[{"_1":2,"_1072":-5,"_1073":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_1067":1068,"_1069":1070,"_1071":-5},"setlist",{"_19":20,"_972":999,"_1002":1003,"_188":1051},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":38,"_39":40,"_41":42,"_43":36,"_44":45,"_46":36,"_47":-5,"_48":49,"_972":973,"_996":974,"_997":998},"id","67daa3a9-7881-4adf-9ba2-c7a4525d17fb","slug","2012-07-07-starland-ballroom-sayreville-nj","date","2012-07-07","notes","Speakerbot opened, Horizon Wireless setbreak","legacyId",1370,"createdAt",["D",1582388392200],"updatedAt",["D",1755874645066],"likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/2012/07/07","averageRating",3.6,"ratingsCount",20,"showPhotosCount","showYoutubesCount",1,"reviewsCount","searchText","tracks",[50,190,272,343,421,495,569,629,687,748,826,888,949],{"_21":51,"_52":22,"_53":54,"_55":56,"_57":45,"_58":59,"_31":60,"_33":61,"_35":36,"_23":62,"_63":-5,"_64":65,"_66":-5,"_67":68,"_39":69,"_41":45,"_47":70,"_71":72,"_188":189},"63e7d45f-7623-4d0a-9ec8-abe5d559f708","showId","songId","c547b95e-b57c-47db-a434-260e9174f194","set","S2","position","segue",">",["D",1582389830051],["D",1763005959940],"2012-07-07-spraypaint","note","allTimer",false,"previousTrackId","nextTrackId","09f3ef5b-a003-4559-8db2-7bb3544f4725",5,"Spraypaint S2 opener segue > Sound One","song",{"_21":54,"_73":74,"_23":75,"_31":76,"_33":77,"_78":79,"_80":81,"_27":81,"_82":83,"_29":84,"_85":65,"_86":87,"_88":89,"_90":91,"_92":93,"_94":95,"_96":97,"_98":99,"_100":101,"_131":132,"_182":183,"_184":185,"_186":187,"_47":74},"title","Spraypaint","spraypaint",["D",1582386623818],["D",1756174204772],"lyrics","

Did you ever think about it,
That everyone gets lifted all the time?
And you want to fade away
Wishing we could be normal for awhile
So you want to feel good?
Well maybe you should just work it
And you want to breathe oxygen?
So why not go out and buy it
Did you ever think about it,
That maybe we were all crazy for the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Did you ever think about it,
That everyone gets lucky some of the time?

As you walk the razor blade, thinking we could fall to either side
So we came to crash the party
And spraypaint on your carpet
And You heard it was an accident
But maybe you don't believe it
Did you ever think about it,
That maybe we were all crazy from the start?

How can I add it up?
That freedom is a gun
With giant bags of money
Wrapped in uniform?

Spraypaint my name on the wall
Question me I have the time
Fits your profile
Anything you need to make a profit
Have the time
Fix your profile
Anything that you need to make up

(No Longer Sung:)

Take me slowly down the road
Pull me over I'll drive the car
Get your profile, anything you need to make a paycheck
Drive the car, get your profile
Anything that you need to make up
And you want to sail away
wishing you could be simply out of life (thinking we could be simply out of time)

","tabs","","legacyAbbr","spray",298,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

","featuredLyric","How can I add it up, that freedom is a gun, with giant bags of money wrapped in uniform","timesPlayed",142,"dateLastPlayed",["D",1755993600000],"dateFirstPlayed",["D",1027728000000],"yearlyPlayData",{"_102":103,"_104":105,"_106":107,"_108":109,"_110":111,"_112":113,"_114":113,"_115":105,"_116":109,"_117":118,"_119":69,"_120":118,"_121":69,"_122":105,"_123":118,"_124":118,"_125":111,"_126":109,"_127":118,"_128":69,"_129":109,"_130":69},"2002",15,"2003",7,"2006",8,"2007",6,"2008",3,"2009",14,"2010","2011","2012","2013",4,"2014","2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_133":134,"_140":141,"_145":146,"_150":151,"_154":155,"_159":160,"_163":164,"_167":168,"_172":173,"_177":178},"15",{"_25":135,"_136":137,"_138":139},"2003-07-26","previous","2002-11-10","delta_days",258,"22",{"_25":142,"_136":143,"_138":144},"2006-08-25","2003-11-28",1001,"38",{"_25":147,"_136":148,"_138":149},"2008-12-27","2008-06-08",202,"75",{"_25":26,"_136":152,"_138":153},"2012-01-28",161,"81",{"_25":156,"_136":157,"_138":158},"2013-08-30","2013-01-25",217,"86",{"_25":161,"_136":162,"_138":153},"2014-08-01","2014-02-21","107",{"_25":165,"_136":166,"_138":153},"2018-11-02","2018-05-25","110",{"_25":169,"_136":170,"_138":171},"2019-07-20","2019-02-02",168,"113",{"_25":174,"_136":175,"_138":176},"2020-06-23","2019-12-28",178,"123",{"_25":179,"_136":180,"_138":181},"2022-08-21","2022-03-10",164,"mostCommonYear",2002,"leastCommonYear",2008,"guitarTabsUrl","http://sickbarberlicks.weebly.com/spraypaint.html","annotations",[],{"_21":191,"_52":22,"_53":192,"_55":193,"_57":45,"_58":59,"_31":194,"_33":195,"_35":36,"_23":196,"_63":-5,"_64":65,"_66":-5,"_67":197,"_39":69,"_41":45,"_47":198,"_71":199,"_188":271},"03700e68-fbb4-436b-9d8c-88441e2dbda1","3f67b2bf-aa2b-4eb5-9c2b-608717bdd851","S1",["D",1582389829580],["D",1763005959940],"2012-07-07-the-very-moon","34e34e64-0775-4434-9f11-e676fb609962","The Very Moon S1 opener segue > Crickets",{"_21":192,"_73":200,"_23":201,"_31":202,"_33":203,"_78":204,"_80":205,"_27":81,"_82":206,"_29":207,"_85":65,"_86":87,"_88":89,"_90":-5,"_92":208,"_94":209,"_96":210,"_98":211,"_100":212,"_131":224,"_182":268,"_184":269,"_186":270,"_47":200},"The Very Moon","the-very-moon",["D",1582386623009],["D",1756174208731],"

Manilla was a crude machine who'd taken his fair share
He gobbled up the world he owned as petals paved his stairs
Manilla thanked the very moon for money and his life
He triffled nothing miniscule including one, his wife

Leora, his arranged wife, did not need his greed
She asked that stars, the very moon, to one day cross the sea
Manilla gazed an empty stare nothing there could grow
She cherished dreams of flying high and leaving him below

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

Manilla wanted worldly things and everything he'd have
He built castles, moats, battleships and troops in iron clad
Manilla heard Mulberry's name under the very moon
His troops went running the next day to find the air balloon.

Leora, his arranged wife, cooked the men a feast
And cleaned herself up solemnly before she faced the beast
That night she asked the very moon was this her fate to be
At lunch she met the flying man whose airships crossed the sea

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

","transcribed by Bill

Just figured this one out yesterday....too fun not to share. The only
parts I'm still a little shaky on are The Riff from the intro and the
chords under the chorus....but both are reasonable approximations.

