[{"_1":2,"_780":-5,"_781":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_776":777,"_778":-5,"_779":-5},"setlist",{"_19":20,"_611":638,"_639":640,"_189":770},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":-5,"_38":39,"_40":41,"_42":36,"_43":36,"_44":36,"_45":-5,"_46":47,"_611":612,"_635":613,"_636":637},"id","c8891a95-56bc-4ca7-b34d-0150da39ddfe","slug","2012-12-20-dreams-tulum-resort-spa-tulum-mexico","date","2012-12-20","notes","Mayan Holidaze - Other acts include Umphrey's McGee, Brothers Past, STS9, Digital Tape Machine and Lionize","legacyId",1379,"createdAt","2020-02-22T16:19:52.200Z","updatedAt","2025-08-22T14:57:25.066Z","likesCount",0,"relistenUrl","averageRating",3.888888888888889,"ratingsCount",9,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[48,191,271,347,425,447,515,593],{"_21":49,"_50":22,"_51":52,"_53":54,"_55":56,"_57":58,"_31":59,"_33":60,"_35":36,"_23":61,"_62":-5,"_63":64,"_65":66,"_67":68,"_38":69,"_40":70,"_45":71,"_72":73,"_189":190},"6f4d342c-9932-424a-91b9-c00fe133beb7","showId","songId","c547b95e-b57c-47db-a434-260e9174f194","set","S1","position",3,"segue",">","2020-02-22T16:43:59.915Z","2025-11-13T03:52:39.940Z","2012-12-20-spraypaint","note","allTimer",false,"previousTrackId","489cebb1-aaa5-4d0d-9a35-8fb9c088d20d","nextTrackId","8ab822b9-a475-48b6-a645-23cafb95f576",5,1,"Spraypaint S1 segue > Above The Waves Above The Waves","song",{"_21":52,"_74":75,"_23":76,"_31":77,"_33":78,"_79":80,"_81":82,"_27":82,"_83":84,"_29":85,"_86":64,"_87":88,"_89":90,"_91":92,"_93":94,"_95":96,"_97":98,"_99":100,"_101":102,"_131":132,"_183":184,"_185":186,"_187":188,"_45":75},"title","Spraypaint","spraypaint","2020-02-22T15:50:23.818Z","2025-08-26T02:10:04.772Z","lyrics","

Did you ever think about it,
That everyone gets lifted all the time?
And you want to fade away
Wishing we could be normal for awhile
So you want to feel good?
Well maybe you should just work it
And you want to breathe oxygen?
So why not go out and buy it
Did you ever think about it,
That maybe we were all crazy for the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Did you ever think about it,
That everyone gets lucky some of the time?

As you walk the razor blade, thinking we could fall to either side
So we came to crash the party
And spraypaint on your carpet
And You heard it was an accident
But maybe you don't believe it
Did you ever think about it,
That maybe we were all crazy from the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Spraypaint my name on the wall
Question me I have the time
Fits your profile
Anything you need to make a profit
Have the time
Fix your profile
Anything that you need to make up

(No Longer Sung:)

Take me slowly down the road
Pull me over I'll drive the car
Get your profile, anything you need to make a paycheck
Drive the car, get your profile
Anything that you need to make up
And you want to sail away
wishing you could be simply out of life (thinking we could be simply out of time)

","tabs","","legacyAbbr","spray",298,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

