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All my friends
are super blissed out
Then the crash
Then the break down
The sirens are red
and then the blue lights
Sunbeams creeping in
And I'm running way into the night

So these things
got people wigged out
And I try to reel them in
And help them figure out
The sugar is on the strip
Searchlights in your eyes
We wanna live forever
And I'm running way into night

","tabs","legacyAbbr",495,"cover","authorId","16dea9b0-03b7-43eb-bcda-5162b37b7088","legacyAuthor","Aron Magner, Jon Gutwillig","history","featuredLyric","timesPlayed",37,"dateLastPlayed",["D",1730937600000],"dateFirstPlayed",["D",1577404800000],"yearlyPlayData",{"_99":100,"_101":102,"_103":104,"_105":70,"_106":107,"_108":100},"2019",1,"2020",5,"2021",14,"2022","2023",6,"2024","longestGapsData",{"_111":112,"_118":119,"_122":123,"_127":128,"_132":133,"_137":138,"_142":143,"_146":147,"_151":152,"_154":155},"2",{"_25":113,"_114":115,"_116":117},"2020-06-23","previous","2020-01-03","delta_days",172,"3",{"_25":120,"_114":113,"_116":121},"2020-10-17",116,"6",{"_25":124,"_114":125,"_116":126},"2021-03-26","2020-10-31",146,"20",{"_25":129,"_114":130,"_116":131},"2022-03-04","2021-12-31",63,"26",{"_25":134,"_114":135,"_116":136},"2022-08-28","2022-06-23",66,"30",{"_25":139,"_114":140,"_116":141},"2023-01-21","2022-11-18",64,"31",{"_25":144,"_114":139,"_116":145},"2023-03-30",68,"33",{"_25":148,"_114":149,"_116":150},"2023-07-18","2023-05-03",76,"34",{"_25":153,"_114":148,"_116":136},"2023-09-22","36",{"_25":156,"_114":157,"_116":158},"2024-11-07","2023-10-25",379,"mostCommonYear",2021,"leastCommonYear",2019,"guitarTabsUrl","http://sickbarberlicks.weebly.com/running-into-the-night.html","annotations",[],{"_21":168,"_50":22,"_51":169,"_53":170,"_55":102,"_57":28,"_30":171,"_32":172,"_34":35,"_23":173,"_62":28,"_63":64,"_65":174,"_67":-5,"_38":175,"_40":70,"_45":176,"_72":177,"_165":282},"0b6d68db-8212-44b4-8071-61318fd16a16","1aa804c3-7dc1-4007-aa9d-a5e8ac93f34a","S2",["D",1648872333854],["D",1763005959940],"2022-04-01-basis-for-a-day-s2-5","b2dbdde0-8ac2-46bf-889d-4586ebac918a",4.8,"Basis For A Day S2 closer segue Aquatic Ape",{"_21":169,"_74":178,"_23":179,"_30":180,"_32":181,"_79":28,"_81":182,"_27":28,"_82":183,"_29":184,"_84":64,"_85":185,"_87":186,"_89":187,"_90":188,"_91":189,"_93":190,"_95":191,"_97":192,"_109":230,"_159":279,"_161":280,"_163":281,"_45":178},"Basis For A Day","basis-for-a-day",["D",1582386622697],["D",1756174175717],"Basis For A Day
(transcribed by Rich Steele)

ok, when they actually do start the song, barber does this fanning type of
thing that goes like this:
E D C#
E
B 17 17 17 17 17 15 14
G x x x x x x x
D 14 14 14 14 17 12 11
A
E

which goes into the simple G > A thing.
(G- on the 3rd fret. A- on the 5th)
Listen to a tape to hear how many beats you play the A before going down
to the G.

Then, after you slow it down at the end with the slow G, slowly strum
these series of bar chords:

E F Ab B D E
E 0 1 4 7
B 0 1 4 7 7 9
G 1 2 5 8 7 9
D 2 3 6 9 7 9 (strum this last E fast)
A 2 3 6 9 5 7
E 0 1 4 7

Then it goes into the (ooooooohhhh) part, where you just play the A > G
part again.
Which then goes into the bass solo, which marc plays over a Ebm > Bbm7.

Then after the bass solo they play over this progression:

Eb > F# > A > C# > Em > B > F
(play twice, then they jumps into these next 2 riffs, which are played
over a Bm7 > Em.)

E 7(h)8(p)7 (trills)
B 7 7(h)8(p)7 (trills) 8
G 7 7
D 7 9 9
A 7 9 9 7
E

F#m7 F7 Em Bm
E 7
B 7 7(h)8(p)7 10 10 8 7
G 7 9(p)7 9 8 9 7
D 9 9 11 10 9 9
A 7 9 8 7 9
E 7

then...

E
B 5 5 5 5 8 8 8 8
G 5 5 5 5 (-->> slide) 9 9 9 9
D 7 7 7 7 10 10 10 10
A 7 7 7 7 10 10 10 10
E

E
B 5 5 5 5 10 8 8 8 7 7 7 5 5 5
G 6 6 6 6 11 9 9 9 7 7 7 6 6 6
D 7 7 7 7 12 10 10 10 9 9 9 7 7 7
A 7 7 7 7 12 10 10 10 9 9 9 7 7 7
E

(play that section twice)
(then drops back down into this chromatic riff)

E 12 11(h)12 11 10(h)11 10 9(h)10 9 8(h)9
B
G
D
A
E

E 8 7 5 7 8 9 10 10 10 10 10 11 10 9 8 7 8 9
B
G
D
A
E

E 10
B 10 8
G
D
A
E

This then repeats for a bit, then eventually goes into the (OOooooohhhh)
part again over the G > A.

then they play this riff which leads into the outro jam.

E
B
G
D
A 5 5 7
E 5 7 7(p)5 5(sl)3 3(h)5 5 7 7(p)5 5 5

play this 4 times

-- Basis ending --
(listen for the key change to A major, where they all typically land on a
E to start the outro jam.)
Is done over a A > D > G progression.

This is the ending riff. (play 4 times)

E 21 21 21 22 21 19 19 21 22 22 21 21
B 18 20(sl)22
G
D
A
E

then....
E
B 19 17 15 13
G 14 12 9
D
A
E

Then they just jam a bit more over that same
A > D > G progression, until barber hits that ending riff again. then it
goes into the final part, which is this.

E
B
G
D
A 5 5 7
E 5 7 7(p)5 5(sl)3 3(h)5 5 7 7(p)5 5 5

play this 4 times

\\r","basis",16,"4338604b-38e0-432c-855b-bcd9091d4409","Abrams, Gutwillig","

“This song is called Basis for a Day, it’s a song you should listen to every day” - Barber, 10/1/98

Stunning and majestic, Basis for a Day is the likeliest candidate for consensus greatest song in the Disco Biscuits catalog. The catalog is replete with 30 and 40 minute versions, three part versions, and numerous versions that are considered among the best jams ever played. The song itself is rather simple: a modern standalone version usually consists of a drawn out intro jam, a composed middle (which features a triumphant two chord riff, a chorus of “whoa”s from the band, a bass slap section (sometimes jammed out, as in a three part version), a (relatively) complex instrumental section, a reprise of the triumphant “whoa” section, and an ending riff), an even more drawn out main jam, and a triumphant peak. After the peak, the band stops, and then plays a quick high-energy jam back into the same peak, after which the ending riff from the composed middle is repeated (this is sometimes known as the tag, or Gimme All Your Fucking Money (GAYFM) section, after a line Brownstein sometimes yells to the crowd).

