Praise the lord in Moscow
Budapest and Sausalito
Where lying in the sunshine might be the very best that we know
gab of what's in mind
the trading post of your libido,
'Cause Mr. Don's been ridiculin' cyclops Apathito

It seems that every day,
the kitchen has gone awry
Apathito's the first to point out
that the place is such a sty.
No matter to faith on the locks of their mind,
and if you don't got no action well you might not even try.

Mr. Don's all worried 'bout that cyclops Abelito
Himalayas in their minds,
Quaker Oats in their libidos
That genius, killing time yellin' at your alter ego
Excuses spinning lies;

all, to live that sunshine we know

","transcribed by Rich Steele

~~Mr Don
(intro/main riff)
E
B
G (trills)
D 1(h)3 3(p)1
A 3 1
E 1 1 1(h)4 1 1 1 1(h)4 1

F9 Eb Cm
E
B 8 8 4
G 8 8 5
D 7 8 5
A 8 6 3
E

verse chords
Ab > Db > G7 > C7

C7 riff played after the verse

E
B 5~ 6(p)5 5 6~ 8 10 11(p)10(p)8 8~ 8 11(sl)13 11~
G 10
D
A
E","mrdon",124,"Excuses spinning lies, all to live that sunshine we know",233,["D",1752192000000],["D",817776000000],{"_359":130,"_360":361,"_362":363,"_214":364,"_98":365,"_100":366,"_102":101,"_104":101,"_106":58,"_108":40,"_110":109,"_111":132,"_112":366,"_114":118,"_115":101,"_116":107,"_117":130,"_119":130,"_120":109,"_121":40,"_122":132,"_123":118,"_124":118,"_125":132,"_126":130,"_127":109,"_128":132,"_129":40,"_131":40,"_133":130,"_134":118},"1995","1996",21,"1997",37,17,30,8,{"_368":369,"_326":373,"_377":378,"_382":383,"_387":388,"_390":391,"_395":396,"_400":401,"_403":404,"_407":408},"150",{"_25":370,"_140":371,"_142":372},"2006-02-04","2005-03-26",315,{"_25":374,"_140":375,"_142":376},"2006-11-09","2006-04-23",200,"166",{"_25":379,"_140":380,"_142":381},"2009-01-17","2008-04-17",275,"188",{"_25":384,"_140":385,"_142":386},"2011-12-26","2011-05-26",214,"189",{"_25":389,"_140":384,"_142":308},"2012-10-04","192",{"_25":392,"_140":393,"_142":394},"2014-01-26","2013-04-25",276,"213",{"_25":397,"_140":398,"_142":399},"2019-11-21","2019-04-27",208,"214",{"_25":402,"_140":397,"_142":329},"2020-10-24","222",{"_25":405,"_140":333,"_142":406},"2022-10-30",205,"228",{"_25":409,"_140":410,"_142":411},"2024-04-04","2023-08-10",238,1997,2005,"http://sickbarberlicks.weebly.com/mr-don.html",[],{"_21":417,"_52":22,"_53":418,"_55":419,"_57":109,"_59":-5,"_31":420,"_33":421,"_35":36,"_23":422,"_63":-5,"_64":65,"_66":-5,"_68":-5,"_39":36,"_41":36,"_47":-5,"_69":423,"_190":485},"dad9ff23-c7e2-4ce4-9d46-30b7d262d6c7","9fe4f360-6b9a-4b98-87ad-fcdba254ae2b","E2",["D",1582388957868],["D",1582388957868],"1999-06-12-pygmy-twylyte",{"_21":418,"_71":424,"_23":425,"_31":426,"_33":427,"_76":80,"_78":80,"_27":80,"_81":428,"_29":429,"_83":430,"_84":431,"_86":432,"_88":-5,"_89":-5,"_90":433,"_92":434,"_94":435,"_96":436,"_135":441,"_184":412,"_186":413,"_188":484,"_47":424},"Pygmy Twylyte","pygmy-twylyte",["D",1582386623147],["D",1756174198680],"pygmy",144,true,"78bd7e77-52a4-4c6a-8249-646739f80b77","Frank Zappa",209,["D",1689120000000],["D",811209600000],{"_359":40,"_360":437,"_362":438,"_214":439,"_98":439,"_100":107,"_102":440,"_104":440,"_106":366,"_108":118,"_110":109,"_112":287,"_115":40,"_116":130,"_120":118,"_121":109,"_122":118,"_123":40,"_124":118,"_125":118,"_126":130,"_127":130,"_128":130,"_129":109,"_131":109},11,34,33,16,{"_442":443,"_446":447,"_450":451,"_455":456,"_459":460,"_463":464,"_468":469,"_471":472,"_475":476,"_480":481},"168",{"_25":444,"_140":146,"_142":445},"2007-02-15",629,"178",{"_25":292,"_140":448,"_142":449},"2007-10-24",459,"181",{"_25":452,"_140":453,"_142":454},"2009-12-27","2009-03-04",298,"183",{"_25":303,"_140":457,"_142":458},"2010-03-18",287,"184",{"_25":461,"_140":303,"_142":462},"2013-07-12",925,"187",{"_25":465,"_140":466,"_142":467},"2014-09-25","2013-12-29",270,"204",{"_25":402,"_140":470,"_142":174},"2020-01-02","205",{"_25":473,"_140":402,"_142":474},"2021-06-05",224,"207",{"_25":477,"_140":478,"_142":479},"2022-11-12","2021-10-29",379,"208",{"_25":482,"_140":477,"_142":483},"2023-07-12",242,"http://sickbarberlicks.weebly.com/pygmy-twylyte.html",[],{"_21":487,"_52":22,"_53":488,"_55":195,"_57":132,"_59":489,"_31":490,"_33":491,"_35":36,"_23":492,"_63":-5,"_64":65,"_66":493,"_68":199,"_39":36,"_41":36,"_47":-5,"_69":494,"_190":549},"5515d20a-8410-442e-bcff-270ce194a0f9","3f67b2bf-aa2b-4eb5-9c2b-608717bdd851",">",["D",1582388957052],["D",1582388957052],"1999-06-12-the-very-moon","4d3fad86-de4e-4602-8065-4da426928b6f",{"_21":488,"_71":495,"_23":496,"_31":497,"_33":498,"_76":499,"_78":500,"_27":80,"_81":501,"_29":502,"_83":65,"_84":208,"_86":209,"_88":-5,"_89":503,"_90":504,"_92":505,"_94":506,"_96":507,"_135":508,"_184":185,"_186":547,"_188":548,"_47":495},"The Very Moon","the-very-moon",["D",1582386623009],["D",1756174208731],"

Manilla was a crude machine who'd taken his fair share
He gobbled up the world he owned as petals paved his stairs
Manilla thanked the very moon for money and his life
He triffled nothing miniscule including one, his wife

Leora, his arranged wife, did not need his greed
She asked that stars, the very moon, to one day cross the sea
Manilla gazed an empty stare nothing there could grow
She cherished dreams of flying high and leaving him below

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

Manilla wanted worldly things and everything he'd have
He built castles, moats, battleships and troops in iron clad
Manilla heard Mulberry's name under the very moon
His troops went running the next day to find the air balloon.

Leora, his arranged wife, cooked the men a feast
And cleaned herself up solemnly before she faced the beast
That night she asked the very moon was this her fate to be
At lunch she met the flying man whose airships crossed the sea

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

","transcribed by Bill

Just figured this one out yesterday....too fun not to share. The only
parts I'm still a little shaky on are The Riff from the intro and the
chords under the chorus....but both are reasonable approximations.

FWIW, all the HAB tunes I've tabbed are from the 12/31/98 version, since
those performances are pretty grounded and manageable. Things evolve over
time, so YMMV.

Intro:

C jam

Brownstein defines the chord like so:
d-------2-5--
a----3-3-----

(repeat a lotta buncha times....jam.....)

Magner's playing arpeggios than can be approximated on guitar like so:
e----0----1--3--1-1------
b-----1-0--1--1----1-1---
g------0----0--0----0----

Or something...listen to it and you'll hear what I mean.