","featuredLyric","How can I add it up, that freedom is a gun, with giant bags of money wrapped in uniform","timesPlayed",142,"dateLastPlayed","2025-08-24T00:00:00.000Z","dateFirstPlayed","2002-07-27T00:00:00.000Z","yearlyPlayData",{"_103":104,"_105":106,"_107":108,"_109":110,"_111":56,"_112":113,"_114":113,"_115":106,"_116":110,"_117":118,"_119":69,"_120":118,"_121":69,"_122":106,"_123":118,"_124":118,"_125":56,"_126":110,"_127":118,"_128":69,"_129":110,"_130":69},"2002",15,"2003",7,"2006",8,"2007",6,"2008","2009",14,"2010","2011","2012","2013",4,"2014","2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_133":134,"_140":141,"_145":146,"_150":151,"_155":156,"_160":161,"_164":165,"_168":169,"_173":174,"_178":179},"15",{"_25":135,"_136":137,"_138":139},"2003-07-26","previous","2002-11-10","delta_days",258,"22",{"_25":142,"_136":143,"_138":144},"2006-08-25","2003-11-28",1001,"38",{"_25":147,"_136":148,"_138":149},"2008-12-27","2008-06-08",202,"75",{"_25":152,"_136":153,"_138":154},"2012-07-07","2012-01-28",161,"81",{"_25":157,"_136":158,"_138":159},"2013-08-30","2013-01-25",217,"86",{"_25":162,"_136":163,"_138":154},"2014-08-01","2014-02-21","107",{"_25":166,"_136":167,"_138":154},"2018-11-02","2018-05-25","110",{"_25":170,"_136":171,"_138":172},"2019-07-20","2019-02-02",168,"113",{"_25":175,"_136":176,"_138":177},"2020-06-23","2019-12-28",178,"123",{"_25":180,"_136":181,"_138":182},"2022-08-21","2022-03-10",164,"mostCommonYear",2002,"leastCommonYear",2008,"guitarTabsUrl","http://sickbarberlicks.weebly.com/spraypaint.html","annotations",[],{"_21":192,"_50":22,"_51":193,"_53":54,"_55":110,"_57":58,"_31":194,"_33":60,"_35":36,"_23":195,"_62":-5,"_63":64,"_65":196,"_67":197,"_38":69,"_40":70,"_45":198,"_72":199,"_189":264},"0ba6152c-1f7b-48ed-94fa-127756388164","88bb1593-f2b5-412c-9ca1-b7250af05392","2020-02-22T16:44:00.224Z","2012-12-20-tempest","155967ac-3016-4645-b18b-b40909d77d41","51c5b95f-8136-48fa-b520-ff4134dbaba1","Tempest S1 segue > Little Shimmy In A Conga Line Bernstein and Chasnoff with ‘Orch Theme’ teases",{"_21":193,"_74":200,"_23":201,"_31":77,"_33":202,"_79":82,"_81":82,"_27":82,"_83":203,"_29":204,"_86":205,"_87":206,"_89":207,"_91":-5,"_93":-5,"_95":208,"_97":209,"_99":210,"_101":211,"_131":214,"_183":262,"_185":186,"_187":263,"_45":200},"Tempest","tempest","2025-08-26T02:10:06.713Z","temp",266,true,"d657e1ed-b1a5-4ef2-bc01-df0196296b69","JM2",77,"2025-08-22T00:00:00.000Z","2005-12-29T00:00:00.000Z",{"_212":213,"_107":69,"_111":70,"_112":41,"_114":69,"_115":213,"_116":69,"_117":56,"_119":118,"_120":213,"_121":118,"_122":69,"_123":56,"_124":69,"_125":70,"_126":118,"_127":213,"_128":41,"_129":56,"_130":56},"2005",2,{"_215":216,"_220":221,"_224":225,"_229":230,"_234":235,"_145":239,"_243":244,"_248":249,"_252":253,"_257":258},"7",{"_25":217,"_136":218,"_138":219},"2008-03-19","2006-11-02",503,"8",{"_25":222,"_136":217,"_138":223},"2009-09-13",543,"25",{"_25":226,"_136":227,"_138":228},"2012-07-14","2012-01-27",169,"29",{"_25":231,"_136":232,"_138":233},"2013-07-13","2012-12-31",194,"33",{"_25":236,"_136":237,"_138":238},"2014-09-27","2014-01-24",246,{"_25":240,"_136":241,"_138":242},"2016-02-04","2015-07-18",201,"49",{"_25":245,"_136":246,"_138":247},"2018-11-01","2018-04-20",195,"50",{"_25":250,"_136":245,"_138":251},"2019-04-26",176,"55",{"_25":254,"_136":255,"_138":256},"2020-10-17","2019-12-27",295,"74",{"_25":259,"_136":260,"_138":261},"2025-02-26","2024-08-29",181,2023,"http://sickbarberlicks.weebly.com/tempest.html",[265],{"_21":266,"_267":192,"_268":269,"_31":270,"_33":270},"a5904887-d3e6-4b41-8f21-26589c6e2a6c","trackId","desc","with ‘Orch Theme’ teases","2024-06-07T19:17:02.071Z",{"_21":272,"_50":22,"_51":273,"_53":54,"_55":70,"_57":58,"_31":274,"_33":274,"_35":36,"_23":275,"_62":-5,"_63":64,"_65":-5,"_67":66,"_38":36,"_40":36,"_45":-5,"_72":276,"_189":346},"0039af0d-7352-4ed0-8c12-9dc97886b399","99b02027-c0e5-4f6e-a567-2ca91b75e7d6","2020-02-22T16:43:59.649Z","2012-12-20-king-of-the-world",{"_21":273,"_74":277,"_23":278,"_31":279,"_33":280,"_79":281,"_81":282,"_27":283,"_83":284,"_29":285,"_86":64,"_87":286,"_89":287,"_91":-5,"_93":-5,"_95":288,"_97":289,"_99":290,"_101":291,"_131":296,"_183":184,"_185":344,"_187":345,"_45":277},"King of the World","king-of-the-world","2020-02-22T15:50:23.009Z","2025-08-26T02:09:49.201Z","

I'm the king of the world, I'm pretty!

I'm so mean I make medicine sick

I'm the king of the world!

Hold it.

Float like a butterfly.