Because 1995 and 1996 are not represented in the Biscuits archives, it is hard to know exactly how much Basis grew in those early years and how different the modern version is from the early version. Luckily, one Basis from before 1997 is still readily available in circulation: 8/7/96 at the band’s first show at the Wetlands Preserve, immortalized on the earliest edition of Encephalous Crime. This early version is vastly different from the modern version. The intro jam is less than two minutes long, and features a bizarre stream of consciousness narration from Barber. The iconic whoas are absent from the composition, as is the bass slap section, but otherwise the composed middle is fairly similar to modern versions. The main jam is under ten minutes and sees the narration from Barber continue. Rather than building to the distinctive peak, the main jam breaks down, at which point the band plays the ending riffs, and build up to a crescendo before dropping back into that riff.

Until May 2020, the earliest extant Basis on Archive was 1/30/97, but that changed with the release of 1/17/97 from the vaults. The Basis on this version has some notable differences from the EC Basis: the first whoas are sang, and the ending is different: rather than building straight to the ending riffs, the jam builds up to the distinctive Basis peak that we know today, after which there is a tag section which builds up to the ending riffs (the peak is not played a second time). At some point after 8/7/96, but no later than 1/17/97, this iconic peak riff was added. 1/30/97, the first three-part Basis and for years the earliest extant Archive Basis, saw further developments to the song structure, namely the addition of the distinctive bass slap section to the composed middle. This section developed organically out of an intro jam, led by Brownie, into the middle of Basis.

After 1/30/97, there are another eleven versions of Basis from 1997 available on Archive. 2/22/97 is the first version in which the band plays the peak a second time in the tag section, although this didn’t become standard right away (3/25 and 4/12 are not played this way, for example). 3/25/97 and 5/13/97 feature more of the bizarre stream of consciousness narration present on the EC version. 3/29/97 is a somewhat odd version in which the band almost inverts the song, playing the peak before dropping (somewhat clumsily) into an intro. After 5/31/97 there are no Bases on Archive until 11/17/97; despite this gap, the song doesn’t seem to have grown much, although the band is playing tighter. The band played a Basis ending on 12/27/97 and followed up the next two nights with full versions of Basis, illustrating how important the song had become to the catalog by then. 12/28/97 is the longer and stronger version, and features an interesting type two breakdown (shades of Aceetobee and perhaps Peter Gunn from Barber?) towards the end of the main jam that showcases Magner’s new electronic synth capabilities.

The first golden era for Basis began in 1998. Basis was played 34 times in 1998, and of this number 25 have survived into circulation on Archive. The first Basis of the year is short and unassuming, not at all portentous of the song’s future role as the band’s heaviest hitter of the year, but the second version is a massive two song pairing, an over 50 minute Run Like Hell > Basis for a Day combo that skyrocketed both of these songs into the stratosphere. Other important early 98 versions include 3/21/98 Law and Order Theme > Basis, the 4/2/98 medley (which features an impressive DJ segue out of the bass slaps to a Shem-Rah intro), 4/18/98 Vassillios > Basis (featuring, of all things, a didgeridoo, but more importantly the first Basis to feature a trance jam), and 5/2/98 Basis > Dribble > Run Like Hell > Basis (another important show for Run Like Hell, as well as Dribble). Basis turned another corner on 7/3/98, which featured a nearly 40 minute version of the song, by far the longest yet. This version is emblematic of all the developments in the song over the course of 1998: the intro jam is ten minutes long, thematic and interesting in a way the earlier versions were not. The main jam is over 23 minutes even if you don’t include the tag, a relentless breakneck 98 style trance jam that had become the norm for the song. It holds up to modern versions as one of the best Bases ever. Basis was particularly strong for the remainder of the year, with important versions including 8/15/98, 9/9/98, and 12/29/98 (the last of which was included on the reissue of Encephalous Crime).

“The song’s called Basis for a Day… and it changes over time as the band changes over time. And so we took a really hot version from a couple weeks ago, digitally mastered it, and put it on the end of the album, so the album’s a little more up-to-date than it used to be.” - Barber, 2/05/99

The meteoric rise of Basis continued into 1999. Two very solid versions, 1/21/99 and 1/26/99, preceded a monumental version, 1/29/99, which at the time was probably the best version ever played. The band followed this with a nearly 40 minute version on 2/5/99 that is a little bloated at times and overall not as strong as the 40 minute version from 7/3/98. After this version it was nothing but smooth sailing for Basis in winter 1999. The next version, 2/10/99 (also an important date for M.E.M.P.H.I.S.) featured the first jamming on the middle of Basis, or out of the bass slap section, a trend that continued sporadically throughout the year and beyond. 2/19/99, which opens with the powerful Pygmy > Basis ending combo, is the first dyslexic Basis and arguably the first dyslexic Biscuits song (there is a Harry Hood from 1996 that is notated as dyslexic). Other standouts from the rest of the tour include 2/25/99, 3/6/99, and 3/18/99. A short anecdote from 3/27/99 stands out as evidence that Basis had become the most important song in the catalog. The band had left the stage after the encore, but were determined to play the end of Basis one more time before tour ended. They got back on stage for a second encore, a less than ten minute Waves > Basis. Although it is perfunctory, it demonstrates just how important it was to the band that they tied up their loose ends.

Since Basis was a microcosm of the band’s state, it continued to grow in spring and fall 1999. The first Basis of the spring tour was played at the legendary Trocadero show on 4/9/99. The classical cover The Thieving Magpie was debuted out of the main jam, and the ending was once again played in a Waves > Basis combination, this one considerably more fleshed out and considered by some to be the greatest Biscuits jam of all time. Another contender for that same accolade can be found on 4/17/99 in the legendary Shimmy > Basis pairing, the second Basis of the tour. After a solid standalone version on 4/23/99, another legendary Basis was performed at the storied Wetlands Preserve on 5/1/99, with a Basis > Vassillios > Basis anchoring the first ever palindrome set. After three out of the first four Bases of tour being legendary versions, the song remained a consistent heavy hitter for the remainder of the tour, with a particularly solid standalone version performed on 5/27/99, and with an excellent split version sandwiching the second inverted Boop on 6/13/99. Another important development for the song occurred on 5/14/99. Jamming on the middle section had become more common in the winter, but was taken to a new level when Basis was jammed out of and split at the middle section, with a particularly intense and primally psychedelic jam from Bernstein back into the Basis bass slaps.

There weren’t many significant developments to Basis in fall 1999, although just about every version from this tour is worth hearing. The most worthwhile of these are 10/6/99 (a 40 minute version widely considered the greatest standalone) and 10/28/99 (in addition to one of the best endings ever, Basis is teased and faked out throughout the show and as part of the “Spagopera”). The final Basis of the year was ending only, used as the final destination for the 100+ minute Akira jam, one of the Biscuits’ crowning achievements.

