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Oh Bernstein and Chasnoff,
Where do you get off,
Thinking you're only two of twenty.

Oh Andy and Larry,
You're so damn hairy,
Why don't you go and take a bath?

(Because..)
You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

Klopstein and Cabot,
We just won't have it,
We know exactly who you are.

Tariq and Shep Williams,
The pages they will fill 'em
Well, phony names will only go so far.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

","transcribed by Rich Steele

(main riff)

C > A > D > G

(chords over the chorus)

C > Bb > G > C > F
C > Bb > G > C > Bb > F > G

(ending riff)

E 15 12 12 12(h)13 12 12 17 17 14 14 14(h)15 14 14
B 13 13 15 15
G 12 14
D
A
E","bandc",14,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Larry Chasnoff, Marc, and a mutual friend of ours, Keith Koslov, all spent their summers growing up together in upstate NY at a place called Schroon Lake. \r

I went to high school with Keith and knew Marc as his annoying prep school friend, way too soft for us public school Brooklyn thugs. Then a bunch of us went to see Phish in Sugarbush in 95, and Marc started telling about this band he was in, and I started telling him about this idea I had for a book. \r

Walking around the lots a kid from Penn recognized Marc from his band and got all excited. I thought to myself, "hmmm, if the book thing doesn't work out, maybe I can ride Brownstein's coattails a little." \r

A few months later, as the Biscuits toiled in relative obscurity, we came out with the first Pharmer's Almanac. Only about 6 people worked on it, but we wanted to make it look more like a community project, so we put a lot of fake names in the staff box. It was a mix of names of people from Schoon Lake (Nick Weiss) and completely absurd names like Harvey Klopstein, Tariq Ali and Shep Williams. \r

When Marc and Keith saw the book a few months later, they thought the fake names were hysterical. While I wasn't there, I assume they spent the next few hours making fun of Chasnoff and I on every possible level. And at some point Keith pulled out a guitar. The rest was history. \r

So that's where the song came from. ("Klopstein and Cabot/ we just won't have it/we know exactly who you are/Tariq and Shep Williams/ pages we'll fill'em/ but phony names will only go so far.) \r

I was all excited that I had a song with my name in it until people started coming up to me and asking "Hey, why did you get sued by Phish?" \r

I want to state, for the record, that we never were sued by Phish, never threatened to be sued by Phish, and never had any legal issues with Phish regarding the Almanac. Every interaction we've had with management has been positive. \r

We caught a lot of grief in the early years from about a dozen people on rec.music.Phish (I know, what a shocker, someone getting grief on an Internet discussion group) but we never got the same from management. \r

I'm not actually sure where the "You're getting sued/bummer dude" line came from, but I think it had to do with the fake names or maybe some of the flack we were getting on the Internet. \r

The Almanac ended up selling about 70,000 copies, but at some point I got tired of going to Phish shows and decided it was a lot more fun to see the Disco Biscuits. \r

~Andy Bernstein\r

Although its lyrics were never cerebral, Bernstein & Chasnoff connects the band to greater jamband lore. Musically the song is not much more complicated: There are two verses, each followed by a chorus, a bridge and chorus, a jam section, and a triumphant ending. At various points in its history, the ending has contained a bonus section (referred to as “Smell The Funk” only after it had been shelved).\r

For its first year, B&C did not contain any jamming of note (refer to 1/30/97 for some truly bizarre sound effects in the pre-Trancefusion era). Trancefusion era versions of 97 (of which 11/17 and 11/18 are extant) do little to suggest the song’s eventual heavy hitter potential. Beginning early in 1998, the song became a vehicle for some of the band’s most interesting early experimentations. 2/26/98 is of particular note, a 25-minute version that contains elements of what would make the song great. Even more significant is 3/21/98, the “Techno B&C,” and what is considered to be the first “Perfume version” of any song. The song remained strong, if slightly less noteworthy, for the remainder of 1998. Already its M.O. was becoming pretty clearly established—the song would regularly depart from blissful type one territory for spacey, sinister territory, and was the earliest example of this style of exploratory jamming.\r

One of the first jams of 1999 was a B&C jam, in the early morning hours of January 1. This B&C > Nughuffer was likely the greatest example of pure Trancefusion yet played at the time. The song stayed strong through 1999 (a high water mark for both the band and the song), with standout versions played on 4/24, 4/30, 5/5, and 9/11 of that year. In particular, the latter two are frequently cited as the strongest versions of the song.\r

The band took a hiatus from B&C during its author’s departure from the band, but it returned with a vengeance at Camp Bisco, split-up dyslexically over 8/25/00 and 8/26/00. Despite the fewer shows played in 2000, there is no shortage of strong B&Cs from the fall tour. Of these 10/27 is thoroughly unique, and a sleeper choice for best ever, while 12/28/00 is more reminiscent of the classic 1999 style B&C.\r

After 2000, B&C faded a bit into the background, although some standout versions do exist from this era. 4/24/01 received some attention for its inclusion in Steele’s Picks, 9/6/01 contains some fantastic fall 2001 jamming and one of the early Sound 1s, and 10/5/02 is remarkably strong (of course, as is everything from that show). 11/29/03 is a lesser-known but very interesting version, which may be the first to be jammed out of the bridge rather than the main jam section.\r

B&C was played just thrice in 04 and once in 05 before Allen joined the band. After a few versions in the winter and spring shows, it was absent for nearly the whole of 06, from 4/26 until 12/29. The 12/29 version is a much-loved mashup with Joy to the World, and features the return of the Smell the Funk section, shelved in January 1999 and busted out only once on 5/5/01. It would be played on every 07 version and then shelved again indefinitely.\r

2007 would be B&C’s second golden era, as nearly every version from that year is excellent and highly regarded. After the fairly standard Jam Cruise version, it was split three ways for the first time at the legendary Starland Ballroom run on 2/17, which featured numerous debuts, Allen first-timers, and bustouts. While it didn’t surface over the spring tour, the standalone version that opened Camp Bisco VI is probably the strongest standalone with Allen. In the fall tour, 10/16 is a particularly strong version (flying slightly under the radar due to a lack of available soundboard) and 11/1 contains the first jam into the beginning of the song with Allen, and since 4/4/02.\r