","transcribed by Rich Steele

Bm
E 7
B 7
G 7
D 9
A 9
E 7

E 7
B 7(h)8 7 7
G 9 7 7(h)9 7 7
D 9 7 7(h)9 9
A 9 7 9
E 7","Also known as 'FLAB SLAB' (Float Like A Butterfly, Sting Like A Bee). This song was built on the Pygmy Twylyte > I-Man jam from 5/6/99.","king",96,"e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64","The Disco Biscuits",128,"2025-06-26T00:00:00.000Z","2001-11-17T00:00:00.000Z",{"_292":69,"_103":293,"_105":294,"_295":56,"_212":213,"_107":294,"_109":70,"_111":118,"_112":108,"_114":213,"_115":118,"_116":118,"_117":56,"_119":56,"_120":213,"_121":110,"_122":118,"_123":213,"_124":118,"_125":70,"_126":106,"_127":106,"_128":110,"_129":70,"_130":70},"2001",24,12,"2004",{"_297":298,"_302":303,"_307":308,"_312":313,"_317":318,"_322":323,"_327":328,"_332":333,"_335":336,"_340":341},"43",{"_25":299,"_136":300,"_138":301},"2004-12-27","2004-05-06",235,"46",{"_25":304,"_136":305,"_138":306},"2006-02-04","2005-05-27",253,"59",{"_25":309,"_136":310,"_138":311},"2008-06-09","2007-01-04",522,"73",{"_25":314,"_136":315,"_138":316},"2011-01-13","2010-06-08",219,"77",{"_25":319,"_136":320,"_138":321},"2012-07-05","2011-08-18",322,"84",{"_25":324,"_136":325,"_138":326},"2014-08-15","2013-12-26",232,"88",{"_25":329,"_136":330,"_138":331},"2015-10-29","2015-02-19",252,"105",{"_25":334,"_136":176,"_138":256},"2020-10-18","126",{"_25":337,"_136":338,"_138":339},"2024-09-11","2023-09-24",353,"127",{"_25":342,"_136":337,"_138":343},"2025-06-26",288,2007,"http://sickbarberlicks.weebly.com/king-of-the-world.html",[],{"_21":66,"_50":22,"_51":348,"_53":54,"_55":213,"_57":58,"_31":349,"_33":349,"_35":36,"_23":350,"_62":-5,"_63":64,"_65":272,"_67":49,"_38":36,"_40":36,"_45":-5,"_72":351,"_189":420},"b7c8b805-fef7-441e-8d8c-085b241b6ca1","2020-02-22T16:43:59.741Z","2012-12-20-above-the-waves",{"_21":348,"_74":352,"_23":353,"_31":354,"_33":355,"_79":356,"_81":357,"_27":82,"_83":358,"_29":359,"_86":64,"_87":88,"_89":90,"_91":360,"_93":361,"_95":343,"_97":362,"_99":363,"_101":364,"_131":373,"_183":417,"_185":418,"_187":419,"_45":352},"Above The Waves","above-the-waves","2020-02-22T15:50:22.697Z","2025-08-26T02:09:33.119Z","

Above the waves, Going under

Corrinado swam like hell on fire
With jelly arms and beaten bones
He rode the crests, he broke the waves
Trying to get a breath of air for all that he had left to save

Mulberry let the engines burn
The airship lifting off the ground
He watched the sea, could not believe
That he thought Corrinado could be free, his life was now in vain

All was left one chance to fly away
He spun, he heard a gasping sound
But he did not see his friend

After the sun and light were gone
Before he found himself at home
Corrinado swam, fought the waves
Remembering when, a myriad of falls, behind another day

All was left one chance to fly away
just beyond his reach the plan
To reunite them once again

Caught in the waves as the wind whipped on
and the sand sat calmly miles below
He had to swim, to take the day
Hoping to see Mulberry when he crawled to reach his getaway

All was left one chance to fly away
Just beyond his reach the plan
To reunite them once again

","

transcribed by Rich Steele

~~Above The Waves

Intro (in 4/4)
E
B 3 0 0 3 3 3 3 3
G 2 (sl) 4 4 2 2 2 0 2 2
D 0 0 0
A (let these notes
E sustain)
(repeat)

(next part after intro goes to 3/4)
(this part is played one through over the 3 chords, then stays on the B after that)

(A)
E 5(h)7 5
B 8(p)7 5 5(h)7 5 5(h)7 5
G 7(p)6 4 4(h)6 4 4(h)6 4
D 7(p)6 4 4(h)6 4 4(h)6 4
A 7 5 4
E 5

(Bb)
E 6(h)8 6
B 9(p)8 6 6(h)8 6 6(h)8 6
G 8(p)7 5 5(h)7 5 5(h)7 5
D 8(p)7 5 5(h)7 5 5(h)7 5
A 8 6 5
E 6

(B)
E 7(h)9 7
B 10(p)9 7 7(h)9 7 7(h)9 7
G 9(p)8 6 6(h)8 6 6(h)8 6
D 9(p)8 6 6(h)8 6 6(h)8 6
A 9 7 6
E 7

then the rest is over the B chord I believe.

here's the next little riff he does.