Intro melody 1 (I know Barber plays these in a different position, but
whatever):
C * F
e-------0--3--7--8--8s5---0--3--1-----
b----1--------------------------------
g----------0--4--5--5s2------0--------
d-------2-----------------2-----3-----
a----3--------------------------------

F piano arpeggio is like this:

e----1-----3----5----3-3------
b-----1-1---1----1------1-1--- (x 2)
g------2-----2----2------2----

Then repeat Melody 1, except from the * on play:

C Dm
e----8s5---0-----------
b--------------3-------
g----5s2---------------
d----------2---0-------

Dm arpeggio (again, all of these are just to give you an idea of what's
going on- listen to it, you'll hear what I mean):

e----------0----1----0-------
b----3------3----3----3-3---- (x 2)
g-----2-2----2----2----2-----
d------0---------------------

Melody 1 again, from the * on play
G
e----10--12--13-15--17--19-----
b------------------------------
g----7---9---10-12--14--15-----

G arpeggio:

e-------------------1s3-1---------
b----0----1----3---------3-1-3----
g-----0----0----0----------------- (x 2)
d------0----0----0----------------

Intro melody 2:
G C
e----19---15---17---17-15-17-15-13---13-13--10--8----
b----------------------------------------------------
g----15---12---14---14-12-14-12-10---10-10--7---5----

C arpeggio (Barber actually plays this one):
e-------------------3s5---------
b---------3----5-------6-3-5----
g----5-----5----5--------------- (x 4)
d-----5-----5----5--------------
a------3------------------------

The Riff (best I can figure it):
e-----------------------13------15s17----------12-12----------
b----13--13-15s17-13--13--13--13-------15-15--------13-13----- (x 4)
g------12-----------12------12--------------------------------

Intro melody 3:
e----19--17--15--13--12-13-12----12-13------------
b----------------------------14-------15------------
g-----------------------------------------14-14----

(and Brownstein adds:)
a----2-------
E-----3-3----

(x 4, and then the last time add this transition lick into the verse):
F D/F# G
e----------------------------------
b----12-12h13-12--12-13-13-14----15
g---------------14-----------------

C/G A5 Bb5 A5 C C (x 4)

(the 5's indicate power chords- no thirds)

A5 Bb5 A5 Bb5 A5 G G (x 3)

A5 Bb5 A5 Bb5 A5 G G7

C/G A5 Bb5 A5 C C

C F Em Dm
Manila was a cruel machine, he'd taken his fair share
C F Em Dm
He gobbled up the world he owned, petals paved his stairs
C F Em Dm
Manila thanked the very moon for money and his life
C F Em Dm
He trifled nothing miniscule, including one, his wife
F Em Dm G
Leora, his arranged wife, did not need his greed
F Em Dm G
She asked the stars and very moon to one day cross the sea
F Em Dm G
Manila's gaze a vacant stare, nothing there could grow
F Em Dm G
She cherished dreams of flying high and leaving him below

G7

C G Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
As her eyes go round the room to catch someone watching
C Dm Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
Underneath the very moon that each one was watching

C/G A5 Bb5 A5 C C

2d verse and chorus same as first

Then the melody referred to by some as the Don Cote lick:
*
e--------------------------------------------------------------------
b--------8-8-6-5---------5----------------5---5h6-5---5-8-8-----8----
g----5--5---------7-7-7-7-7-5-5--7--7-7--7---7-----7---------7-7-7---

(x 4) The fourth time it stops at the * and they hit these chords:

C C G Am G D Am D

Jam riff:

d-----------------------------------------------2-2---------------
a-------2-4-5-4-2-----2-4-5-4-2h4p2------2-4-5-4------2-4-5-4-2---
E----3-----------5p3-----------------0-0--------------------------","moon",122,"Leora stands on her head\nDoin' the two step on her hands\nUnderneath the very moon each one was watching",201,["D",1750809600000],["D",913161600000],{"_214":118,"_98":210,"_100":437,"_102":44,"_104":105,"_106":101,"_108":132,"_110":118,"_111":366,"_112":107,"_114":132,"_115":44,"_116":132,"_117":132,"_119":109,"_120":109,"_121":40,"_122":40,"_123":130,"_124":40,"_125":118,"_126":130,"_127":109,"_128":118,"_129":109,"_131":118,"_133":40,"_134":130},{"_509":510,"_377":514,"_518":519,"_442":521,"_524":525,"_529":530,"_463":532,"_535":536,"_390":539,"_542":543},"139",{"_25":511,"_140":512,"_142":513},"2008-12-12","2008-04-22",234,{"_25":515,"_140":516,"_142":517},"2012-07-07","2011-12-28",192,"167",{"_25":520,"_140":515,"_142":504},"2013-01-24",{"_25":522,"_140":520,"_142":523},"2014-01-24",365,"174",{"_25":526,"_140":527,"_142":528},"2015-10-30","2015-04-25",188,"185",{"_25":531,"_140":324,"_142":504},"2019-07-20",{"_25":328,"_140":533,"_142":534},"2019-12-12",318,"191",{"_25":537,"_140":538,"_142":334},"2022-09-10","2021-11-26",{"_25":540,"_140":537,"_142":541},"2023-06-08",271,"196",{"_25":544,"_140":545,"_142":546},"2024-08-28","2024-01-26",215,2012,"http://sickbarberlicks.weebly.com/the-very-moon.html",[],{"_21":551,"_52":22,"_53":552,"_55":56,"_57":109,"_59":489,"_31":553,"_33":554,"_35":36,"_23":555,"_63":-5,"_64":65,"_66":-5,"_68":556,"_39":36,"_41":36,"_47":-5,"_69":557,"_190":615},"3cd57db0-1109-436d-842d-4639d9560006","f3b6eb30-5977-4ac9-9e4c-dc10683f922e",["D",1582388957348],["D",1582388957348],"1999-06-12-bazaar-escape","7d528bda-5eb7-444d-a247-6ddc89549363",{"_21":552,"_71":558,"_23":559,"_31":560,"_33":561,"_76":562,"_78":80,"_27":80,"_81":563,"_29":288,"_83":65,"_84":208,"_86":209,"_88":564,"_89":565,"_90":566,"_92":567,"_94":568,"_96":569,"_135":570,"_184":185,"_186":613,"_188":614,"_47":558},"Bazaar Escape","bazaar-escape",["D",1582386622697],["D",1756174175818],"

Corrinado slipped the chopping block
The onlookers in fear and shock
He bolted swiftly through the crowd
The women yelled and screamed aloud

Manilla's words rang through the air
'Kill that man or all Beware!'
Corrinado tookoff all for bust
Gone behind a cloud of dust

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Corrinado hides down an alley
As Manilla's troops begin to rally
He lays behind the street snake charmer
and slips out of his prison pajamas

The Matador, the bull can run
Corrinado sidestepped everyone
Takes off towards the end of town
Drawing troops from all around

He knows he's got but one way out
His only route without a doubt
be fastest to the mighty cliffs
and jump for his own benefit

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Carooning down the mountain top
A bouncing rock no will can stop
Their chasing our strong hero down
Who dodges trees with swift abounds
He spins the air like a carousel
While dodging shots adeptly till
His steps no longer make a sound
His feet are well above the ground

","bazaar","

The median debut of the Hot Air Balloon (The Overture, Fiddler, Voices and Mulberry’s debuted before, while The Very Moon, Eulogy, Waves and Hot Air Balloon debuted after), Bazaar is very arguably the technical high-water mark of the entire opera. The composition consists of a slow intro riff evocative of Middle Eastern styles of music, a faster instrumental section, a verse chorus combo, a very slow breakdown and bridge verse, a second faster instrumental section, a second verse and chorus, the same fast instrumental section from the intro, a third verse, and a closing riff reprising a section from Above the Waves. Due to its rigid and relatively complex composition, it is rarely played and even more rarely jammed. Over its history, the “jam section” in Bazaar Escape has moved multiple times.

The debut of Bazaar Escape, like the other Hot Air Balloon songs, occurred at the tail end of 1998, on 11/14 at Carnegie Mellon. The debut version was considerably more adventurous than most versions; it is jammed into out of an unfinished Boop. For the next few months, an intro jam was the most improv fans could expect from Bazaar Escape. It was more frequently either played as a standalone, or, on special occasions such as performances of the full Hot Air Balloon opera, segued into Mulberry’s Dream by way of a composed bridge lifted from Voices Insane.

