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Above the waves, Going under

Corrinado swam like hell on fire
With jelly arms and beaten bones
He rode the crests, he broke the waves
Trying to get a breath of air for all that he had left to save

Mulberry let the engines burn
The airship lifting off the ground
He watched the sea, could not believe
That he thought Corrinado could be free, his life was now in vain

All was left one chance to fly away
He spun, he heard a gasping sound
But he did not see his friend

After the sun and light were gone
Before he found himself at home
Corrinado swam, fought the waves
Remembering when, a myriad of falls, behind another day

All was left one chance to fly away
just beyond his reach the plan
To reunite them once again

Caught in the waves as the wind whipped on
and the sand sat calmly miles below
He had to swim, to take the day
Hoping to see Mulberry when he crawled to reach his getaway

All was left one chance to fly away
Just beyond his reach the plan
To reunite them once again

","tabs","

transcribed by Rich Steele

~~Above The Waves

Intro (in 4/4)
E
B 3 0 0 3 3 3 3 3
G 2 (sl) 4 4 2 2 2 0 2 2
D 0 0 0
A (let these notes
E sustain)
(repeat)

(next part after intro goes to 3/4)
(this part is played one through over the 3 chords, then stays on the B after that)

(A)
E 5(h)7 5
B 8(p)7 5 5(h)7 5 5(h)7 5
G 7(p)6 4 4(h)6 4 4(h)6 4
D 7(p)6 4 4(h)6 4 4(h)6 4
A 7 5 4
E 5

(Bb)
E 6(h)8 6
B 9(p)8 6 6(h)8 6 6(h)8 6
G 8(p)7 5 5(h)7 5 5(h)7 5
D 8(p)7 5 5(h)7 5 5(h)7 5
A 8 6 5
E 6

(B)
E 7(h)9 7
B 10(p)9 7 7(h)9 7 7(h)9 7
G 9(p)8 6 6(h)8 6 6(h)8 6
D 9(p)8 6 6(h)8 6 6(h)8 6
A 9 7 6
E 7

then the rest is over the B chord I believe.

here's the next little riff he does.

E
B 7(h)9(p)7
G 9(h)11(p)9
D 7(h)9(p)7 9(p)7
A
E

E
B 9(h)11(p)9
G 9(p)7
D
A
E
(repeat once, then play the part before that again)

Then, on the first (above the waves....) play a
B major on the 7th fret on every 3rd beat. and a C# major > B major at the
last (above the waves....).
On the next time around, instead of playing the B on every 3rd beat, it
goes B > E, B > E alternating every other 3rd beat, until the last (above
the waves...) where its a G#m > F# major.
(If all this details just confuses you, just listen to a tape and listen
for the chord changes.:)

then the song drops into F#m, where Jon comes in with this riff.

E
B 15 15 15 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14
D
A
E

E
B 15 15 15 15(sl)17 17 17 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14(p)11
D
A
E

E 14 14 14(sl)13 13 12 11 12(p)11
B 14 15 17 14 14 14 12 12 14 15~ 16~~~
G 16 11 12
D 12(sl)14
A
E
(Bb) (E) (C#m)
E 14 14 14(sl)13 13
B 14 14 14 14 13 11 12 9
G 10 10 13 13 9
D sl>12 12 14 14 11
A
E

(now, after the jam, when it comes back into this section, you're
basically playing the same thing as above, until right before the D-A-G-A
part, where you play over these chords: F#m F Bb E A. After the last A, it
goes into the D-A-G-A.)

This is a simple D, A, G progression. Play the D on the 5th fret, the A
also on the 5th, and the G on the 3rd. Figure out the rhythm and all that
for yourself, cause its pretty simple. :)

Ok, the next part comes right after that last A chord. (..and he could not
see his friend..)

E
B 10 10 10 10 9 7 7 10 9 7 7
G 9 11 11~ 7 9 9~
D
A (play this twice)
E

E
B 9 10 10(s)12 12 9 10 10 9
G 7 9 11 11 9 7 9 9

E 10 10 10 10 9
B 9 10 10(sl)12 9 10 12 7 9 9 10 10
G 7 9 11

E 9 10 12 12 9 10 9 10 12(sl)14 14 10 12 10 12 15 15 12 14
B 9 10 12 9 10 12 10 12 14
G

E 17 17 17 17 15 14 15 17 19 19 15 17 22 22 22 22 21 19
B 15 17 17 15 17 19
G

E 17 19 17 15 17 15 14 15 14
B 17 15 15 14 14 14 15 15 17
G 14

then he comes back in with that same intro riff for 2 measures (i think),
then he does something like this. (note: he first starts this a octave
higher, but its much easier to learn it this way first)