FWIW, all the HAB tunes I've tabbed are from the 12/31/98 version, since
those performances are pretty grounded and manageable. Things evolve over
time, so YMMV.

Intro:

C jam

Brownstein defines the chord like so:
d-------2-5--
a----3-3-----

(repeat a lotta buncha times....jam.....)

Magner's playing arpeggios than can be approximated on guitar like so:
e----0----1--3--1-1------
b-----1-0--1--1----1-1---
g------0----0--0----0----

Or something...listen to it and you'll hear what I mean.

Intro melody 1 (I know Barber plays these in a different position, but
whatever):
C * F
e-------0--3--7--8--8s5---0--3--1-----
b----1--------------------------------
g----------0--4--5--5s2------0--------
d-------2-----------------2-----3-----
a----3--------------------------------

F piano arpeggio is like this:

e----1-----3----5----3-3------
b-----1-1---1----1------1-1--- (x 2)
g------2-----2----2------2----

Then repeat Melody 1, except from the * on play:

C Dm
e----8s5---0-----------
b--------------3-------
g----5s2---------------
d----------2---0-------

Dm arpeggio (again, all of these are just to give you an idea of what's
going on- listen to it, you'll hear what I mean):

e----------0----1----0-------
b----3------3----3----3-3---- (x 2)
g-----2-2----2----2----2-----
d------0---------------------

Melody 1 again, from the * on play
G
e----10--12--13-15--17--19-----
b------------------------------
g----7---9---10-12--14--15-----

G arpeggio:

e-------------------1s3-1---------
b----0----1----3---------3-1-3----
g-----0----0----0----------------- (x 2)
d------0----0----0----------------

Intro melody 2:
G C
e----19---15---17---17-15-17-15-13---13-13--10--8----
b----------------------------------------------------
g----15---12---14---14-12-14-12-10---10-10--7---5----

C arpeggio (Barber actually plays this one):
e-------------------3s5---------
b---------3----5-------6-3-5----
g----5-----5----5--------------- (x 4)
d-----5-----5----5--------------
a------3------------------------

The Riff (best I can figure it):
e-----------------------13------15s17----------12-12----------
b----13--13-15s17-13--13--13--13-------15-15--------13-13----- (x 4)
g------12-----------12------12--------------------------------

Intro melody 3:
e----19--17--15--13--12-13-12----12-13------------
b----------------------------14-------15------------
g-----------------------------------------14-14----

(and Brownstein adds:)
a----2-------
E-----3-3----

(x 4, and then the last time add this transition lick into the verse):
F D/F# G
e----------------------------------
b----12-12h13-12--12-13-13-14----15
g---------------14-----------------

C/G A5 Bb5 A5 C C (x 4)

(the 5's indicate power chords- no thirds)

A5 Bb5 A5 Bb5 A5 G G (x 3)

A5 Bb5 A5 Bb5 A5 G G7

C/G A5 Bb5 A5 C C

C F Em Dm
Manila was a cruel machine, he'd taken his fair share
C F Em Dm
He gobbled up the world he owned, petals paved his stairs
C F Em Dm
Manila thanked the very moon for money and his life
C F Em Dm
He trifled nothing miniscule, including one, his wife
F Em Dm G
Leora, his arranged wife, did not need his greed
F Em Dm G
She asked the stars and very moon to one day cross the sea
F Em Dm G
Manila's gaze a vacant stare, nothing there could grow
F Em Dm G
She cherished dreams of flying high and leaving him below

G7

C G Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
As her eyes go round the room to catch someone watching
C Dm Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
Underneath the very moon that each one was watching

C/G A5 Bb5 A5 C C

2d verse and chorus same as first

Then the melody referred to by some as the Don Cote lick:
*
e--------------------------------------------------------------------
b--------8-8-6-5---------5----------------5---5h6-5---5-8-8-----8----
g----5--5---------7-7-7-7-7-5-5--7--7-7--7---7-----7---------7-7-7---

(x 4) The fourth time it stops at the * and they hit these chords:

C C G Am G D Am D

Jam riff:

d-----------------------------------------------2-2---------------
a-------2-4-5-4-2-----2-4-5-4-2h4p2------2-4-5-4------2-4-5-4-2---
E----3-----------5p3-----------------0-0--------------------------","moon",122,"Leora stands on her head\nDoin' the two step on her hands\nUnderneath the very moon each one was watching",201,["D",1750809600000],["D",913161600000],{"_213":111,"_214":215,"_216":217,"_218":103,"_102":42,"_104":219,"_220":69,"_221":111,"_106":107,"_108":222,"_110":69,"_112":103,"_114":69,"_115":69,"_116":45,"_117":45,"_119":118,"_120":118,"_121":223,"_122":118,"_123":111,"_124":223,"_125":45,"_126":111,"_127":45,"_128":111,"_129":118,"_130":223},"1998","1999",50,"2000",11,"2001",12,"2004","2005",9,2,{"_225":226,"_230":231,"_234":235,"_237":238,"_241":242,"_246":247,"_249":250,"_254":255,"_259":260,"_263":264},"139",{"_25":227,"_136":228,"_138":229},"2008-12-12","2008-04-22",234,"166",{"_25":26,"_136":232,"_138":233},"2011-12-28",192,"167",{"_25":236,"_136":26,"_138":209},"2013-01-24","168",{"_25":239,"_136":236,"_138":240},"2014-01-24",365,"174",{"_25":243,"_136":244,"_138":245},"2015-10-30","2015-04-25",188,"185",{"_25":169,"_136":248,"_138":209},"2018-12-31","187",{"_25":251,"_136":252,"_138":253},"2020-10-25","2019-12-12",318,"191",{"_25":256,"_136":257,"_138":258},"2022-09-10","2021-11-26",288,"192",{"_25":261,"_136":256,"_138":262},"2023-06-08",271,"196",{"_25":265,"_136":266,"_138":267},"2024-08-28","2024-01-26",215,1999,2012,"http://sickbarberlicks.weebly.com/the-very-moon.html",[],{"_21":68,"_52":22,"_53":273,"_55":56,"_57":223,"_58":59,"_31":274,"_33":275,"_35":36,"_23":276,"_63":-5,"_64":65,"_66":51,"_67":277,"_39":69,"_41":45,"_47":278,"_71":279,"_188":342},"af29a537-b044-477b-816f-8a10af6ba005",["D",1582389830108],["D",1763005959940],"2012-07-07-sound-one","13cbeb56-299f-4f0f-a8b7-487e6dfcbc1c","Sound One S2 segue > Spraypaint Astronaut",{"_21":273,"_73":280,"_23":281,"_31":282,"_33":283,"_78":284,"_80":81,"_27":81,"_82":285,"_29":286,"_85":65,"_86":287,"_88":288,"_90":-5,"_92":-5,"_94":289,"_96":290,"_98":291,"_100":292,"_131":296,"_182":183,"_184":340,"_186":341,"_47":280},"Sound One","sound-one",["D",1582386623147],["D",1756174203955],"