E
B 7(h)9(p)7
G 9(h)11(p)9
D 7(h)9(p)7 9(p)7
A
E

E
B 9(h)11(p)9
G 9(p)7
D
A
E
(repeat once, then play the part before that again)

Then, on the first (above the waves....) play a
B major on the 7th fret on every 3rd beat. and a C# major > B major at the
last (above the waves....).
On the next time around, instead of playing the B on every 3rd beat, it
goes B > E, B > E alternating every other 3rd beat, until the last (above
the waves...) where its a G#m > F# major.
(If all this details just confuses you, just listen to a tape and listen
for the chord changes.:)

then the song drops into F#m, where Jon comes in with this riff.

E
B 15 15 15 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14
D
A
E

E
B 15 15 15 15(sl)17 17 17 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14(p)11
D
A
E

E 14 14 14(sl)13 13 12 11 12(p)11
B 14 15 17 14 14 14 12 12 14 15~ 16~~~
G 16 11 12
D 12(sl)14
A
E
(Bb) (E) (C#m)
E 14 14 14(sl)13 13
B 14 14 14 14 13 11 12 9
G 10 10 13 13 9
D sl>12 12 14 14 11
A
E

(now, after the jam, when it comes back into this section, you're
basically playing the same thing as above, until right before the D-A-G-A
part, where you play over these chords: F#m F Bb E A. After the last A, it
goes into the D-A-G-A.)

This is a simple D, A, G progression. Play the D on the 5th fret, the A
also on the 5th, and the G on the 3rd. Figure out the rhythm and all that
for yourself, cause its pretty simple. :)

Ok, the next part comes right after that last A chord. (..and he could not
see his friend..)

E
B 10 10 10 10 9 7 7 10 9 7 7
G 9 11 11~ 7 9 9~
D
A (play this twice)
E

E
B 9 10 10(s)12 12 9 10 10 9
G 7 9 11 11 9 7 9 9

E 10 10 10 10 9
B 9 10 10(sl)12 9 10 12 7 9 9 10 10
G 7 9 11

E 9 10 12 12 9 10 9 10 12(sl)14 14 10 12 10 12 15 15 12 14
B 9 10 12 9 10 12 10 12 14
G

E 17 17 17 17 15 14 15 17 19 19 15 17 22 22 22 22 21 19
B 15 17 17 15 17 19
G

E 17 19 17 15 17 15 14 15 14
B 17 15 15 14 14 14 15 15 17
G 14

then he comes back in with that same intro riff for 2 measures (i think),
then he does something like this. (note: he first starts this a octave
higher, but its much easier to learn it this way first)

E
B 3 5 7
G 2(sl)4 4 4(sl)6 6 6(sl)9 7 9 9(h)11
D
A
E

E 7 10 9 7
B 7 8 8(sl)12 12 10 10 8 4
G 9
D
A
E

E 9 7 5
B 5 5 5 5 5(sl)10 10 8 8 7 7
G 4 4 4
D 5 5 5
A
E

E
B 7 7 7 5 5 5 3 2
G 7 7 7 7 6 6 4
D 7 7 7 7 7 5 4
A
E

E
B 0 0 0 3 3
G 0 0 0 2 4 0 2 2
D 2 2 2 2 4 5 2 0 0 0
A
E

(then, just repeat intro riff)

(Thanks to Bill Stites for helping me with those chord progressions)

","atw",11,"

Debuted at the tail end of 1998, Waves is one of the final songs of the Hot Air Balloon rock opera (third to last by debut order and second to last chronologically). Like most of the opera, it is a high water mark for the band both lyrically and compositionally. It is also the first Biscuits song to debut with a defined trance jam. Both versions from 1998 are remarkably strong.\r

Although it was one of the last Hot Air Balloon songs to debut, with the finished version first appearing 12/29/98, an instrumental passage that would later be incorporated into Waves was performed as Road Song four times in 1998, for the first time on 2/21/98 and as late as 6/4/98. All four versions were played before any song from the finalized opera had debuted. \r

Waves was the most played song in 1999, a year which saw the band continue to develop and use Waves in inventive ways. The song was split up for the first time the third time it was played, 1/18/99, in a spectacular Waves > Vassillios > Waves sandwich. It was performed dyslexic for the first time on 3/21/99 (Waves > Run Like Hell is particularly worth hearing) and inverted for the first time at the first Camp Bisco on 8/21/99 (the entire Shimmy > Waves (><) > Shimmy is worthwhile, but Waves > Shimmy is especially excellent).\r

The song was a massive vehicle for high speed trance jams in the winter and spring of 1999, with numerous standout versions including the 35 minute juggernaut from 2/3/99. Other excellent versions from this era include 3/13/99, 3/27/99, 4/9/99, 5/1/99, 5/6/99 and 6/5/99. In the summer and fall, the song regularly began to feature a dub jam. Waves had incorporated dub jams before, notably on 2/3/99 and 2/20/99, but after the inverted version from 8/21 it became a mainstay. Some excellent versions from this era include 8/21/99, 9/14/99, 10/9/99 and 10/22/99.\r

