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Manilla was a crude machine who'd taken his fair share
He gobbled up the world he owned as petals paved his stairs
Manilla thanked the very moon for money and his life
He triffled nothing miniscule including one, his wife

Leora, his arranged wife, did not need his greed
She asked that stars, the very moon, to one day cross the sea
Manilla gazed an empty stare nothing there could grow
She cherished dreams of flying high and leaving him below

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

Manilla wanted worldly things and everything he'd have
He built castles, moats, battleships and troops in iron clad
Manilla heard Mulberry's name under the very moon
His troops went running the next day to find the air balloon.

Leora, his arranged wife, cooked the men a feast
And cleaned herself up solemnly before she faced the beast
That night she asked the very moon was this her fate to be
At lunch she met the flying man whose airships crossed the sea

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

","tabs","transcribed by Bill

Just figured this one out yesterday....too fun not to share. The only
parts I'm still a little shaky on are The Riff from the intro and the
chords under the chorus....but both are reasonable approximations.

FWIW, all the HAB tunes I've tabbed are from the 12/31/98 version, since
those performances are pretty grounded and manageable. Things evolve over
time, so YMMV.

Intro:

C jam

Brownstein defines the chord like so:
d-------2-5--
a----3-3-----

(repeat a lotta buncha times....jam.....)

Magner's playing arpeggios than can be approximated on guitar like so:
e----0----1--3--1-1------
b-----1-0--1--1----1-1---
g------0----0--0----0----

Or something...listen to it and you'll hear what I mean.

Intro melody 1 (I know Barber plays these in a different position, but
whatever):
C * F
e-------0--3--7--8--8s5---0--3--1-----
b----1--------------------------------
g----------0--4--5--5s2------0--------
d-------2-----------------2-----3-----
a----3--------------------------------

F piano arpeggio is like this:

e----1-----3----5----3-3------
b-----1-1---1----1------1-1--- (x 2)
g------2-----2----2------2----

Then repeat Melody 1, except from the * on play:

C Dm
e----8s5---0-----------
b--------------3-------
g----5s2---------------
d----------2---0-------

Dm arpeggio (again, all of these are just to give you an idea of what's
going on- listen to it, you'll hear what I mean):

e----------0----1----0-------
b----3------3----3----3-3---- (x 2)
g-----2-2----2----2----2-----
d------0---------------------

Melody 1 again, from the * on play
G
e----10--12--13-15--17--19-----
b------------------------------
g----7---9---10-12--14--15-----

G arpeggio:

e-------------------1s3-1---------
b----0----1----3---------3-1-3----
g-----0----0----0----------------- (x 2)
d------0----0----0----------------

Intro melody 2:
G C
e----19---15---17---17-15-17-15-13---13-13--10--8----
b----------------------------------------------------
g----15---12---14---14-12-14-12-10---10-10--7---5----

C arpeggio (Barber actually plays this one):
e-------------------3s5---------
b---------3----5-------6-3-5----
g----5-----5----5--------------- (x 4)
d-----5-----5----5--------------
a------3------------------------

The Riff (best I can figure it):
e-----------------------13------15s17----------12-12----------
b----13--13-15s17-13--13--13--13-------15-15--------13-13----- (x 4)
g------12-----------12------12--------------------------------

Intro melody 3:
e----19--17--15--13--12-13-12----12-13------------
b----------------------------14-------15------------
g-----------------------------------------14-14----

(and Brownstein adds:)
a----2-------
E-----3-3----

(x 4, and then the last time add this transition lick into the verse):
F D/F# G
e----------------------------------
b----12-12h13-12--12-13-13-14----15
g---------------14-----------------

C/G A5 Bb5 A5 C C (x 4)

(the 5's indicate power chords- no thirds)

A5 Bb5 A5 Bb5 A5 G G (x 3)

A5 Bb5 A5 Bb5 A5 G G7

C/G A5 Bb5 A5 C C

C F Em Dm
Manila was a cruel machine, he'd taken his fair share
C F Em Dm
He gobbled up the world he owned, petals paved his stairs
C F Em Dm
Manila thanked the very moon for money and his life
C F Em Dm
He trifled nothing miniscule, including one, his wife
F Em Dm G
Leora, his arranged wife, did not need his greed
F Em Dm G
She asked the stars and very moon to one day cross the sea
F Em Dm G
Manila's gaze a vacant stare, nothing there could grow
F Em Dm G
She cherished dreams of flying high and leaving him below