B&C was only played twice in 08, although 4/19/08’s monster inverted version (first inversion with Allen and first since 7/23/03) is a must-hear. After a single performance each in the winter tour and spring tour of 09, B&C was played six times in the four months from 10/3/09 to 1/28/10. Each of those 6 versions is inverted. In the post-wristgate era, B&C rarely produces a memorable jam, with two glaring exceptions: the stellar and spacey 2/3/17 B&C > Voices > B&C, and the monster dyslexic beginning that opened the second set of 10/19/20.\r

","You’re getting sued. Bummer Dude",240,["D",1750550400000],["D",836438400000],{"_93":158,"_94":159,"_96":160,"_161":162,"_163":164,"_165":166,"_167":166,"_168":169,"_170":95,"_171":41,"_172":39,"_173":164,"_174":175,"_176":86,"_177":169,"_178":175,"_179":95,"_180":175,"_181":182,"_183":41,"_184":95,"_185":95,"_186":95,"_187":175,"_188":41,"_189":175,"_190":41,"_191":169,"_192":175,"_193":95},9,47,32,"1999",36,"2000",8,"2001",16,"2002","2003",6,"2004","2005","2006","2007","2008",2,"2009","2010","2011","2012","2013","2014",5,"2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025",{"_195":196,"_200":201,"_205":206,"_210":211,"_215":216,"_220":221,"_225":226,"_230":231,"_234":235,"_239":240},"124",{"_25":197,"_102":198,"_104":199},"2000-08-25","1999-10-29",301,"174",{"_25":202,"_102":203,"_104":204},"2006-02-25","2005-03-24",338,"177",{"_25":207,"_102":208,"_104":209},"2006-12-29","2006-04-26",247,"187",{"_25":212,"_102":213,"_104":214},"2008-12-27","2008-04-19",252,"203",{"_25":217,"_102":218,"_104":219},"2012-07-14","2011-04-15",456,"214",{"_25":222,"_102":223,"_104":224},"2016-03-26","2015-02-21",399,"224",{"_25":227,"_102":228,"_104":229},"2019-11-14","2019-01-31",287,"225",{"_25":232,"_102":227,"_104":233},"2020-10-19",340,"228",{"_25":236,"_102":237,"_104":238},"2022-11-11","2021-10-28",379,"237",{"_25":241,"_102":242,"_104":243},"2025-01-25","2024-02-09",351,1997,2005,"http://sickbarberlicks.weebly.com/bernstein-and-chasnoff.html",[248],{"_21":249,"_250":134,"_251":252,"_31":253,"_33":254},"9bb26938-d7ed-4280-8706-cf5b5cd43bee","trackId","desc","Ending only.",["D",1582388807324],["D",1582388807324],{"_21":140,"_50":22,"_51":256,"_53":136,"_55":175,"_56":257,"_31":258,"_33":259,"_35":36,"_23":260,"_60":-5,"_61":62,"_63":134,"_64":261,"_38":36,"_40":36,"_45":-5,"_65":262,"_131":326},"4fa64521-688d-49c3-82b2-651520bde916",">",["D",1582388807395],["D",1582388807395],"1998-01-28-stone","1c6c1d6c-4e9f-43e2-b7cf-c68617f9d529",{"_21":256,"_67":263,"_23":264,"_31":265,"_33":266,"_72":267,"_74":268,"_27":73,"_75":264,"_29":269,"_78":62,"_79":270,"_81":271,"_83":-5,"_84":-5,"_85":272,"_87":273,"_89":274,"_91":275,"_97":279,"_125":244,"_127":324,"_129":325,"_45":263},"Stone","stone",["D",1582386623818],["D",1756174205325],"On a horseshoe trail,
I found what I was looking for
Inside my head
I didn't need it no more
And then she said...

Days and weeks I spent on the trail
Wonder what it is that you had said
Said that stone you should have thrown
that stone you shouldn't tread

Oh lord could I feel more alive
When that stone is by my side
Sanity, my most sacred trait
And if that stone, I let it fly

Mi diablo contemplate....","Transcribed by Eric Zeiler (Moedat@AOL.COM)

Intro
Bm A, E, A, E, A, E, A (9x)
(All intro chords are just the four top (high) strings. Leave the open
high-E for the A and E chords)

Bm (D E D A)
A, G, (D E D A)
A
Bm A, E, A, E, A, E A (3x)
Bm A, E, A, E, A (D E D A)

A (D E D A)
On a horseshoe trail,
A G A
I found what I was looking for
A (D E D A)
Inside my head
A (D E D A)
I didn't need it no more
A G (Dm Em Dm Am)
And then she said...
Am (Dm Em Dm D)
Days and weeks I spent on the trail
D (Dm Em Dm Am)
Wonder what it is that you had sailed
Am (Dm Em Dm Am)
Said that stone you should have thrown
Am (Dm Em Dm D)
But that stone you shouldn't tread
D (Dm Em Dm E)
Oh my lord can I feel more alive
E (D E D E)
When that stone is by my side
E (D E D E)
Sanity, my most sacred trait
E (D E D E)
And that stone, I let it fly
E
Mi diablo contemplate....

Jam:
Bm G F#7 (alternate between measures of 12/8 and 11/8)
(solo in B harmonic minor)