Waves remained a strong jam vehicle through the rest of 1.0. In 2000, a year with considerable dub influence, Waves reverted back to a trance vehicle. It soon became one of the most frequently inverted songs. 10/14/00 is one of the strongest inverted versions ever, and 11/2/01 notably opened with a “Koyanisqaatsi Jam” > inverted Waves, the first time a show opened with a jam into an inverted song. Important versions from post-1999 1.0 are multitudinous, including 10/14/00, 10/26/00, 11/2/00 12/27/00, 4/7/01, 4/28/01, 9/1/01, 11/2/01, 3/8/02, 10/2/02, 8/15/03, and 11/26/03. \r

When Allen joined the band, Waves remained a rotation staple and an important jam vehicle. On 11/8/06, the audience voted for a Waves encore; this was the first time a standalone Waves was played in the encore slot. There aren’t many standout versions from the year, but 11/19/06 with Magellan teases, and the fantastic Waves/Crickets mashup from 12/30/06 (the first setlist written by Allen, and what a setlist it is), are both standout versions. Similarly, for being such a strong year for the band, 2007 has something of a dearth of excellent Waves. 5/20/07 stands above the rest, but the song was grossly underutilized in 07.\r

The lull continued into 08, with a few uninspired ending only versions at the beginning of the year, before a massive exploratory inverted version on 3/22/08 in Denmark. The April shows at the Nokia saw the first split inversion of Waves, with the middle played on 4/11/08 and the ending and beginning played on 4/12/08. After only one performance between April and December, Waves closed out the year strong, with two stellar performances at Holidaze (12/14/08) and the Nokia (12/28/08).\r

The momentum built at the end of 2008 continued into 2009, easily the strongest year for Waves in a decade. It was often played middle only, including such standout performances as 1/31/09, 2/13/09, 2/27/09, and, most significantly, 4/24/09, 6/4/09, and 12/31/09.\r

Waves remained a regular in the rotation through the rest of 2.0 and the setbreak era (appearing 2-6 times per year). In 2015, Waves was played as a split inversion again for the first time since 09, and was played that way off and on for the next couple of years. It hit another period of growth in 2016, with standout versions from 3/26/16 and 7/15/17.\r

In the post-setbreak years, Waves continued its upward trajectory, appearing 8 times in 2021 and 2022 and 10 times in 2023 (the most appearances in a single year since 2010). The 2021 versions are particularly strong, with the fall seeing a return to the looser, dubby style in which the song was played in fall 1999. The 9/19/21 version features a distinct Gamma Goblins jam (complete with Alan Watts samples) and 11/21/21 is perhaps the best standalone version played with Allen.\r

Waves has remained a staple of the band’s catalog since its debut. It was played on average every 2.6 shows in 1999, and never left the catalog for more than 23 shows, when Barber broke his wrist in 2010. The longest gap otherwise was 21 shows in 2013.\r