G7

C G Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
As her eyes go round the room to catch someone watching
C Dm Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
Underneath the very moon that each one was watching

C/G A5 Bb5 A5 C C

2d verse and chorus same as first

Then the melody referred to by some as the Don Cote lick:
*
e--------------------------------------------------------------------
b--------8-8-6-5---------5----------------5---5h6-5---5-8-8-----8----
g----5--5---------7-7-7-7-7-5-5--7--7-7--7---7-----7---------7-7-7---

(x 4) The fourth time it stops at the * and they hit these chords:

C C G Am G D Am D

Jam riff:

d-----------------------------------------------2-2---------------
a-------2-4-5-4-2-----2-4-5-4-2h4p2------2-4-5-4------2-4-5-4-2---
E----3-----------5p3-----------------0-0--------------------------","legacyAbbr","moon",122,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","featuredLyric","Leora stands on her head\nDoin' the two step on her hands\nUnderneath the very moon each one was watching","timesPlayed",201,"dateLastPlayed",["D",1750809600000],"dateFirstPlayed",["D",913161600000],"yearlyPlayData",{"_102":70,"_103":104,"_105":106,"_107":108,"_109":110,"_111":112,"_113":114,"_115":70,"_116":117,"_118":119,"_120":114,"_121":108,"_122":114,"_123":114,"_124":57,"_125":57,"_126":127,"_128":127,"_129":130,"_131":127,"_132":70,"_133":130,"_134":57,"_135":70,"_136":57,"_137":70,"_138":127,"_139":130},"1998","1999",50,"2000",11,"2001",15,"2002",20,"2003",12,"2004",5,"2005","2006",8,"2007",9,"2008","2009","2010","2011","2012","2013","2014",4,"2015","2016",2,"2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_142":143,"_149":150,"_154":155,"_157":158,"_161":162,"_166":167,"_170":171,"_175":176,"_180":181,"_184":185},"139",{"_25":144,"_145":146,"_147":148},"2008-12-12","previous","2008-04-22","delta_days",234,"166",{"_25":151,"_145":152,"_147":153},"2012-07-07","2011-12-28",192,"167",{"_25":156,"_145":151,"_147":95},"2013-01-24","168",{"_25":159,"_145":156,"_147":160},"2014-01-24",365,"174",{"_25":163,"_145":164,"_147":165},"2015-10-30","2015-04-25",188,"185",{"_25":168,"_145":169,"_147":95},"2019-07-20","2018-12-31","187",{"_25":172,"_145":173,"_147":174},"2020-10-25","2019-12-12",318,"191",{"_25":177,"_145":178,"_147":179},"2022-09-10","2021-11-26",288,"192",{"_25":182,"_145":177,"_147":183},"2023-06-08",271,"196",{"_25":186,"_145":187,"_147":188},"2024-08-28","2024-01-26",215,"mostCommonYear",1999,"leastCommonYear",2012,"guitarTabsUrl","http://sickbarberlicks.weebly.com/the-very-moon.html","annotations",[],{"_21":198,"_51":22,"_52":199,"_54":200,"_56":57,"_58":59,"_30":201,"_32":202,"_34":35,"_23":203,"_63":37,"_64":65,"_66":-5,"_67":204,"_38":205,"_40":127,"_45":206,"_72":207,"_195":279},"2e0886aa-3a19-4cd5-babf-6f9c5db94cc5","b7c8b805-fef7-441e-8d8c-085b241b6ca1","S2",["D",1740799209349],["D",1761935039372],"2025-02-28-above-the-waves-s2-1","f812af12-9200-4943-b078-690ff93e63ef",4.625,"Above The Waves S2 opener segue > And the Ladies Were the Rest of the Night with ‘The Imperial March’ (John Williams) teases with ‘Stars In The Sky’ Jam",{"_21":199,"_74":208,"_23":209,"_30":210,"_32":211,"_79":212,"_81":213,"_27":37,"_83":214,"_29":106,"_86":65,"_87":88,"_89":90,"_91":215,"_92":216,"_94":179,"_96":217,"_98":218,"_100":219,"_140":227,"_189":190,"_191":277,"_193":278,"_45":208},"Above The Waves","above-the-waves",["D",1582386622697],["D",1756174173119],"