With the departure of Marc Brownstein from the band at the beginning of 2000, Basis entered its first lull in years. The first show of the year, 3/11/00, featured a Basis with Sammy on bass and Mauricio on percussive synths (the format that all the original Munchkin Invasions and Crickets were played in). The same lineup played a Basis > Helicopters > Basis sandwich on 4/22/00. These versions have their merits but overall are particularly ineffective, especially in the composition. The song was played twice more before the core four properly reunited, in full on 6/27/00 with Jordan Crisman on bass, and ending only on 8/19/00 with Pauly Herron (of Electron et al.) on percussion. The 6/27 version is particularly worthwhile, with a triumphant and unconventional intro jam and a powerful ending.

On 10/13/00, the core four performed a full Basis for the first time since 10/28/99. The roughly 38 minute version featured drawn out intro and main jams and a perfunctory middle jam, and signalled the beginning of the second golden age of Basis. Although the 10/13 version has moments of staleness, particularly in the main jam, it is a very solid version overall, and just about every version from the rest of the year is worthwhile. In particular are 10/21/00, 10/27/00 and 11/11/00: 10/21/00 is split up and sandwiched between Jigsaw Earth, in a brilliant Jigsaw > Basis > Jigsaw > Basis > Jigsaw segment that is one of the best of the year, and standalone Bases open the second set of 10/27/00 and the first set of 11/11/00, and these are often regarded as the year’s strongest. A unique dyslexic Basis can be found on 11/3/00; the show opens with the tag section, and an otherwise full Basis is played in the second set, with a full Barfly replacing the tag.

The golden age of Basis continued into 2001, although there aren’t many important versions from the spring tour. Some major exceptions include 4/1/01 Basis > Waves (><) > Basis and the excellent 33 minute standalone on 4/6/01. Basis made an important comeback on 7/5/01, with a majestically interwoven pairing of Crickets and Basis anchoring the second set. In the fall tour Basis was a regular powerhouse once again. The second show of the tour, and final show at the Wetlands Preserve, 9/2/01, featured a powerful 35 minute standalone Basis in the third set. 9/15/01 Basis > Ape (><) > Basis is a fan favorite segment and considered by many to be among the best versions of both songs. And 11/1/01 features a spectacular Basis that cracks the 40 minute mark, the first to do so. But perhaps the strongest version of the year can be found on 9/12/01, in which the band delivered a powerful and emotionally resonant Basis the day after the national tragedy.

Spring 2002 suffered an even greater dearth of meaningful Bases than did spring 2001. The tour in general was extremely song-heavy and lighter on stretched out jams, so it isn’t altogether surprising that a powerhouse like Basis suffered. Those interested in the era should check out the 3/6/02 version (generally considered to precede the overly song-y stretch of spring 02) and maybe 4/29/02 (from a Meatcamp set that is overflowing with heavy hitters), but the rest of the tour can largely be written off. Basis began to get interesting again in the summer (worth checking out are 8/17/02 Judy’s > Basis and 8/24/02 Frog Legs > Basis) and by the fall it had once again attained heavy hitter status. The polarizing “almost palindrome” of 10/2/02 is bookended by an excellent Basis, and 10/26/02 features another strong version of the song, but the two titans of 02 are undoubtedly 10/18/02 (Rock Candy > King of the World > Aquatic Ape (><) > Basis is some of the best music of the year) and 11/9/02 (the entire thing is excellent, but the intro is transcendent). 11/9/02 was the last Basis of the year, making 2002 the only year in which Basis was not played over the New Year’s run.

Although in previous years Basis seemed to dip in quality during the spring tours, spring 2003 is actually a particularly strong era for Basis. The first Basis of the year was played on 4/6/03, a 46 minute standalone (the longest standalone at the time and for over a decade afterward) that is highly regarded as one of the best. The next version of the year, 4/17/03, is another highly regarded version, particularly for the intro and middle jams. The other versions from the tour (split versions on 4/25/03 and 5/4/03, and an ending only version on 5/26/03) are solid as well. In the summer, Basis was played on 7/2/03, and then sat on the shelf for a then-unprecedented 17 shows, until it was dusted off for a monster final-set-centerpiece at the mythical Trancemission festival on 8/16/03. It then sat on the shelf for a whopping 27 shows (still its longest gap ever) until it was played again on 12/31/03. This Basis was central to the New Year’s Eve gimmick: It closed out the first set, but was left unfinished as the band jammed with the New Deal into their setbreak set. At the end of the New Deal’s set, the Biscuits gradually came out for another New Deal/Biscuits jam that segued into the end of Basis, complete with New Year’s countdown.

In the twilight years of 1.0, Basis stayed in the rotation but seemed to have lost some of its luster. It was played six times total with Sammy in 2004-2005. Of these, the only one really worth hearing is the standalone version played 12/29/04 as the second part of the encore. Fans who left to beat the traffic as the band started up Eulogy were no doubt dismayed to learn that, not only had the band treated the remaining faithful to an excellent Basis, they had reprised the jam that would eventually become Gangster in the intro jam.

With Allen joining the band, Basis regained its status as a once-every-five-shows song (from 2003-2005 it was more a once-every-eight-or-nine-shows song). Allen’s first Basis was on New Year’s Eve 2005, and he tackled the song on sixteen occasions in 2006. As he grew more and more comfortable with his place in the band, so too did the Bases he played become gradually more confident. There aren’t many must-hear versions from 2006, but they can be found towards the end of the year: 9/23/06, 11/4/06, and especially 11/25/06 all have moments of greatness.

Like the song’s golden age in 1.0, the golden age for Basis in 2.0 coincides with the golden age of Biscuits 2.0, beginning sometime in 2007 and ending sometime in 2009. The first extant version of 2007, 5/20/07, was the first best Basis of the year, and strong versions from the summer and fall include 6/28/07, 8/17/07, 10/12/07 and 11/4/07. In early 2008 monster versions of Basis were incorporated into jam-heavy three and four song sets, such as 1/19/08’s I-Man > Nughuffer (><) > Basis or 3/1/08’s Triumph > Shelby (><) > Basis (both excellent versions). In the summer, strong versions of Basis were played at major festival appearances, including 6/7/08 at Starscape and 6/13/08 at Bonnaroo.

2009 was arguably the strongest year for Basis in 2.0, with 6/5/09 and 9/19/09 being some of the best versions of the song for any era. In 2009 the three-part Basis became ubiquitous. 1/24/09 saw Basis split into beginning/middle, end and tag, but the first proper three-part Basis since 1/30/97 was played on 2/27/09 (beginning) and 2/28/09 (middle and end). This is, in fact, the first four-part Basis (in practice, the most number of pieces Basis can be split into), since the tag is played separately as well. Another three-part Basis was played over the New Year’s run, and the trend continued into later years.

After 2009 there were considerably fewer meaningful versions of Basis, although the song remained a catalog staple and guaranteed crowd pleaser. 1/31/10 and 3/15/10 are solid pre-wristgate fare, although nothing groundbreaking, and 7/8/11 is a strong portion of a strong show. Basis was played almost exclusively as a three-part or four-part song in 2012 and 2013, and remained stagnant until an earth-shattering standalone performed at the Mann Center on 9/27/13 as part of City Bisco. Breaking the 47 minute mark, it is the longest standalone Basis played, breaking the record previously held by 4/6/03 by over a minute. In addition to its length, it is widely considered the strongest Basis of the setbreak era (and one of the strongest of any era).