E
B 3 5 7
G 2(sl)4 4 4(sl)6 6 6(sl)9 7 9 9(h)11
D
A
E

E 7 10 9 7
B 7 8 8(sl)12 12 10 10 8 4
G 9
D
A
E

E 9 7 5
B 5 5 5 5 5(sl)10 10 8 8 7 7
G 4 4 4
D 5 5 5
A
E

E
B 7 7 7 5 5 5 3 2
G 7 7 7 7 6 6 4
D 7 7 7 7 7 5 4
A
E

E
B 0 0 0 3 3
G 0 0 0 2 4 0 2 2
D 2 2 2 2 4 5 2 0 0 0
A
E

(then, just repeat intro riff)

(Thanks to Bill Stites for helping me with those chord progressions)

","","legacyAbbr","atw",11,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

Debuted at the tail end of 1998, Waves is one of the final songs of the Hot Air Balloon rock opera (third to last by debut order and second to last chronologically). Like most of the opera, it is a high water mark for the band both lyrically and compositionally. It is also the first Biscuits song to debut with a defined trance jam. Both versions from 1998 are remarkably strong.\r

Although it was one of the last Hot Air Balloon songs to debut, with the finished version first appearing 12/29/98, an instrumental passage that would later be incorporated into Waves was performed as Road Song four times in 1998, for the first time on 2/21/98 and as late as 6/4/98. All four versions were played before any song from the finalized opera had debuted. \r

Waves was the most played song in 1999, a year which saw the band continue to develop and use Waves in inventive ways. The song was split up for the first time the third time it was played, 1/18/99, in a spectacular Waves > Vassillios > Waves sandwich. It was performed dyslexic for the first time on 3/21/99 (Waves > Run Like Hell is particularly worth hearing) and inverted for the first time at the first Camp Bisco on 8/21/99 (the entire Shimmy > Waves (><) > Shimmy is worthwhile, but Waves > Shimmy is especially excellent).\r

The song was a massive vehicle for high speed trance jams in the winter and spring of 1999, with numerous standout versions including the 35 minute juggernaut from 2/3/99. Other excellent versions from this era include 3/13/99, 3/27/99, 4/9/99, 5/1/99, 5/6/99 and 6/5/99. In the summer and fall, the song regularly began to feature a dub jam. Waves had incorporated dub jams before, notably on 2/3/99 and 2/20/99, but after the inverted version from 8/21 it became a mainstay. Some excellent versions from this era include 8/21/99, 9/14/99, 10/9/99 and 10/22/99.\r

Waves remained a strong jam vehicle through the rest of 1.0. In 2000, a year with considerable dub influence, Waves reverted back to a trance vehicle. It soon became one of the most frequently inverted songs. 10/14/00 is one of the strongest inverted versions ever, and 11/2/01 notably opened with a “Koyanisqaatsi Jam” > inverted Waves, the first time a show opened with a jam into an inverted song. Important versions from post-1999 1.0 are multitudinous, including 10/14/00, 10/26/00, 11/2/00 12/27/00, 4/7/01, 4/28/01, 9/1/01, 11/2/01, 3/8/02, 10/2/02, 8/15/03, and 11/26/03. \r

When Allen joined the band, Waves remained a rotation staple and an important jam vehicle. On 11/8/06, the audience voted for a Waves encore; this was the first time a standalone Waves was played in the encore slot. There aren’t many standout versions from the year, but 11/19/06 with Magellan teases, and the fantastic Waves/Crickets mashup from 12/30/06 (the first setlist written by Allen, and what a setlist it is), are both standout versions. Similarly, for being such a strong year for the band, 2007 has something of a dearth of excellent Waves. 5/20/07 stands above the rest, but the song was grossly underutilized in 07.\r

The lull continued into 08, with a few uninspired ending only versions at the beginning of the year, before a massive exploratory inverted version on 3/22/08 in Denmark. The April shows at the Nokia saw the first split inversion of Waves, with the middle played on 4/11/08 and the ending and beginning played on 4/12/08. After only one performance between April and December, Waves closed out the year strong, with two stellar performances at Holidaze (12/14/08) and the Nokia (12/28/08).\r

The momentum built at the end of 2008 continued into 2009, easily the strongest year for Waves in a decade. It was often played middle only, including such standout performances as 1/31/09, 2/13/09, 2/27/09, and, most significantly, 4/24/09, 6/4/09, and 12/31/09.\r

Waves remained a regular in the rotation through the rest of 2.0 and the setbreak era (appearing 2-6 times per year). In 2015, Waves was played as a split inversion again for the first time since 09, and was played that way off and on for the next couple of years. It hit another period of growth in 2016, with standout versions from 3/26/16 and 7/15/17.\r

In the post-setbreak years, Waves continued its upward trajectory, appearing 8 times in 2021 and 2022 and 10 times in 2023 (the most appearances in a single year since 2010). The 2021 versions are particularly strong, with the fall seeing a return to the looser, dubby style in which the song was played in fall 1999. The 9/19/21 version features a distinct Gamma Goblins jam (complete with Alan Watts samples) and 11/21/21 is perhaps the best standalone version played with Allen.\r

Waves has remained a staple of the band’s catalog since its debut. It was played on average every 2.6 shows in 1999, and never left the catalog for more than 23 shows, when Barber broke his wrist in 2010. The longest gap otherwise was 21 shows in 2013.\r

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vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

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And you got, you got I,
And I got, I got you.
And you got, you got I,
And now we both have two.