Although it continued to be played primarily as a standalone in 1999, there were significant developments to the song. On 1/28/99, for the first time, Bazaar Escape was outro’d. The jam emerges from the Waves instrumental section and slowly evolves into an Aceetobee intro. Less than a month later, Bazaar Escape was outro’d a second time, this time prior to the Waves section. Unlike the first outro, this jam maintains the high energy level of the ending of Bazaar Escape and evolves into a type two vehicle.

For most of its history, any jamming on Bazaar Escape took the form of an outro or (more typically) an intro jam. It was split up twice in 1999. The first, 5/11/99, was part of a very scripted Hot Air Balloon opera show, and all the segues around the song were jamless (the song was split seamlessly in the middle of a verse). The second split version was performed as part of the very different “Spagopera” of 10/28/99; the segue out of Bazaar is jamless, but the jam back into the ending is spectacular. Here, the split in the song takes place in the slow bridge, preceding the “Corrinado hides down an alley” verse.

After a whopping 37 performances in 1999, Bazaar Escape became a rarity. Its first performance in 2000 was 6/27/00 with Jordan Crisman on bass. After this performance, it was played five times in the fall tour and once more over the New Year’s run. The most significant of these was 11/24/00 at the Trocadero, which was a jammed out extravaganza: it has a solid intro jam out of Shimmy and is split up, this time out of the fast instrumental section before the final verse. This would be the jam section in Bazaar for almost all future versions. Although the standard was always a jamelss standalone, Bazaar was jammed out on a few other memorable occasions in the latter half of Sammy’s tenure, including 4/4/01 (one of only two three-part versions) and 7/26/02 (the midpoint of the famous “almost palindrome” set).

Bazaar became increasingly rare in the final years of 1.0, played only 7 times from 03-05. Allen took his first stab at the song at Camp Bisco V, 8/25/06, segued out of the first inverted Spaga. This bold setlisting signaled that a more adventurous approach to Bazaar was to come, and almost none of the versions from 06-08 were true standalones. It was used as the landing pad to a massive Dribble outro on 11/2/06, as the meat of a palindrome (and out of a Moshi-Fameus jam no less) on 11/10/06, and, perhaps most memorably, as the three-part centerpiece to the massive second set from 12/31/06, complete with New Year’s countdown.

The golden age of Bazaar Escape continued into 07. Its first appearance was 5/17/07, which featured a gorgeous ambient outro jam into Robots. Other significant appearances over the summer include 7/8/07, in which it was used to sandwich the opening segment, and 7/19/07, the first and so-far-only inverted version. Almost every version from the fall tour was jammed out and split up, usually across multiple dates.

The first Bazaar of 08 is considered by many to be the definitive version. It is segued into from Rockafella, has a gorgeous psychedelic space jam in the usually very staid breakdown, and a fantastic main jam. Unlike many others from the era, it is not split. Bazaar was played ending-only two more times in 08 (and ever), 4/12/08 and 6/9/08, and a jamless standalone on 12/11/08 signaled the end of the golden age of Bazaar.

After 08, the jamless standalone Bazaar once again became the norm, and the song became once again a perennial rarity. It was last jammed out of on 4/26/13, last jammed into on 4/22/16, and has been relegated to a once-every-couple-of-years bustout.\r

","Soldiers yell, soldiers scream, don't let him get too far.",114,["D",1755648000000],["D",911001600000],{"_214":132,"_98":363,"_100":42,"_102":287,"_104":42,"_106":130,"_108":118,"_110":130,"_111":42,"_112":437,"_114":40,"_115":130,"_116":130,"_117":109,"_120":109,"_121":118,"_123":109,"_125":130,"_126":109,"_128":109,"_129":109,"_131":130,"_134":130},{"_571":572,"_576":577,"_581":582,"_586":587,"_590":591,"_594":595,"_597":598,"_600":601,"_604":605,"_608":609},"73",{"_25":573,"_140":574,"_142":575},"2006-08-25","2005-09-13",346,"97",{"_25":578,"_140":579,"_142":580},"2010-08-25","2009-09-30",329,"100",{"_25":583,"_140":584,"_142":585},"2013-04-26","2011-05-27",700,"104",{"_25":588,"_140":465,"_142":589},"2016-04-22",575,"105",{"_25":592,"_140":588,"_142":593},"2018-01-12",630,"106",{"_25":324,"_140":592,"_142":596},353,"107",{"_25":599,"_140":324,"_142":304},"2019-12-28","108",{"_25":602,"_140":599,"_142":603},"2021-03-25",453,"109",{"_25":606,"_140":602,"_142":607},"2022-11-19",604,"112",{"_25":610,"_140":611,"_142":612},"2025-07-05","2023-06-14",752,2011,"http://sickbarberlicks.weebly.com/bazaar-escape.html",[],{"_21":556,"_52":22,"_53":617,"_55":56,"_57":130,"_59":-5,"_31":618,"_33":619,"_35":36,"_23":620,"_63":-5,"_64":65,"_66":551,"_68":272,"_39":36,"_41":36,"_47":-5,"_69":621,"_190":676},"2abd0f94-5993-486f-8484-0b55aa8da445",["D",1582388957392],["D",1582388957392],"1999-06-12-mulberry-s-dream",{"_21":617,"_71":622,"_23":623,"_31":624,"_33":625,"_76":626,"_78":627,"_27":80,"_81":628,"_29":629,"_83":65,"_84":208,"_86":209,"_88":-5,"_89":630,"_90":631,"_92":632,"_94":633,"_96":634,"_135":636,"_184":185,"_186":413,"_188":675,"_47":622},"Mulberry's Dream","mulberry-s-dream",["D",1582386623147],["D",1756174194204],"

I first caught the sun at noon today
To get another 24 hours
I lept & broke my bedframe
Which the termites have devoured

I lived a life in shambles
With one idea left to scheme
But if I ever built it
then what would I have left to dream?

Mulberry's Dream was talkin to me,
as we kickin' with time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

I walked down to the corner
To fetch myself some dollars
I left later that afternoon
When the streets began to holler
and there I saw O'Farrell
The old street corner pantomime
and I simply could not shake him
till old Mulberry came just in time

Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

","Transcribed by Chris Reilly (dreilly@interaccess.com)

Intro *
E-----------------------------------------------------
B-----------------------------8-8-8------6-6-6--------
G-----------------------------8-8-8-6h8--6-6-6-6h8----
D---------------------8p6-----8-8-8------6-6-6--------
A--------4-4h6p4----------8p7-6-6-6------4-4-4--------
E-4h6-6---------h6------------------------------------

*For the second and third time replace 6h8 with 'hey'.
Then for the fourth time end with:

E------------
B-8-8-8---6--
G-8-8-8---6--
D-8-8-8---6--
A-6-6-6---4--
E------------

Verses Chords:
Ebm Bb
E----6-----6---
B----7-----6---
G----8-----7---
D----8-----8--
A----6-----8---
E----------6--

-Verse 1-
Ebm Bb
I first caught the sun at noon today
Ebm Bb
To get another 24 hours
Ebm Bb
I lept & broke my bedframe
Ebm Bb
Which the termites have devoured
Ebm Bb
I lived my life in shambles
Ebm Bb
With one idea left to scheme
Ebm Bb
But if I ever built it
Ebm Bb
then what would I have left to dream?

Chorus Riff:
Endings 1-7 8
||: |----------------:|| |----------|
E----------------------------------------------- -----------
B-----------------------------8-8-8------6-6-6-- -8-8-8--6--
G-----------------------------8-8-8------6-6-6-- -8-8-8--6--
D---------------------8p6-----8-8-8------6-6-6-- -8-8-8--6--
A--------4-4h6p4----------8p7-6-6-6------4-4-4-- -6-6-6--4--
E-4h6-6---------h6------------------------------ -----------

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' with time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

Play ending 8, then Organ Solo/Jam begins in cut time.
Play same chords as verse. (Ebm Bb)
Cut time is maintained for the duration of the song.