Basis continued to recover ground as the band did, and was mostly solid in 2014 and 2015. In 2016, Basis entered what might be called a silver age, with mostly solid versions appearing over the next four years. Basis also became more common, played a whopping seven times each year in 2016 and 2017, the most since 2010. After a few strong performances in 2016, most notably 2/6/16 at the Fillmore Philadelphia, Basis was inverted for the first and only time on 7/16/16 at Camp Bisco in one of the most memorable sets of the setbreak era. 2017 is similarly solid, with strong versions on 2/4/17 at the Fillmore, and 12/31/17 at the Playstation Theater, in what was also the most recent three-part Basis.

After two strong years, Basis was not played for over six months and 18 shows (its second-longest show gap and longest since 2003). It made its reappearance as the encore of the final night of Camp Bisco, 7/14/18, and was played twice more that year. The latter, played 12/28/18, is a particularly unique and interesting version with a wide variety in synth choices. After another strong performance on 1/31/19, Basis disappeared for another 18 shows until reappearing in November, its longest calendar gap. The Basis delivered on 12/31/19 is excellent, one of the strongest versions of the past decade.

Basis has been a staple of the band’s catalog for decades, nearly since it was written. It has been played more times than any other song except for two: Morph and I-Man. Disappearances of more than ten shows are very infrequent.

","Whoa.",334,["D",1755820800000],["D",815875200000],{"_193":56,"_194":104,"_195":196,"_197":198,"_199":200,"_201":202,"_203":204,"_205":206,"_207":208,"_209":210,"_211":56,"_212":184,"_213":214,"_215":70,"_216":217,"_218":219,"_220":102,"_221":102,"_222":210,"_223":102,"_224":102,"_225":226,"_227":226,"_228":56,"_99":56,"_101":100,"_103":102,"_105":107,"_106":208,"_108":208,"_229":107},"1995","1996","1997",32,"1998",34,"1999",36,"2000",11,"2001",21,"2002",18,"2003",8,"2004",4,"2005","2006","2007",12,"2008","2009",19,"2010",15,"2011","2012","2013","2014","2015","2016",7,"2017","2018","2025",{"_231":232,"_235":236,"_240":241,"_245":246,"_250":251,"_255":256,"_260":261,"_265":266,"_270":271,"_275":276},"180",{"_25":233,"_114":234,"_116":117},"2004-12-29","2004-07-10","221",{"_25":237,"_114":238,"_116":239},"2008-12-30","2008-07-19",164,"257",{"_25":242,"_114":243,"_116":244},"2011-07-08","2011-01-14",175,"262",{"_25":247,"_114":248,"_116":249},"2012-07-12","2012-01-28",166,"267",{"_25":252,"_114":253,"_116":254},"2013-08-31","2013-01-26",217,"271",{"_25":257,"_114":258,"_116":259},"2014-08-15","2014-01-26",201,"294",{"_25":262,"_114":263,"_116":264},"2018-07-14","2017-12-31",195,"298",{"_25":267,"_114":268,"_116":269},"2019-11-20","2019-01-31",293,"300",{"_25":272,"_114":273,"_116":274},"2020-10-25","2019-12-31",299,"301",{"_25":277,"_114":272,"_116":278},"2021-04-03",160,1999,2020,"https://sick-barber-licks.weebly.com/basis.html",[],{"_21":284,"_50":22,"_51":285,"_53":170,"_55":56,"_57":58,"_30":286,"_32":287,"_34":35,"_23":288,"_62":28,"_63":64,"_65":289,"_67":174,"_38":69,"_40":70,"_45":290,"_72":291,"_165":359},"2794f0aa-3566-43a6-b821-23f39e0dc00e","c6999c89-7242-4a6f-8de5-d621c19a4fb2",["D",1648870724990],["D",1763005959940],"2022-04-01-crickets-s2-3","7b4f7821-9fff-4be9-8931-5a82de8a0fbc","Crickets S2 segue > Confrontation Aquatic Ape inverted",{"_21":285,"_74":292,"_23":293,"_30":294,"_32":295,"_79":296,"_81":297,"_27":298,"_82":299,"_29":300,"_84":64,"_85":301,"_87":302,"_89":-5,"_90":-5,"_91":303,"_93":304,"_95":305,"_97":306,"_109":310,"_159":356,"_161":357,"_163":358,"_45":292},"Crickets","crickets",["D",1582386623818],["D",1756174179324],"Over in the night,
Hopping, hopping.
Crickets in the night,
Look out! Splattums!","transcribed by Rich Steele

the jam into the middle section is over looping D > C > Bm > A
progression.

middle section riff
E 14
B 15 14 15 17 17 14 15 17 17 14 15 17 17
G 14 14 16 16 16 16
D
A
E

E
B 14 15 17 17 14~
G
D
A
E
\\r","This song was originally called Splattums by the fans when it first debuted, since the band didn't name the song. Barber also referred to the song once as Song II of the South.","splat2",180,"edb2307c-4e52-41f6-be6c-0f5f9ca8c84a","The Disco Biscuits, Zuniga",253,["D",1755907200000],["D",955756800000],{"_201":219,"_203":307,"_205":308,"_207":184,"_209":107,"_211":210,"_212":214,"_213":184,"_215":104,"_216":217,"_218":309,"_220":107,"_221":56,"_222":102,"_223":107,"_224":102,"_225":107,"_227":102,"_228":210,"_99":210,"_101":210,"_103":226,"_105":226,"_106":202,"_108":202,"_229":102},26,27,9,{"_311":312,"_316":317,"_321":322,"_326":327,"_330":331,"_335":336,"_340":341,"_344":345,"_348":349,"_352":353},"93",{"_25":313,"_114":314,"_116":315},"2005-12-28","2005-07-23",158,"167",{"_25":318,"_114":319,"_116":320},"2011-08-30","2011-03-27",156,"170",{"_25":323,"_114":324,"_116":325},"2012-07-07","2011-12-26",194,"172",{"_25":328,"_114":329,"_116":249},"2012-12-26","2012-07-13","175",{"_25":332,"_114":333,"_116":334},"2013-07-13","2013-01-27",167,"187",{"_25":337,"_114":338,"_116":339},"2015-12-04","2015-07-18",139,"201",{"_25":262,"_114":342,"_116":343},"2018-03-08",128,"202",{"_25":346,"_114":262,"_116":347},"2018-11-24",133,"206",{"_25":350,"_114":351,"_116":343},"2019-11-23","2019-07-18","209",{"_25":113,"_114":354,"_116":355},"2020-01-02",173,2002,2012,"http://sickbarberlicks.weebly.com/crickets.html",[360],{"_21":361,"_362":284,"_363":364,"_30":365,"_32":366},"da3dc700-56d2-491d-b39c-8ea696a09efa","trackId","desc","inverted",["D",1648871317180],["D",1648871317180],{"_21":66,"_50":22,"_51":368,"_53":54,"_55":369,"_57":58,"_30":370,"_32":371,"_34":35,"_23":372,"_62":28,"_63":64,"_65":373,"_67":49,"_38":175,"_40":70,"_45":374,"_72":375,"_165":439},"af4d5108-ad55-4474-aa26-713dd219ca77",2,["D",1648862504040],["D",1763005959940],"2022-04-01-spaga-s1-2","97d0199a-6a9d-4912-9cf0-8ebfa055c1d9","Spaga S1 segue > Nughuffer Running Into the Night with ‘Because’ (The Beatles) intro unfinished",{"_21":368,"_74":376,"_23":377,"_30":378,"_32":379,"_79":380,"_81":381,"_27":28,"_82":377,"_29":382,"_84":64,"_85":383,"_87":384,"_89":-5,"_90":-5,"_91":385,"_93":386,"_95":387,"_97":388,"_109":392,"_159":279,"_161":437,"_163":438,"_45":376},"Spaga","spaga",["D",1582386623147],["D",1756174204430],"Here, free to part
Just to sing you a lullaby
Of Spaga, the Intifada
His souvenir, the dragon's eye