","

Transcribed by Rich Steele

main riff

E
B
G
D 5(h)7 9 7 5 7
A 7
E

main progression
E E D F# F# E G G F# D# D# D# E
E
B 9 9 7 11 11 9 12 12 11
G 9 9 7 11 11 9 12 12 11 20 20 20 21
D 9 9 7 11 11 9 12 12 11
A 7 7 5 9 9 7 10 10 9 18 18 18 19
E

chords over the \\"youuuuu gotttt IIII gottttt youuuu\\" part is C > A > E > C > main riff

keyboard riff transcribed by Ben Conarck

E - 17~~ 13(h)14 17 16 15 13
B - then.. 17~~ 13(h)14 17 16 15 13
G -
D -
A -
E -

","Appears on Electron's \"This is Electron\" album","candy",31,"And you got, you got I,\nAnd now we both have two",187,["D",1755907200000],["D",1027555200000],{"_111":304,"_113":304,"_115":57,"_117":137,"_118":121,"_120":114,"_122":128,"_124":85,"_126":233,"_127":128,"_129":137,"_130":116,"_131":116,"_132":68,"_133":68,"_134":137,"_135":68,"_136":137,"_138":116,"_139":233,"_140":57,"_141":233,"_142":119,"_143":233},20,{"_306":307,"_311":312,"_315":316,"_319":320,"_324":325,"_249":327,"_330":331,"_335":336,"_153":339,"_341":342},"48",{"_25":308,"_149":309,"_151":310},"2005-11-19","2005-03-26",238,"78",{"_25":313,"_149":314,"_151":239},"2008-12-31","2008-07-18","99",{"_25":317,"_149":318,"_151":162},"2011-07-02","2010-12-28","105",{"_25":321,"_149":322,"_151":323},"2012-10-06","2011-12-31",280,"109",{"_25":326,"_149":171,"_151":196},"2013-07-13",{"_25":251,"_149":328,"_151":329},"2014-01-26",201,"121",{"_25":332,"_149":333,"_151":334},"2016-06-04","2015-12-30",157,"134",{"_25":186,"_149":337,"_151":338},"2018-11-24",182,{"_25":340,"_149":186,"_151":253},"2019-11-17","138",{"_25":343,"_149":344,"_151":345},"2020-06-22","2020-01-02",172,2005,"http://sickbarberlicks.weebly.com/rock-candy.html",[349],{"_21":350,"_351":281,"_352":353,"_31":354,"_33":355},"5b520be7-4ce5-4cb0-9046-7c9259971027","trackId","desc","unfinished",["D",1582389302557],["D",1582389302557],{"_21":212,"_51":22,"_52":357,"_54":208,"_56":137,"_58":283,"_31":358,"_33":359,"_35":36,"_23":360,"_62":-5,"_63":64,"_65":361,"_67":206,"_39":68,"_41":69,"_46":362,"_71":363,"_203":426},"0cd7f2ad-df92-4164-9a72-a461ca3f35be",["D",1582389302338],["D",1763005959940],"2003-08-08-and-the-ladies-were-the-rest-of-the-night","25ef4b93-348c-4448-af8c-b5b56d8a62b3","And the Ladies Were the Rest of the Night S1 segue > Munchkin Invasion 42 inverted",{"_21":357,"_73":364,"_23":365,"_31":366,"_33":367,"_78":368,"_80":82,"_27":82,"_83":369,"_29":370,"_86":64,"_87":222,"_89":223,"_91":371,"_93":372,"_95":373,"_97":374,"_99":375,"_101":376,"_144":378,"_197":423,"_199":424,"_201":425,"_46":364},"And the Ladies Were the Rest of the Night","and-the-ladies-were-the-rest-of-the-night",["D",1582386623009],["D",1756174174382],"

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

It took a few months to infiltrate,
In just one night he bit the bait.
It didn't seem Lai would give it up.
Even when Shelby spiked his cup.

He ran a tight ship and closed his mouth,
Every time the ladies were in the house.
Everything she did was done in vain.
Couldn't get a wire tap in the drain.

Give it up! Give it up!

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

Little Shelby Rose, this is how it goes,
And you know what it takes.
Careful what you say, careful what you do,
Can't afford a mistake.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Little does he know she has him read.
In a couple minutes, they're off to bed.
Takes another name and sculpts her clay,
And not before long she's got her prey.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Give it up! Give it up!