-Verse 2- (Same chords as Verse 1)
I walked down to the corner
To fetch myself some dollars
I left later that afternoon
When the streets began to holler
and there I saw O'Farrell
The old street corner pantomime
and I simply could not shake him
till old Mulberry came just in time

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

-Then comes the Guitar Solo/Jam-
Scale Possibilities:
Bbm Bbm Pentatonic
E-----------------------------6-- -6--------9--
B-----------------------6-7-9---- -6--------9--
G-----------------5-6-8---------- -6-----8-----
D-------------6-8---------------- -6-----8-----
A-------6-8-9-------------------- -6-----8-----
E-6-8-9-------------------------- -6--------9--

Guitar Solo ending:
E-18--20-20-20-20-20-20-20h21-20-18h20---18-18-18-18-18-18h20-18----18-------
B----------------------------------------------------------------21----18----

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

Ending Riff:
E----------------------------------------------------6~----
B-----------------------------8-8-8------6-6-6-------6~----
G-----------------------------8-8-8------6-6-6-------7~----
D---------------------8p6-----8-8-8------6-6-6-6h7h8-8~----
A--------4-4h6p4----------8p7-6-6-6------4-4-4-------8~----
E-4h6-6---------h6-----------------------------------6~----","mulberry",125,"I lived a life in shambles\nWith one idea left to scheme\nBut if I ever built it, then what would I have left to dream?\n",180,["D",1749859200000],["D",899337600000],{"_214":103,"_98":635,"_100":366,"_102":287,"_104":103,"_106":42,"_108":40,"_110":109,"_111":287,"_112":366,"_114":118,"_115":366,"_116":118,"_117":40,"_119":130,"_120":109,"_121":118,"_122":118,"_123":132,"_124":132,"_125":132,"_126":118,"_127":109,"_128":40,"_129":109,"_131":132,"_133":40,"_134":130},42,{"_637":638,"_581":641,"_645":646,"_650":651,"_509":655,"_309":658,"_660":661,"_665":666,"_442":669,"_524":672},"98",{"_25":639,"_140":640,"_142":240},"2004-12-28","2004-05-06",{"_25":642,"_140":643,"_142":644},"2006-06-09","2005-03-21",445,"121",{"_25":647,"_140":648,"_142":649},"2009-01-24","2008-06-13",225,"129",{"_25":652,"_140":653,"_142":654},"2010-09-02","2009-11-28",278,{"_25":656,"_140":583,"_142":657},"2014-02-20",300,{"_25":311,"_140":656,"_142":659},204,"163",{"_25":662,"_140":663,"_142":664},"2020-10-23","2019-11-23",335,"164",{"_25":667,"_140":662,"_142":668},"2021-05-14",203,{"_25":606,"_140":670,"_142":671},"2021-12-04",350,{"_25":673,"_140":482,"_142":674},"2024-03-31",263,"http://sickbarberlicks.weebly.com/mulberrys-dream.html",[],{"_21":272,"_52":22,"_53":678,"_55":56,"_57":118,"_59":-5,"_31":679,"_33":680,"_35":36,"_23":681,"_63":-5,"_64":65,"_66":556,"_68":267,"_39":36,"_41":36,"_47":-5,"_69":682,"_190":743},"b7c8b805-fef7-441e-8d8c-085b241b6ca1",["D",1582388957441],["D",1582388957441],"1999-06-12-above-the-waves",{"_21":678,"_71":683,"_23":684,"_31":685,"_33":686,"_76":687,"_78":688,"_27":80,"_81":689,"_29":437,"_83":65,"_84":208,"_86":209,"_88":690,"_89":691,"_90":334,"_92":692,"_94":693,"_96":694,"_135":697,"_184":185,"_186":335,"_188":742,"_47":683},"Above The Waves","above-the-waves",["D",1582386622697],["D",1756174173119],"

Above the waves, Going under

Corrinado swam like hell on fire
With jelly arms and beaten bones
He rode the crests, he broke the waves
Trying to get a breath of air for all that he had left to save

Mulberry let the engines burn
The airship lifting off the ground
He watched the sea, could not believe
That he thought Corrinado could be free, his life was now in vain

All was left one chance to fly away
He spun, he heard a gasping sound
But he did not see his friend

After the sun and light were gone
Before he found himself at home
Corrinado swam, fought the waves
Remembering when, a myriad of falls, behind another day

All was left one chance to fly away
just beyond his reach the plan
To reunite them once again

Caught in the waves as the wind whipped on
and the sand sat calmly miles below
He had to swim, to take the day
Hoping to see Mulberry when he crawled to reach his getaway

All was left one chance to fly away
Just beyond his reach the plan
To reunite them once again

","

transcribed by Rich Steele

~~Above The Waves

Intro (in 4/4)
E
B 3 0 0 3 3 3 3 3
G 2 (sl) 4 4 2 2 2 0 2 2
D 0 0 0
A (let these notes
E sustain)
(repeat)

(next part after intro goes to 3/4)
(this part is played one through over the 3 chords, then stays on the B after that)

(A)
E 5(h)7 5
B 8(p)7 5 5(h)7 5 5(h)7 5
G 7(p)6 4 4(h)6 4 4(h)6 4
D 7(p)6 4 4(h)6 4 4(h)6 4
A 7 5 4
E 5

(Bb)
E 6(h)8 6
B 9(p)8 6 6(h)8 6 6(h)8 6
G 8(p)7 5 5(h)7 5 5(h)7 5
D 8(p)7 5 5(h)7 5 5(h)7 5
A 8 6 5
E 6

(B)
E 7(h)9 7
B 10(p)9 7 7(h)9 7 7(h)9 7
G 9(p)8 6 6(h)8 6 6(h)8 6
D 9(p)8 6 6(h)8 6 6(h)8 6
A 9 7 6
E 7

then the rest is over the B chord I believe.

here's the next little riff he does.

E
B 7(h)9(p)7
G 9(h)11(p)9
D 7(h)9(p)7 9(p)7
A
E

E
B 9(h)11(p)9
G 9(p)7
D
A
E
(repeat once, then play the part before that again)

Then, on the first (above the waves....) play a
B major on the 7th fret on every 3rd beat. and a C# major > B major at the
last (above the waves....).
On the next time around, instead of playing the B on every 3rd beat, it
goes B > E, B > E alternating every other 3rd beat, until the last (above
the waves...) where its a G#m > F# major.
(If all this details just confuses you, just listen to a tape and listen
for the chord changes.:)

then the song drops into F#m, where Jon comes in with this riff.

E
B 15 15 15 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14
D
A
E

E
B 15 15 15 15(sl)17 17 17 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14(p)11
D
A
E

E 14 14 14(sl)13 13 12 11 12(p)11
B 14 15 17 14 14 14 12 12 14 15~ 16~~~
G 16 11 12
D 12(sl)14
A
E
(Bb) (E) (C#m)
E 14 14 14(sl)13 13
B 14 14 14 14 13 11 12 9
G 10 10 13 13 9
D sl>12 12 14 14 11
A
E

(now, after the jam, when it comes back into this section, you're
basically playing the same thing as above, until right before the D-A-G-A
part, where you play over these chords: F#m F Bb E A. After the last A, it
goes into the D-A-G-A.)

This is a simple D, A, G progression. Play the D on the 5th fret, the A
also on the 5th, and the G on the 3rd. Figure out the rhythm and all that
for yourself, cause its pretty simple. :)

Ok, the next part comes right after that last A chord. (..and he could not
see his friend..)

E
B 10 10 10 10 9 7 7 10 9 7 7
G 9 11 11~ 7 9 9~
D
A (play this twice)
E

E
B 9 10 10(s)12 12 9 10 10 9
G 7 9 11 11 9 7 9 9

E 10 10 10 10 9
B 9 10 10(sl)12 9 10 12 7 9 9 10 10
G 7 9 11

E 9 10 12 12 9 10 9 10 12(sl)14 14 10 12 10 12 15 15 12 14
B 9 10 12 9 10 12 10 12 14
G

E 17 17 17 17 15 14 15 17 19 19 15 17 22 22 22 22 21 19
B 15 17 17 15 17 19
G

E 17 19 17 15 17 15 14 15 14
B 17 15 15 14 14 14 15 15 17
G 14

then he comes back in with that same intro riff for 2 measures (i think),
then he does something like this. (note: he first starts this a octave
higher, but its much easier to learn it this way first)

E
B 3 5 7
G 2(sl)4 4 4(sl)6 6 6(sl)9 7 9 9(h)11
D
A
E

E 7 10 9 7
B 7 8 8(sl)12 12 10 10 8 4
G 9
D
A
E

E 9 7 5
B 5 5 5 5 5(sl)10 10 8 8 7 7
G 4 4 4
D 5 5 5
A
E

E
B 7 7 7 5 5 5 3 2
G 7 7 7 7 6 6 4
D 7 7 7 7 7 5 4
A
E

E
B 0 0 0 3 3
G 0 0 0 2 4 0 2 2
D 2 2 2 2 4 5 2 0 0 0
A
E

(then, just repeat intro riff)