then: (loud)
Em G F# (power chords)",182,"9b974579-8aaa-4842-b49a-070e455b9a87","Gutwillig, O'Brien",160,["D",1624665600000],["D",825724800000],{"_93":166,"_94":276,"_96":277,"_161":278,"_163":169,"_165":86,"_167":39,"_168":182,"_170":41,"_171":175,"_173":175,"_176":164,"_179":41,"_181":41,"_184":41,"_185":175,"_186":41,"_189":175},46,40,15,{"_280":281,"_285":286,"_290":291,"_295":296,"_300":301,"_304":305,"_308":309,"_312":313,"_316":317,"_320":321},"140",{"_25":282,"_102":283,"_104":284},"2005-03-25","2004-01-02",448,"142",{"_25":287,"_102":288,"_104":289},"2007-02-17","2005-08-26",540,"144",{"_25":292,"_102":293,"_104":294},"2009-09-12","2007-05-18",848,"152",{"_25":297,"_102":298,"_104":299},"2012-12-31","2009-12-29",1098,"153",{"_25":302,"_102":297,"_104":303},"2014-02-22",418,"154",{"_25":306,"_102":302,"_104":307},"2016-06-02",831,"155",{"_25":310,"_102":306,"_104":311},"2017-05-31",363,"156",{"_25":314,"_102":310,"_104":315},"2017-12-04",187,"157",{"_25":318,"_102":314,"_104":319},"2018-12-28",389,"158",{"_25":322,"_102":318,"_104":323},"2021-05-30",884,2004,"http://sickbarberlicks.weebly.com/stone.html",[],{"_21":328,"_50":22,"_51":329,"_53":136,"_55":39,"_56":-5,"_31":330,"_33":331,"_35":36,"_23":332,"_60":-5,"_61":62,"_63":261,"_64":333,"_38":36,"_40":36,"_45":-5,"_65":334,"_131":400},"389ba2f2-e835-466d-b2d4-492c5fea3799","005e9763-207b-415a-bdeb-23285942a2ac",["D",1582388807600],["D",1582388807600],"1998-01-28-rainbow-song","e83828e5-597b-414b-bd71-81bf0e6224d3",{"_21":329,"_67":335,"_23":336,"_31":337,"_33":338,"_72":339,"_74":340,"_27":73,"_75":341,"_29":342,"_78":62,"_79":150,"_81":151,"_83":343,"_84":344,"_85":345,"_87":346,"_89":347,"_91":348,"_97":352,"_125":244,"_127":398,"_129":399,"_45":335},"Rainbow Song","rainbow-song",["D",1582386623147],["D",1756174198994],"

I'm floating here from red to blue,
The spectrum in between.
Shifting in from yellow,
Moving into green.

Where's the gold I'm looking for,
The cauldron black and hot.
The silver teacup overflows,
And shows me to the spot.

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Rainbow long and winding,
Seems to never end.
But perserverance pays its price,
In looking for my friend.

The dove I know will lend a hand,
The pure no longer white.
The purple face asphyxiates,
And pales from the fight.

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

","Transcribed by Eric Zeiler

(E5 and D#5 are just basic power chords: root and 5th)

Intro: Dm, F, C, Dm

Dm F C Dm
Floating here from red to blue, the spectrum in between
Shifting in from yellow, moving into green
Where's the gold I'm looking for, the cauldron black and hot
The silver teacup overflows and shows me to the spot

Chorus:
G D C Bb
Is there a pot of gold, at the end of the sweet rainbow
G Bb A Bb A Bb A Bb A Bb
Shifting in from yellow, feeling rather mellow and I...
G Bb F E5 D#5 E5 D#5 Dm
I'm looking for my friend, will the rainbow ever, ever, ever, ever end

Post-Chorus:
Dm, C, Dm, C (alternating between measures of 7 and 8)

Rainbow long and winding, seems to never end
But perseverance pays its price in looking for my friend
The door? I know will lend a hand, the pure no longer white
The purple face asphyxiates, and pales from the fight

Chorus
Guitar solo over the post-chorus chords
Synth solo over the verse chords
Chorus","rainbow",148,"

","I'm floating here from red to blue, the spectrum in between, shifting in from yellow, moving into green",83,["D",1752105600000],["D",818640000000],{"_349":41,"_93":149,"_94":350,"_96":351,"_161":39,"_165":41,"_167":95,"_168":175,"_170":41,"_173":182,"_174":175,"_176":41,"_177":41,"_179":41,"_181":41,"_183":41,"_184":95,"_185":41,"_188":41,"_189":41,"_191":182,"_192":41,"_193":41},"1995",21,11,{"_353":354,"_358":359,"_362":363,"_366":367,"_371":372,"_376":377,"_380":381,"_383":384,"_388":389,"_393":394},"51",{"_25":355,"_102":356,"_104":357},"2001-04-21","1999-10-02",567,"52",{"_25":360,"_102":355,"_104":361},"2002-04-26",370,"58",{"_25":287,"_102":364,"_104":365},"2004-05-28",995,"65",{"_25":368,"_102":369,"_104":370},"2009-04-18","2008-03-22",392,"67",{"_25":373,"_102":374,"_104":375},"2012-10-04","2010-02-18",959,"68",{"_25":378,"_102":373,"_104":379},"2014-02-21",505,"69",{"_25":382,"_102":378,"_104":303},"2015-04-15","74",{"_25":385,"_102":386,"_104":387},"2020-10-23","2017-06-02",1239,"76",{"_25":390,"_102":391,"_104":392},"2023-01-18","2021-09-18",487,"81",{"_25":395,"_102":396,"_104":397},"2024-09-11","2023-09-24",353,1995,"http://sickbarberlicks.weebly.com/rainbow-song.html",[401],{"_21":402,"_250":328,"_251":403,"_31":404,"_33":405},"9b8d4315-acda-4992-a410-46998bde0dcd","With Jay Andrew Stein of Ghost Boxon percussion.",["D",1582388807649],["D",1582388807649],{"_21":333,"_50":22,"_51":407,"_53":136,"_55":182,"_56":257,"_31":408,"_33":409,"_35":36,"_23":410,"_60":-5,"_61":62,"_63":328,"_64":411,"_38":36,"_40":36,"_45":-5,"_65":412,"_131":483},"36706496-2190-47fe-a002-ec0af441d70e",["D",1582388807748],["D",1582388807748],"1998-01-28-run-like-hell","69d3e378-2815-44f6-8656-cac91ebb3e64",{"_21":407,"_67":413,"_23":414,"_31":415,"_33":416,"_72":417,"_74":418,"_27":73,"_75":419,"_29":420,"_78":421,"_79":422,"_81":423,"_83":-5,"_84":-5,"_85":424,"_87":425,"_89":426,"_91":427,"_97":431,"_125":480,"_127":481,"_129":482,"_45":413},"Run Like Hell","run-like-hell",["D",1582386623147],["D",1756174200841],"You better make your face up,
In your favorite disguise,
With your button-down lips,
And your roller blind eyes.
With your empty smile,
And your hungry heart,
Feel the bile rising,
From your guilty past.
With your nerves in tatters,
As the cockleshell shatters,
And the hammers batter,
Down your door,
You better run.