Bake a cake
Sugar cane sweet
Frosting pink and sticky

Eat it up
Finger lickin' good
Mamma said you can't but I think that you should

Build a car
Hot to trot
Leather chrome and metal

Rock n' roll
Rollin' down the street
Leave 'em in the dust everyone that you meet is crazy

Crazy like a cat
Slippery sleek and lazy

Rub it in the fur
Wax it on the back
Put the cake in the trunk everyone get down

","sound1",175,"9ff6cb71-06e9-4fb2-81bf-8a313752e718","Sam Altman",104,["D",1668124800000],["D",998697600000],{"_218":293,"_102":294,"_104":295,"_220":109,"_221":223,"_108":69,"_110":111,"_112":217,"_114":45,"_116":223,"_117":223,"_120":45,"_121":223,"_122":45,"_123":111,"_124":45,"_126":118,"_127":223},16,24,18,{"_297":298,"_302":303,"_307":308,"_159":312,"_314":315,"_319":320,"_322":323,"_326":327,"_331":332,"_335":336},"66",{"_25":299,"_136":300,"_138":301},"2007-08-18","2005-07-22",757,"74",{"_25":304,"_136":305,"_138":306},"2009-05-30","2008-06-07",357,"85",{"_25":309,"_136":310,"_138":311},"2010-09-09","2009-12-27",256,{"_25":26,"_136":309,"_138":313},667,"89",{"_25":316,"_136":317,"_138":318},"2013-12-28","2013-01-26",336,"90",{"_25":244,"_136":316,"_138":321},483,"91",{"_25":324,"_136":244,"_138":325},"2016-02-06",287,"93",{"_25":328,"_136":329,"_138":330},"2017-12-30","2016-06-03",575,"98",{"_25":333,"_136":170,"_138":334},"2021-05-29",847,"103",{"_25":337,"_136":338,"_138":339},"2022-11-11","2022-03-11",245,2010,"http://sickbarberlicks.weebly.com/sound-1.html",[],{"_21":344,"_52":22,"_53":345,"_55":56,"_57":118,"_58":59,"_31":346,"_33":347,"_35":36,"_23":348,"_63":-5,"_64":65,"_66":277,"_67":349,"_39":69,"_41":45,"_47":350,"_71":351,"_188":413},"0e7c642a-636f-4cb3-9dd6-cae810594eac","0cd7f2ad-df92-4164-9a72-a461ca3f35be",["D",1582389830283],["D",1763005959940],"2012-07-07-and-the-ladies-were-the-rest-of-the-night","5804c664-9c81-412a-94b7-9c1acac3ab4e","And the Ladies Were the Rest of the Night S2 segue > Astronaut Cyclone inverted",{"_21":345,"_73":352,"_23":353,"_31":354,"_33":355,"_78":356,"_80":81,"_27":81,"_82":357,"_29":358,"_85":65,"_86":359,"_88":360,"_90":361,"_92":362,"_94":363,"_96":364,"_98":365,"_100":366,"_131":370,"_182":183,"_184":411,"_186":412,"_47":352},"And the Ladies Were the Rest of the Night","and-the-ladies-were-the-rest-of-the-night",["D",1582386623009],["D",1756174174382],"

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

It took a few months to infiltrate,
In just one night he bit the bait.
It didn't seem Lai would give it up.
Even when Shelby spiked his cup.

He ran a tight ship and closed his mouth,
Every time the ladies were in the house.
Everything she did was done in vain.
Couldn't get a wire tap in the drain.

Give it up! Give it up!

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

Little Shelby Rose, this is how it goes,
And you know what it takes.
Careful what you say, careful what you do,
Can't afford a mistake.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Little does he know she has him read.
In a couple minutes, they're off to bed.
Takes another name and sculpts her clay,
And not before long she's got her prey.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Give it up! Give it up!

","ladies",99,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Ladies was first played by Electron on 8/18/00, debuted on the same night as the full Chemical Warfare Brigade opera, along with Floodlights, Shelby Rose and Confrontation. The lyrics are largely the same, but the structure of the song is slightly different: there are shouts of “give it up! give it up!” in the introduction and before the jam, and there is a brief synth jam in between the verses. The jam in this Electron version is also considerably slower and mellower than in Biscuits versions, and there is no peak; rather, the jam just resolves back into the same verse from the intro.

The first and only Biscuits version of Ladies in 2000 is tightened up considerably from the Electron version. It is much faster than the Electron version, and the peak has that much needed Barber “oomph.” Although slightly slower than modern versions, in all other ways the song is virtually indistinguishable.

Ladies was played a whopping 27 times each in 2001 and 2002, the years of the song’s first golden age. It was a staple of the early spring tour, and was mostly played standalone, although it was split on its second performance on 3/22/01 and segued into on 4/12/01 and 4/20/01. It was inverted for the first time at the Bisco Knights festival on 8/25/01. In the fall tour the song became a powerhouse, with standout versions including the set closing standalone on 9/8/01 and the massive inverted version on 9/22/01.

2002 was the year Ladies really took off. 4/25/02 is the first dyslexic version, and the standout version from the spring tour. The summer tour included many excellent versions, including 7/26/02 and 8/11/02, but the real apex for the song came in the fall tour, with two legendary versions on 10/4/02 and 10/18/02.

Ladies became less common after 2002, and although the 2003 versions aren’t as legendary as the late 2001 or 2002 versions, there are a couple with unmistakable merit, such as the unfinished 4/25/03 or the split-up 11/28/03 (which was a part of the fourth complete performance of the Chemical Warfare Brigade. Ladies was only played seven more times with Sammy after 2003.

When Allen joined the band, Ladies became a catalog staple once again. Its second golden age lines up nicely with the second golden age of the band overall, beginning in mid-2007 and lasting into early 2010. The Astronaut > Ladies (><) > Astronaut from 11/19/06 is arguably the first great Ladies with Allen, but the spectacular 5/27/07 Ladies > O Fortuna > Spacebird (><) > Ladies and the over 35 minute Ladies > Gangster from 10/23/07 definitively assured Ladies’ place in the pantheon of trance-fusion juggernauts.

Ladies remained a powerhouse staple through 08 (standout versions including 1/16/08, 4/18/08, 5/24/08, 6/13/08 and 12/30/08), but the song hit another level in 2009, when it was played 21 times (the most of any year since 2002). In a year of furious lightspeed trance jams, Ladies flourished. Notable versions including 2/15/09, 4/24/09, and 6/25/09 are hailed as some of the best ever. The song was played twice in 2010 before wristgate, on 1/29/10 and 3/17/10, and both versions are excellent.

Ladies remained a setlist staple in the setbreak era, and in addition to the numerous versions played during this time, the band frequently used a Ladies style jam to get from A to B in this era. In fact, the year where Ladies was most common was 2012, when it was played on average once every 3.3 shows. Notable versions from the setbreak era include the 1/26/14 Tractorbeam version, 3/26/16, 6/02/16, and 8/20/16.