(Thanks to Bill Stites for helping me with those chord progressions)

","atw","

Debuted at the tail end of 1998, Waves is one of the final songs of the Hot Air Balloon rock opera (third to last by debut order and second to last chronologically). Like most of the opera, it is a high water mark for the band both lyrically and compositionally. It is also the first Biscuits song to debut with a defined trance jam. Both versions from 1998 are remarkably strong.\r

Although it was one of the last Hot Air Balloon songs to debut, with the finished version first appearing 12/29/98, an instrumental passage that would later be incorporated into Waves was performed as Road Song four times in 1998, for the first time on 2/21/98 and as late as 6/4/98. All four versions were played before any song from the finalized opera had debuted. \r

Waves was the most played song in 1999, a year which saw the band continue to develop and use Waves in inventive ways. The song was split up for the first time the third time it was played, 1/18/99, in a spectacular Waves > Vassillios > Waves sandwich. It was performed dyslexic for the first time on 3/21/99 (Waves > Run Like Hell is particularly worth hearing) and inverted for the first time at the first Camp Bisco on 8/21/99 (the entire Shimmy > Waves (><) > Shimmy is worthwhile, but Waves > Shimmy is especially excellent).\r

The song was a massive vehicle for high speed trance jams in the winter and spring of 1999, with numerous standout versions including the 35 minute juggernaut from 2/3/99. Other excellent versions from this era include 3/13/99, 3/27/99, 4/9/99, 5/1/99, 5/6/99 and 6/5/99. In the summer and fall, the song regularly began to feature a dub jam. Waves had incorporated dub jams before, notably on 2/3/99 and 2/20/99, but after the inverted version from 8/21 it became a mainstay. Some excellent versions from this era include 8/21/99, 9/14/99, 10/9/99 and 10/22/99.\r

Waves remained a strong jam vehicle through the rest of 1.0. In 2000, a year with considerable dub influence, Waves reverted back to a trance vehicle. It soon became one of the most frequently inverted songs. 10/14/00 is one of the strongest inverted versions ever, and 11/2/01 notably opened with a “Koyanisqaatsi Jam” > inverted Waves, the first time a show opened with a jam into an inverted song. Important versions from post-1999 1.0 are multitudinous, including 10/14/00, 10/26/00, 11/2/00 12/27/00, 4/7/01, 4/28/01, 9/1/01, 11/2/01, 3/8/02, 10/2/02, 8/15/03, and 11/26/03. \r

When Allen joined the band, Waves remained a rotation staple and an important jam vehicle. On 11/8/06, the audience voted for a Waves encore; this was the first time a standalone Waves was played in the encore slot. There aren’t many standout versions from the year, but 11/19/06 with Magellan teases, and the fantastic Waves/Crickets mashup from 12/30/06 (the first setlist written by Allen, and what a setlist it is), are both standout versions. Similarly, for being such a strong year for the band, 2007 has something of a dearth of excellent Waves. 5/20/07 stands above the rest, but the song was grossly underutilized in 07.\r

The lull continued into 08, with a few uninspired ending only versions at the beginning of the year, before a massive exploratory inverted version on 3/22/08 in Denmark. The April shows at the Nokia saw the first split inversion of Waves, with the middle played on 4/11/08 and the ending and beginning played on 4/12/08. After only one performance between April and December, Waves closed out the year strong, with two stellar performances at Holidaze (12/14/08) and the Nokia (12/28/08).\r

The momentum built at the end of 2008 continued into 2009, easily the strongest year for Waves in a decade. It was often played middle only, including such standout performances as 1/31/09, 2/13/09, 2/27/09, and, most significantly, 4/24/09, 6/4/09, and 12/31/09.\r

Waves remained a regular in the rotation through the rest of 2.0 and the setbreak era (appearing 2-6 times per year). In 2015, Waves was played as a split inversion again for the first time since 09, and was played that way off and on for the next couple of years. It hit another period of growth in 2016, with standout versions from 3/26/16 and 7/15/17.\r

In the post-setbreak years, Waves continued its upward trajectory, appearing 8 times in 2021 and 2022 and 10 times in 2023 (the most appearances in a single year since 2010). The 2021 versions are particularly strong, with the fall seeing a return to the looser, dubby style in which the song was played in fall 1999. The 9/19/21 version features a distinct Gamma Goblins jam (complete with Alan Watts samples) and 11/21/21 is perhaps the best standalone version played with Allen.\r

Waves has remained a staple of the band’s catalog since its debut. It was played on average every 2.6 shows in 1999, and never left the catalog for more than 23 shows, when Barber broke his wrist in 2010. The longest gap otherwise was 21 shows in 2013.\r

","All was left one chance to fly away",["D",1755907200000],["D",914889600000],{"_214":130,"_98":695,"_100":44,"_102":696,"_104":215,"_106":113,"_108":40,"_110":132,"_111":101,"_112":287,"_114":366,"_115":361,"_116":437,"_117":58,"_119":58,"_120":130,"_121":132,"_122":40,"_123":132,"_124":132,"_125":58,"_126":118,"_127":130,"_128":366,"_129":366,"_131":287,"_133":287,"_134":132},53,24,{"_698":699,"_702":703,"_706":707,"_711":712,"_716":717,"_719":720,"_724":725,"_729":730,"_734":735,"_738":739},"55",{"_25":700,"_140":701,"_142":282},"2000-04-21","1999-10-31","135",{"_25":704,"_140":705,"_142":240},"2004-12-30","2004-05-08","169",{"_25":708,"_140":709,"_142":710},"2008-12-14","2008-06-11",186,"210",{"_25":713,"_140":714,"_142":715},"2012-07-06","2012-01-27",161,"216",{"_25":466,"_140":718,"_142":329},"2013-01-25","225",{"_25":721,"_140":722,"_142":723},"2016-01-01","2015-07-17",168,"231",{"_25":726,"_140":727,"_142":728},"2017-06-02","2016-12-29",155,"243",{"_25":731,"_140":732,"_142":733},"2019-11-15","2019-05-25",174,"246",{"_25":736,"_140":737,"_142":151},"2020-10-16","2020-01-04","247",{"_25":740,"_140":736,"_142":741},"2021-04-03",169,"http://sickbarberlicks.weebly.com/above-the-waves.html",[],{"_21":67,"_52":22,"_53":745,"_55":56,"_57":132,"_59":-5,"_31":746,"_33":747,"_35":36,"_23":748,"_63":-5,"_64":65,"_66":267,"_68":51,"_39":36,"_41":36,"_47":-5,"_69":749,"_190":805},"c6c86090-0e1d-4e07-815a-3f6f9f0fa26e",["D",1582388957528],["D",1582388957528],"1999-06-12-the-devil-s-waltz",{"_21":745,"_71":750,"_23":751,"_31":752,"_33":753,"_76":80,"_78":754,"_27":80,"_81":755,"_29":756,"_83":65,"_84":757,"_86":758,"_88":-5,"_89":-5,"_90":759,"_92":760,"_94":761,"_96":762,"_135":764,"_184":412,"_186":547,"_188":804,"_47":750},"The Devil's Waltz","the-devil-s-waltz",["D",1582386623818],["D",1756174207773],"VERSION 1
transcribed by Evan Leon (evan@OFFICEMAIL.STARMEDIA.COM)

Note: This is ABSOLUTELY NOT the position that Barber plays it in, but
I'm a stubborn bastard.