You better run all day,
And run all night.
And keep your dirty feelings deep inside.
And if you're taking your girlfriend out tonight,
You better park the car well out of sight.
cause if they catch you in the back seat,
Trying to pick her locks,
They're gonna send you back to mother,
In a cardboard box.
You better run!","transcribed by Rich Steele

(intro)

E 10 10 9 9 7 7
B 10 10 10 10 8 8 7 7
G 11 11 9 9 7 7 7 7
D 0 0 0 0 0 0 0 0 7 7 0 0 0
A (play open D for
E 4 beats)

E 5 5 3 3
B 5 5 3 3 0 0 3 3
G 6 6 4 4 2 2 2 2
D 0 0 0 0 0 7 7 5 5 0 0 0 0 0 0 0 0 2 2 4 4
A 0 0
E

(chords over the Run....Run.. Run part are F > Em > C)

(verse)

Em
E 0
B 0
G 0
D 2
A 2
E 0

You better make your face up in your favorite disguise.

F
E 1
B 1
G 2
D 3
A 3
E 1

With your button down lips, and your roller blind eyes.

Em
E 0
B 0
G 0
D 2
A 2
E 0

With your empty smile, and your hungry heart.

C
E 8
B 8
G 9
D 10
A 10
E 8

Feel the bile rising from your guilty past.

E 7
B 7
G 8
D 9
A 9
E 7

With your nerves in tatters, as the cockle shell shatters.

Em
E 7
B 8
G 9
D 9
A
E

As the hammers batter down your door, you better run.

Everything above is the only part of the actual song they do the same
way everytime. Just the basic structure of the original Floyd song for
the most part. Everything before and after this is different everytime.
:)
","rlh",154,true,"0613f1fa-e69e-4913-8ca0-f7bb72e5d6ec","Pink Floyd",277,["D",1755820800000],["D",796694400000],{"_349":39,"_93":182,"_94":166,"_96":428,"_161":428,"_163":429,"_165":166,"_167":166,"_168":164,"_170":182,"_171":95,"_172":429,"_173":430,"_174":430,"_176":166,"_177":164,"_178":169,"_179":182,"_180":169,"_181":182,"_183":95,"_184":182,"_185":182,"_186":182,"_187":182,"_188":175,"_189":164,"_190":169,"_191":164,"_192":86,"_193":39},28,12,10,{"_99":432,"_436":437,"_441":442,"_215":446,"_450":451,"_455":456,"_460":461,"_465":466,"_470":471,"_475":476},{"_25":433,"_102":434,"_104":435},"1995-09-16","1995-04-01",168,"9",{"_25":438,"_102":439,"_104":440},"1997-02-28","1996-09-06",175,"135",{"_25":443,"_102":444,"_104":445},"2004-12-27","2004-05-08",233,{"_25":447,"_102":448,"_104":449},"2012-07-06","2011-12-31",188,"209",{"_25":452,"_102":453,"_104":454},"2013-07-13","2013-01-25",169,"221",{"_25":457,"_102":458,"_104":459},"2015-10-30","2015-04-24",189,"232",{"_25":462,"_102":463,"_104":464},"2018-05-18","2017-11-18",181,"238",{"_25":467,"_102":468,"_104":469},"2019-11-22","2019-04-27",209,"242",{"_25":472,"_102":473,"_104":474},"2020-06-22","2019-12-31",174,"244",{"_25":477,"_102":478,"_104":479},"2021-04-20","2020-10-24",178,1999,2020,"http://sickbarberlicks.weebly.com/run-like-hell.html",[484],{"_21":485,"_250":333,"_251":403,"_31":486,"_33":487},"081c5d82-74c3-464d-b5dd-e0f941e97501",["D",1582388807798],["D",1582388807798],{"_21":411,"_50":22,"_51":489,"_53":136,"_55":169,"_56":257,"_31":490,"_33":491,"_35":36,"_23":492,"_60":-5,"_61":62,"_63":333,"_64":493,"_38":36,"_40":36,"_45":-5,"_65":494,"_131":555},"2923ea2d-00c9-4867-b60a-efbb1d8adfa1",["D",1582388807854],["D",1582388807854],"1998-01-28-vassillios","62ee1c9c-8e13-43ed-827f-a844eb7f2819",{"_21":489,"_67":495,"_23":496,"_31":497,"_33":498,"_72":499,"_74":500,"_27":73,"_75":501,"_29":502,"_78":62,"_79":503,"_81":504,"_83":-5,"_84":505,"_85":506,"_87":507,"_89":508,"_91":509,"_97":514,"_125":126,"_127":553,"_129":554,"_45":495},"Vassillios","vassillios",["D",1582386623818],["D",1756174211167],"

Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe

","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","Straight from the gutter",244,["D",1748995200000],["D",850521600000],{"_93":175,"_94":277,"_96":510,"_161":511,"_163":158,"_165":512,"_167":513,"_168":164,"_170":175,"_171":175,"_172":169,"_173":175,"_174":39,"_176":351,"_177":182,"_178":169,"_179":41,"_180":175,"_181":41,"_183":41,"_184":41,"_185":175,"_186":41,"_187":95,"_188":41,"_189":41,"_190":175,"_191":95,"_192":39,"_193":95},53,33,18,17,{"_515":516,"_519":520,"_523":524,"_528":529,"_225":533,"_230":536,"_538":539,"_542":543,"_460":547,"_239":550},"182",{"_25":282,"_102":517,"_104":518},"2004-05-09",320,"218",{"_25":521,"_102":448,"_104":522},"2012-12-27",362,"220",{"_25":525,"_102":526,"_104":527},"2013-12-27","2013-01-27",334,"222",{"_25":530,"_102":531,"_104":532},"2015-07-18","2014-02-20",513,{"_25":534,"_102":535,"_104":311},"2017-02-02","2016-02-05",{"_25":537,"_102":534,"_104":229},"2017-11-16","226",{"_25":540,"_102":537,"_104":541},"2018-12-12",391,"231",{"_25":544,"_102":545,"_104":546},"2021-04-02","2020-01-04",454,{"_25":548,"_102":544,"_104":549},"2022-04-02",365,{"_25":551,"_102":396,"_104":552},"2024-07-05",285,2012,"http://sickbarberlicks.weebly.com/vassillios.html",[556],{"_21":557,"_250":411,"_251":403,"_31":558,"_33":559},"6629ce57-8b43-4245-ba25-715b6580934d",["D",1582388807890],["D",1582388807890],{"_21":493,"_50":22,"_51":561,"_53":136,"_55":86,"_56":257,"_31":562,"_33":563,"_35":36,"_23":564,"_60":-5,"_61":62,"_63":411,"_64":565,"_38":36,"_40":36,"_45":-5,"_65":566,"_131":590},"b099aacb-d432-4178-9916-bfbf7ca1e9d1",["D",1582388807971],["D",1582388807971],"1998-01-28-drumz","ae94d077-faaa-4790-9c8c-4ef8152cf503",{"_21":561,"_67":567,"_23":568,"_31":569,"_33":570,"_72":73,"_74":73,"_27":73,"_75":568,"_29":571,"_78":62,"_79":-5,"_81":73,"_83":-5,"_84":-5,"_85":86,"_87":572,"_89":573,"_91":574,"_97":575,"_125":588,"_127":589,"_129":-5,"_45":567},"Drumz","drumz",["D",1582386622856],["D",1756174181167],48,["D",1393027200000],["D",885945600000],{"_96":175,"_161":175,"_163":41,"_181":175},{"_99":576,"_106":579,"_110":582,"_114":584,"_118":586},{"_25":577,"_102":26,"_104":578},"1998-06-04",127,{"_25":580,"_102":577,"_104":581},"1999-01-19",229,{"_25":583,"_102":580,"_104":158},"1999-01-28",{"_25":197,"_102":583,"_104":585},575,{"_25":378,"_102":197,"_104":587},4928,2014,2000,[591],{"_21":592,"_250":493,"_251":403,"_31":593,"_33":594},"a11f0137-aef4-4785-8ab8-49596a5c06cf",["D",1582388808022],["D",1582388808022],{"_21":596,"_50":22,"_51":597,"_53":136,"_55":158,"_56":257,"_31":598,"_33":599,"_35":36,"_23":600,"_60":-5,"_61":62,"_63":565,"_64":601,"_38":36,"_40":36,"_45":-5,"_65":602,"_131":659},"e36702f6-6ea5-4152-909b-6521bf0babeb","226f80c9-441d-4360-b9c2-826bc88b9a51",["D",1582388808159],["D",1582388808159],"1998-01-28-shem-rah-boo","80419583-8bd6-484a-bb6c-019945c7023c",{"_21":597,"_67":603,"_23":604,"_31":605,"_33":606,"_72":607,"_74":608,"_27":73,"_75":609,"_29":30,"_78":62,"_79":150,"_81":610,"_83":-5,"_84":611,"_85":612,"_87":613,"_89":614,"_91":615,"_97":617,"_125":126,"_127":553,"_129":658,"_45":603},"Shem-Rah Boo","shem-rah-boo",["D",1582386623147],["D",1756174202659],"

Shem-Rah Boo was on the run
But he didn't know how to get things done
But he always knew what he was longing to be
The star of his own biography

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your life?

In Hollywood, his mind was keen
When he married the very first girl he'd seen
But he dropped his mind, he stroked his wood
But klimpsch did do the best he could.

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

====================
Jon:
Klimpsch, you're the man of the hour,
Klimpsch, you're the man of the year,
Why don't you trust the woman that took you there?
Brownie:
The man of the hour,
The man of the year,
Why don't you trust the woman that took you there?
Magner:
The man of the hour
The man of the year
Why don't you trust the woman that took you there?
====================

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why'd you have to cut it with the....
Klimpsch, why did you emancipate your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

","(main riff)

E
B
G 12 12 12 12 12(sl)11(sl)12(sl)11(sl)12
D X X X X X
A 10 10 10 10 10(sl) 9(sl)10(sl) 9(sl)10
E

E
B
G 12 12 12(sl)11 16 16 16 16 16
D X X X X X X X X
A 10 10 10(sl)9 14 14 14 14 14
E
E

(the 'Man of the hour' part)
(thanks to Pete Caffrey for this part)

Am C G F E
E 5 3 1 0
B 5 5 3 1 0
G 5 5 4 2 1
D 7 5 5 3 2
A 7 3 5 3 2
E 5 3 1 0

(listen to a tape to hear the chord changes)","shemrah","Brownstein, Gutwillig","Klimpsch, why you always talkin' 'bout your life?",312,["D",1750118400000],["D",853459200000],{"_94":616,"_96":616,"_161":162,"_163":164,"_165":278,"_167":429,"_168":430,"_170":169,"_171":182,"_172":158,"_173":351,"_174":351,"_176":149,"_177":158,"_178":95,"_179":175,"_180":39,"_181":95,"_183":175,"_184":39,"_185":182,"_186":39,"_187":39,"_188":175,"_189":182,"_190":175,"_191":39,"_192":169,"_193":39},56,{"_618":619,"_622":623,"_626":627,"_630":631,"_635":636,"_639":640,"_644":645,"_648":649,"_650":651,"_655":656},"148",{"_25":620,"_102":621,"_104":445},"2000-08-19","1999-12-30","261",{"_25":447,"_102":624,"_104":625},"2011-12-27",192,"262",{"_25":628,"_102":447,"_104":629},"2012-12-18",165,"269",{"_25":632,"_102":633,"_104":634},"2014-12-26","2014-06-14",195,"271",{"_25":637,"_102":638,"_104":229},"2015-12-04","2015-02-20","287",{"_25":641,"_102":642,"_104":643},"2019-11-17","2019-05-24",177,"290",{"_25":232,"_102":646,"_104":647},"2020-01-03",290,"291",{"_25":544,"_102":232,"_104":629},"297",{"_25":652,"_102":653,"_104":654},"2022-09-30","2022-03-31",183,"298",{"_25":657,"_102":652,"_104":464},"2023-03-30","https://sick-barber-licks.weebly.com/shem-rah-boo.html",[660],{"_21":661,"_250":596,"_251":403,"_31":662,"_33":663},"dde45109-e8b2-4d95-8f16-fb26150223ae",["D",1582388808174],["D",1582388808174],{"_21":601,"_50":22,"_51":665,"_53":136,"_55":430,"_56":257,"_31":666,"_33":667,"_35":36,"_23":668,"_60":-5,"_61":62,"_63":596,"_64":669,"_38":36,"_40":36,"_45":-5,"_65":670,"_131":724},"2d5b75b8-339a-4af1-b136-dc6857d0bc54",["D",1582388808213],["D",1582388808213],"1998-01-28-barfly","7ae0c692-74b6-484a-a097-d058bb166318",{"_21":665,"_67":671,"_23":672,"_31":673,"_33":674,"_72":675,"_74":73,"_27":73,"_75":672,"_29":278,"_78":62,"_79":503,"_81":676,"_83":677,"_84":678,"_85":679,"_87":680,"_89":681,"_91":682,"_97":684,"_125":126,"_127":722,"_129":723,"_45":671},"Barfly","barfly",["D",1582386622697],["D",1756174175596],"

