just the basic structure of the original Floyd song for
the most part. Everything before and after this is different everytime.
:)
","rlh",154,true,"0613f1fa-e69e-4913-8ca0-f7bb72e5d6ec","Pink Floyd",277,"2025-08-22T00:00:00.000Z","1995-04-01T00:00:00.000Z",{"_385":119,"_386":121,"_387":388,"_219":389,"_221":389,"_98":42,"_99":388,"_101":388,"_102":227,"_104":121,"_106":123,"_107":42,"_109":226,"_111":226,"_112":388,"_114":227,"_116":105,"_117":121,"_118":105,"_120":121,"_122":123,"_124":121,"_125":121,"_126":121,"_128":121,"_129":127,"_130":227,"_131":105,"_133":227,"_134":132,"_135":119},"1995","1996","1997",16,28,{"_391":392,"_396":397,"_400":401,"_405":406,"_409":410,"_414":415,"_419":420,"_424":425,"_429":430,"_433":434},"1",{"_25":393,"_141":394,"_143":395},"1995-09-16","1995-04-01",168,"9",{"_25":398,"_141":399,"_143":183},"1997-02-28","1996-09-06","135",{"_25":402,"_141":403,"_143":404},"2004-12-27","2004-05-08",233,"203",{"_25":407,"_141":249,"_143":408},"2012-07-06",188,"209",{"_25":411,"_141":412,"_143":413},"2013-07-13","2013-01-25",169,"221",{"_25":416,"_141":417,"_143":418},"2015-10-30","2015-04-24",189,"232",{"_25":421,"_141":422,"_143":423},"2018-05-18","2017-11-18",181,"238",{"_25":426,"_141":427,"_143":428},"2019-11-22","2019-04-27",209,"242",{"_25":431,"_141":273,"_143":432},"2020-06-22",174,"244",{"_25":435,"_141":436,"_143":437},"2021-04-20","2020-10-24",178,"http://sickbarberlicks.weebly.com/run-like-hell.html",[],{"_21":202,"_51":22,"_52":365,"_54":55,"_56":123,"_58":199,"_31":441,"_33":441,"_35":36,"_23":442,"_61":-5,"_62":63,"_64":66,"_65":279,"_39":36,"_41":36,"_46":-5,"_67":443,"_195":456},"2020-02-22T16:34:52.684Z","2003-05-31-run-like-hell",{"_21":365,"_69":370,"_23":371,"_31":372,"_33":373,"_74":374,"_76":375,"_27":77,"_78":376,"_29":377,"_81":378,"_82":379,"_84":380,"_86":-5,"_88":-5,"_90":381,"_92":382,"_94":383,"_96":444,"_136":445,"_189":274,"_191":275,"_193":438,"_46":370},{"_385":119,"_386":121,"_387":388,"_219":389,"_221":389,"_98":42,"_99":388,"_101":388,"_102":227,"_104":121,"_106":123,"_107":42,"_109":226,"_111":226,"_112":388,"_114":227,"_116":105,"_117":121,"_118":105,"_120":121,"_122":123,"_124":121,"_125":121,"_126":121,"_128":121,"_129":127,"_130":227,"_131":105,"_133":227,"_134":132,"_135":119},{"_391":446,"_396":447,"_400":448,"_405":449,"_409":450,"_414":451,"_419":452,"_424":453,"_429":454,"_433":455},{"_25":393,"_141":394,"_143":395},{"_25":398,"_141":399,"_143":183},{"_25":402,"_141":403,"_143":404},{"_25":407,"_141":249,"_143":408},{"_25":411,"_141":412,"_143":413},{"_25":416,"_141":417,"_143":418},{"_25":421,"_141":422,"_143":423},{"_25":426,"_141":427,"_143":428},{"_25":431,"_141":273,"_143":432},{"_25":435,"_141":436,"_143":437},[],{"_21":301,"_51":22,"_52":458,"_54":55,"_56":105,"_58":199,"_31":459,"_33":459,"_35":36,"_23":460,"_61":-5,"_62":63,"_64":282,"_65":461,"_39":36,"_41":36,"_46":-5,"_67":462,"_195":522},"72c45c22-b706-4632-a48c-95455ee82764","2020-02-22T16:34:52.934Z","2003-05-31-floodlights","2b29edb3-4549-4c65-b372-ac20cd74b534",{"_21":458,"_69":463,"_23":464,"_31":304,"_33":465,"_74":466,"_76":467,"_27":77,"_78":468,"_29":469,"_81":63,"_82":83,"_84":85,"_86":-5,"_88":-5,"_90":470,"_92":471,"_94":472,"_96":473,"_136":475,"_189":190,"_191":520,"_193":521,"_46":463},"Floodlights","floodlights","2025-08-26T02:09:43.573Z","Where did I go wrong, and it wasn't too long ago.
I didn't think I would ever change me.
but I know that it did, That the fruit that I was tempted by.
It didn't sink in, until the lights flashed in my eye.