FIRE breathes the dragon
Tooth for tooth,
and eye for eye
The knight in shining armor
The fair maiden, his battle cry

And with a prayer
for the maiden,
who would then lay him
So with his valour
He would soon tower
The Dragon's lair

Spaga's emerged in victory
Slain the beast for all to see
And the little knights courage knew to end
As he danced and dodged about the dragon's den

Avoiding fire breath and razor claws
Till the mighty dragon made his fatal flaw
When he turned to check the maiden's cell
Spaga thrust his sword with a terrific yell (alt. and sent him straight to hell)

The maiden saw Spaga standing tall
As he watched the beast take his final fall
His sword illuminated as the smoke cleared
He told her firmly 'come my dear'

So what then of the true reward
Said Spaga coyly as he sheated his sword
Anything you wish I ask of thee
Hand in hand immersed in glee","(that rise and fall part, or whatever you wanna call it :)

E
B 17 17~~ 17 16 14 14 14
G 6(sl)16 16 16 14 13
D
A
E

(ok, here is that tapping part. After endless noodling and trying to
watch Jon play this part at shows, I think I got it.)

E
B
G (t)11 (t)9(p)6 (t)14 (t)11(p)9
D
A
E (repeat this for like 4 measures)

(Jon then goes and does more tapping descending down, but it goes by so
fast and I cant really figure out notes he's playing. I'll keep working
on it though.)

the fast chord strums at the end.

B F#m C#m B
E
B 16 16 16 14 14 17 16
G 16 16 16 14 14 18 16
D 16 16 16 14 14 18 16
A 14 14 14 16 16 16 14
E",177,"a827e021-ab19-4d94-9aa8-6097e0fba28b","Aron Magner",170,["D",1750809600000],["D",927763200000],{"_199":389,"_201":214,"_203":104,"_205":390,"_207":309,"_209":100,"_211":100,"_212":104,"_213":391,"_215":226,"_216":107,"_218":210,"_220":56,"_221":210,"_222":56,"_223":56,"_224":100,"_225":56,"_227":210,"_228":56,"_99":56,"_101":100,"_103":210,"_105":369,"_106":102,"_108":102,"_229":369},23,20,13,{"_393":394,"_398":399,"_402":403,"_406":407,"_411":412,"_415":416,"_420":421,"_424":425,"_429":430,"_433":434},"78",{"_25":395,"_114":396,"_116":397},"2004-09-03","2003-11-01",307,"79",{"_25":400,"_114":395,"_116":401},"2005-05-27",266,"80",{"_25":404,"_114":400,"_116":405},"2006-03-09",286,"113",{"_25":408,"_114":409,"_116":410},"2008-12-31","2008-06-08",206,"133",{"_25":413,"_114":414,"_116":385},"2013-12-28","2013-07-11","137",{"_25":417,"_114":418,"_116":419},"2015-12-31","2014-12-05",391,"149",{"_25":422,"_114":423,"_116":405},"2019-11-14","2019-02-01","151",{"_25":426,"_114":427,"_116":428},"2020-10-18","2019-12-27",296,"152",{"_25":431,"_114":426,"_116":432},"2021-04-23",187,"157",{"_25":435,"_114":26,"_116":436},"2022-09-30",182,2004,"http://sickbarberlicks.weebly.com/spaga.html",[440,445],{"_21":441,"_362":66,"_363":442,"_30":443,"_32":444},"9d4a16ca-866d-410a-ad73-e4a7bfb0b424","with ‘Because’ (The Beatles) intro",["D",1717949464363],["D",1717949464363],{"_21":446,"_362":66,"_363":447,"_30":448,"_32":449},"421873ac-e6fa-412d-b8ee-8edaf113aa3d","unfinished",["D",1717949464371],["D",1717949464371],{"_21":68,"_50":22,"_51":451,"_53":54,"_55":210,"_57":58,"_30":452,"_32":453,"_34":35,"_23":454,"_62":28,"_63":64,"_65":49,"_67":455,"_38":456,"_40":70,"_45":457,"_72":458,"_165":520},"3f5505cc-906e-47b4-9e19-6a43c7e82540",["D",1648864957290],["D",1763005959940],"2022-04-01-aceetobee-s1-4","a01cbd29-dce2-4d58-a2e5-5bb2b65acc73",4.9,"Aceetobee S1 segue > Running Into the Night Rock Candy unfinished",{"_21":451,"_74":459,"_23":460,"_30":461,"_32":462,"_79":463,"_81":464,"_27":28,"_82":465,"_29":369,"_84":64,"_85":185,"_87":466,"_89":467,"_90":468,"_91":469,"_93":470,"_95":471,"_97":472,"_109":477,"_159":517,"_161":518,"_163":519,"_45":459},"Aceetobee","aceetobee",["D",1582386622697],["D",1756174173437],"