Above the waves, Going under

Corrinado swam like hell on fire
With jelly arms and beaten bones
He rode the crests, he broke the waves
Trying to get a breath of air for all that he had left to save

Mulberry let the engines burn
The airship lifting off the ground
He watched the sea, could not believe
That he thought Corrinado could be free, his life was now in vain

All was left one chance to fly away
He spun, he heard a gasping sound
But he did not see his friend

After the sun and light were gone
Before he found himself at home
Corrinado swam, fought the waves
Remembering when, a myriad of falls, behind another day

All was left one chance to fly away
just beyond his reach the plan
To reunite them once again

Caught in the waves as the wind whipped on
and the sand sat calmly miles below
He had to swim, to take the day
Hoping to see Mulberry when he crawled to reach his getaway

All was left one chance to fly away
Just beyond his reach the plan
To reunite them once again

","

transcribed by Rich Steele

~~Above The Waves

Intro (in 4/4)
E
B 3 0 0 3 3 3 3 3
G 2 (sl) 4 4 2 2 2 0 2 2
D 0 0 0
A (let these notes
E sustain)
(repeat)

(next part after intro goes to 3/4)
(this part is played one through over the 3 chords, then stays on the B after that)

(A)
E 5(h)7 5
B 8(p)7 5 5(h)7 5 5(h)7 5
G 7(p)6 4 4(h)6 4 4(h)6 4
D 7(p)6 4 4(h)6 4 4(h)6 4
A 7 5 4
E 5

(Bb)
E 6(h)8 6
B 9(p)8 6 6(h)8 6 6(h)8 6
G 8(p)7 5 5(h)7 5 5(h)7 5
D 8(p)7 5 5(h)7 5 5(h)7 5
A 8 6 5
E 6

(B)
E 7(h)9 7
B 10(p)9 7 7(h)9 7 7(h)9 7
G 9(p)8 6 6(h)8 6 6(h)8 6
D 9(p)8 6 6(h)8 6 6(h)8 6
A 9 7 6
E 7

then the rest is over the B chord I believe.

here's the next little riff he does.

E
B 7(h)9(p)7
G 9(h)11(p)9
D 7(h)9(p)7 9(p)7
A
E

E
B 9(h)11(p)9
G 9(p)7
D
A
E
(repeat once, then play the part before that again)

Then, on the first (above the waves....) play a
B major on the 7th fret on every 3rd beat. and a C# major > B major at the
last (above the waves....).
On the next time around, instead of playing the B on every 3rd beat, it
goes B > E, B > E alternating every other 3rd beat, until the last (above
the waves...) where its a G#m > F# major.
(If all this details just confuses you, just listen to a tape and listen
for the chord changes.:)

then the song drops into F#m, where Jon comes in with this riff.

E
B 15 15 15 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14
D
A
E

E
B 15 15 15 15(sl)17 17 17 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14(p)11
D
A
E

E 14 14 14(sl)13 13 12 11 12(p)11
B 14 15 17 14 14 14 12 12 14 15~ 16~~~
G 16 11 12
D 12(sl)14
A
E
(Bb) (E) (C#m)
E 14 14 14(sl)13 13
B 14 14 14 14 13 11 12 9
G 10 10 13 13 9
D sl>12 12 14 14 11
A
E

(now, after the jam, when it comes back into this section, you're
basically playing the same thing as above, until right before the D-A-G-A
part, where you play over these chords: F#m F Bb E A. After the last A, it
goes into the D-A-G-A.)

This is a simple D, A, G progression. Play the D on the 5th fret, the A
also on the 5th, and the G on the 3rd. Figure out the rhythm and all that
for yourself, cause its pretty simple. :)

Ok, the next part comes right after that last A chord. (..and he could not
see his friend..)