In the post-setbreak era, Ladies continues to be a setlist staple. It is still frequently played inverted, although well-known exceptions include the set bookending 9/23/23 and the dyslexic 1/28/24 (part of a full set palindrome). Ladies is one of the most frequently played Biscuits songs, appearing on average once every five to six shows since its debut. It has only disappeared from the rotation for more than a dozen shows a few times, and never for more than sixteen shows. It is an indisputably important part of the Biscuits’ catalog.

","Come on all the ladies, get down tonight.\nGive it up! Give it up!",229,["D",1755734400000],["D",978134400000],{"_216":45,"_218":367,"_102":367,"_104":103,"_220":109,"_221":45,"_106":368,"_108":217,"_110":368,"_112":369,"_114":222,"_115":109,"_116":109,"_117":118,"_119":69,"_120":111,"_121":109,"_122":109,"_123":223,"_124":69,"_125":45,"_126":69,"_127":105,"_128":222,"_129":217,"_130":222},27,13,21,{"_302":371,"_375":376,"_380":381,"_172":384,"_387":388,"_389":390,"_230":394,"_398":399,"_403":404,"_249":407},{"_25":372,"_136":373,"_138":374},"2004-11-26","2004-05-06",204,"76",{"_25":377,"_136":378,"_138":379},"2005-08-26","2004-12-31",238,"77",{"_25":382,"_136":377,"_138":383},"2006-02-04",162,{"_25":385,"_136":386,"_138":181},"2008-12-30","2008-07-19","150",{"_25":26,"_136":232,"_138":233},"158",{"_25":391,"_136":392,"_138":393},"2013-12-19","2013-04-27",236,{"_25":395,"_136":396,"_138":397},"2015-09-05","2015-02-21",196,"181",{"_25":400,"_136":401,"_138":402},"2018-12-07","2018-05-24",197,"183",{"_25":405,"_136":406,"_138":286},"2019-07-19","2019-01-25",{"_25":408,"_136":409,"_138":410},"2020-10-16","2019-12-30",291,2000,"http://sickbarberlicks.weebly.com/and-the-ladies-were-the-rest-of-the-night.html",[414],{"_21":415,"_416":344,"_417":418,"_31":419,"_33":420},"45dfbf32-c85a-43bf-8ac6-9db4dd4e6f77","trackId","desc","inverted",["D",1584722454875],["D",1584722454875],{"_21":277,"_52":22,"_53":422,"_55":56,"_57":111,"_58":59,"_31":423,"_33":424,"_35":36,"_23":425,"_63":-5,"_64":65,"_66":68,"_67":344,"_39":69,"_41":45,"_47":426,"_71":427,"_188":489},"8f1613ff-9002-4e03-853d-04c7e84a8b9b",["D",1582389830185],["D",1763005959940],"2012-07-07-astronaut","Astronaut S2 segue > Sound One And the Ladies Were the Rest of the Night middle only",{"_21":422,"_73":428,"_23":429,"_31":430,"_33":431,"_78":432,"_80":433,"_27":81,"_82":434,"_29":435,"_85":65,"_86":87,"_88":89,"_90":436,"_92":437,"_94":438,"_96":439,"_98":440,"_100":441,"_131":443,"_182":183,"_184":487,"_186":488,"_47":428},"Astronaut","astronaut",["D",1582386622697],["D",1756174175129],"

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro",10,"

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

","Just smile as we unveil the surprise",191,["D",1755907200000],["D",997228800000],{"_218":219,"_102":42,"_104":217,"_220":118,"_221":118,"_106":103,"_108":103,"_110":435,"_112":442,"_114":435,"_115":118,"_116":111,"_117":118,"_119":118,"_120":118,"_121":118,"_122":107,"_123":111,"_124":69,"_125":223,"_126":109,"_127":69,"_128":105,"_129":107,"_130":109},17,{"_444":445,"_448":449,"_451":452,"_456":457,"_460":461,"_464":465,"_469":470,"_387":474,"_477":478,"_482":483},"48",{"_25":377,"_136":446,"_138":447},"2005-03-25",154,"88",{"_25":227,"_136":386,"_138":450},146,"118",{"_25":453,"_136":454,"_138":455},"2011-07-02","2010-12-27",187,"122",{"_25":26,"_136":458,"_138":459},"2011-12-31",189,"127",{"_25":462,"_136":392,"_138":463},"2013-12-27",244,"130",{"_25":466,"_136":467,"_138":468},"2014-08-15","2014-02-20",176,"136",{"_25":471,"_136":472,"_138":473},"2015-12-05","2015-07-18",140,{"_25":165,"_136":475,"_138":476},"2018-04-21",195,"157",{"_25":479,"_136":480,"_138":481},"2020-10-18","2019-12-27",296,"159",{"_25":484,"_136":485,"_138":486},"2021-03-26","2020-10-30",147,2020,"http://sickbarberlicks.weebly.com/astronaut.html",[490],{"_21":491,"_416":277,"_417":492,"_31":493,"_33":494},"0890776f-aded-4986-bf73-fa2beca0201d","middle only",["D",1584722435402],["D",1584722435402],{"_21":197,"_52":22,"_53":496,"_55":193,"_57":223,"_58":59,"_31":497,"_33":498,"_35":36,"_23":499,"_63":-5,"_64":65,"_66":191,"_67":500,"_39":69,"_41":45,"_47":501,"_71":502,"_188":564},"c6999c89-7242-4a6f-8de5-d621c19a4fb2",["D",1582389829703],["D",1763005959940],"2012-07-07-crickets","422ac890-bbf3-436c-85a9-f573069925be","Crickets S1 segue > The Very Moon Spacebirdmatingcall middle only",{"_21":496,"_73":503,"_23":504,"_31":505,"_33":506,"_78":507,"_80":508,"_27":509,"_82":510,"_29":511,"_85":65,"_86":512,"_88":513,"_90":-5,"_92":-5,"_94":514,"_96":515,"_98":516,"_100":517,"_131":520,"_182":183,"_184":269,"_186":563,"_47":503},"Crickets","crickets",["D",1582386623818],["D",1756174179324],"Over in the night,
Hopping, hopping.
Crickets in the night,
Look out! Splattums!","transcribed by Rich Steele

the jam into the middle section is over looping D > C > Bm > A
progression.

middle section riff
E 14
B 15 14 15 17 17 14 15 17 17 14 15 17 17
G 14 14 16 16 16 16
D
A
E