Well, I've been kicked and beaten,
It don't bother me no more.
Don't offer me no pillows,
When I'm just fine here on the floor

I've so many wounds
That I hope they'll never mend
But I can raise my glass up
For a beer with all my friends

'Cause I'm the Barfly, I like to drink, that's what I do

All these women in the world...
Why did I leave mine when times were so rough
All these women in the world...
Why did I leave mine when times were so rough
But when you left me baby, you left me needing more than enough

(Alternate Second Verse:
There's a curly girl from Jersey
she's sittin' on my right
Showin me her cleavage
Which she so sweetly wraps up tight
I snatch another whiskey
Just to improve the view
don't listen to the truth I'm tellin her, none of its directed at you,
'Cause I'm the Barfly, I like to drink, that's what I do)

Well the ocean's my home
I'm living on the liferaft alone

Well the ocean's my home
I'm living on the liferaft alone

Now they call me flat stir crazy
But I'm just sittin here at the bar flat on my throne

Well I've been kicked and beaten
It don't bother me no more.
Don't offer me no pillows,
When I'm just fine here on the floor

I've so many wounds
That I hope they'll never mend
But I can raise my glass up
For a beer with all my friends

'Cause I'm the Barfly, I like to drink, that's what I do

","Braff, Gutwillig","

A sure-to-please rowdy blues song about drinkin’, Barfly was a staple of the band’s frat party days and earliest tours. It made its way into the stylistic hodgepodge that was the band’s first studio album, Encephalous Crime, where it is the final studio track. Barfly follows a very predictable format from which it rarely deviates: verse, chorus, verse, chorus, keyboard solo, bridge, guitar solo, verse, chorus.

Barfly was played 40 times in 1998, more than any other year. It was in 1998 that Barfly was jammed out for the first (and only) time. On 6/4/98 an unfinished Barfly segued into a drum solo ended the show, and 6/5/98 opened with a long intro jam into Barfly (supposedly intended to complete the night prior, although it, too, is unfinished) jammed into the ending of Run Like Hell. Besides being the only jammed out Barfly, it also marked the first time the Biscuits finished a song from an earlier show.

Barfly became steadily more rare beginning in 1999. After appearing semi-regularly in the winter and spring tours, it was played only twice in the fall before being shelved for nearly a year between October 1999 and 2000 for a gap of 32 shows (what was then a significant absence). It was played four times in 2000 and then eight each in 2001 and 2002 (although this represented a decline in frequency). From 2003 to the end of Sammy’s tenure in 2005, Barfly was even more scarce.

Allen’s arrival brought with it a brief resurrection of Barfly, which was played four times in three months in the earlier part of the year. However, it was only played once in the fall, after which it went from rarity to holographic status. It was played only once in 2007, after a gap of 75 shows, after which it sat on the shelf for two and a half years or 197 shows (its longest absence) when it was played at the Bisco Power Mission on 3/21/10 with Sammy on guitar.

It was played only a handful of times in the setbreak era: twice in 2013, once in 2014, once in 2018 and once in 2019. It’s performance on 4/27/19 is perhaps the most interesting part of a sub-par show; it provides the landing pad to the second set segment, making it the first Barfly to be jammed into (in fact, played in any way besides standalone) since 4/3/02.

","I like to drink; that’s what I do",147,["D",1735257600000],["D",815875200000],{"_349":95,"_93":351,"_94":160,"_96":683,"_161":278,"_163":39,"_165":164,"_167":164,"_168":95,"_170":175,"_171":95,"_172":182,"_173":41,"_177":41,"_180":175,"_181":41,"_186":41,"_187":41,"_190":41,"_191":95,"_192":41},41,{"_685":686,"_689":690,"_441":692,"_696":697,"_700":701,"_704":705,"_280":707,"_285":710,"_713":714,"_717":718},"102",{"_25":687,"_102":688,"_104":397},"2000-10-07","1999-10-20","127",{"_25":203,"_102":364,"_104":691},300,{"_25":693,"_102":694,"_104":695},"2007-10-15","2006-11-12",337,"136",{"_25":698,"_102":693,"_104":699},"2010-03-21",888,"137",{"_25":702,"_102":698,"_104":703},"2013-04-25",1131,"139",{"_25":632,"_102":706,"_104":549},"2013-12-26",{"_25":708,"_102":632,"_104":709},"2018-12-29",1464,{"_25":711,"_102":468,"_104":712},"2022-03-03",1041,"143",{"_25":715,"_102":711,"_104":716},"2023-01-21",324,"146",{"_25":719,"_102":720,"_104":721},"2024-12-27","2023-09-15",469,2007,"http://sickbarberlicks.weebly.com/barfly.html",[],{"_21":669,"_50":22,"_51":726,"_53":136,"_55":351,"_56":257,"_31":727,"_33":728,"_35":36,"_23":729,"_60":-5,"_61":62,"_63":601,"_64":730,"_38":36,"_40":36,"_45":-5,"_65":731,"_131":795},"3f5505cc-906e-47b4-9e19-6a43c7e82540",["D",1582388808311],["D",1582388808311],"1998-01-28-aceetobee","b832de20-4b4d-43c9-abb9-5429b053ecbf",{"_21":726,"_67":732,"_23":733,"_31":734,"_33":735,"_72":736,"_74":737,"_27":73,"_75":738,"_29":175,"_78":62,"_79":503,"_81":504,"_83":739,"_84":740,"_85":741,"_87":742,"_89":743,"_91":744,"_97":748,"_125":126,"_127":793,"_129":794,"_45":732},"Aceetobee","aceetobee",["D",1582386622697],["D",1756174173437],"