E
B 10 10 10 10 9 7 7 10 9 7 7
G 9 11 11~ 7 9 9~
D
A (play this twice)
E

E
B 9 10 10(s)12 12 9 10 10 9
G 7 9 11 11 9 7 9 9

E 10 10 10 10 9
B 9 10 10(sl)12 9 10 12 7 9 9 10 10
G 7 9 11

E 9 10 12 12 9 10 9 10 12(sl)14 14 10 12 10 12 15 15 12 14
B 9 10 12 9 10 12 10 12 14
G

E 17 17 17 17 15 14 15 17 19 19 15 17 22 22 22 22 21 19
B 15 17 17 15 17 19
G

E 17 19 17 15 17 15 14 15 14
B 17 15 15 14 14 14 15 15 17
G 14

then he comes back in with that same intro riff for 2 measures (i think),
then he does something like this. (note: he first starts this a octave
higher, but its much easier to learn it this way first)

E
B 3 5 7
G 2(sl)4 4 4(sl)6 6 6(sl)9 7 9 9(h)11
D
A
E

E 7 10 9 7
B 7 8 8(sl)12 12 10 10 8 4
G 9
D
A
E

E 9 7 5
B 5 5 5 5 5(sl)10 10 8 8 7 7
G 4 4 4
D 5 5 5
A
E

E
B 7 7 7 5 5 5 3 2
G 7 7 7 7 6 6 4
D 7 7 7 7 7 5 4
A
E

E
B 0 0 0 3 3
G 0 0 0 2 4 0 2 2
D 2 2 2 2 4 5 2 0 0 0
A
E

(then, just repeat intro riff)

(Thanks to Bill Stites for helping me with those chord progressions)

","atw","

Debuted at the tail end of 1998, Waves is one of the final songs of the Hot Air Balloon rock opera (third to last by debut order and second to last chronologically). Like most of the opera, it is a high water mark for the band both lyrically and compositionally. It is also the first Biscuits song to debut with a defined trance jam. Both versions from 1998 are remarkably strong.\r

Although it was one of the last Hot Air Balloon songs to debut, with the finished version first appearing 12/29/98, an instrumental passage that would later be incorporated into Waves was performed as Road Song four times in 1998, for the first time on 2/21/98 and as late as 6/4/98. All four versions were played before any song from the finalized opera had debuted. \r

Waves was the most played song in 1999, a year which saw the band continue to develop and use Waves in inventive ways. The song was split up for the first time the third time it was played, 1/18/99, in a spectacular Waves > Vassillios > Waves sandwich. It was performed dyslexic for the first time on 3/21/99 (Waves > Run Like Hell is particularly worth hearing) and inverted for the first time at the first Camp Bisco on 8/21/99 (the entire Shimmy > Waves (><) > Shimmy is worthwhile, but Waves > Shimmy is especially excellent).\r

The song was a massive vehicle for high speed trance jams in the winter and spring of 1999, with numerous standout versions including the 35 minute juggernaut from 2/3/99. Other excellent versions from this era include 3/13/99, 3/27/99, 4/9/99, 5/1/99, 5/6/99 and 6/5/99. In the summer and fall, the song regularly began to feature a dub jam. Waves had incorporated dub jams before, notably on 2/3/99 and 2/20/99, but after the inverted version from 8/21 it became a mainstay. Some excellent versions from this era include 8/21/99, 9/14/99, 10/9/99 and 10/22/99.\r

Waves remained a strong jam vehicle through the rest of 1.0. In 2000, a year with considerable dub influence, Waves reverted back to a trance vehicle. It soon became one of the most frequently inverted songs. 10/14/00 is one of the strongest inverted versions ever, and 11/2/01 notably opened with a “Koyanisqaatsi Jam” > inverted Waves, the first time a show opened with a jam into an inverted song. Important versions from post-1999 1.0 are multitudinous, including 10/14/00, 10/26/00, 11/2/00 12/27/00, 4/7/01, 4/28/01, 9/1/01, 11/2/01, 3/8/02, 10/2/02, 8/15/03, and 11/26/03. \r