","ladies",99,"

Ladies was first played by Electron on 8/18/00, debuted on the same night as the full Chemical Warfare Brigade opera, along with Floodlights, Shelby Rose and Confrontation. The lyrics are largely the same, but the structure of the song is slightly different: there are shouts of “give it up! give it up!” in the introduction and before the jam, and there is a brief synth jam in between the verses. The jam in this Electron version is also considerably slower and mellower than in Biscuits versions, and there is no peak; rather, the jam just resolves back into the same verse from the intro.

The first and only Biscuits version of Ladies in 2000 is tightened up considerably from the Electron version. It is much faster than the Electron version, and the peak has that much needed Barber “oomph.” Although slightly slower than modern versions, in all other ways the song is virtually indistinguishable.

Ladies was played a whopping 27 times each in 2001 and 2002, the years of the song’s first golden age. It was a staple of the early spring tour, and was mostly played standalone, although it was split on its second performance on 3/22/01 and segued into on 4/12/01 and 4/20/01. It was inverted for the first time at the Bisco Knights festival on 8/25/01. In the fall tour the song became a powerhouse, with standout versions including the set closing standalone on 9/8/01 and the massive inverted version on 9/22/01.

2002 was the year Ladies really took off. 4/25/02 is the first dyslexic version, and the standout version from the spring tour. The summer tour included many excellent versions, including 7/26/02 and 8/11/02, but the real apex for the song came in the fall tour, with two legendary versions on 10/4/02 and 10/18/02.

Ladies became less common after 2002, and although the 2003 versions aren’t as legendary as the late 2001 or 2002 versions, there are a couple with unmistakable merit, such as the unfinished 4/25/03 or the split-up 11/28/03 (which was a part of the fourth complete performance of the Chemical Warfare Brigade. Ladies was only played seven more times with Sammy after 2003.

When Allen joined the band, Ladies became a catalog staple once again. Its second golden age lines up nicely with the second golden age of the band overall, beginning in mid-2007 and lasting into early 2010. The Astronaut > Ladies (><) > Astronaut from 11/19/06 is arguably the first great Ladies with Allen, but the spectacular 5/27/07 Ladies > O Fortuna > Spacebird (><) > Ladies and the over 35 minute Ladies > Gangster from 10/23/07 definitively assured Ladies’ place in the pantheon of trance-fusion juggernauts.

Ladies remained a powerhouse staple through 08 (standout versions including 1/16/08, 4/18/08, 5/24/08, 6/13/08 and 12/30/08), but the song hit another level in 2009, when it was played 21 times (the most of any year since 2002). In a year of furious lightspeed trance jams, Ladies flourished. Notable versions including 2/15/09, 4/24/09, and 6/25/09 are hailed as some of the best ever. The song was played twice in 2010 before wristgate, on 1/29/10 and 3/17/10, and both versions are excellent.

Ladies remained a setlist staple in the setbreak era, and in addition to the numerous versions played during this time, the band frequently used a Ladies style jam to get from A to B in this era. In fact, the year where Ladies was most common was 2012, when it was played on average once every 3.3 shows. Notable versions from the setbreak era include the 1/26/14 Tractorbeam version, 3/26/16, 6/02/16, and 8/20/16.

In the post-setbreak era, Ladies continues to be a setlist staple. It is still frequently played inverted, although well-known exceptions include the set bookending 9/23/23 and the dyslexic 1/28/24 (part of a full set palindrome). Ladies is one of the most frequently played Biscuits songs, appearing on average once every five to six shows since its debut. It has only disappeared from the rotation for more than a dozen shows a few times, and never for more than sixteen shows. It is an indisputably important part of the Biscuits’ catalog.