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,["D",1752019200000],["D",815875200000],{"_349":175,"_93":182,"_94":745,"_96":746,"_161":747,"_163":164,"_165":513,"_167":513,"_168":149,"_170":182,"_171":39,"_172":86,"_173":169,"_174":175,"_176":158,"_177":164,"_178":169,"_179":169,"_180":95,"_181":39,"_183":95,"_184":175,"_185":169,"_186":41,"_187":175,"_188":41,"_189":95,"_190":175,"_191":95,"_192":95,"_193":39},54,55,30,{"_106":749,"_538":753,"_757":758,"_762":763,"_766":767,"_771":772,"_776":777,"_780":781,"_785":786,"_788":789},{"_25":750,"_102":751,"_104":752},"1996-08-14","1995-12-02",256,{"_25":754,"_102":755,"_104":756},"2009-02-14","2008-06-06",253,"257",{"_25":759,"_102":760,"_104":761},"2013-12-18","2013-04-27",235,"267",{"_25":764,"_102":765,"_104":229},"2017-04-29","2016-07-16","273",{"_25":768,"_102":769,"_104":770},"2018-12-09","2017-12-31",343,"275",{"_25":773,"_102":774,"_104":775},"2019-11-21","2019-01-26",299,"276",{"_25":778,"_102":773,"_104":779},"2020-10-18",332,"281",{"_25":782,"_102":783,"_104":784},"2022-12-29","2022-04-01",272,"282",{"_25":787,"_102":782,"_104":634},"2023-07-12","285",{"_25":790,"_102":791,"_104":792},"2024-09-07","2023-12-01",281,2018,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":730,"_50":22,"_51":665,"_53":136,"_55":429,"_56":-5,"_31":797,"_33":798,"_35":36,"_23":799,"_60":-5,"_61":62,"_63":669,"_64":800,"_38":36,"_40":36,"_45":-5,"_65":801,"_131":818},["D",1582388808385],["D",1582388808385],"1998-01-28-barfly-2","eeceff4f-599b-4b02-bf7e-1a465c220859",{"_21":665,"_67":671,"_23":672,"_31":802,"_33":803,"_72":675,"_74":73,"_27":73,"_75":672,"_29":278,"_78":62,"_79":503,"_81":676,"_83":677,"_84":678,"_85":679,"_87":804,"_89":805,"_91":806,"_97":807,"_125":126,"_127":722,"_129":723,"_45":671},["D",1582386622697],["D",1756174175596],["D",1735257600000],["D",815875200000],{"_349":95,"_93":351,"_94":160,"_96":683,"_161":278,"_163":39,"_165":164,"_167":164,"_168":95,"_170":175,"_171":95,"_172":182,"_173":41,"_177":41,"_180":175,"_181":41,"_186":41,"_187":41,"_190":41,"_191":95,"_192":41},{"_685":808,"_689":809,"_441":810,"_696":811,"_700":812,"_704":813,"_280":814,"_285":815,"_713":816,"_717":817},{"_25":687,"_102":688,"_104":397},{"_25":203,"_102":364,"_104":691},{"_25":693,"_102":694,"_104":695},{"_25":698,"_102":693,"_104":699},{"_25":702,"_102":698,"_104":703},{"_25":632,"_102":706,"_104":549},{"_25":708,"_102":632,"_104":709},{"_25":711,"_102":468,"_104":712},{"_25":715,"_102":711,"_104":716},{"_25":719,"_102":720,"_104":721},[],{"_21":820,"_50":22,"_51":821,"_53":136,"_55":149,"_56":-5,"_31":822,"_33":823,"_35":36,"_23":824,"_60":-5,"_61":62,"_63":800,"_64":-5,"_38":36,"_40":36,"_45":-5,"_65":825,"_131":885},"a6a6af3b-a5cf-4622-8228-eb78d053cadc","0b0de750-103b-4c7c-90ba-f07ed542f084",["D",1582388808538],["D",1582388808538],"1998-01-28-m-e-m-p-h-i-s",{"_21":821,"_67":826,"_23":827,"_31":828,"_33":829,"_72":830,"_74":831,"_27":73,"_75":832,"_29":833,"_78":62,"_79":150,"_81":151,"_83":-5,"_84":834,"_85":835,"_87":836,"_89":837,"_91":838,"_97":841,"_125":126,"_127":481,"_129":884,"_45":826},"M.E.M.P.H.I.S.","m-e-m-p-h-i-s",["D",1582386623009],["D",1756174192972],"

Well I just took a left on 57 South.
With a stogie in my hand and a lighter in my mouth.
There's a transient in the backseat and my dog is riding 'gun.
We're making easy money and we're always on the run.

When you're pimping ho's in style, there's just one place to be.
It's nestled in the corner of southwestern Tennessee.
My dog who knew the King he told me just the other day.
The only one from Memphis is the Presley's Adelay.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.

Adelay is in the backseat and the money's in the tank.
The cops are right behind us on a beeline from the bank.
With the pedal to the floor we pass the border and we're free.
And fading in the rearview is Memphis, Tennessee.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.\\r

","Transcribed by Rich Steele
~~Memphis

(intro/main riff)

E
B 3
G 1 1 1 0(h)1 1 1
D 2 2 2 2 2 2
A 2 2 2 2 2 2
E 0 0 0 0 0 0

The chords for the verses go like this:
( main riff )
Well I just took a left on 57 south.
(play riff below after the end of each line of the verse)

(D) (C#) (D,C#)
E-
B- 3 3 2 2 3 2
G- 2 2 1 1 2 1
D- 4 4 3 3 4 3
A-
E-

B A
Makin easy money pimpin ho's in style.