And I knew they were flying up above in the sky.
I wouldn't let up until I couldn't push anymore.
And I thought if I ever had a chance before,
And I was set up, and now I'd say my chances are poor.

And you run for your life,
And you hide from the lights as they shine from the sky.
When your life's on the line,
And you think in your mind, are you ready to die?

How can I go on, and I'll live a long life you know
If I could outrun the whole damn state
And I think of the time that I didn't have to run
And then I thought it, I may never see the sun

In the morning all I got left is my gun
And I will use it to get myself out of this mess
And I thought if I'd ever taken more or less
Then I'd abuse it and all I'd have left is my stress

And you run for your life,
And you hide from the lights as they shine from the sky.
When your life's on the line,
And you think in your mind, are you ready to die?","transcribed by Rich Steele

(main riff)
E 0 0
B 0 0
G 1 1
D 2 2 12 12 12 12 14
A 2 2 12 12 12 12 12(h)14
E 0 0 0 12(h)14

(chorus)

E > A > B > G > E","flood",65,105,"2024-09-08T00:00:00.000Z","2000-10-11T00:00:00.000Z",{"_98":110,"_99":474,"_101":224,"_102":226,"_104":123,"_106":119,"_107":227,"_109":123,"_111":123,"_112":123,"_114":127,"_116":57,"_117":57,"_118":127,"_120":57,"_124":57,"_125":57,"_126":57,"_130":57,"_133":127,"_134":127},20,{"_476":477,"_481":482,"_486":487,"_490":491,"_495":496,"_499":500,"_503":504,"_507":508,"_511":512,"_515":516},"68",{"_25":478,"_141":479,"_143":480},"2004-12-29","2004-05-28",215,"93",{"_25":483,"_141":484,"_143":485},"2012-12-28","2011-01-14",714,"94",{"_25":488,"_141":483,"_143":489},"2013-09-28",274,"96",{"_25":492,"_141":493,"_143":494},"2014-09-26","2013-12-31",269,"97",{"_25":497,"_141":492,"_143":498},"2016-06-01",614,"98",{"_25":501,"_141":497,"_143":502},"2017-09-22",478,"99",{"_25":505,"_141":501,"_143":506},"2018-05-26",246,"100",{"_25":509,"_141":505,"_143":510},"2021-11-21",1275,"101",{"_25":513,"_141":509,"_143":514},"2023-03-10",474,"103",{"_25":517,"_141":518,"_143":519},"2024-08-28","2023-06-17",438,2011,"http://sickbarberlicks.weebly.com/floodlights.html",[523],{"_21":524,"_525":301,"_526":527,"_31":528,"_33":528},"85a22650-dbbe-45d1-88da-892e70da0d9d","trackId","desc","dub version","2024-08-17T07:10:54.408Z",{"_21":530,"_51":22,"_52":531,"_54":532,"_56":127,"_58":199,"_31":533,"_33":533,"_35":36,"_23":534,"_61":-5,"_62":63,"_64":535,"_65":536,"_39":36,"_41":36,"_46":-5,"_67":537,"_195":593},"b4353c04-6538-4b1c-99bd-c52638d29fa3","0b39d856-5ad4-469f-a9a1-c5db2490c515","E1","2020-02-22T16:34:53.541Z","2003-05-31-svenghali","b5530cb6-d607-4dfa-bd6d-fcba18140a9a","95980908-a867-4e92-8220-1e9e7b5e1833",{"_21":531,"_69":538,"_23":539,"_31":540,"_33":541,"_74":542,"_76":543,"_27":77,"_78":544,"_29":545,"_81":63,"_82":212,"_84":213,"_86":546,"_88":-5,"_90":547,"_92":93,"_94":548,"_96":549,"_136":550,"_189":190,"_191":591,"_193":592,"_46":538},"Svenghali","svenghali","2020-02-22T15:50:23.818Z","2025-08-26T02:10:06.284Z","In wide open spaces we sing with strings\\nLaunch a full on musical cannonball\\nGuided by bells that we bring and they ring\\nSound for the sky and the sun\\nOur own waterfall","