","Come on all the ladies, get down tonight.\nGive it up! Give it up!",229,["D",1755734400000],["D",978134400000],{"_107":69,"_109":377,"_111":377,"_113":108,"_115":128,"_117":69,"_118":114,"_120":85,"_122":114,"_124":125,"_126":233,"_127":128,"_129":128,"_130":116,"_131":68,"_132":137,"_133":128,"_134":128,"_135":104,"_136":68,"_138":69,"_139":68,"_140":57,"_141":233,"_142":85,"_143":233},27,{"_379":380,"_384":385,"_388":389,"_249":392,"_396":397,"_401":402,"_405":406,"_409":410,"_414":415,"_419":420},"74",{"_25":381,"_149":382,"_151":383},"2004-11-26","2004-05-06",204,"76",{"_25":386,"_149":387,"_151":310},"2005-08-26","2004-12-31","77",{"_25":390,"_149":386,"_151":391},"2006-02-04",162,{"_25":393,"_149":394,"_151":395},"2008-12-30","2008-07-19",164,"150",{"_25":398,"_149":399,"_151":400},"2012-07-07","2011-12-28",192,"158",{"_25":403,"_149":404,"_151":157},"2013-12-19","2013-04-27","166",{"_25":407,"_149":408,"_151":243},"2015-09-05","2015-02-21","181",{"_25":411,"_149":412,"_151":413},"2018-12-07","2018-05-24",197,"183",{"_25":416,"_149":417,"_151":418},"2019-07-19","2019-01-25",175,"187",{"_25":190,"_149":421,"_151":422},"2019-12-30",291,2002,2000,"http://sickbarberlicks.weebly.com/and-the-ladies-were-the-rest-of-the-night.html",[427],{"_21":428,"_351":212,"_352":429,"_31":430,"_33":431},"90f8c3ac-bee4-4bc5-ac0f-d7bc9adcab93","inverted",["D",1582389302360],["D",1582389302360],{"_21":433,"_51":22,"_52":53,"_54":55,"_56":68,"_58":283,"_31":434,"_33":435,"_35":36,"_23":436,"_62":-5,"_63":64,"_65":437,"_67":66,"_39":68,"_41":69,"_46":438,"_71":439,"_203":456},"128e91b9-8e18-4b42-b883-446d0ad81918",["D",1582389302782],["D",1763005959940],"2003-08-08-above-the-waves","2da69936-a234-45fe-85a4-289a22123130","Above The Waves S2 segue > In the Hall of the Mountain King Sound One",{"_21":53,"_73":74,"_23":75,"_31":440,"_33":441,"_78":79,"_80":81,"_27":82,"_83":84,"_29":85,"_86":64,"_87":88,"_89":90,"_91":92,"_93":94,"_95":96,"_97":442,"_99":443,"_101":444,"_144":445,"_197":198,"_199":200,"_201":202,"_46":74},["D",1582386622697],["D",1756174173119],["D",1755907200000],["D",914889600000],{"_103":104,"_105":106,"_107":108,"_109":110,"_111":112,"_113":114,"_115":116,"_117":68,"_118":119,"_120":121,"_122":123,"_124":125,"_126":85,"_127":128,"_129":128,"_130":104,"_131":68,"_132":116,"_133":68,"_134":68,"_135":128,"_136":137,"_138":104,"_139":123,"_140":123,"_141":121,"_142":121,"_143":68},{"_146":446,"_153":447,"_158":448,"_163":449,"_168":450,"_173":451,"_178":452,"_183":453,"_188":454,"_193":455},{"_25":148,"_149":150,"_151":152},{"_25":155,"_149":156,"_151":157},{"_25":160,"_149":161,"_151":162},{"_25":165,"_149":166,"_151":167},{"_25":170,"_149":171,"_151":172},{"_25":175,"_149":176,"_151":177},{"_25":180,"_149":181,"_151":182},{"_25":185,"_149":186,"_151":187},{"_25":190,"_149":191,"_151":192},{"_25":195,"_149":190,"_151":196},[],{"_21":361,"_51":22,"_52":458,"_54":208,"_56":104,"_58":283,"_31":459,"_33":460,"_35":36,"_23":461,"_62":-5,"_63":64,"_65":462,"_67":212,"_39":68,"_41":69,"_46":463,"_71":464,"_203":520},"981ba91f-7e39-4140-aa5c-4aa8d96a876f",["D",1582389302290],["D",1763005959940],"2003-08-08-munchkin-invasion","e833a473-e941-4f52-b75b-fa56645d1101","Munchkin Invasion S1 segue > Jam And the Ladies Were the Rest of the Night",{"_21":458,"_73":465,"_23":466,"_31":467,"_33":468,"_78":469,"_80":470,"_27":82,"_83":471,"_29":472,"_86":64,"_87":88,"_89":473,"_91":-5,"_93":474,"_95":475,"_97":476,"_99":477,"_101":478,"_144":482,"_197":517,"_199":518,"_201":519,"_46":465},"Munchkin Invasion","munchkin-invasion",["D",1582386623147],["D",1756174194314],"

We come from the city,
We come from the jungle.

Hi, my name is Sally.
I'm a little munchkin.

A little munchkin!

","Tablature by Evan Leon:

Introduction:

F# | Bm | C# | C# (repeat)

The next section is the one with the really complicated rhythm that
I don't really know how to transcribe. All I can say is that the
figure is repeated twice on A, then once on F#. Following that,
slide up to A for the first verse section.

For the verse section, Jon plays a short figure in A similar to
the following (but usually different):

Figure 1:
e 9h10p9
B 12 10 10 10 9
G 9
D 11
A 12
E

Play around on that for 4 measures, then break into a reggae-type
strum on an A chord for seven measures, and the words start on the
8th measure:

A
We come from the city,

Bm A (3 measures)
We come from the jungle.

Repeat that part, then to the bridge section:

Bm | D | F# | F#
Bm | D | F# | E A
F# | Bm | C# | C#
F# | Bm | A | A

Then Jon takes a solo over the bridge progression.