When Allen joined the band, Waves remained a rotation staple and an important jam vehicle. On 11/8/06, the audience voted for a Waves encore; this was the first time a standalone Waves was played in the encore slot. There aren’t many standout versions from the year, but 11/19/06 with Magellan teases, and the fantastic Waves/Crickets mashup from 12/30/06 (the first setlist written by Allen, and what a setlist it is), are both standout versions. Similarly, for being such a strong year for the band, 2007 has something of a dearth of excellent Waves. 5/20/07 stands above the rest, but the song was grossly underutilized in 07.\r

The lull continued into 08, with a few uninspired ending only versions at the beginning of the year, before a massive exploratory inverted version on 3/22/08 in Denmark. The April shows at the Nokia saw the first split inversion of Waves, with the middle played on 4/11/08 and the ending and beginning played on 4/12/08. After only one performance between April and December, Waves closed out the year strong, with two stellar performances at Holidaze (12/14/08) and the Nokia (12/28/08).\r

The momentum built at the end of 2008 continued into 2009, easily the strongest year for Waves in a decade. It was often played middle only, including such standout performances as 1/31/09, 2/13/09, 2/27/09, and, most significantly, 4/24/09, 6/4/09, and 12/31/09.\r

Waves remained a regular in the rotation through the rest of 2.0 and the setbreak era (appearing 2-6 times per year). In 2015, Waves was played as a split inversion again for the first time since 09, and was played that way off and on for the next couple of years. It hit another period of growth in 2016, with standout versions from 3/26/16 and 7/15/17.\r

In the post-setbreak years, Waves continued its upward trajectory, appearing 8 times in 2021 and 2022 and 10 times in 2023 (the most appearances in a single year since 2010). The 2021 versions are particularly strong, with the fall seeing a return to the looser, dubby style in which the song was played in fall 1999. The 9/19/21 version features a distinct Gamma Goblins jam (complete with Alan Watts samples) and 11/21/21 is perhaps the best standalone version played with Allen.\r

Waves has remained a staple of the band’s catalog since its debut. It was played on average every 2.6 shows in 1999, and never left the catalog for more than 23 shows, when Barber broke his wrist in 2010. The longest gap otherwise was 21 shows in 2013.\r

","All was left one chance to fly away",["D",1755907200000],["D",914889600000],{"_102":130,"_103":220,"_105":108,"_107":221,"_109":222,"_111":223,"_113":127,"_115":114,"_116":112,"_118":224,"_120":117,"_121":225,"_122":106,"_123":226,"_124":226,"_125":130,"_126":114,"_128":127,"_129":114,"_131":114,"_132":226,"_133":70,"_134":130,"_135":117,"_136":117,"_137":224,"_138":224,"_139":114},53,24,25,13,10,21,6,{"_228":229,"_233":234,"_238":239,"_243":244,"_248":249,"_253":254,"_258":259,"_263":264,"_268":269,"_273":274},"55",{"_25":230,"_145":231,"_147":232},"2000-04-21","1999-10-31",173,"135",{"_25":235,"_145":236,"_147":237},"2004-12-30","2004-05-08",236,"169",{"_25":240,"_145":241,"_147":242},"2008-12-14","2008-06-11",186,"210",{"_25":245,"_145":246,"_147":247},"2012-07-06","2012-01-27",161,"216",{"_25":250,"_145":251,"_147":252},"2013-12-29","2013-01-25",338,"225",{"_25":255,"_145":256,"_147":257},"2016-01-01","2015-07-17",168,"231",{"_25":260,"_145":261,"_147":262},"2017-06-02","2016-12-29",155,"243",{"_25":265,"_145":266,"_147":267},"2019-11-15","2019-05-25",174,"246",{"_25":270,"_145":271,"_147":272},"2020-10-16","2020-01-04",286,"247",{"_25":275,"_145":270,"_147":276},"2021-04-03",169,1998,"http://sickbarberlicks.weebly.com/above-the-waves.html",[280,287],{"_21":281,"_282":198,"_283":284,"_30":285,"_32":286},"719ebd6d-b62d-4207-96e0-8e9106c68541","trackId","desc","with ‘The Imperial March’ (John Williams) teases",["D",1740920829791],["D",1740920829791],{"_21":288,"_282":198,"_283":289,"_30":290,"_32":291},"9a8c62ed-9de3-4b0c-989f-81263c25d834","with ‘Stars In The Sky’ Jam",["D",1740920829871],["D",1740920829871],{"_21":293,"_51":22,"_52":294,"_54":200,"_56":70,"_58":59,"_30":295,"_32":296,"_34":35,"_23":297,"_63":37,"_64":65,"_66":204,"_67":298,"_38":205,"_40":127,"_45":299,"_72":300,"_195":360},"1193da75-ecaa-4476-9b44-c5ff6bdf8476","906baac6-e96b-4390-ba71-bff0761dd6a2",["D",1740801561345],["D",1761935050623],"2025-02-28-ring-the-doorbell-twice-s2-3","8fedd4f7-8559-4b3b-b3b3-613720cfa32e","Ring the Doorbell Twice S2 segue > And the Ladies Were the Rest of the Night Shocked",{"_21":294,"_74":301,"_23":302,"_30":303,"_32":304,"_79":305,"_81":37,"_27":306,"_83":-5,"_29":-5,"_86":65,"_87":307,"_89":-5,"_91":37,"_92":37,"_94":308,"_96":309,"_98":310,"_100":311,"_140":312,"_189":358,"_191":359,"_193":37,"_45":301},"Ring the Doorbell Twice","ring-the-doorbell-twice",["D",1704000968034],["D",1756174199549],"