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","Jon Gutwillig","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,["D",1752019200000],["D",815875200000],{"_193":369,"_194":102,"_195":473,"_197":474,"_199":475,"_201":208,"_203":476,"_205":476,"_207":104,"_209":102,"_211":210,"_212":226,"_213":107,"_215":369,"_216":309,"_218":208,"_220":107,"_221":107,"_222":56,"_223":210,"_224":56,"_225":369,"_227":107,"_228":100,"_99":369,"_101":100,"_103":56,"_105":369,"_106":56,"_108":56,"_229":210},54,55,30,17,{"_111":478,"_482":483,"_240":486,"_250":490,"_494":495,"_498":499,"_502":503,"_505":506,"_509":510,"_512":513},{"_25":479,"_114":480,"_116":481},"1996-08-14","1995-12-02",256,"226",{"_25":484,"_114":485,"_116":303},"2009-02-14","2008-06-06",{"_25":487,"_114":488,"_116":489},"2013-12-18","2013-04-27",235,{"_25":491,"_114":492,"_116":493},"2017-04-29","2016-07-16",287,"273",{"_25":496,"_114":263,"_116":497},"2018-12-09",343,"275",{"_25":500,"_114":501,"_116":274},"2019-11-21","2019-01-26","276",{"_25":426,"_114":500,"_116":504},332,"281",{"_25":507,"_114":26,"_116":508},"2022-12-29",272,"282",{"_25":511,"_114":507,"_116":264},"2023-07-12","285",{"_25":514,"_114":515,"_116":516},"2024-09-07","2023-12-01",281,1998,2018,"http://sickbarberlicks.weebly.com/aceetobee.html",[521],{"_21":522,"_362":68,"_363":447,"_30":523,"_32":524},"f827ffc6-7521-4dc4-b157-73207a79e7da",["D",1649536982489],["D",1649536982489],{"_21":526,"_50":22,"_51":527,"_53":170,"_55":100,"_57":58,"_30":528,"_32":529,"_34":35,"_23":530,"_62":28,"_63":64,"_65":-5,"_67":289,"_38":175,"_40":70,"_45":531,"_72":532,"_165":596},"55c11297-d80c-4564-bfa7-be824b54fbed","36706496-2190-47fe-a002-ec0af441d70e",["D",1648869353072],["D",1763005959940],"2022-04-01-run-like-hell-s2-1","Run Like Hell S2 opener segue > Confrontation unfinished",{"_21":527,"_74":533,"_23":534,"_30":535,"_32":536,"_79":537,"_81":538,"_27":28,"_82":539,"_29":540,"_84":541,"_85":542,"_87":543,"_89":-5,"_90":-5,"_91":544,"_93":545,"_95":546,"_97":547,"_109":549,"_159":279,"_161":280,"_163":595,"_45":533},"Run Like Hell","run-like-hell",["D",1582386623147],["D",1756174200841],"You better make your face up,
In your favorite disguise,
With your button-down lips,
And your roller blind eyes.
With your empty smile,
And your hungry heart,
Feel the bile rising,
From your guilty past.
With your nerves in tatters,
As the cockleshell shatters,
And the hammers batter,
Down your door,
You better run.

You better run all day,
And run all night.
And keep your dirty feelings deep inside.
And if you're taking your girlfriend out tonight,
You better park the car well out of sight.
cause if they catch you in the back seat,
Trying to pick her locks,
They're gonna send you back to mother,
In a cardboard box.
You better run!","transcribed by Rich Steele

(intro)

E 10 10 9 9 7 7
B 10 10 10 10 8 8 7 7
G 11 11 9 9 7 7 7 7
D 0 0 0 0 0 0 0 0 7 7 0 0 0
A (play open D for
E 4 beats)

E 5 5 3 3
B 5 5 3 3 0 0 3 3
G 6 6 4 4 2 2 2 2
D 0 0 0 0 0 7 7 5 5 0 0 0 0 0 0 0 0 2 2 4 4
A 0 0
E

(chords over the Run....Run.. Run part are F > Em > C)

(verse)

Em
E 0
B 0
G 0
D 2
A 2
E 0

You better make your face up in your favorite disguise.

F
E 1
B 1
G 2
D 3
A 3
E 1

With your button down lips, and your roller blind eyes.

Em
E 0
B 0
G 0
D 2
A 2
E 0

With your empty smile, and your hungry heart.

C
E 8
B 8
G 9
D 10
A 10
E 8

Feel the bile rising from your guilty past.

E 7
B 7
G 8
D 9
A 9
E 7

With your nerves in tatters, as the cockle shell shatters.

Em
E 7
B 8
G 9
D 9
A
E

As the hammers batter down your door, you better run.

Everything above is the only part of the actual song they do the same
way everytime. Just the basic structure of the original Floyd song for
the most part. Everything before and after this is different everytime.
:)
","rlh",154,true,"0613f1fa-e69e-4913-8ca0-f7bb72e5d6ec","Pink Floyd",277,["D",1755820800000],["D",796694400000],{"_193":210,"_194":102,"_195":184,"_197":548,"_199":548,"_201":214,"_203":184,"_205":184,"_207":208,"_209":102,"_211":56,"_212":214,"_213":70,"_215":70,"_216":184,"_218":208,"_220":107,"_221":102,"_222":107,"_223":102,"_224":56,"_225":102,"_227":102,"_228":102,"_99":102,"_101":369,"_103":208,"_105":107,"_106":208,"_108":226,"_229":210},28,{"_550":551,"_555":556,"_559":560,"_564":565,"_352":569,"_235":572,"_576":577,"_581":582,"_586":587,"_590":591},"1",{"_25":552,"_114":553,"_116":554},"1995-09-16","1995-04-01",168,"9",{"_25":557,"_114":558,"_116":244},"1997-02-28","1996-09-06","135",{"_25":561,"_114":562,"_116":563},"2004-12-27","2004-05-08",233,"203",{"_25":566,"_114":567,"_116":568},"2012-07-06","2011-12-31",188,{"_25":332,"_114":570,"_116":571},"2013-01-25",169,{"_25":573,"_114":574,"_116":575},"2015-10-30","2015-04-24",189,"232",{"_25":578,"_114":579,"_116":580},"2018-05-18","2017-11-18",181,"238",{"_25":583,"_114":584,"_116":585},"2019-11-22","2019-04-27",209,"242",{"_25":588,"_114":273,"_116":589},"2020-06-22",174,"244",{"_25":592,"_114":593,"_116":594},"2021-04-20","2020-10-24",178,"http://sickbarberlicks.weebly.com/run-like-hell.html",[597],{"_21":598,"_362":526,"_363":447,"_30":599,"_32":600},"08db1773-944f-4587-8443-5e5be9c8ae85",["D",1649540261809],["D",1649540261809],{"_21":289,"_50":22,"_51":602,"_53":170,"_55":369,"_57":58,"_30":603,"_32":604,"_34":35,"_23":605,"_62":28,"_63":64,"_65":526,"_67":284,"_38":175,"_40":70,"_45":606,"_72":607,"_165":665},"aba63063-b8b0-4d5a-9a64-b2baac695883",["D",1648870022380],["D",1763005959940],"2022-04-01-confrontation-s2-2","Confrontation S2 segue > Run Like Hell Crickets inverted",{"_21":602,"_74":608,"_23":609,"_30":610,"_32":611,"_79":612,"_81":613,"_27":28,"_82":614,"_29":92,"_84":64,"_85":615,"_87":616,"_89":-5,"_90":617,"_91":618,"_93":619,"_95":620,"_97":621,"_109":624,"_159":663,"_161":280,"_163":664,"_45":608},"Confrontation","confrontation",["D",1582386622697],["D",1756174178864],"

I didn't mean no harm,
I know there's no alarm,
And now we've made our choice.

There is no turning back,
You've always had the knack,
To hear your inner voice.

But now you tune it out,
And then begin to shout,
Until your face turns red.

And Amos pleads his case,
And you remove his face,
From what was once his head.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

No time to reminisce,
But time is what you miss,
It seems you've got no chance.

A mask to hide your face,
And wings to win your race,
We've had a change of plans.

And in the thick of night,
With not a speck of light,
And with your fingers curled.

How did you kill your friend,
And have you reached the end,
Of your forsaken world.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

The confrontation was a necessary act.
We traded in our lives but took a million back.
And in the end, it seems I get what I deserve.
But for one moment's time, I wish I had the nerve.