Transcription by Rich Steele:\\n\\nE 3(sl)5(sl)3\\nB 3(sl)5(sl)3\\nG 2(sl)3(sl)2 0 0 0 \\nD 0 2 2 2\\nA\\nE\\n\\nE\\nB\\nG 2(sl)3(sl)2 0 0\\nD 0(h)2\\nA\\nE\\n\\n\\n(next riff)\\nE\\nB 15~ 13(p)12\\nG 12~ 9 10~~\\nD\\nA\\nE\\n\\n(verse riff)\\nE\\nB\\nG 12 12 12 12 12 12 \\nD 14 12 12\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 14 12 10 10\\nD 14\\nA\\nE\\n\\nE\\nB\\nG 16 16 16 16 14 16 16\\nD 16 16\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 10 10 10 10 12 14 12\\nD\\nA (start the 2nd riff from above \\nE after that last G)\\n\\nTranscription by Evan Leon:\\n\\n\\ne 3 sl 5 sl 3\\nB 3 sl 5 sl 3 3 sl 5 3 3 1 1 1 1 1\\nG 2 sl 4 2 0 0 0 0 0 0\\nD 0 h 2 2 2 0 h 2\\n\\nrepeat a bunch of times.. (sl=slide up/down)\\n\\ne\\nB 15 12 h 13 p 12\\nG sl 12 12 12 12\\nD 14 15\\n\\nand repeat that a bunch, as well.\\n\\nI did figure out the other parts after that... let's see.. there's a\\nvariation on the second part:\\n\\ne 15\\nB 12 h 13 p 12\\nG 15 15 15 15\\nD 14 15\\n\\nthere's a part right before the vocals where Barber\\nplays the vocal line.. something like:\\n\\ne\\nB\\nG 12 12 12 12 12 12 14 14 14 14 12 14 12\\nD 15 12 15 15 15\\n\\ne\\nB 12 12 12 12 12 12\\nG 14 12 14\\nD .......... and on and on.. just play\\naround up there until you get it.\\n\\nTranscribed by Eric Smith:\\n\\nRiff 1\\nE-----------------------------------------------------------\\nB--7/-9--/-7------------------------------------------------\\nG--8/-10-/-8--7/9--7--7-------------5---5-------5---------5-\\nD-------------7/9--7--5-------------5---5h7p5---5h7p5-----5-\\nA-------------------------------5h7---7-------7-------5h7---\\nE-----------------------------------------------------------\\n *\\nrepeat 2x, then w/ band 8 times\\n\\nMess around with the beginning of Riff 2 (up to *) using \\nthe end of Riff 1 (starting at *)\\n\\nRiff 2 *\\nE-----------------------------------------------------------\\nB------15~-------13p12--------------------------------------\\nG-/12--------12--------10--12~------------------------------ repeat 8x\\nD-----------------------------------------------------------\\nA-----------------------------------------------------------\\nE-----------------------------------------------------------\\n\\nJam around with Riff 2 in the key of E then into Riff 3\\n\\nRiff 3\\nE-----------------------------------------------------------------------\\nB-----------------------------------------------------------------------\\nG-12-12-12-12--------12----12------14-14-14-14-12---14-12-------12--14--\\nD-------------15--12----15------------------------15------15-15---------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nE-----------------------------------------------------------------------\\nB-12-12-12-12-------12----12--------------------------------------------\\nG-------------14-12----14------14-14-14-14--12----14--------12-14-------\\nD----------------------------------------------15-----15-15-------------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nRepeat Riff 3 a bunch with singing\\nJam out in E\\nRiff 3 again then with lyrics\\nRiff 2 4x\\nRiff 1 4x

","splat",179,"

When the song first debuted, it didn't have a name, and a group of fans took to calling it "Splattums" (a description of what happened to your brain when you listened to it). After the band gave the song it's official name, those same fans refused to call it anything but Splattums and continued to label it as such on recordings. Eventually, the band wrote Crickets, and added the "Lookout, splattums!" line in the chorus in the hopes that it would confuse people just enough to force the fanbase to start calling this song Svenghali.