More to come soon, I just wanted to get something up here to get
everyone started.","munchkin",126,"The Disco Biscuits, Zuniga","We come from the city, we come from\nthe jungle ",239,["D",1755648000000],["D",956966400000],{"_107":232,"_109":479,"_111":480,"_113":232,"_115":68,"_117":68,"_118":108,"_120":481,"_122":128,"_124":119,"_126":57,"_127":116,"_129":128,"_130":116,"_131":128,"_132":68,"_133":128,"_134":128,"_135":116,"_136":57,"_138":69,"_139":123,"_140":57,"_141":121,"_142":233,"_143":57},29,26,16,{"_483":484,"_396":488,"_490":491,"_492":493,"_495":496,"_498":499,"_502":503,"_419":505,"_509":510,"_514":515},"129",{"_25":485,"_149":486,"_151":487},"2008-12-26","2008-07-25",154,{"_25":317,"_149":489,"_151":196},"2011-01-14","154",{"_25":398,"_149":166,"_151":391},"160",{"_25":326,"_149":494,"_151":177},"2013-01-26","161",{"_25":246,"_149":326,"_151":497},158,"165",{"_25":500,"_149":501,"_151":226},"2014-08-01","2014-02-22","172",{"_25":256,"_149":504,"_151":243},"2015-04-18",{"_25":506,"_149":507,"_151":508},"2018-09-21","2018-04-21",153,"197",{"_25":511,"_149":512,"_151":513},"2020-10-17","2019-12-28",294,"198",{"_25":516,"_149":511,"_151":248},"2021-03-25",2001,2020,"http://sickbarberlicks.weebly.com/munchkin-invasion.html",[],{"_21":437,"_51":22,"_52":522,"_54":55,"_56":116,"_58":82,"_31":523,"_33":524,"_35":36,"_23":525,"_62":-5,"_63":64,"_65":526,"_67":433,"_39":116,"_41":69,"_46":527,"_71":528,"_203":571},"34893bb1-8ea6-480c-9412-526a9e2513ea",["D",1582389302708],["D",1763005959940],"2003-08-08-in-the-hall-of-the-mountain-king","4faffe74-3c9d-4c10-8aaf-55bb04b34bb5","In the Hall of the Mountain King S2 segue Wet Above The Waves FTP (Edvard Grieg)",{"_21":522,"_73":529,"_23":530,"_31":531,"_33":532,"_78":82,"_80":82,"_27":82,"_83":533,"_29":534,"_86":535,"_87":536,"_89":537,"_91":-5,"_93":-5,"_95":233,"_97":538,"_99":539,"_101":540,"_144":541,"_197":276,"_199":570,"_201":-5,"_46":529},"In the Hall of the Mountain King","in-the-hall-of-the-mountain-king",["D",1582386623818],["D",1756174187694],"mountainking",218,true,"2876048e-ba97-4544-9fea-1cb4d339cefd","Grieg",["D",1514592000000],["D",1060300800000],{"_113":68,"_115":104,"_134":104},{"_542":543,"_545":546,"_548":549,"_552":553,"_555":556,"_559":560,"_563":564,"_567":568},"1",{"_25":544,"_149":26,"_151":123},"2003-08-16","2",{"_25":547,"_149":544,"_151":108},"2003-08-31","3",{"_25":550,"_149":547,"_151":551},"2003-09-28",28,"4",{"_25":554,"_149":550,"_151":110},"2003-10-22","5",{"_25":557,"_149":554,"_151":558},"2004-05-29",220,"6",{"_25":561,"_149":557,"_151":562},"2004-07-10",42,"7",{"_25":565,"_149":561,"_151":566},"2017-11-18",4879,"8",{"_25":569,"_149":565,"_151":562},"2017-12-30",2004,[572],{"_21":573,"_351":437,"_352":574,"_31":575,"_33":576},"380efa66-6959-4603-99bc-ffff03cc5595","FTP (Edvard Grieg)",["D",1723000791407],["D",1723000791407],{"_21":526,"_51":22,"_52":578,"_54":55,"_56":137,"_58":-5,"_31":579,"_33":580,"_35":36,"_23":581,"_62":-5,"_63":64,"_65":287,"_67":437,"_39":36,"_41":36,"_46":-5,"_71":582,"_203":636},"26a472e6-a08d-475f-8a53-a5fd165fb300",["D",1582389302659],["D",1582389302659],"2003-08-08-wet",{"_21":578,"_73":583,"_23":584,"_31":585,"_33":586,"_78":587,"_80":588,"_27":82,"_83":584,"_29":589,"_86":64,"_87":222,"_89":223,"_91":-5,"_93":-5,"_95":590,"_97":591,"_99":592,"_101":593,"_144":594,"_197":200,"_199":423,"_201":635,"_46":583},"Wet","wet",["D",1582386623818],["D",1756174212079],"As if this happens every day.
You keep your cool then look away.
But in the darkness you can see.
I know you want to come with me...

As if the sky were always grey,
And will I ever breathe again?
And as the tears roll down your face,
And as our bodies fly through space.