","transcribed by Rich Steele

intro/main progression

(I found that the easiest way to learn the chord voicings is to finger pick it)

E
B 8 8 8 10 7 7 7 10 10 10 8 8 8 8
G 9 9 9 9 10 10 9 9 7 9
D 10 10 10 10 10 10 10 10 9 10
A 8
E

then...

C > G > A

A G
And if you ever see me in my dreams..

D > C > A

then..

E > G > F#m > A > C > Bm > E
and
E > G > F#m > A > main progression

Chorus

- E 5
- B 7 5
A > D with a - G 7 6 at the end of each line.
- D 7
- A
- E

that is only one way of playing the chorus part. basically you just need to make sure you're throwing in a F# note to a D note below it that resolves to a E note, which is part of the A major chord you go back into. So the whole thing is a A > D progression with a couple notes thrown in between.

","confront","e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","And in the end, it seems I get what I deserve\nBut for one moment's time, I wish I had the nerve",242,["D",1755734400000],["D",967248000000],{"_201":391,"_203":622,"_205":623,"_207":214,"_209":102,"_211":107,"_212":184,"_213":202,"_215":226,"_216":476,"_218":104,"_220":107,"_221":210,"_222":102,"_223":107,"_224":102,"_225":210,"_227":107,"_228":102,"_99":56,"_101":369,"_103":208,"_105":107,"_106":202,"_108":214,"_229":309},25,24,{"_625":626,"_630":631,"_633":634,"_433":637,"_638":639,"_642":643,"_646":647,"_651":652,"_656":657,"_659":660},"75",{"_25":627,"_114":628,"_116":629},"2004-05-06","2004-01-03",124,"77",{"_25":632,"_114":234,"_116":339},"2004-11-26","154",{"_25":635,"_114":636,"_116":117},"2011-12-28","2011-07-09",{"_25":566,"_114":248,"_116":278},"158",{"_25":640,"_114":566,"_116":641},"2012-12-18",165,"162",{"_25":644,"_114":645,"_116":540},"2013-09-27","2013-04-26","169",{"_25":648,"_114":649,"_116":650},"2014-12-06","2014-08-02",126,"192",{"_25":653,"_114":654,"_116":655},"2019-05-25","2019-01-25",120,"193",{"_25":267,"_114":653,"_116":658},179,"195",{"_25":661,"_114":662,"_116":405},"2020-10-16","2020-01-04",2001,"http://sickbarberlicks.weebly.com/confrontation.html",[666],{"_21":667,"_362":289,"_363":364,"_30":668,"_32":669},"570a5b34-3a8f-43ea-b0d9-97fda0338928",["D",1648870022581],["D",1648870022581],{"_21":373,"_50":22,"_51":671,"_53":54,"_55":100,"_57":28,"_30":672,"_32":673,"_34":35,"_23":674,"_62":28,"_63":64,"_65":-5,"_67":66,"_38":175,"_40":70,"_45":675,"_72":676,"_165":731},"f98418ae-748e-4459-8a5c-2b5fefa4c81d",["D",1648861344986],["D",1763005959940],"2022-04-01-nughuffer-s1-1","Nughuffer S1 opener segue Spaga",{"_21":671,"_74":677,"_23":678,"_30":679,"_32":680,"_79":681,"_81":682,"_27":28,"_82":683,"_29":684,"_84":64,"_85":615,"_87":616,"_89":-5,"_90":685,"_91":325,"_93":686,"_95":687,"_97":688,"_109":690,"_159":728,"_161":729,"_163":730,"_45":677},"Nughuffer","nughuffer",["D",1582386623147],["D",1756174195411],"

I want to go...

Tango and Bossanova,
I take my nughuffer everywhere I go,
When I go around the city.

Tango and Bossanova,
Life is hard, you cannot sit inside your house
And wallow in self-pity.

Oh, no, it's broken!

Nughuffer,
Lying in three pieces on the floor.

Twenty-five nughuffers,
Sitting on my bathroom floor..

Here we go, here we go, here we go, Jon The Barber!

"," ~~Nughuffer

(intro)

Bb B

B 3 4 4

G 3 4 4

D 3 4 4

A 1 2 2

E G

E 0 0 3 3

B 0 0 3 3

G 1 1 4 4

D 2 2 5 5

A 2 2 5 5

E 0 0 0 1 2 3 3

(insert riff that I haven't figured out yet after this :)

the (I want to goooooo...) riff:

B Bb

E 7(h)8(p)7 6(h)7(p)6

B 7 7 6 6

G 8 8 8 7 7 7

D 9 8

E ","nug",130,"Nughuffer, Lying in three pieces on the floor.\nTwenty-five nughuffers,\nSitting on my bathroom floor..",["D",1755820800000],["D",796694400000],{"_193":208,"_194":104,"_195":689,"_197":198,"_199":104,"_201":102,"_203":208,"_205":391,"_207":102,"_209":369,"_211":56,"_212":107,"_213":107,"_215":102,"_216":56,"_218":56,"_220":100,"_221":100,"_222":100,"_223":100,"_224":100,"_225":56,"_227":100,"_228":369,"_101":100,"_103":369,"_105":100,"_106":210,"_108":210,"_229":56},39,{"_691":692,"_646":696,"_699":700,"_326":703,"_706":707,"_710":711,"_715":716,"_718":719,"_231":721,"_724":725},"109",{"_25":693,"_114":694,"_116":695},"2000-10-26","1999-12-31",300,{"_25":329,"_114":697,"_116":698},"2011-01-15",545,"171",{"_25":701,"_114":333,"_116":702},"2014-01-25",363,{"_25":704,"_114":701,"_116":705},"2015-04-18",448,"173",{"_25":708,"_114":704,"_116":709},"2016-07-14",453,"177",{"_25":712,"_114":713,"_116":714},"2018-04-21","2017-06-01",324,"178",{"_25":496,"_114":712,"_116":717},232,"179",{"_25":354,"_114":496,"_116":720},389,{"_25":722,"_114":354,"_116":723},"2021-05-28",512,"183",{"_25":726,"_114":26,"_116":727},"2023-07-07",462,1997,2011,"http://sickbarberlicks.weebly.com/nughuffer.html",[],{"_21":455,"_50":22,"_51":733,"_53":54,"_55":102,"_57":28,"_30":734,"_32":735,"_34":35,"_23":736,"_62":28,"_63":64,"_65":68,"_67":-5,"_38":737,"_40":70,"_45":738,"_72":739,"_165":787},"1358373c-1a40-4d36-a4c2-b4cfbb768d7c",["D",1648866120964],["D",1763005959940],"2022-04-01-rock-candy-s1-5",4.55,"Rock Candy S1 closer segue Aceetobee",{"_21":733,"_74":740,"_23":741,"_30":742,"_32":743,"_79":744,"_81":745,"_27":746,"_82":747,"_29":748,"_84":64,"_85":615,"_87":616,"_89":-5,"_90":749,"_91":432,"_93":750,"_95":751,"_97":752,"_109":753,"_159":784,"_161":785,"_163":786,"_45":740},"Rock Candy","rock-candy",["D",1582386622697],["D",1756174200532],"

And you got, you got I,
And I got, I got you.
And you got, you got I,
And now we both have two.