Intro: Cm G Cm G

e 3 4 3 3 4 3
b 1 3 4 4 0 1-0-1-0 1 3 4 4 0 1-0-1-0
g 0 0
d /5 /5

e 3 4 3 4/6 3
b 1 3 4 4 6 4 3 1 0.......
g
d

e 3 4 3 3 4 3
b 1 3 4 4 0 1-0-1-0 1 3 4 4 0 1-0-1 3/8
g 0
d /5 /5

(stretch out a little bit.. some of the fingering gets tough)
(and pay attention to the timing on your own.. lots of weird-length notes)

e 8 7 4 4
b 8 6 4 8 8 6 4 8
g 7 5 4 4/5 7 5 4 4/5
d

e 8 7 4 4
b 8 6 4 8 8 6 4 8
g 7 5 4 4/5 7 5 4 4/5
d

then you do the beginning part again.. more later

=====================

VERSION 2
transcribed by nic coker (ohmygord@HOTMAIL.COM)

note: --7/(3)-- means slide from 7 down to 3 without plucking the 3

waltz style: Bm Gb7
(boom cha cha boom cha)

part 1:
e------------------------------------------------------------->>
b--------787/(3)--3--------------------787/(3)--3------------->>
g--4 6 7------------3-43434---3--4 6 7------------3-43434---3->>
d---------------4----------4-----------------4----------4--->>
a------------------------------------------------------------->>
e------------------------------------------------------------->>
part 1 continued:
e-----------------------------
b--------787810 7------------
g--4 6 7-----------7-10 9/ 3-
d-----------------------------
a-----------------------------
e-----------------------------

=======================

VERSION 3
transcribed by Andy Adelewitz (ada108@psu.edu)

here's my take on Devil's Waltz (the beginning, anyway).

Play 2x
E-|-------------------------------------------|
B-|---------7-8-7-----------------------------|
G-|---6-7--------------6----------------------|
D-|-9---------------------7---9-7-9-7---------|
A-|-----------------9-----------------9-------|
E-|-------------------------------------------|

E-|-------------------------------------------|
B-|---------7-8-7/10-7------------------------|
G-|---6-7--------------7-10---9---------------|
D-|-9-------------------------------8---------|
A-|-------------------------------------------|
E-|-------------------------------------------|

E-|-------------------------------------------|
B-|---------7-8-7-----------------------------|
G-|---6-7-------------------------------------|
D-|-9-----------------7/(8)-9-----------------|
A-|-----------------9-------------------------|
E-|-------------------------------------------|

Then it changes key
E-|-------------------------------------------|
B-|---------9-10-9--------------------/9------|
G-|----8-9--------------8---------------------|
D-|-11--------------------9---11-9-11---------|
A-|------------------11-----------------------|
E-|-------------------------------------------|

E-|---------------------------------------------------|
B-|---------9-10-9-10/12---9--------------------------|
G-|----8-9-------------------9---12---11---9-8-7-6p5--|
D-|-11------------------------------------------------|
A-|---------------------------------------------------|
E-|---------------------------------------------------|

E-|---------------------------------------------------|
B-|-14-13--------------------------9-10-9-10-9--------|
G-|---------14--13-11-9-8------8-9--------------------|
D-|-------------------------11------------------------|
A-|---------------------------------------------------|
E-|---------------------------------------------------|","waltz",202,"16dea9b0-03b7-43eb-bcda-5162b37b7088","Gutwillig, Magner",133,["D",1624665600000],["D",836524800000],{"_360":132,"_362":286,"_214":763,"_98":437,"_100":58,"_102":58,"_104":40,"_106":40,"_110":130,"_112":130,"_115":366,"_119":109,"_121":109,"_123":109,"_124":130,"_125":109,"_128":130},38,{"_152":765,"_769":770,"_774":775,"_779":780,"_784":785,"_788":789,"_295":792,"_650":795,"_797":798,"_300":801},{"_25":766,"_140":767,"_142":768},"2005-03-25","2003-08-16",587,"115",{"_25":771,"_140":772,"_142":773},"2007-02-17","2005-08-26",540,"117",{"_25":776,"_140":777,"_142":778},"2009-09-12","2007-05-18",848,"125",{"_25":781,"_140":782,"_142":783},"2012-12-31","2009-12-29",1098,"126",{"_25":786,"_140":781,"_142":787},"2014-02-22",418,"127",{"_25":790,"_140":786,"_142":791},"2016-06-02",831,{"_25":793,"_140":790,"_142":794},"2017-05-31",363,{"_25":796,"_140":793,"_142":178},"2017-12-04","130",{"_25":799,"_140":796,"_142":800},"2018-12-28",389,{"_25":802,"_140":799,"_142":803},"2021-05-30",884,"http://sickbarberlicks.weebly.com/the-devils-waltz.html",[],{"_21":807,"_52":22,"_53":808,"_55":195,"_57":109,"_59":-5,"_31":809,"_33":810,"_35":36,"_23":811,"_63":-5,"_64":65,"_66":-5,"_68":812,"_39":36,"_41":36,"_47":-5,"_69":813,"_190":871},"b79871c5-913e-4d34-97c3-39b8c58d42eb","a345a821-dd64-4665-9026-894abc360139",["D",1582388956842],["D",1582388956842],"1999-06-12-morph-dusseldorf","8bc8cccb-7efe-4a1c-be1f-07bb38e6f3a2",{"_21":808,"_71":814,"_23":815,"_31":816,"_33":817,"_76":818,"_78":80,"_27":80,"_81":819,"_29":820,"_83":65,"_84":821,"_86":822,"_88":-5,"_89":823,"_90":824,"_92":825,"_94":826,"_96":827,"_135":832,"_184":335,"_186":413,"_188":870,"_47":814},"Morph Dusseldorf","morph-dusseldorf",["D",1582386623009],["D",1756174193850],"

Morph is who a boy you see, he's changing as we speak
from adavan to aleman in twenty-forms a week
A rock at three to feel still the wind at four to fly
POSTED BY BROWNSTEIN:
At TEN (tomorrow) we'll huff a mighty greer, cause troopers comin by.
ON UNCIVILIZED AREA:
At six he'll be in Texas, when Trooper's comin' by

All social situations, he handles like a dream
a chameleon in space and form, in color too it seems.
The ability to NOT BE SEEN, though you SEE him everywhere
POSTED BY BROWNSTEIN:
And Morph has said tomorrow, that you'll see him over there.
ON UNCIVILIZED AREA:
Morph in here tomorrow, and he'll be right over there.

Morph, Morph from dusseldorf, Changing all the time.
And if you stay the same one day, that night will be sublime
Morph, Morph from dusseldorf, no need to drink that wine,
Cause if you wish to break the date with your savvy concubine.

","morph",123,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","Morph, Morph from dusseldorf, Changing all the time\nAnd if you stay the same one day, that night will be sublime",364,["D",1755993600000],["D",842486400000],{"_360":132,"_362":828,"_214":829,"_98":830,"_100":366,"_102":440,"_104":831,"_106":107,"_108":40,"_110":118,"_111":437,"_112":437,"_114":437,"_115":364,"_116":132,"_117":132,"_119":40,"_120":118,"_121":132,"_122":40,"_123":58,"_124":42,"_125":58,"_126":118,"_127":118,"_128":58,"_129":58,"_131":107,"_133":42,"_134":132},60,62,44,19,{"_833":834,"_719":837,"_839":840,"_843":844,"_848":849,"_852":853,"_857":858,"_861":862,"_864":865,"_867":868},"171",{"_25":835,"_140":836,"_142":411},"2000-08-25","1999-12-31",{"_25":838,"_140":705,"_142":756},"2004-11-26","229",{"_25":841,"_140":146,"_142":842},"2005-12-29",216,"262",{"_25":845,"_140":846,"_142":847},"2008-12-30","2008-07-26",157,"286",{"_25":850,"_140":851,"_142":91},"2011-07-02","2011-01-13","292",{"_25":854,"_140":855,"_142":856},"2012-07-05","2012-01-28",159,"293",{"_25":859,"_140":854,"_142":860},"2012-12-27",175,"298",{"_25":863,"_140":656,"_142":715},"2014-07-31","326",{"_25":731,"_140":866,"_142":860},"2019-05-24","329",{"_25":172,"_140":470,"_142":869},290,"https://sick-barber-licks.weebly.com/morph-dusseldorf.html",[],{"_21":812,"_52":22,"_53":873,"_55":195,"_57":130,"_59":-5,"_31":874,"_33":875,"_35":36,"_23":876,"_63":-5,"_64":65,"_66":807,"_68":877,"_39":36,"_41":36,"_47":-5,"_69":878,"_190":912},"4fa64521-688d-49c3-82b2-651520bde916",["D",1582388956877],["D",1582388956877],"1999-06-12-stone","b8170b16-dfdf-4822-9e43-30f2a23086bc",{"_21":873,"_71":879,"_23":880,"_31":881,"_33":882,"_76":883,"_78":884,"_27":80,"_81":880,"_29":183,"_83":65,"_84":885,"_86":886,"_88":-5,"_89":-5,"_90":887,"_92":888,"_94":889,"_96":890,"_135":893,"_184":412,"_186":187,"_188":911,"_47":879},"Stone","stone",["D",1582386623818],["D",1756174205325],"On a horseshoe trail,
I found what I was looking for
Inside my head
I didn't need it no more
And then she said...