But something tells you it's not right.
A shadow flickers in the light.
A spirit guides you from the sky.
And clouds obscure what pacifies...

As if the sky were always gray,
And will I ever breathe again?
And as the tears roll down your face,
And as our bodies fly through space.

And as I drift off into sleep,
I dream reality the key.
Because now I know you from the past.
Just how long can this feeling last?

As if the sky were always gray,
You look like someone I know,
Where did I meet you and where do we go?
And will I ever breathe again?
You look like someone I know,
Where did I meet you and where do we go?
And as the tears roll down your face,
You look like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space,
You feel like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space.

As if the sky were always gray,
You look like someone I know,
Where did I meet you and where do we go?
And will I ever breathe again?
You look like someone I know,
Where did I meet you and where do we go?
And as the tears roll down your face,
You look like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space,
You feel like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space.","Chorus

Gm > Eb > D > Gm > Bb > F > A > D
then..
Gm > Eb > D > Gm > Bb > F > E > F#",203,134,["D",1710374400000],["D",888019200000],{"_103":562,"_105":551,"_107":128,"_109":137,"_111":69,"_113":233,"_115":68,"_117":104,"_118":57,"_120":104,"_124":68,"_126":137,"_127":104,"_129":104,"_130":69,"_131":69,"_132":104,"_133":104,"_134":104,"_135":69,"_136":69,"_139":69,"_140":69,"_141":116,"_142":69},{"_595":596,"_599":600,"_604":605,"_319":608,"_249":612,"_254":616,"_263":619,"_623":624,"_628":629,"_267":632},"70",{"_25":597,"_149":598,"_151":422},"2000-10-17","1999-12-31","79",{"_25":601,"_149":602,"_151":603},"2002-08-23","2001-05-02",478,"80",{"_25":606,"_149":601,"_151":607},"2003-05-28",278,{"_25":609,"_149":610,"_151":611},"2009-04-17","2007-07-18",639,{"_25":613,"_149":614,"_151":615},"2011-05-27","2010-08-29",271,{"_25":617,"_149":618,"_151":615},"2013-09-26","2012-12-29",{"_25":620,"_149":621,"_151":622},"2015-02-19","2014-01-23",392,"126",{"_25":625,"_149":626,"_151":627},"2019-07-20","2018-03-09",498,"127",{"_25":630,"_149":625,"_151":631},"2021-07-16",727,{"_25":633,"_149":630,"_151":634},"2022-12-29",531,"http://sickbarberlicks.weebly.com/wet.html",[],{"_21":66,"_51":22,"_52":638,"_54":55,"_56":128,"_58":283,"_31":639,"_33":640,"_35":36,"_23":641,"_62":-5,"_63":64,"_65":433,"_67":50,"_39":116,"_41":69,"_46":642,"_71":643,"_203":703},"af29a537-b044-477b-816f-8a10af6ba005",["D",1582389302845],["D",1763005959940],"2003-08-08-sound-one","Sound One S2 segue > Above The Waves Above The Waves",{"_21":638,"_73":644,"_23":645,"_31":646,"_33":647,"_78":648,"_80":82,"_27":82,"_83":649,"_29":418,"_86":64,"_87":650,"_89":651,"_91":-5,"_93":-5,"_95":652,"_97":653,"_99":654,"_101":655,"_144":657,"_197":423,"_199":701,"_201":702,"_46":644},"Sound One","sound-one",["D",1582386623147],["D",1756174203955],"

Bake a cake
Sugar cane sweet
Frosting pink and sticky

Eat it up
Finger lickin' good
Mamma said you can't but I think that you should

Build a car
Hot to trot
Leather chrome and metal

Rock n' roll
Rollin' down the street
Leave 'em in the dust everyone that you meet is crazy

Crazy like a cat
Slippery sleek and lazy

Rub it in the fur
Wax it on the back
Put the cake in the trunk everyone get down

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Digital Buddha's coming for you.
With a big old belly and a Fu Manchu.

Gone tomorrow, here today.

Cascade to the rhythms,
Open up your mind.
Cut loose from the furious snakes
Unwind.
Twister in the wind
As we sail through the skies.
Before you mass produce
And digitize.

Rewind to the days of forgotten lore
Take heed what the wise all had in store
Count this time
Nobody recognize
That we're all mass produced
and digitized

In the shadow of the digital buddha are the countless wise
To bring you inspiration that you cannot buy.
In the shadow of the digital buddha are the countless wise
To lift our generation to the highest high.