This is a easy song. figure out the rest. Its all the same chord
progressions. :)

Another riff later in the song:

E
B
G
D 2 5 2 2
A 2 5 5(h)7 7 2 2 5
E 0 5(h)7 5(h)7 0 0 5(h)7

E
B
G
D
A 5 (repeat)
E 5(h)7 7 3~

\\r","memphis",118,"Making Easy Money Pimping Hoes In Style...",313,["D",1751414400000],["D",879984000000],{"_94":430,"_96":839,"_161":277,"_163":351,"_165":840,"_167":840,"_168":120,"_170":169,"_171":95,"_172":149,"_173":158,"_174":149,"_176":350,"_177":430,"_178":39,"_179":39,"_180":95,"_181":182,"_183":39,"_184":39,"_185":182,"_186":39,"_187":39,"_188":41,"_189":182,"_190":175,"_191":182,"_192":39,"_193":95},57,24,{"_842":843,"_210":847,"_851":852,"_855":856,"_858":859,"_862":863,"_644":866,"_870":871,"_874":875,"_879":880},"107",{"_25":844,"_102":845,"_104":846},"2000-08-18","1999-12-31",231,{"_25":848,"_102":849,"_104":850},"2005-12-31","2005-05-28",217,"260",{"_25":447,"_102":853,"_104":854},"2011-12-28",191,"265",{"_25":452,"_102":857,"_104":435},"2013-01-26","266",{"_25":860,"_102":452,"_104":861},"2013-12-31",171,"268",{"_25":864,"_102":865,"_104":449},"2014-07-31","2014-01-24",{"_25":867,"_102":868,"_104":869},"2019-07-20","2019-01-25",176,"293",{"_25":385,"_102":872,"_104":873},"2019-12-30",298,"300",{"_25":876,"_102":877,"_104":878},"2022-08-14","2022-03-04",163,"306",{"_25":881,"_102":882,"_104":883},"2024-02-06","2023-07-20",201,"https://sick-barber-licks.weebly.com/memphis.html",[],{"_21":261,"_50":22,"_51":887,"_53":136,"_55":95,"_56":-5,"_31":888,"_33":889,"_35":36,"_23":890,"_60":-5,"_61":62,"_63":140,"_64":328,"_38":36,"_40":36,"_45":-5,"_65":891,"_131":930},"c6c86090-0e1d-4e07-815a-3f6f9f0fa26e",["D",1582388807475],["D",1582388807475],"1998-01-28-the-devil-s-waltz",{"_21":887,"_67":892,"_23":893,"_31":894,"_33":895,"_72":73,"_74":896,"_27":73,"_75":897,"_29":898,"_78":62,"_79":899,"_81":900,"_83":-5,"_84":-5,"_85":901,"_87":902,"_89":903,"_91":904,"_97":907,"_125":244,"_127":553,"_129":929,"_45":892},"The Devil's Waltz","the-devil-s-waltz",["D",1582386623818],["D",1756174207773],"VERSION 1
transcribed by Evan Leon (evan@OFFICEMAIL.STARMEDIA.COM)

Note: This is ABSOLUTELY NOT the position that Barber plays it in, but
I'm a stubborn bastard.

Intro: Cm G Cm G

e 3 4 3 3 4 3
b 1 3 4 4 0 1-0-1-0 1 3 4 4 0 1-0-1-0
g 0 0
d /5 /5

e 3 4 3 4/6 3
b 1 3 4 4 6 4 3 1 0.......
g
d

e 3 4 3 3 4 3
b 1 3 4 4 0 1-0-1-0 1 3 4 4 0 1-0-1 3/8
g 0
d /5 /5

(stretch out a little bit.. some of the fingering gets tough)
(and pay attention to the timing on your own.. lots of weird-length notes)

e 8 7 4 4
b 8 6 4 8 8 6 4 8
g 7 5 4 4/5 7 5 4 4/5
d

e 8 7 4 4
b 8 6 4 8 8 6 4 8
g 7 5 4 4/5 7 5 4 4/5
d

then you do the beginning part again.. more later

=====================

VERSION 2
transcribed by nic coker (ohmygord@HOTMAIL.COM)

note: --7/(3)-- means slide from 7 down to 3 without plucking the 3

waltz style: Bm Gb7
(boom cha cha boom cha)

part 1:
e------------------------------------------------------------->>
b--------787/(3)--3--------------------787/(3)--3------------->>
g--4 6 7------------3-43434---3--4 6 7------------3-43434---3->>
d---------------4----------4-----------------4----------4--->>
a------------------------------------------------------------->>
e------------------------------------------------------------->>
part 1 continued:
e-----------------------------
b--------787810 7------------
g--4 6 7-----------7-10 9/ 3-
d-----------------------------
a-----------------------------
e-----------------------------

=======================

VERSION 3
transcribed by Andy Adelewitz (ada108@psu.edu)

here's my take on Devil's Waltz (the beginning, anyway).

Play 2x
E-|-------------------------------------------|
B-|---------7-8-7-----------------------------|
G-|---6-7--------------6----------------------|
D-|-9---------------------7---9-7-9-7---------|
A-|-----------------9-----------------9-------|
E-|-------------------------------------------|

E-|-------------------------------------------|
B-|---------7-8-7/10-7------------------------|
G-|---6-7--------------7-10---9---------------|
D-|-9-------------------------------8---------|
A-|-------------------------------------------|
E-|-------------------------------------------|

E-|-------------------------------------------|
B-|---------7-8-7-----------------------------|
G-|---6-7-------------------------------------|
D-|-9-----------------7/(8)-9-----------------|
A-|-----------------9-------------------------|
E-|-------------------------------------------|

Then it changes key
E-|-------------------------------------------|
B-|---------9-10-9--------------------/9------|
G-|----8-9--------------8---------------------|
D-|-11--------------------9---11-9-11---------|
A-|------------------11-----------------------|
E-|-------------------------------------------|

E-|---------------------------------------------------|
B-|---------9-10-9-10/12---9--------------------------|
G-|----8-9-------------------9---12---11---9-8-7-6p5--|
D-|-11------------------------------------------------|
A-|---------------------------------------------------|
E-|---------------------------------------------------|

E-|---------------------------------------------------|
B-|-14-13--------------------------9-10-9-10-9--------|
G-|---------14--13-11-9-8------8-9--------------------|
D-|-------------------------11------------------------|
A-|---------------------------------------------------|
E-|---------------------------------------------------|","waltz",202,"16dea9b0-03b7-43eb-bcda-5162b37b7088","Gutwillig, 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