Days and weeks I spent on the trail
Wonder what it is that you had said
Said that stone you should have thrown
that stone you shouldn't tread

Oh lord could I feel more alive
When that stone is by my side
Sanity, my most sacred trait
And if that stone, I let it fly

Mi diablo contemplate....","Transcribed by Eric Zeiler (Moedat@AOL.COM)

Intro
Bm A, E, A, E, A, E, A (9x)
(All intro chords are just the four top (high) strings. Leave the open
high-E for the A and E chords)

Bm (D E D A)
A, G, (D E D A)
A
Bm A, E, A, E, A, E A (3x)
Bm A, E, A, E, A (D E D A)

A (D E D A)
On a horseshoe trail,
A G A
I found what I was looking for
A (D E D A)
Inside my head
A (D E D A)
I didn't need it no more
A G (Dm Em Dm Am)
And then she said...
Am (Dm Em Dm D)
Days and weeks I spent on the trail
D (Dm Em Dm Am)
Wonder what it is that you had sailed
Am (Dm Em Dm Am)
Said that stone you should have thrown
Am (Dm Em Dm D)
But that stone you shouldn't tread
D (Dm Em Dm E)
Oh my lord can I feel more alive
E (D E D E)
When that stone is by my side
E (D E D E)
Sanity, my most sacred trait
E (D E D E)
And that stone, I let it fly
E
Mi diablo contemplate....

Jam:
Bm G F#7 (alternate between measures of 12/8 and 11/8)
(solo in B harmonic minor)

then: (loud)
Em G F# (power chords)","9b974579-8aaa-4842-b49a-070e455b9a87","Gutwillig, O'Brien",160,["D",1624665600000],["D",825724800000],{"_360":440,"_362":891,"_214":892,"_98":44,"_100":58,"_102":42,"_104":40,"_106":132,"_108":109,"_110":130,"_112":130,"_115":366,"_119":109,"_121":109,"_123":109,"_124":130,"_125":109,"_128":130},46,40,{"_309":894,"_897":898,"_318":899,"_175":900,"_326":901,"_902":903,"_904":905,"_906":907,"_179":908,"_909":910},{"_25":766,"_140":895,"_142":896},"2004-01-02",448,"142",{"_25":771,"_140":772,"_142":773},{"_25":776,"_140":777,"_142":778},{"_25":781,"_140":782,"_142":783},{"_25":786,"_140":781,"_142":787},"154",{"_25":790,"_140":786,"_142":791},"155",{"_25":793,"_140":790,"_142":794},"156",{"_25":796,"_140":793,"_142":178},{"_25":799,"_140":796,"_142":800},"158",{"_25":802,"_140":799,"_142":803},"http://sickbarberlicks.weebly.com/stone.html",[],{"_21":877,"_52":22,"_53":914,"_55":195,"_57":118,"_59":-5,"_31":915,"_33":916,"_35":36,"_23":917,"_63":-5,"_64":65,"_66":812,"_68":493,"_39":36,"_41":36,"_47":-5,"_69":918,"_190":968},"337b4e70-18b3-44c3-a6ab-93c3fa07cd75",["D",1582388956930],["D",1582388956930],"1999-06-12-the-overture",{"_21":914,"_71":919,"_23":920,"_31":921,"_33":922,"_76":80,"_78":923,"_27":80,"_81":924,"_29":925,"_83":65,"_84":208,"_86":209,"_88":-5,"_89":-5,"_90":887,"_92":926,"_94":927,"_96":928,"_135":930,"_184":185,"_186":547,"_188":967,"_47":919},"The Overture","the-overture",["D",1582386623147],["D",1756174208348],"Transcribed by Rich Steele

E
B
G 7~ 5 4 4 4
D 7 5 4 5(h)7 7 5 4 5 5 7 7 5
A 7 5 5
E

E
B
G 7~ 5 4 4
D 7 5 4 5(h)7 7 5 4 5 5 7 5 5
A 7 5 5 5
E

that's all for now....

----------------------------------------------------------------------------------

transcribed by Bill (mrparker@OWLNET.RICE.EDU)

I'm bored, so I figured I'd give all the bass players in the house a
little finger workout.....I've got some more of this tabbed, but it's
trapped on my crippled computer....might drop it at a later date.

It's the bass melody toward the beginning, which is a recurring theme on
all three instruments throughout. You can play it as is on guitar, but
it would definitely not be the ideal position. I leave it to you to
figure out what would be.

G
g---------------11-12-11-9-----------------------------------
d-----------9-12----------12-10-9-12-10--9---9---9-10-11-12----
a----10---12---------------------------12--12--12--------------
e------------------------------------------------------------

(repeat)

Em
g------------9-11-12-11-9------------------------------------------
d-----------9------------12-10-9-12-10-------------------9-10-11---
a---------10--------------------------10-12--10-12--10-12----------
e----12------------------------------------------------------------

D
g---------------11-12-11-9---------------------------------
d----12-------10----------12-10-9-12-10-9------------------
a-----------12---------------------------10---10---10------
e---------10--------------------------------10---10---2-3--","overture",134,["D",1752278400000],["D",905299200000],{"_214":287,"_98":929,"_100":287,"_102":101,"_104":288,"_106":366,"_108":118,"_110":130,"_111":437,"_112":58,"_114":40,"_115":42,"_116":118,"_117":118,"_119":109,"_121":130,"_122":118,"_123":109,"_124":40,"_125":118,"_126":130,"_128":132,"_129":109,"_131":118,"_133":130,"_134":109},35,{"_784":931,"_305":934,"_157":937,"_702":940,"_944":945,"_318":948,"_951":952,"_326":956,"_909":960,"_964":965},{"_25":652,"_140":932,"_142":933},"2009-10-04",333,{"_25":389,"_140":935,"_142":936},"2011-09-02",398,{"_25":938,"_140":389,"_142":939},"2014-01-23",476,{"_25":941,"_140":942,"_142":943},"2015-02-21","2014-06-14",252,"138",{"_25":946,"_140":722,"_142":947},"2016-09-09",420,{"_25":949,"_140":592,"_142":950},"2018-12-09",331,"148",{"_25":953,"_140":954,"_142":955},"2021-02-06","2019-11-17",447,{"_25":957,"_140":958,"_142":959},"2022-09-08","2021-12-05",277,{"_25":961,"_140":962,"_142":963},"2024-11-06","2024-02-07",273,"159",{"_25":966,"_140":961,"_142":221},"2025-07-12","http://sickbarberlicks.weebly.com/the-overture.html",[],{"_21":493,"_52":22,"_53":970,"_55":195,"_57":40,"_59":-5,"_31":971,"_33":972,"_35":36,"_23":973,"_63":-5,"_64":65,"_66":877,"_68":487,"_39":36,"_41":36,"_47":-5,"_69":974,"_190":1026},"393227db-46b0-42eb-a6e6-f5d91502e6b7",["D",1582388956973],["D",1582388956973],"1999-06-12-once-the-fiddler-paid",{"_21":970,"_71":975,"_23":976,"_31":977,"_33":978,"_76":979,"_78":980,"_27":80,"_81":981,"_29":828,"_83":65,"_84":208,"_86":209,"_88":-5,"_89":-5,"_90":629,"_92":982,"_94":983,"_96":984,"_135":986,"_184":185,"_186":413,"_188":1025,"_47":975},"Once The Fiddler Paid","once-the-fiddler-paid",["D",1582386622856],["D",1756174195773],"Summer Sunny day, once the wind blew warm
and the light circled round the sun I saw like a crown
you could feel it in the air, like a not so distant storm
and the silent pause in the wind it seemed
left a magical sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew cold
and the world had seen a better day all around
my life was ripped away, my business torn & sold
and I found myself in this cell I live
with a clamouring sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew thorns
and the world had seen a better day all around
you could feel it in the air, like a not so distant storm
and the days once lost but still recalled can be found

Once the fiddler paid, but once was not enough
was all who cornered his misfortune yelled
the fiddler took the blame, the crowd had called his bluff
when all was lost the verdict came to the silence of the crowd

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below","VERSION 1
Transcribed by Diechick@AOL.COM

Intro: E

Verse 1: E A7 (the rhythm and changes are easy to figure out)

1st Chorus: E B C#m E G# A B
E B C#m E G# A C#m

Verse 2: C#m C E G#
C#m C A B

2nd Chorus: E B C#m E G# A B X2
Bm

Chords under synth and guitar solo: D C#m Bm Bb } Repeated over and
over
D C E F# }

Outro Barber lick (approximate, probably inaccurate, and incomplete...help???
i'm doing this with an acoustic, so bear with me if it sounds like complete
crap on electric.)