",208,"1999-09-08T00:00:00.000Z",{"_221":223,"_98":103,"_99":316,"_101":100,"_102":388,"_104":105,"_106":105,"_107":103,"_109":42,"_111":227,"_112":226,"_114":121,"_116":121,"_117":123,"_118":119,"_120":119,"_122":57,"_124":121,"_125":119,"_126":127,"_128":57,"_129":57,"_130":119,"_131":119,"_133":105,"_134":132,"_135":105},{"_159":551,"_555":556,"_560":561,"_564":565,"_569":570,"_574":575,"_579":580,"_582":583,"_174":585,"_587":588},{"_25":552,"_141":553,"_143":554},"2010-12-28","2010-04-25",247,"153",{"_25":557,"_141":558,"_143":559},"2011-08-21","2011-01-23",210,"156",{"_25":161,"_141":562,"_143":563},"2011-12-30",190,"168",{"_25":566,"_141":567,"_143":568},"2016-01-02","2015-04-16",261,"176",{"_25":571,"_141":572,"_143":573},"2017-12-28","2017-07-14",167,"178",{"_25":576,"_141":577,"_143":578},"2018-12-30","2018-05-27",217,"179",{"_25":426,"_141":576,"_143":581},327,"180",{"_25":272,"_141":426,"_143":584},330,{"_25":586,"_141":272,"_143":311},"2021-03-26","186",{"_25":589,"_141":590,"_143":423},"2022-09-08","2022-03-11",2015,"http://sickbarberlicks.weebly.com/svenghali.html",[594],{"_21":595,"_525":530,"_526":596,"_31":597,"_33":597},"6c00110d-1839-49f9-9d4d-b111f674e98a","inverted","2020-02-22T16:34:53.572Z",{"_21":461,"_51":22,"_52":599,"_54":55,"_56":132,"_58":-5,"_31":600,"_33":600,"_35":36,"_23":601,"_61":-5,"_62":63,"_64":301,"_65":602,"_39":36,"_41":36,"_46":-5,"_67":603,"_195":655},"66fd52d5-8886-403f-9bbf-cb1d8e5af461","2020-02-22T16:34:53.023Z","2003-05-31-voices-insane","8d46f0c7-0cdb-4bfb-880c-2b7af6d07ef8",{"_21":599,"_69":604,"_23":605,"_31":540,"_33":606,"_74":607,"_76":77,"_27":77,"_78":608,"_29":609,"_81":63,"_82":212,"_84":213,"_86":-5,"_88":610,"_90":611,"_92":612,"_94":613,"_96":614,"_136":616,"_189":274,"_191":653,"_193":654,"_46":604},"Voices Insane","voices-insane","2025-08-26T02:10:11.502Z","

I admit it, I was guilty
But don't you believe it, that I was wrong

I never accepted my relocation
And I'm looking out past them four hours till dawn

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

The walls have deceived me
I imagined this all on my own
These spirits around me, clouds of dust looking for a new home

When they tap on my shoulder, tell me I got what I deserve
I throw my arms & destroy them
Cause on this day they will eat all their words

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

I can stop all the voices
and bang on the walls with my fists
But my only choice left
is the one I'd never dismiss

I hear the world through the echos
A song of life through the noise in the crowd
In this cell I've known plainly
That what I want is what is not allowed.