","All was left one chance to fly away","2025-08-23T00:00:00.000Z","1998-12-29T00:00:00.000Z",{"_365":213,"_366":367,"_368":104,"_292":293,"_103":369,"_105":370,"_295":118,"_212":69,"_107":294,"_109":371,"_111":108,"_112":372,"_114":359,"_115":110,"_116":110,"_117":213,"_119":69,"_120":118,"_121":69,"_122":69,"_123":110,"_124":56,"_125":213,"_126":108,"_127":108,"_128":371,"_129":371,"_130":69},"1998","1999",53,"2000",25,13,10,21,{"_252":374,"_378":379,"_383":384,"_388":389,"_391":392,"_395":396,"_399":400,"_404":405,"_409":410,"_414":415},{"_25":375,"_136":376,"_138":377},"2000-04-21","1999-10-31",173,"135",{"_25":380,"_136":381,"_138":382},"2004-12-30","2004-05-08",236,"169",{"_25":385,"_136":386,"_138":387},"2008-12-14","2008-06-11",186,"210",{"_25":390,"_136":227,"_138":154},"2012-07-06","216",{"_25":393,"_136":158,"_138":394},"2013-12-29",338,"225",{"_25":397,"_136":398,"_138":172},"2016-01-01","2015-07-17","231",{"_25":401,"_136":402,"_138":403},"2017-06-02","2016-12-29",155,"243",{"_25":406,"_136":407,"_138":408},"2019-11-15","2019-05-25",174,"246",{"_25":411,"_136":412,"_138":413},"2020-10-16","2020-01-04",286,"247",{"_25":416,"_136":411,"_138":228},"2021-04-03",1999,1998,"http://sickbarberlicks.weebly.com/above-the-waves.html",[421],{"_21":422,"_267":66,"_268":423,"_31":424,"_33":424},"2c01e6a4-5583-4bb7-96f2-34df5eb694fe","middle only","2020-02-22T16:43:59.787Z",{"_21":68,"_50":22,"_51":348,"_53":54,"_55":118,"_57":82,"_31":426,"_33":427,"_35":36,"_23":428,"_62":-5,"_63":64,"_65":49,"_67":196,"_38":36,"_40":36,"_45":-5,"_72":429,"_189":442},"2020-02-22T16:44:00.013Z","2020-03-20T17:00:53.175Z","2012-12-20-above-the-waves-2",{"_21":348,"_74":352,"_23":353,"_31":354,"_33":355,"_79":356,"_81":357,"_27":82,"_83":358,"_29":359,"_86":64,"_87":88,"_89":90,"_91":360,"_93":361,"_95":343,"_97":362,"_99":363,"_101":430,"_131":431,"_183":417,"_185":418,"_187":419,"_45":352},{"_365":213,"_366":367,"_368":104,"_292":293,"_103":369,"_105":370,"_295":118,"_212":69,"_107":294,"_109":371,"_111":108,"_112":372,"_114":359,"_115":110,"_116":110,"_117":213,"_119":69,"_120":118,"_121":69,"_122":69,"_123":110,"_124":56,"_125":213,"_126":108,"_127":108,"_128":371,"_129":371,"_130":69},{"_252":432,"_378":433,"_383":434,"_388":435,"_391":436,"_395":437,"_399":438,"_404":439,"_409":440,"_414":441},{"_25":375,"_136":376,"_138":377},{"_25":380,"_136":381,"_138":382},{"_25":385,"_136":386,"_138":387},{"_25":390,"_136":227,"_138":154},{"_25":393,"_136":158,"_138":394},{"_25":397,"_136":398,"_138":172},{"_25":401,"_136":402,"_138":403},{"_25":406,"_136":407,"_138":408},{"_25":411,"_136":412,"_138":413},{"_25":416,"_136":411,"_138":228},[443],{"_21":444,"_267":68,"_268":445,"_31":446,"_33":446},"cd4e8fc1-8bc2-4b27-8106-a4bab6875a1b","ending only","2020-03-20T17:00:53.256Z",{"_21":196,"_50":22,"_51":448,"_53":54,"_55":69,"_57":58,"_31":449,"_33":449,"_35":36,"_23":450,"_62":-5,"_63":64,"_65":68,"_67":192,"_38":36,"_40":36,"_45":-5,"_72":451,"_189":510},"1d813e1f-f852-48c6-9f91-043541454f86","2020-02-22T16:44:00.156Z","2012-12-20-little-shimmy-in-a-conga-line",{"_21":448,"_74":452,"_23":453,"_31":454,"_33":455,"_79":456,"_81":457,"_27":82,"_83":458,"_29":459,"_86":64,"_87":88,"_89":90,"_91":-5,"_93":460,"_95":461,"_97":98,"_99":462,"_101":463,"_131":467,"_183":418,"_185":508,"_187":509,"_45":452},"Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line","2020-02-22T15:50:23.147Z","2025-08-26T02:09:51.371Z","

Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","shimmy",165,"And you wonder why I sleep through my alarm",289,"1998-02-26T00:00:00.000Z",{"_365":464,"_366":465,"_368":41,"_292":466,"_103":372,"_105":371,"_295":69,"_212":56,"_107":371,"_109":69,"_111":118,"_112":371,"_114":371,"_115":56,"_116":118,"_117":69,"_119":106,"_120":56,"_121":69,"_122":56,"_123":118,"_124":69,"_125":70,"_126":106,"_127":110,"_128":108,"_129":110,"_130":41},62,41,23,{"_468":469,"_473":474,"_476":477,"_480":481,"_391":484,"_487":488,"_491":492,"_495":496,"_499":500,"_504":505},"172",{"_25":470,"_136":471,"_138":472},"2005-09-13","2005-03-26",171,"192",{"_25":147,"_136":475,"_138":331},"2008-04-19","214",{"_25":478,"_136":479,"_138":251},"2011-07-09","2011-01-14","215",{"_25":482,"_136":478,"_138":483},"2011-12-31",175,{"_25":485,"_136":482,"_138":486},"2012-10-05",279,"234",{"_25":329,"_136":489,"_138":490},"2015-04-25",187,"245",{"_25":245,"_136":493,"_138":494},"2018-04-19",196,"248",{"_25":497,"_136":171,"_138":498},"2019-07-19",167,"252",{"_25":501,"_136":502,"_138":503},"2020-10-25","2019-12-30",300,"253",{"_25":506,"_136":501,"_138":507},"2021-04-20",177,2020,"http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html",[511],{"_21":512,"_267":196,"_268":513,"_31":514,"_33":514},"f5f749ee-2713-4252-a5df-db22d0e598c5","unfinished","2020-03-20T17:01:02.424Z",{"_21":197,"_50":22,"_51":516,"_53":54,"_55":106,"_57":58,"_31":517,"_33":60,"_35":36,"_23":518,"_62":-5,"_63":64,"_65":192,"_67":519,"_38":69,"_40":70,"_45":520,"_72":521,"_189":588},"1b2cdf23-a0c7-4663-8890-d804000441ea","2020-02-22T16:44:00.315Z","2012-12-20-bernstein-and-chasnoff","ae9a72ff-b3c9-446a-80c6-441f9ff32282","Bernstein and Chasnoff S1 segue > Tempest Spraypaint inverted",{"_21":516,"_74":522,"_23":523,"_31":354,"_33":524,"_79":525,"_81":526,"_27":82,"_83":527,"_29":113,"_86":64,"_87":528,"_89":529,"_91":530,"_93":531,"_95":532,"_97":533,"_99":534,"_101":535,"_131":542,"_183":585,"_185":586,"_187":587,"_45":522},"Bernstein and Chasnoff","bernstein-and-chasnoff","2025-08-26T02:09:36.096Z","