E
B 14 15 17 17 14~
G
D
A
E
\\r","This song was originally called Splattums by the fans when it first debuted, since the band didn't name the song. Barber also referred to the song once as Song II of the South.","splat2",180,"edb2307c-4e52-41f6-be6c-0f5f9ca8c84a","The Disco Biscuits, Zuniga",253,["D",1755907200000],["D",955756800000],{"_216":103,"_218":518,"_102":367,"_104":293,"_220":109,"_221":118,"_106":219,"_108":293,"_110":113,"_112":519,"_114":222,"_115":109,"_116":111,"_117":69,"_119":109,"_120":69,"_121":109,"_122":69,"_123":118,"_124":118,"_125":118,"_126":105,"_127":105,"_128":217,"_129":217,"_130":69},26,19,{"_326":521,"_234":525,"_529":530,"_533":534,"_538":539,"_249":543,"_546":547,"_551":552,"_555":556,"_559":560},{"_25":522,"_136":523,"_138":524},"2005-12-28","2005-07-23",158,{"_25":526,"_136":527,"_138":528},"2011-08-30","2011-03-27",156,"170",{"_25":26,"_136":531,"_138":532},"2011-12-26",194,"172",{"_25":535,"_136":536,"_138":537},"2012-12-26","2012-07-13",166,"175",{"_25":540,"_136":541,"_138":542},"2013-07-13","2013-01-27",167,{"_25":544,"_136":472,"_138":545},"2015-12-04",139,"201",{"_25":548,"_136":549,"_138":550},"2018-07-14","2018-03-08",128,"202",{"_25":553,"_136":548,"_138":554},"2018-11-24",133,"206",{"_25":557,"_136":558,"_138":550},"2019-11-23","2019-07-18","209",{"_25":174,"_136":561,"_138":562},"2020-01-02",173,"http://sickbarberlicks.weebly.com/crickets.html",[565],{"_21":566,"_416":197,"_417":492,"_31":567,"_33":568},"52a50d90-605f-4b71-8261-1c7c93b1396d",["D",1584722408797],["D",1584722408797],{"_21":570,"_52":22,"_53":571,"_55":572,"_57":45,"_58":-5,"_31":573,"_33":574,"_35":36,"_23":575,"_63":-5,"_64":65,"_66":-5,"_67":-5,"_39":69,"_41":45,"_47":576,"_71":577,"_188":628},"3559efa1-7502-462a-874e-d630c5c2b9c1","981ba91f-7e39-4140-aa5c-4aa8d96a876f","E1",["D",1582389830627],["D",1763005959940],"2012-07-07-munchkin-invasion","Munchkin Invasion E1 opener",{"_21":571,"_73":578,"_23":579,"_31":580,"_33":581,"_78":582,"_80":583,"_27":81,"_82":584,"_29":585,"_85":65,"_86":87,"_88":513,"_90":-5,"_92":586,"_94":587,"_96":588,"_98":589,"_100":590,"_131":592,"_182":626,"_184":487,"_186":627,"_47":578},"Munchkin Invasion","munchkin-invasion",["D",1582386623147],["D",1756174194314],"

We come from the city,
We come from the jungle.

Hi, my name is Sally.
I'm a little munchkin.

A little munchkin!

","Tablature by Evan Leon:

Introduction:

F# | Bm | C# | C# (repeat)

The next section is the one with the really complicated rhythm that
I don't really know how to transcribe. All I can say is that the
figure is repeated twice on A, then once on F#. Following that,
slide up to A for the first verse section.

For the verse section, Jon plays a short figure in A similar to
the following (but usually different):

Figure 1:
e 9h10p9
B 12 10 10 10 9
G 9
D 11
A 12
E

Play around on that for 4 measures, then break into a reggae-type
strum on an A chord for seven measures, and the words start on the
8th measure:

A
We come from the city,

Bm A (3 measures)
We come from the jungle.

Repeat that part, then to the bridge section:

Bm | D | F# | F#
Bm | D | F# | E A
F# | Bm | C# | C#
F# | Bm | A | A

Then Jon takes a solo over the bridge progression.

More to come soon, I just wanted to get something up here to get
everyone started.","munchkin",126,"We come from the city, we come from\nthe jungle ",239,["D",1755648000000],["D",956966400000],{"_216":113,"_218":591,"_102":518,"_104":113,"_220":69,"_221":69,"_106":103,"_108":293,"_110":109,"_112":219,"_114":105,"_115":118,"_116":109,"_117":118,"_119":109,"_120":69,"_121":109,"_122":109,"_123":118,"_124":105,"_125":45,"_126":107,"_127":105,"_128":435,"_129":222,"_130":105},29,{"_593":594,"_387":597,"_600":601,"_603":604,"_605":606,"_608":609,"_533":612,"_249":615,"_618":619,"_622":623},"129",{"_25":595,"_136":596,"_138":447},"2008-12-26","2008-07-25",{"_25":453,"_136":598,"_138":599},"2011-01-14",169,"154",{"_25":26,"_136":602,"_138":383},"2012-01-27","160",{"_25":540,"_136":317,"_138":171},"161",{"_25":607,"_136":540,"_138":524},"2013-12-18","165",{"_25":161,"_136":610,"_138":611},"2014-02-22",160,{"_25":613,"_136":614,"_138":397},"2015-10-31","2015-04-18",{"_25":616,"_136":475,"_138":617},"2018-09-21",153,"197",{"_25":620,"_136":175,"_138":621},"2020-10-17",294,"198",{"_25":624,"_136":620,"_138":625},"2021-03-25",159,2001,"http://sickbarberlicks.weebly.com/munchkin-invasion.html",[],{"_21":500,"_52":22,"_53":630,"_55":193,"_57":111,"_58":-5,"_31":631,"_33":632,"_35":36,"_23":633,"_63":-5,"_64":65,"_66":197,"_67":634,"_39":69,"_41":45,"_47":635,"_71":636,"_188":686},"def00c7f-c69f-42a2-ab12-15acecad87e4",["D",1582389829785],["D",1763005959940],"2012-07-07-spacebirdmatingcall","84744239-d6dc-42eb-b42e-e2921018d200","Spacebirdmatingcall S1 Crickets Aquatic Ape",{"_21":630,"_73":637,"_23":638,"_31":639,"_33":640,"_78":641,"_80":642,"_27":81,"_82":643,"_29":468,"_85":65,"_86":644,"_88":645,"_90":-5,"_92":646,"_94":647,"_96":648,"_98":649,"_100":650,"_131":651,"_182":626,"_184":684,"_186":685,"_47":637},"Spacebirdmatingcall","spacebirdmatingcall",["D",1582386623147],["D",1756174204226],"

Now i'm at ease deflating on a whim,
and I found peace in the waiting room,

And in my sleep I heard a maiden call.
so tell me please where you wanna be now.