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

","voices",200,"These voices insane are telling me tales from the stars\nSo I call on the reigns of forces drawn in from afar",214,"2025-08-19T00:00:00.000Z","1998-10-21T00:00:00.000Z",{"_219":115,"_221":615,"_98":110,"_99":316,"_101":388,"_102":110,"_104":105,"_106":127,"_107":226,"_109":227,"_111":119,"_112":388,"_114":105,"_116":121,"_117":123,"_118":57,"_120":123,"_122":127,"_124":127,"_125":121,"_126":121,"_128":123,"_129":57,"_130":121,"_131":57,"_133":132,"_134":105,"_135":119},45,{"_617":618,"_622":623,"_169":625,"_626":627,"_631":632,"_634":635,"_569":639,"_642":643,"_646":647,"_241":649},"116",{"_25":619,"_141":620,"_143":621},"2005-09-13","2005-03-24",173,"139",{"_25":624,"_141":157,"_143":609},"2009-02-04",{"_25":248,"_141":249,"_143":250},"170",{"_25":628,"_141":629,"_143":630},"2014-01-23","2013-04-25",273,"171",{"_25":633,"_141":628,"_143":404},"2014-09-13","173",{"_25":636,"_141":637,"_143":638},"2015-07-18","2014-12-29",201,{"_25":640,"_141":641,"_143":418},"2016-10-27","2016-04-21","189",{"_25":644,"_141":350,"_143":645},"2019-12-12",203,"190",{"_25":186,"_141":644,"_143":648},309,{"_25":650,"_141":651,"_143":652},"2022-12-29","2021-12-31",363,2013,"http://sickbarberlicks.weebly.com/voices-insane.html",[],{"_21":536,"_51":22,"_52":657,"_54":532,"_56":123,"_58":-5,"_31":658,"_33":658,"_35":36,"_23":659,"_61":-5,"_62":63,"_64":530,"_65":-5,"_39":36,"_41":36,"_46":-5,"_67":660,"_195":716},"0e86d708-927c-45de-a2b8-4b618ef7355a","2020-02-22T16:34:53.632Z","2003-05-31-hope-2",{"_21":657,"_69":661,"_23":662,"_31":304,"_33":663,"_74":664,"_76":665,"_27":77,"_78":662,"_29":666,"_81":63,"_82":212,"_84":213,"_86":-5,"_88":667,"_90":668,"_92":669,"_94":670,"_96":671,"_136":672,"_189":190,"_191":591,"_193":715,"_46":661},"Hope","hope","2025-08-26T02:09:46.588Z","

Mellow was the world when it began,
the alphabet and a master plan,
settled in the trees and growing like a vine,
a delivery arriving back in time.

the officer revolt walks the beat with a bang,
for a millisecond and a boomerang,
as they walk away singing the peace is not so strong,
to turn the inside to the out and right to wrong

but silly as it is, when you can bang your head,
and who needs history when time just moves ahead,
as everything you want brings something else instead,
a hammerhead might taste the blood,
a ladybug might see the red,

There was a princess, her friend the mouse, and his little cheese,
and she wore these tiny slippers wear you'd think her toes were squeezed,
as she smiles on a swing, glides above a flower bed,
the gentle nature of a woman gives me hope to rest my head.

And hope fuels generations.
And hope can start your car.
And hope is the root of fantasy.
It's nothing but a star.

Which may be fleeting, may be bright.
May keep you staring at the night.
where one might question what life will be.
Quietly, I ask myself, 'Is there still hope for me?'

Hope is a generation.
Bang your head in the car.
And what is the root of fantasy?
Lay your bet on a star.

","transcribed by Rich Steele

intro/main riff

E
B
G 4 4 7 7 5 4
D 5(h)7 5 5 5
A 5
E
(play that twice, then..)

E
B
G 9 9 7 5 7 7 5
D 7 7 7 5 7 7 7 7 7 5 7
A
E

(played over the verse)
E 7
B 5 5 5 7 7 4 7 7 7 7 7 7 5 7
G 4 4 4 6 6 4 8 6 6 6 6 6 4 6
D 6 6 6 8 8 4 9 8 8 8 8 8 6 8
A
E

Then, in the last 2 verses in each verse, they throw a D major
(play it on the 5th fret) at the very end of each line.