Oh Bernstein and Chasnoff,
Where do you get off,
Thinking you're only two of twenty.

Oh Andy and Larry,
You're so damn hairy,
Why don't you go and take a bath?

(Because..)
You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

Klopstein and Cabot,
We just won't have it,
We know exactly who you are.

Tariq and Shep Williams,
The pages they will fill 'em
Well, phony names will only go so far.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

","transcribed by Rich Steele

(main riff)

C > A > D > G

(chords over the chorus)

C > Bb > G > C > F
C > Bb > G > C > Bb > F > G

(ending riff)

E 15 12 12 12(h)13 12 12 17 17 14 14 14(h)15 14 14
B 13 13 15 15
G 12 14
D
A
E","bandc","e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Larry Chasnoff, Marc, and a mutual friend of ours, Keith Koslov, all spent their summers growing up together in upstate NY at a place called Schroon Lake. \r

I went to high school with Keith and knew Marc as his annoying prep school friend, way too soft for us public school Brooklyn thugs. Then a bunch of us went to see Phish in Sugarbush in 95, and Marc started telling about this band he was in, and I started telling him about this idea I had for a book. \r

Walking around the lots a kid from Penn recognized Marc from his band and got all excited. I thought to myself, "hmmm, if the book thing doesn't work out, maybe I can ride Brownstein's coattails a little." \r

A few months later, as the Biscuits toiled in relative obscurity, we came out with the first Pharmer's Almanac. Only about 6 people worked on it, but we wanted to make it look more like a community project, so we put a lot of fake names in the staff box. It was a mix of names of people from Schoon Lake (Nick Weiss) and completely absurd names like Harvey Klopstein, Tariq Ali and Shep Williams. \r

When Marc and Keith saw the book a few months later, they thought the fake names were hysterical. While I wasn't there, I assume they spent the next few hours making fun of Chasnoff and I on every possible level. And at some point Keith pulled out a guitar. The rest was history. \r

So that's where the song came from. ("Klopstein and Cabot/ we just won't have it/we know exactly who you are/Tariq and Shep Williams/ pages we'll fill'em/ but phony names will only go so far.) \r

I was all excited that I had a song with my name in it until people started coming up to me and asking "Hey, why did you get sued by Phish?" \r

I want to state, for the record, that we never were sued by Phish, never threatened to be sued by Phish, and never had any legal issues with Phish regarding the Almanac. Every interaction we've had with management has been positive. \r

We caught a lot of grief in the early years from about a dozen people on rec.music.Phish (I know, what a shocker, someone getting grief on an Internet discussion group) but we never got the same from management. \r

I'm not actually sure where the "You're getting sued/bummer dude" line came from, but I think it had to do with the fake names or maybe some of the flack we were getting on the Internet. \r

The Almanac ended up selling about 70,000 copies, but at some point I got tired of going to Phish shows and decided it was a lot more fun to see the Disco Biscuits. \r

~Andy Bernstein\r

Although its lyrics were never cerebral, Bernstein & Chasnoff connects the band to greater jamband lore. Musically the song is not much more complicated: There are two verses, each followed by a chorus, a bridge and chorus, a jam section, and a triumphant ending. At various points in its history, the ending has contained a bonus section (referred to as “Smell The Funk” only after it had been shelved).\r

For its first year, B&C did not contain any jamming of note (refer to 1/30/97 for some truly bizarre sound effects in the pre-Trancefusion era). Trancefusion era versions of 97 (of which 11/17 and 11/18 are extant) do little to suggest the song’s eventual heavy hitter potential. Beginning early in 1998, the song became a vehicle for some of the band’s most interesting early experimentations. 2/26/98 is of particular note, a 25-minute version that contains elements of what would make the song great. Even more significant is 3/21/98, the “Techno B&C,” and what is considered to be the first “Perfume version” of any song. The song remained strong, if slightly less noteworthy, for the remainder of 1998. Already its M.O. was becoming pretty clearly established—the song would regularly depart from blissful type one territory for spacey, sinister territory, and was the earliest example of this style of exploratory jamming.\r