All while your dreams are fading like the sea,
now I'm at ease deflating on a whim,
and I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And i found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

All while your dreams are fading like the sea,
and in my sleep I heard a mating bird call,
So tell me please where you wanna be,
Now I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And I found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

","transcribed by Rich Steele

D > G > A > G > A

E
B 17~ 15 15 15 14 14 15 17 15 17 15 17 19 17 19
G 14 14 16 16 16
D
A
E

E
B 17 19 17 15 17 15 15 14~ 14 15 17 15 17 15
G 14 14 16
D
A
E

E
B 17 19 17 19 17 19 17 15 17 > D > G > A > G > A
G 16 16
D
A
E","spacebird","e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64","The Disco Biscuits","Now I'm at ease deflating on a whim,\nAnd I found peace on the waiting room floor,\nand In my sleep, I heard a mating bird call",226,["D",1755820800000],["D",984787200000],{"_218":591,"_102":42,"_104":222,"_220":223,"_221":45,"_106":293,"_108":219,"_110":219,"_112":519,"_114":107,"_115":105,"_116":69,"_117":69,"_119":105,"_120":69,"_121":109,"_122":109,"_123":111,"_124":109,"_125":45,"_126":222,"_127":222,"_128":217,"_129":217,"_130":105},{"_652":653,"_657":658,"_661":662,"_663":664,"_469":667,"_669":670,"_672":673,"_675":676,"_678":679,"_682":683},"60",{"_25":654,"_136":655,"_138":656},"2005-03-20","2004-05-09",315,"61",{"_25":659,"_136":654,"_138":660},"2006-02-22",339,"100",{"_25":385,"_136":386,"_138":181},"134",{"_25":458,"_136":665,"_138":666},"2011-08-21",132,{"_25":26,"_136":668,"_138":611},"2012-01-29","138",{"_25":671,"_136":536,"_138":524},"2012-12-18","141",{"_25":674,"_136":157,"_138":171},"2013-07-12","171",{"_25":553,"_136":166,"_138":677},183,"178",{"_25":408,"_136":680,"_138":681},"2019-12-31",290,"179",{"_25":484,"_136":408,"_138":153},2005,"http://sickbarberlicks.weebly.com/spacebirdmatingcall.html",[],{"_21":349,"_52":22,"_53":688,"_55":56,"_57":69,"_58":59,"_31":689,"_33":690,"_35":36,"_23":691,"_63":-5,"_64":65,"_66":344,"_67":692,"_39":69,"_41":45,"_47":693,"_71":694,"_188":747},"f4c53852-7558-40f9-886c-826383000cc3",["D",1582389830383],["D",1763005959940],"2012-07-07-cyclone","b2c43bb4-6f54-49e4-82ba-d461b9c8e1e9","Cyclone S2 segue > And the Ladies Were the Rest of the Night Spraypaint",{"_21":688,"_73":695,"_23":696,"_31":697,"_33":698,"_78":81,"_80":81,"_27":699,"_82":700,"_29":701,"_85":702,"_86":703,"_88":704,"_90":-5,"_92":-5,"_94":705,"_96":706,"_98":707,"_100":708,"_131":709,"_182":745,"_184":487,"_186":746,"_47":695},"Cyclone","cyclone",["D",1582386623818],["D",1756174179536],"Originally Debuted by JM2","cyc",265,true,"d657e1ed-b1a5-4ef2-bc01-df0196296b69","JM2",172,["D",1752278400000],["D",1135814400000],{"_221":223,"_106":294,"_108":295,"_110":107,"_112":42,"_114":113,"_115":107,"_116":69,"_117":105,"_119":69,"_120":118,"_121":109,"_122":111,"_123":118,"_124":69,"_125":45,"_126":222,"_127":105,"_128":435,"_129":222,"_130":111},{"_710":711,"_712":713,"_163":716,"_718":719,"_177":723,"_727":728,"_460":731,"_735":736,"_738":739,"_529":741},"95",{"_25":26,"_136":602,"_138":383},"97",{"_25":714,"_136":715,"_138":528},"2012-12-17","2012-07-14",{"_25":466,"_136":717,"_138":149},"2014-01-25","121",{"_25":720,"_136":721,"_138":722},"2017-04-29","2016-12-01",149,{"_25":724,"_136":725,"_138":726},"2017-09-22","2017-06-01",113,"124",{"_25":729,"_136":724,"_138":730},"2018-01-12",112,{"_25":732,"_136":733,"_138":734},"2018-12-15","2018-05-18",211,"131",{"_25":737,"_136":558,"_138":585},"2019-11-21","133",{"_25":740,"_136":409,"_138":84},"2020-10-23",{"_25":742,"_136":743,"_138":744},"2025-06-26","2025-01-26",151,2006,"http://sickbarberlicks.weebly.com/cyclone.html",[],{"_21":634,"_52":22,"_53":749,"_55":193,"_57":118,"_58":59,"_31":750,"_33":751,"_35":36,"_23":752,"_63":-5,"_64":65,"_66":500,"_67":753,"_39":69,"_41":45,"_47":754,"_71":755,"_188":820},"e9b63339-4800-4ddd-ba25-caa3c291e942",["D",1582389829855],["D",1763005959940],"2012-07-07-aquatic-ape","ac418858-a226-486b-ac62-362767aa6cc8","Aquatic Ape S1 segue > Spacebirdmatingcall Svenghali unfinished",{"_21":749,"_73":756,"_23":757,"_31":758,"_33":759,"_78":760,"_80":81,"_27":81,"_82":761,"_29":222,"_85":65,"_86":359,"_88":360,"_90":762,"_92":763,"_94":764,"_96":765,"_98":766,"_100":767,"_131":771,"_182":268,"_184":818,"_186":819,"_47":756},"Aquatic Ape","aquatic-ape",["D",1582386622697],["D",1756174175026],"

Woo-hoo!

Webs on our hands and webs on our toes
Lost all our hair but still we breathe through the nose
Hunts in the water, carnivorous ape
Swims like a porpoise, but is simian-shaped
Aquatic ape
Aquatic ape
Aquatic ape
Aquatic ape

(chorus used to be:
Aquatic Ape
Swimmin' in the water with erotical grape
Erotic Grape
Swimmin' in the water with aquatical ape)

Comes out of the streams and into the lake
We're having fish for dinner, for heaven's sake
And after dinner, we'll pick some fruit
And then we'll go back, bring your swimsuit

I met you in the street (yeah) and you know who I am
Took you back to my place where we started to jam
I looked in your eyes... then I realized
Your head's pretty big, but not as big as the sky
(used to be '...as big as your thighs')

","ape","

Arguably the silliest song in the Biscuits’ catalog, Aquatic Ape is also one of the oldest: its debut is preceded only by the debuts of Nughuffer and Down to the Bottom. Its silly lyrics and composition are contrasted by a generally dark jam section bookended by an infectious and simple guitar riff.

Despite having been around longer than most songs, Aquatic Ape has always been something of a rarity, having been played less than a hundred times total. Aquatic Ape was played less than ten times in every year but 1999.

1999 was arguably the strongest and most important year for Ape. Traditionally, Aquatic Ape is played with a relaxed dub-style jam, and it was played this way through the middle of 1999. 6/11/99 is notable as the first Aquatic Ape not to be played with a dub style jam (also the first, and one of the only, to not feature the riff that serves as the segue to the song’s jam and peak), and it was played instead in a simple trance style. In the fall of 1999, Ape was played three times. The first, 9/11/99, was unfinished, and was the first jungle style Ape. The other two, on 10/6/99, and 10/10/99, were both ending only, and while the 9/11 version was incomplete, it would be a stretch to say either of these versions were intended to complete it. This was a very progressive setlisting move for the time, when songs were usually played in full or completed.