Barber guitar solo (after last verse)
Transcribed by Dan Bloch

part 1
E______________________________________________________________________
B__10_9________________________________________________________________
G_______11_9__9_11_9_____________9_11_11_11_9____9_____________________
D____________________12____11_12______________12___12_11_______________
A______________________________________________________________________
E______________________________________________________________________

part 2
E______________________________________________________________________
B__10_9_____________________________10h12~~~__10__9____________________
G_______11_9__9_11_9____________9h11____________11__9__________________
D____________________12____11h12_______________________________________
A______________________________________________________________________
E______________________________________________________________________

part 3
E_____________________________________________12_______________________
B__9_12_9_12/14~~~__12__12_15~~__14_12_14_12____14~~~__________________
G_____________________14____________________14_________________________
D______________________________________________________________________
A______________________________________________________________________
E______________________________________________________________________

E_____________________________12_______________________________________
B___12__12_15~~__14_12_14_12____14~~___12_14_15~~_14_12_14_12__14_12___
G_____14____________________14_______14______________________14________
D______________________________________________________________________
A______________________________________________________________________
E______________________________________________________________________

(Reapeat part 3 once...)
then...

part 4
E__________9~~~~_______9_10~~__9____9________9_________________________
B__9_10_12_______10_12___________12___12_10____12______________________
G______________________________________________________________________
D______________________________________________________________________
A______________________________________________________________________
E______________________________________________________________________
(Repeat all parts once...)
then...

fast part (usually into jam)
E__9___________________________________________________________________
B____12___11_9____9h10p9__________9_9h10p9__9_12___9h10p9______________
G______________11________9___9_11_________11_____11______9_____________
D______________________________________________________________________
A______________________________________________________________________
E______________________________________________________________________

(that's as far as i got. Barber's just too fast sometimes.)",81,"Hope is a generation, Bang your head in the car\nAnd what is the root of fantasy? Lay your bet on a star",137,"2024-11-07T00:00:00.000Z","2000-08-25T00:00:00.000Z",{"_98":108,"_99":315,"_101":474,"_102":42,"_104":119,"_106":127,"_107":227,"_109":121,"_111":123,"_112":388,"_114":123,"_117":127,"_118":123,"_120":119,"_122":57,"_124":127,"_125":121,"_126":123,"_128":127,"_129":127,"_130":127,"_131":127,"_133":127,"_134":127},{"_673":674,"_678":679,"_515":683,"_687":688,"_692":693,"_334":697,"_700":701,"_351":705,"_356":708,"_400":711},"70",{"_25":675,"_141":676,"_143":677},"2006-03-10","2005-07-22",231,"86",{"_25":680,"_141":681,"_143":682},"2009-01-24","2008-04-20",279,{"_25":684,"_141":685,"_143":686},"2010-10-29","2010-01-30",272,"105",{"_25":689,"_141":690,"_143":691},"2012-12-18","2010-12-31",718,"115",{"_25":694,"_141":695,"_143":696},"2016-03-26","2015-04-25",336,{"_25":698,"_141":699,"_143":554},"2017-02-04","2016-06-02","131",{"_25":702,"_141":703,"_143":704},"2022-03-04","2021-06-25",252,{"_25":706,"_141":702,"_143":707},"2022-10-03",213,{"_25":709,"_141":706,"_143":710},"2023-07-08",278,{"_25":712,"_141":713,"_143":714},"2024-08-30","2023-10-27",308,"http://sickbarberlicks.weebly.com/hope.html",[],{"_21":602,"_51":22,"_52":718,"_54":55,"_56":227,"_58":-5,"_31":719,"_33":719,"_35":36,"_23":720,"_61":-5,"_62":63,"_64":461,"_65":721,"_39":36,"_41":36,"_46":-5,"_67":722,"_195":771},"94d3c24f-d62f-4f28-b2df-1c508ef07540","2020-02-22T16:34:53.096Z","2003-05-31-shelby-rose","6fe55057-34cc-4cfa-9bc9-ddf0c76c328d",{"_21":718,"_69":723,"_23":724,"_31":372,"_33":725,"_74":726,"_76":727,"_27":77,"_78":728,"_29":729,"_81":63,"_82":83,"_84":85,"_86":-5,"_88":-5,"_90":621,"_92":216,"_94":670,"_96":730,"_136":731,"_189":190,"_191":769,"_193":770,"_46":723},"Shelby Rose","shelby-rose","2025-08-26T02:10:02.535Z","Springtime come, and the flowers bloom.
Quiet walk in the park.
And the sun sinks and reddens.
Shelby Rose in the dark.
A yellow bird on a tree stump.
You take a stroll by the lake.
And when you see Shelby coming,
You feel your heart palpitate.

And I suppose I can tell Shelby Rose how I feel.
And I suppose I can tell Shelby Rose what I do.