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Corrinado slipped the chopping block
The onlookers in fear and shock
He bolted swiftly through the crowd
The women yelled and screamed aloud

Manilla's words rang through the air
'Kill that man or all Beware!'
Corrinado tookoff all for bust
Gone behind a cloud of dust

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Corrinado hides down an alley
As Manilla's troops begin to rally
He lays behind the street snake charmer
and slips out of his prison pajamas

The Matador, the bull can run
Corrinado sidestepped everyone
Takes off towards the end of town
Drawing troops from all around

He knows he's got but one way out
His only route without a doubt
be fastest to the mighty cliffs
and jump for his own benefit

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Carooning down the mountain top
A bouncing rock no will can stop
Their chasing our strong hero down
Who dodges trees with swift abounds
He spins the air like a carousel
While dodging shots adeptly till
His steps no longer make a sound
His feet are well above the ground

","bazaar","

The median debut of the Hot Air Balloon (The Overture, Fiddler, Voices and Mulberry’s debuted before, while The Very Moon, Eulogy, Waves and Hot Air Balloon debuted after), Bazaar is very arguably the technical high-water mark of the entire opera. The composition consists of a slow intro riff evocative of Middle Eastern styles of music, a faster instrumental section, a verse chorus combo, a very slow breakdown and bridge verse, a second faster instrumental section, a second verse and chorus, the same fast instrumental section from the intro, a third verse, and a closing riff reprising a section from Above the Waves. Due to its rigid and relatively complex composition, it is rarely played and even more rarely jammed. Over its history, the “jam section” in Bazaar Escape has moved multiple times.

The debut of Bazaar Escape, like the other Hot Air Balloon songs, occurred at the tail end of 1998, on 11/14 at Carnegie Mellon. The debut version was considerably more adventurous than most versions; it is jammed into out of an unfinished Boop. For the next few months, an intro jam was the most improv fans could expect from Bazaar Escape. It was more frequently either played as a standalone, or, on special occasions such as performances of the full Hot Air Balloon opera, segued into Mulberry’s Dream by way of a composed bridge lifted from Voices Insane.

Although it continued to be played primarily as a standalone in 1999, there were significant developments to the song. On 1/28/99, for the first time, Bazaar Escape was outro’d. The jam emerges from the Waves instrumental section and slowly evolves into an Aceetobee intro. Less than a month later, Bazaar Escape was outro’d a second time, this time prior to the Waves section. Unlike the first outro, this jam maintains the high energy level of the ending of Bazaar Escape and evolves into a type two vehicle.

For most of its history, any jamming on Bazaar Escape took the form of an outro or (more typically) an intro jam. It was split up twice in 1999. The first, 5/11/99, was part of a very scripted Hot Air Balloon opera show, and all the segues around the song were jamless (the song was split seamlessly in the middle of a verse). The second split version was performed as part of the very different “Spagopera” of 10/28/99; the segue out of Bazaar is jamless, but the jam back into the ending is spectacular. Here, the split in the song takes place in the slow bridge, preceding the “Corrinado hides down an alley” verse.

After a whopping 37 performances in 1999, Bazaar Escape became a rarity. Its first performance in 2000 was 6/27/00 with Jordan Crisman on bass. After this performance, it was played five times in the fall tour and once more over the New Year’s run. The most significant of these was 11/24/00 at the Trocadero, which was a jammed out extravaganza: it has a solid intro jam out of Shimmy and is split up, this time out of the fast instrumental section before the final verse. This would be the jam section in Bazaar for almost all future versions. Although the standard was always a jamelss standalone, Bazaar was jammed out on a few other memorable occasions in the latter half of Sammy’s tenure, including 4/4/01 (one of only two three-part versions) and 7/26/02 (the midpoint of the famous “almost palindrome” set).

Bazaar became increasingly rare in the final years of 1.0, played only 7 times from 03-05. Allen took his first stab at the song at Camp Bisco V, 8/25/06, segued out of the first inverted Spaga. This bold setlisting signaled that a more adventurous approach to Bazaar was to come, and almost none of the versions from 06-08 were true standalones. It was used as the landing pad to a massive Dribble outro on 11/2/06, as the meat of a palindrome (and out of a Moshi-Fameus jam no less) on 11/10/06, and, perhaps most memorably, as the three-part centerpiece to the massive second set from 12/31/06, complete with New Year’s countdown.

The golden age of Bazaar Escape continued into 07. Its first appearance was 5/17/07, which featured a gorgeous ambient outro jam into Robots. Other significant appearances over the summer include 7/8/07, in which it was used to sandwich the opening segment, and 7/19/07, the first and so-far-only inverted version. Almost every version from the fall tour was jammed out and split up, usually across multiple dates.

The first Bazaar of 08 is considered by many to be the definitive version. It is segued into from Rockafella, has a gorgeous psychedelic space jam in the usually very staid breakdown, and a fantastic main jam. Unlike many others from the era, it is not split. Bazaar was played ending-only two more times in 08 (and ever), 4/12/08 and 6/9/08, and a jamless standalone on 12/11/08 signaled the end of the golden age of Bazaar.

After 08, the jamless standalone Bazaar once again became the norm, and the song became once again a perennial rarity. It was last jammed out of on 4/26/13, last jammed into on 4/22/16, and has been relegated to a once-every-couple-of-years bustout.\r

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