One of the first jams of 1999 was a B&C jam, in the early morning hours of January 1. This B&C > Nughuffer was likely the greatest example of pure Trancefusion yet played at the time. The song stayed strong through 1999 (a high water mark for both the band and the song), with standout versions played on 4/24, 4/30, 5/5, and 9/11 of that year. In particular, the latter two are frequently cited as the strongest versions of the song.\r

The band took a hiatus from B&C during its author’s departure from the band, but it returned with a vengeance at Camp Bisco, split-up dyslexically over 8/25/00 and 8/26/00. Despite the fewer shows played in 2000, there is no shortage of strong B&Cs from the fall tour. Of these 10/27 is thoroughly unique, and a sleeper choice for best ever, while 12/28/00 is more reminiscent of the classic 1999 style B&C.\r

After 2000, B&C faded a bit into the background, although some standout versions do exist from this era. 4/24/01 received some attention for its inclusion in Steele’s Picks, 9/6/01 contains some fantastic fall 2001 jamming and one of the early Sound 1s, and 10/5/02 is remarkably strong (of course, as is everything from that show). 11/29/03 is a lesser-known but very interesting version, which may be the first to be jammed out of the bridge rather than the main jam section.\r

B&C was played just thrice in 04 and once in 05 before Allen joined the band. After a few versions in the winter and spring shows, it was absent for nearly the whole of 06, from 4/26 until 12/29. The 12/29 version is a much-loved mashup with Joy to the World, and features the return of the Smell the Funk section, shelved in January 1999 and busted out only once on 5/5/01. It would be played on every 07 version and then shelved again indefinitely.\r

2007 would be B&C’s second golden era, as nearly every version from that year is excellent and highly regarded. After the fairly standard Jam Cruise version, it was split three ways for the first time at the legendary Starland Ballroom run on 2/17, which featured numerous debuts, Allen first-timers, and bustouts. While it didn’t surface over the spring tour, the standalone version that opened Camp Bisco VI is probably the strongest standalone with Allen. In the fall tour, 10/16 is a particularly strong version (flying slightly under the radar due to a lack of available soundboard) and 11/1 contains the first jam into the beginning of the song with Allen, and since 4/4/02.\r

B&C was only played twice in 08, although 4/19/08’s monster inverted version (first inversion with Allen and first since 7/23/03) is a must-hear. After a single performance each in the winter tour and spring tour of 09, B&C was played six times in the four months from 10/3/09 to 1/28/10. Each of those 6 versions is inverted. In the post-wristgate era, B&C rarely produces a memorable jam, with two glaring exceptions: the stellar and spacey 2/3/17 B&C > Voices > B&C, and the monster dyslexic beginning that opened the second set of 10/19/20.\r

","You’re getting sued. Bummer Dude",240,"2025-06-22T00:00:00.000Z","1996-07-04T00:00:00.000Z",{"_536":41,"_537":538,"_365":539,"_366":540,"_368":108,"_292":541,"_103":541,"_105":110,"_295":56,"_212":70,"_107":118,"_109":108,"_111":213,"_112":106,"_114":110,"_115":213,"_116":56,"_117":213,"_119":69,"_120":70,"_121":56,"_122":56,"_123":56,"_124":213,"_125":70,"_126":213,"_127":70,"_128":110,"_129":213,"_130":56},"1996","1997",47,32,36,16,{"_543":544,"_548":549,"_552":553,"_557":558,"_559":560,"_476":563,"_567":568,"_395":572,"_575":576,"_580":581},"124",{"_25":545,"_136":546,"_138":547},"2000-08-25","1999-10-29",301,"174",{"_25":550,"_136":551,"_138":394},"2006-02-25","2005-03-24","177",{"_25":554,"_136":555,"_138":556},"2006-12-29","2006-04-26",247,"187",{"_25":147,"_136":475,"_138":331},"203",{"_25":226,"_136":561,"_138":562},"2011-04-15",456,{"_25":564,"_136":565,"_138":566},"2016-03-26","2015-02-21",399,"224",{"_25":569,"_136":570,"_138":571},"2019-11-14","2019-01-31",287,{"_25":573,"_136":569,"_138":574},"2020-10-19",340,"228",{"_25":577,"_136":578,"_138":579},"2022-11-11","2021-10-28",379,"237",{"_25":582,"_136":583,"_138":584},"2025-01-25","2024-02-09",351,1997,2005,"http://sickbarberlicks.weebly.com/bernstein-and-chasnoff.html",[589],{"_21":590,"_267":197,"_268":591,"_31":592,"_33":592},"15825985-eee0-4e84-9b27-12ea4c98ac24","inverted","2020-02-22T16:44:00.340Z",{"_21":519,"_50":22,"_51":52,"_53":54,"_55":108,"_57":-5,"_31":594,"_33":60,"_35":36,"_23":595,"_62":-5,"_63":64,"_65":197,"_67":-5,"_38":69,"_40":70,"_45":596,"_72":597,"_189":610},"2020-02-22T16:44:00.398Z","2012-12-20-spraypaint-2","Spraypaint S1 closer Bernstein and 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