Slide up to that first D note from way down on the neck.
There may be a pull off on that 14--11... the slide to the 2nd 14 is a very
short one.
e------------------------------------------------------------------
b----------------------15--------15---14p12------------------------
g------------14--11-------/14-------------------11~----------11----
d----/12------------------------------------------------------12---
a------------------------------------------------------------------
E------------------------------------------------------------------

Repeat that, but cut out the last two quick notes. Then (and this is
extremely shaky and incomplete)

e---17--17--17---15--13------------10---12---(uhhh)--??--12--??---12/14----
b--------------------------------------------------------------------------
g------------------------------------/11-----------------------------------
d--------------------------------------------------------------------------
a--------------------------------------------------------------------------
E--------------------------------------------------------------------------

=====================

VERSION 2
Transcribed by Slobber Scenario

Once the Fiddler Paid (from the 12/31/98 version)

Intro:

E

bass riff:
g----------------------------
d---------0-2----0-2---0-2---
a--------2------2-----2------
e----0-----------------------

repeat a lotta times....piano trills on G#/A.......

E A7
Summer sunny day, when the wind blew warm

E
And the light circled round the sun I saw like a crown

E A7
You could feel it in the air, like a not-so-distant storm

E
And the silent pause in the wind, it seemed, left a magical sound

E B C#m
But now she's gone and I vowed to miss her

E/G# E G#m A B
Days that we spent starry-eyed run deep within my soul

E B C#m
But now she's gone and I can't dismiss her

E/G# E G#m A C#m
Nor can I forget the man who sent me down below

C#m C
Summer sunny day, when the wind blew cold

E G#m
And the world had seen its better days all around

C#m C
My life was ripped away, my business torn and sold

A B
And I found myself in this cell I live with a clamoring sound

(second chorus same as first, except end on a B chord instead of C#m)

Bm

Keyboard/guitar solo:
D A Bm Bb D C E F#

(repeat until done)

End guitar solo lick (the chords change every two beats, if that helps):
D A Bm Bb D
e-------------------------------------------------17-17-17-15-14----
b---------15--15-14----14--------15--15-14--------------------------
g-------14--14-----14----14----14--14-----14------------------------
d----/12-------------15----15---------------15----------------------
a----------------------------14-------------------------------------

C E * F#
e-----------14-12----12-----12---------14----
b------12-15-----------15-12------15-12------
g----14--------------------------------------

(repeat times 4, and the last time, from the * on it's):
F#
e------12-14----
b----15---------

The F# chord holds, then

B

vamp on B for awhile pre-bass solo.

Bass solo:
B E7
g------------------------------------------------------------
d---------9-11-11s13---13-16-13--------12--14--12h14p12------
a----/9-11------------------------16-14----------------14----
E------------------------------------------------------------

A Bb0 B
g---------------------------------------------------------
d-----------9-9s11---11-14-11---------9---9-11-9-11s13----
a-------9-11--------------------9h11---11-----------------
E----/12--------------------------------------------------

E A7
g---------9-11-11s13---13-16-13--------12--14--12h14p12------
d----/9-11------------------------16-14----------------14----
a------------------------------------------------------------
Bbo B
g------------------12-14-12--15--12h15p12------------------12-14-16---
d-----------12-14-----------------------14----------12-14-------------
a----12h14-----------------------------------12h13--------------------

(t indicates a trill)

g----13------------
d------16-13t14----
a------------------

Second guitar solo:
E A7 E
(repeat until done)

End second guitar solo melody (the chorus vocal melody played on guitar) :
*
E B C#m E G#m A B
e----4-4-4---7-4----------4-----------4-4-4--4---------------
b------------------5-5h7---5-------5-7--------7b--7-5-5h7----
g-------------------4-------6---4-6------------------6-------
And gone vowed her days starry deep soul

repeat, and the second time from * play:
G#m A C#m
e----4-4--------------------
b----------7-5-8---8-7-5----
g-----------------------6---

C#m C
Summer sunny day, when the wind blew thorns

E G#m
And the world had seen its better days all around

C#m C
You could feel it in the air, like a not-so-distant storm

E E0
And the days once lost but still recalled can be found

C#m C
Once the fiddler paid, but once was not enough

E E0
Was all who cornered his misfortune yelled

C#m C
The fiddler took the blame, the crowd had called his bluff

A B
When all was lost the verdict came to the silence of the crowd

(third chorus same as second)

End:
Bm-B-E","fiddler",["D",1741824000000],["D",904262400000],{"_214":44,"_98":985,"_100":58,"_102":132,"_104":287,"_106":132,"_108":130,"_110":109,"_111":40,"_112":40,"_114":130,"_115":58,"_116":118,"_117":130,"_119":118,"_120":130,"_121":130,"_122":40,"_123":118,"_124":130,"_125":118,"_128":40,"_129":109,"_131":118,"_133":109,"_134":109},31,{"_571":987,"_989":990,"_992":993,"_581":996,"_1000":1001,"_1004":1005,"_152":1008,"_769":1012,"_1015":1016,"_1020":1021},{"_25":838,"_140":234,"_142":988},314,"75",{"_25":991,"_140":146,"_142":325},"2006-04-18","85",{"_25":994,"_140":709,"_142":995},"2009-04-18",311,{"_25":997,"_140":998,"_142":999},"2013-12-26","2013-04-27",243,"102",{"_25":1002,"_140":786,"_142":1003},"2014-12-31",312,"110",{"_25":1006,"_140":1007,"_142":304},"2017-10-26","2016-10-29",{"_25":1009,"_140":1010,"_142":1011},"2018-12-15","2018-04-19",240,{"_25":1013,"_140":324,"_142":1014},"2021-04-20",841,"120",{"_25":1017,"_140":1018,"_142":1019},"2023-01-18","2022-03-31",293,"123",{"_25":1022,"_140":1023,"_142":1024},"2024-09-07","2023-06-16",449,"http://sickbarberlicks.weebly.com/once-the-fiddler-paid.html",[],{"_21":199,"_52":22,"_53":1028,"_55":195,"_57":58,"_59":489,"_31":1029,"_33":1030,"_35":36,"_23":1031,"_63":80,"_64":65,"_66":487,"_68":193,"_39":36,"_41":36,"_47":-5,"_69":1032,"_190":1074},"66fd52d5-8886-403f-9bbf-cb1d8e5af461",["D",1694104089377],["D",1694104089377],"1999-06-12-voices-insane-s1-6",{"_21":1028,"_71":1033,"_23":1034,"_31":1035,"_33":1036,"_76":1037,"_78":80,"_27":80,"_81":1038,"_29":376,"_83":65,"_84":208,"_86":209,"_88":-5,"_89":1039,"_90":386,"_92":1040,"_94":1041,"_96":1042,"_135":1044,"_184":185,"_186":1072,"_188":1073,"_47":1033},"Voices Insane","voices-insane",["D",1582386623818],["D",1756174211502],"

I admit it, I was guilty
But don't you believe it, that I was wrong

I never accepted my relocation
And I'm looking out past them four hours till dawn

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

The walls have deceived me
I imagined this all on my own
These spirits around me, clouds of dust looking for a new home

When they tap on my shoulder, tell me I got what I deserve
I throw my arms & destroy them
Cause on this day they will eat all their words

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

I can stop all the voices
and bang on the walls with my fists
But my only choice left
is the one I'd never dismiss

I hear the world through the echos
A song of life through the noise in the crowd
In this cell I've known plainly
That what I want is what is not allowed.

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

","voices","These voices insane are telling me tales from the stars\nSo I call on the reigns of forces drawn in from 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