And in a few days you tell her,
that the future is bright.
You fill her in on the prospect,
And she fills with delight.
It's a good thing you tell her.
Because you know that she'll stay.
You celebrate with some champagne,
And you wake the next day.

Every day is a walk in the park, every afternoon to the days turn dark.
Every night is heaven sent.
Every night is heaven sent.
Every day that I spend with you, every afternoon that we go to the zoo.
Every place we ever went.
Every night is heaven sent.\\r","transcribed by Rich Steele

Shelby Rose

(intro riff - played 4 times)

E
B 8 6 6(p)5 6 5 5(p)3
G 7(p)5 5(p)3
D
A
E

E
B 5 3 3(p)2 3 2
G 3(p)2 3(p)2
D 3(p)0
A
E

F F#m G A
E 1 1 1 1 2 2 2 2 3 3 3 3 5
B 1 1 1 1 2 2 2 2 3 3 3 3 5
G 2 2 2 2 2 2 2 2 4 4 4 4 6
D 3 3 3 3 4 4 4 4 5 5 5 5 7
A 3 3 3 3 4 4 4 4 5 5 5 5 7
E 1 1 1 1 2 2 2 2 3 3 3 3 5

(verse chords)

Bm D C Bm D G
E
B 3 7 5 3 7 3
G 4 7 5 4 7 4
D 4 7 5 4 7 5
A 2 5 3 2 5 5
E

(chorus)

F G Bb
E 1 3
B 1 3 3
G 2 4 3
D 3 5 3
A 3 5 1
E 1 3
(every day is a walk in the park..)

C
E
B 5
G 5
D 5
A 3
E
(every afternoon, till the day turns dark..)

G
E 3
B 3
G 4
D 5
A 5
E 3
(every night is a heaven sent...)

(play chorus once, then on the second time around, replace that G with a D
on the 5th fret)

(then the intro riff and the F > F#m > G > A chords lead into the jam)

\\r","shelby",163,{"_98":115,"_99":474,"_101":100,"_102":103,"_104":121,"_106":127,"_107":227,"_109":110,"_111":226,"_112":223,"_114":132,"_116":119,"_117":57,"_118":123,"_120":127,"_122":127,"_124":127,"_125":123,"_126":127,"_128":57,"_129":57,"_130":127,"_131":127,"_133":105,"_134":105,"_135":227},{"_150":732,"_351":735,"_739":740,"_742":743,"_622":745,"_748":749,"_752":753,"_234":757,"_760":761,"_555":765},{"_25":733,"_141":620,"_143":734},"2005-12-30",281,{"_25":736,"_141":737,"_143":738},"2012-12-27","2011-12-26",367,"134",{"_25":253,"_141":629,"_143":741},235,"136",{"_25":633,"_141":493,"_143":744},256,{"_25":746,"_141":172,"_143":747},"2015-12-31",313,"142",{"_25":262,"_141":750,"_143":751},"2016-07-16",314,"146",{"_25":754,"_141":755,"_143":756},"2018-12-15","2018-03-10",280,{"_25":186,"_141":758,"_143":759},"2019-02-02",622,"151",{"_25":762,"_141":763,"_143":764},"2022-03-10","2021-05-28",286,{"_25":766,"_141":767,"_143":768},"2023-03-23","2022-05-07",320,2012,"http://sickbarberlicks.weebly.com/shelby-rose.html",[],{"_21":721,"_51":22,"_52":773,"_54":55,"_56":115,"_58":199,"_31":774,"_33":774,"_35":36,"_23":775,"_61":-5,"_62":63,"_64":602,"_65":368,"_39":36,"_41":36,"_46":-5,"_67":776,"_195":821},"8f1613ff-9002-4e03-853d-04c7e84a8b9b","2020-02-22T16:34:53.173Z","2003-05-31-astronaut",{"_21":773,"_69":777,"_23":778,"_31":206,"_33":779,"_74":780,"_76":781,"_27":77,"_78":782,"_29":226,"_81":63,"_82":212,"_84":213,"_86":783,"_88":784,"_90":785,"_92":786,"_94":787,"_96":788,"_136":789,"_189":190,"_191":275,"_193":820,"_46":777},"Astronaut","astronaut","2025-08-26T02:09:35.129Z","

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

","Just smile as we unveil the 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