After 10/10/99, Aquatic Ape sat on the shelf for 35 shows (for about half of these, its author, Marc Brownstein, was out of the band) until it was reintroduced at Camp Bisco II on 8/25/00. Here Aquatic Ape was inverted for the first time (only the fourth song to ever be inverted) as part of a second set palindrome. This Ape, as well as the others from this year, are all played jungle style. The jungle style Ape was prevalent for the rest of its history, but the dub style Ape made occasional appearances, notably on 12/31/01 at the request of Max Dawson, and on 10/18/02, an inverted version widely considered the greatest Aquatic Ape ever.

When Allen joined the band, \tAquatic Ape made a brief resurgence before becoming even more of a rarity. On 2/04/06, Allen played Ape for the first time, segueing into Mr. Don for the show’s encore. This was the first Aquatic Ape in over a year, a gap of 26 shows. Ape was played three more times in 2006, with all but the final, on 12/28/06 at the Sonar, played in the jungle style.

After 2006, Ape sat on the shelf for over two years for its longest hiatus, a gap of 174 shows, until it was performed at the Electric Factory on 4/17/09. The storied three set show also featured the bust-outs of Eulogy (99 shows) and Wet (129 shows). After this perfunctory performance, Ape sat on the shelf for another year and a half before it was played again on 9/1/10 (a gap of 118 shows).

After 2010, Ape was upgraded from perennial rarity to once-or-twice a year status. It was played at least once every year in this time period, with the exception of 2015. The vast majority of these have been inverted, with more than two inverted versions for every other iteration since 2010. Since 2016, Aquatic Ape has only been played inverted. As Aquatic Ape has become something more of a staple, so too has the dub version. It has only been played with the dub jam five times since 12/28/06, but all of those versions were played after 2010: 1/23/11, 5/31/17, 4/19/18, 12/9/18, 5/23/19, were all played with dub jams.

","Your head’s real big but not as big as the sky",87,["D",1752192000000],["D",811209600000],{"_768":223,"_769":69,"_770":118,"_213":111,"_214":113,"_216":118,"_218":107,"_102":435,"_104":109,"_220":223,"_106":118,"_112":45,"_114":45,"_115":45,"_116":223,"_117":45,"_119":111,"_121":45,"_122":223,"_123":223,"_124":111,"_126":45,"_127":111,"_128":223,"_129":45,"_130":45},"1995","1996","1997",{"_772":773,"_777":778,"_782":783,"_786":787,"_791":792,"_795":796,"_799":800,"_804":805,"_809":810,"_307":814},"11",{"_25":774,"_136":775,"_138":776},"1998-10-30","1997-10-31",364,"28",{"_25":779,"_136":780,"_138":781},"2000-08-25","1999-10-10",320,"58",{"_25":382,"_136":784,"_138":785},"2004-12-28",403,"62",{"_25":788,"_136":789,"_138":790},"2009-04-17","2006-12-28",841,"63",{"_25":793,"_136":788,"_138":794},"2010-09-01",502,"65",{"_25":26,"_136":797,"_138":798},"2011-01-23",531,"71",{"_25":801,"_136":802,"_138":803},"2016-08-20","2014-12-03",626,"79",{"_25":806,"_136":807,"_138":808},"2021-10-16","2019-11-22",694,"83",{"_25":811,"_136":812,"_138":813},"2023-06-14","2022-08-26",292,{"_25":815,"_136":816,"_138":817},"2024-11-20","2023-10-25",392,2009,"http://sickbarberlicks.weebly.com/aquatic-ape.html",[821],{"_21":822,"_416":634,"_417":823,"_31":824,"_33":825},"ba30fa33-2579-4fa4-912a-1f3f393075c2","unfinished",["D",1582389829884],["D",1582389829884],{"_21":827,"_52":22,"_53":828,"_55":56,"_57":105,"_58":-5,"_31":829,"_33":830,"_35":36,"_23":831,"_63":-5,"_64":65,"_66":692,"_67":-5,"_39":69,"_41":45,"_47":832,"_71":833,"_188":887},"99d141a0-b42a-4b06-bb12-4e2c00360605","393227db-46b0-42eb-a6e6-f5d91502e6b7",["D",1582389830548],["D",1763005959940],"2012-07-07-once-the-fiddler-paid","Once The Fiddler Paid S2 closer Spraypaint",{"_21":828,"_73":834,"_23":835,"_31":836,"_33":837,"_78":838,"_80":839,"_27":81,"_82":840,"_29":841,"_85":65,"_86":87,"_88":89,"_90":-5,"_92":-5,"_94":842,"_96":843,"_98":844,"_100":845,"_131":847,"_182":268,"_184":684,"_186":886,"_47":834},"Once The Fiddler Paid","once-the-fiddler-paid",["D",1582386622856],["D",1756174195773],"Summer Sunny day, once the wind blew warm
and the light circled round the sun I saw like a crown
you could feel it in the air, like a not so distant storm
and the silent pause in the wind it seemed
left a magical sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew cold
and the world had seen a better day all around
my life was ripped away, my business torn & sold
and I found myself in this cell I live
with a clamouring sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew thorns
and the world had seen a better day all around
you could feel it in the air, like a not so distant storm
and the days once lost but still recalled can be found

Once the fiddler paid, but once was not enough
was all who cornered his misfortune yelled
the fiddler took the blame, the crowd had called his bluff
when all was lost the verdict came to the silence of the crowd

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below","VERSION 1
Transcribed by Diechick@AOL.COM

Intro: E

Verse 1: E A7 (the rhythm and changes are easy to figure out)

1st Chorus: E B C#m E G# A B
E B C#m E G# A C#m

Verse 2: C#m C E G#
C#m C A B

2nd Chorus: E B C#m E G# A B X2
Bm

Chords under synth and guitar solo: D C#m Bm Bb } Repeated over and
over
D C E F# }

Outro Barber lick (approximate, probably inaccurate, and incomplete...help???
i'm doing this with an acoustic, so bear with me if it sounds like complete
crap on electric.)

Slide up to that first D note from way down on the neck.
There may be a pull off on that 14--11... the slide to the 2nd 14 is a very
short one.
e------------------------------------------------------------------
b----------------------15--------15---14p12------------------------
g------------14--11-------/14-------------------11~----------11----
d----/12------------------------------------------------------12---
a------------------------------------------------------------------
E------------------------------------------------------------------

Repeat that, but cut out the last two quick notes. Then (and this is
extremely shaky and incomplete)

e---17--17--17---15--13------------10---12---(uhhh)--??--12--??---12/14----
b--------------------------------------------------------------------------
g------------------------------------/11-----------------------------------
d--------------------------------------------------------------------------
a--------------------------------------------------------------------------
E--------------------------------------------------------------------------

=====================

VERSION 2
Transcribed by Slobber Scenario

Once the Fiddler Paid (from the 12/31/98 version)

Intro:

E

bass riff:
g----------------------------
d---------0-2----0-2---0-2---
a--------2------2-----2------
e----0-----------------------

repeat a lotta times....piano trills on G#/A.......