","

Transcribed by Rich Steele

main riff

E
B
G
D 5(h)7 9 7 5 7
A 7
E

main progression
E E D F# F# E G G F# D# D# D# E
E
B 9 9 7 11 11 9 12 12 11
G 9 9 7 11 11 9 12 12 11 20 20 20 21
D 9 9 7 11 11 9 12 12 11
A 7 7 5 9 9 7 10 10 9 18 18 18 19
E

chords over the \\"youuuuu gotttt IIII gottttt youuuu\\" part is C > A > E > C > main riff

keyboard riff transcribed by Ben Conarck

E - 17~~ 13(h)14 17 16 15 13
B - then.. 17~~ 13(h)14 17 16 15 13
G -
D -
A -
E -

","Appears on Electron's \"This is Electron\" album","candy",31,"And you got, you got I,\nAnd now we both have two",["D",1755907200000],["D",1027555200000],{"_205":390,"_207":390,"_209":226,"_211":56,"_212":70,"_213":391,"_215":107,"_216":202,"_218":309,"_220":107,"_221":56,"_222":210,"_223":210,"_224":102,"_225":102,"_227":56,"_228":102,"_99":56,"_101":210,"_103":309,"_105":226,"_106":309,"_108":214,"_229":309},{"_754":755,"_393":759,"_761":762,"_766":767,"_691":770,"_406":771,"_772":773,"_777":778,"_559":779,"_782":783},"48",{"_25":756,"_114":757,"_116":758},"2005-11-19","2005-03-26",238,{"_25":408,"_114":760,"_116":249},"2008-07-18","99",{"_25":763,"_114":764,"_116":765},"2011-07-02","2010-12-28",186,"105",{"_25":768,"_114":567,"_116":769},"2012-10-06",280,{"_25":332,"_114":570,"_116":571},{"_25":257,"_114":258,"_116":259},"121",{"_25":774,"_114":775,"_116":776},"2016-06-04","2015-12-30",157,"134",{"_25":653,"_114":346,"_116":436},{"_25":780,"_114":653,"_116":781},"2019-11-17",176,"138",{"_25":588,"_114":354,"_116":117},2003,2005,"http://sickbarberlicks.weebly.com/rock-candy.html",[],{"_21":174,"_50":22,"_51":789,"_53":170,"_55":210,"_57":58,"_30":790,"_32":791,"_34":35,"_23":792,"_62":28,"_63":64,"_65":284,"_67":168,"_38":737,"_40":70,"_45":793,"_72":794,"_165":854},"e9b63339-4800-4ddd-ba25-caa3c291e942",["D",1648871986493],["D",1763005959940],"2022-04-01-aquatic-ape-s2-4","Aquatic Ape S2 segue > Crickets Basis For A Day inverted; with ‘Little Lai’ teases",{"_21":789,"_74":795,"_23":796,"_30":797,"_32":798,"_79":799,"_81":28,"_27":28,"_82":800,"_29":309,"_84":64,"_85":615,"_87":616,"_89":801,"_90":802,"_91":803,"_93":804,"_95":805,"_97":806,"_109":807,"_159":279,"_161":852,"_163":853,"_45":795},"Aquatic Ape","aquatic-ape",["D",1582386622697],["D",1756174175026],"

Woo-hoo!

Webs on our hands and webs on our toes
Lost all our hair but still we breathe through the nose
Hunts in the water, carnivorous ape
Swims like a porpoise, but is simian-shaped
Aquatic ape
Aquatic ape
Aquatic ape
Aquatic ape

(chorus used to be:
Aquatic Ape
Swimmin' in the water with erotical grape
Erotic Grape
Swimmin' in the water with aquatical ape)

Comes out of the streams and into the lake
We're having fish for dinner, for heaven's sake
And after dinner, we'll pick some fruit
And then we'll go back, bring your swimsuit

I met you in the street (yeah) and you know who I am
Took you back to my place where we started to jam
I looked in your eyes... then I realized
Your head's pretty big, but not as big as the sky
(used to be '...as big as your thighs')

","ape","

Arguably the silliest song in the Biscuits’ catalog, Aquatic Ape is also one of the oldest: its debut is preceded only by the debuts of Nughuffer and Down to the Bottom. Its silly lyrics and composition are contrasted by a generally dark jam section bookended by an infectious and simple guitar riff.

Despite having been around longer than most songs, Aquatic Ape has always been something of a rarity, having been played less than a hundred times total. Aquatic Ape was played less than ten times in every year but 1999.

1999 was arguably the strongest and most important year for Ape. Traditionally, Aquatic Ape is played with a relaxed dub-style jam, and it was played this way through the middle of 1999. 6/11/99 is notable as the first Aquatic Ape not to be played with a dub style jam (also the first, and one of the only, to not feature the riff that serves as the segue to the song’s jam and peak), and it was played instead in a simple trance style. In the fall of 1999, Ape was played three times. The first, 9/11/99, was unfinished, and was the first jungle style Ape. The other two, on 10/6/99, and 10/10/99, were both ending only, and while the 9/11 version was incomplete, it would be a stretch to say either of these versions were intended to complete it. This was a very progressive setlisting move for the time, when songs were usually played in full or completed.

After 10/10/99, Aquatic Ape sat on the shelf for 35 shows (for about half of these, its author, Marc Brownstein, was out of the band) until it was reintroduced at Camp Bisco II on 8/25/00. Here Aquatic Ape was inverted for the first time (only the fourth song to ever be inverted) as part of a second set palindrome. This Ape, as well as the others from this year, are all played jungle style. The jungle style Ape was prevalent for the rest of its history, but the dub style Ape made occasional appearances, notably on 12/31/01 at the request of Max Dawson, and on 10/18/02, an inverted version widely considered the greatest Aquatic Ape ever.

When Allen joined the band, \tAquatic Ape made a brief resurgence before becoming even more of a rarity. On 2/04/06, Allen played Ape for the first time, segueing into Mr. Don for the show’s encore. This was the first Aquatic Ape in over a year, a gap of 26 shows. Ape was played three more times in 2006, with all but the final, on 12/28/06 at the Sonar, played in the jungle style.

After 2006, Ape sat on the shelf for over two years for its longest hiatus, a gap of 174 shows, until it was performed at the Electric Factory on 4/17/09. The storied three set show also featured the bust-outs of Eulogy (99 shows) and Wet (129 shows). After this perfunctory performance, Ape sat on the shelf for another year and a half before it was played again on 9/1/10 (a gap of 118 shows).

After 2010, Ape was upgraded from perennial rarity to once-or-twice a year status. It was played at least once every year in this time period, with the exception of 2015. The vast majority of these have been inverted, with more than two inverted versions for every other iteration since 2010. Since 2016, Aquatic Ape has only been played inverted. As Aquatic Ape has become something more of a staple, so too has the dub version. It has only been played with the dub jam five times since 12/28/06, but all of those versions were played after 2010: 1/23/11, 5/31/17, 4/19/18, 12/9/18, 5/23/19, were all played with dub jams.

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April 01, 2022