E A7
Summer sunny day, when the wind blew warm

E
And the light circled round the sun I saw like a crown

E A7
You could feel it in the air, like a not-so-distant storm

E
And the silent pause in the wind, it seemed, left a magical sound

E B C#m
But now she's gone and I vowed to miss her

E/G# E G#m A B
Days that we spent starry-eyed run deep within my soul

E B C#m
But now she's gone and I can't dismiss her

E/G# E G#m A C#m
Nor can I forget the man who sent me down below

C#m C
Summer sunny day, when the wind blew cold

E G#m
And the world had seen its better days all around

C#m C
My life was ripped away, my business torn and sold

A B
And I found myself in this cell I live with a clamoring sound

(second chorus same as first, except end on a B chord instead of C#m)

Bm

Keyboard/guitar solo:
D A Bm Bb D C E F#

(repeat until done)

End guitar solo lick (the chords change every two beats, if that helps):
D A Bm Bb D
e-------------------------------------------------17-17-17-15-14----
b---------15--15-14----14--------15--15-14--------------------------
g-------14--14-----14----14----14--14-----14------------------------
d----/12-------------15----15---------------15----------------------
a----------------------------14-------------------------------------

C E * F#
e-----------14-12----12-----12---------14----
b------12-15-----------15-12------15-12------
g----14--------------------------------------

(repeat times 4, and the last time, from the * on it's):
F#
e------12-14----
b----15---------

The F# chord holds, then

B

vamp on B for awhile pre-bass solo.

Bass solo:
B E7
g------------------------------------------------------------
d---------9-11-11s13---13-16-13--------12--14--12h14p12------
a----/9-11------------------------16-14----------------14----
E------------------------------------------------------------

A Bb0 B
g---------------------------------------------------------
d-----------9-9s11---11-14-11---------9---9-11-9-11s13----
a-------9-11--------------------9h11---11-----------------
E----/12--------------------------------------------------

E A7
g---------9-11-11s13---13-16-13--------12--14--12h14p12------
d----/9-11------------------------16-14----------------14----
a------------------------------------------------------------
Bbo B
g------------------12-14-12--15--12h15p12------------------12-14-16---
d-----------12-14-----------------------14----------12-14-------------
a----12h14-----------------------------------12h13--------------------

(t indicates a trill)

g----13------------
d------16-13t14----
a------------------

Second guitar solo:
E A7 E
(repeat until done)

End second guitar solo melody (the chorus vocal melody played on guitar) :
*
E B C#m E G#m A B
e----4-4-4---7-4----------4-----------4-4-4--4---------------
b------------------5-5h7---5-------5-7--------7b--7-5-5h7----
g-------------------4-------6---4-6------------------6-------
And gone vowed her days starry deep soul

repeat, and the second time from * play:
G#m A C#m
e----4-4--------------------
b----------7-5-8---8-7-5----
g-----------------------6---

C#m C
Summer sunny day, when the wind blew thorns

E G#m
And the world had seen its better days all around

C#m C
You could feel it in the air, like a not-so-distant storm

E E0
And the days once lost but still recalled can be found

C#m C
Once the fiddler paid, but once was not enough

E E0
Was all who cornered his misfortune yelled

C#m C
The fiddler took the blame, the crowd had called his bluff

A B
When all was lost the verdict came to the silence of the crowd

(third chorus same as second)

End:
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Transcription by Rich Steele:\\n\\nE 3(sl)5(sl)3\\nB 3(sl)5(sl)3\\nG 2(sl)3(sl)2 0 0 0 \\nD 0 2 2 2\\nA\\nE\\n\\nE\\nB\\nG 2(sl)3(sl)2 0 0\\nD 0(h)2\\nA\\nE\\n\\n\\n(next riff)\\nE\\nB 15~ 13(p)12\\nG 12~ 9 10~~\\nD\\nA\\nE\\n\\n(verse riff)\\nE\\nB\\nG 12 12 12 12 12 12 \\nD 14 12 12\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 14 12 10 10\\nD 14\\nA\\nE\\n\\nE\\nB\\nG 16 16 16 16 14 16 16\\nD 16 16\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 10 10 10 10 12 14 12\\nD\\nA (start the 2nd riff from above \\nE after that last G)\\n\\nTranscription by Evan Leon:\\n\\n\\ne 3 sl 5 sl 3\\nB 3 sl 5 sl 3 3 sl 5 3 3 1 1 1 1 1\\nG 2 sl 4 2 0 0 0 0 0 0\\nD 0 h 2 2 2 0 h 2\\n\\nrepeat a bunch of times.. (sl=slide up/down)\\n\\ne\\nB 15 12 h 13 p 12\\nG sl 12 12 12 12\\nD 14 15\\n\\nand repeat that a bunch, as well.\\n\\nI did figure out the other parts after that... let's see.. there's a\\nvariation on the second part:\\n\\ne 15\\nB 12 h 13 p 12\\nG 15 15 15 15\\nD 14 15\\n\\nthere's a part right before the vocals where Barber\\nplays the vocal line.. something like:\\n\\ne\\nB\\nG 12 12 12 12 12 12 14 14 14 14 12 14 12\\nD 15 12 15 15 15\\n\\ne\\nB 12 12 12 12 12 12\\nG 14 12 14\\nD .......... and on and on.. just play\\naround up there until you get it.\\n\\nTranscribed by Eric Smith:\\n\\nRiff 1\\nE-----------------------------------------------------------\\nB--7/-9--/-7------------------------------------------------\\nG--8/-10-/-8--7/9--7--7-------------5---5-------5---------5-\\nD-------------7/9--7--5-------------5---5h7p5---5h7p5-----5-\\nA-------------------------------5h7---7-------7-------5h7---\\nE-----------------------------------------------------------\\n *\\nrepeat 2x, then w/ band 8 times\\n\\nMess around with the beginning of Riff 2 (up to *) using \\nthe end of Riff 1 (starting at *)\\n\\nRiff 2 *\\nE-----------------------------------------------------------\\nB------15~-------13p12--------------------------------------\\nG-/12--------12--------10--12~------------------------------ repeat 8x\\nD-----------------------------------------------------------\\nA-----------------------------------------------------------\\nE-----------------------------------------------------------\\n\\nJam around with Riff 2 in the key of E then into Riff 3\\n\\nRiff 3\\nE-----------------------------------------------------------------------\\nB-----------------------------------------------------------------------\\nG-12-12-12-12--------12----12------14-14-14-14-12---14-12-------12--14--\\nD-------------15--12----15------------------------15------15-15---------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nE-----------------------------------------------------------------------\\nB-12-12-12-12-------12----12--------------------------------------------\\nG-------------14-12----14------14-14-14-14--12----14--------12-14-------\\nD----------------------------------------------15-----15-15-------------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nRepeat Riff 3 a bunch with singing\\nJam out in E\\nRiff 3 again then with lyrics\\nRiff 2 4x\\nRiff 1 4x

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When the song first debuted, it didn't have a name, and a group of fans took to calling it "Splattums" (a description of what happened to your brain when you listened to it). After the band gave the song it's official name, those same fans refused to call it anything but Splattums and continued to label it as such on recordings. Eventually, the band wrote Crickets, and added the "Lookout, splattums!" line in the chorus in the hopes that it would confuse people just enough to force the fanbase to start calling this song Svenghali.

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July 07, 2012