Ring the Doorbell Twice

VERSE 1

You say it irresistible

When it happens only one time

And slightly mythical

That we did it on our first try

Late night, Broken Shades, Streetlights

Chasin lighting in a bottle

We gotta get it right

I never said im invincible, wo-o-ah

Ill ring the doorbell twice x2 (repeat over build)

CHORUS

Maybe you, maybe you got this movin yeah, whoa

Maybe you, maybe you got this move

Ill ring the doorbell twice x2

Maybe you, maybe you got this movin yeah

Looks like we got it right

Maybe you, maybe you got this move

Ill ring the doorbell twice x2

VERSE 2

It’s obvious and logical

To repeat whatever feels right

It might be cryptical

But i never learned how to say goodbye

Worldwide, Motorcade, Soundbytes

Got you stompin on the throttle

Looks like we got it right

I love doing the impossible, wo-o-ah

Ill ring the doorbell twice x2 (repeat over build)

BRIDGE

CHORUS

","Originating from the 10/28/23 Buy The Time -> Digital Buddha Jam at the Capitol Theatre, it debuted during the 2023 NYE run & has become a band & fan favorite ever since.","8a2d334a-3281-4a86-a2b4-5f161f819988",34,["D",1755907200000],["D",1703894400000],{"_137":57,"_138":110,"_139":223},{"_313":314,"_318":319,"_323":324,"_328":329,"_333":334,"_337":338,"_342":343,"_346":347,"_349":350,"_353":354},"1",{"_25":315,"_145":316,"_147":317},"2024-01-27","2023-12-30",28,"3",{"_25":320,"_145":321,"_147":322},"2024-03-07","2024-02-09",27,"9",{"_25":325,"_145":326,"_147":327},"2024-06-20","2024-04-13",68,"13",{"_25":330,"_145":331,"_147":332},"2024-08-11","2024-07-19",23,"14",{"_25":335,"_145":330,"_147":336},"2024-09-06",26,"16",{"_25":339,"_145":340,"_147":341},"2024-11-02","2024-09-15",48,"20",{"_25":344,"_145":345,"_147":308},"2024-12-28","2024-11-24","25",{"_25":26,"_145":348,"_147":110},"2025-02-08","26",{"_25":351,"_145":26,"_147":352},"2025-06-07",99,"33",{"_25":355,"_145":356,"_147":357},"2025-08-23","2025-07-11",43,2024,2023,[],{"_21":362,"_51":22,"_52":363,"_54":364,"_56":57,"_58":37,"_30":365,"_32":366,"_34":35,"_23":367,"_63":37,"_64":65,"_66":-5,"_67":-5,"_38":368,"_40":70,"_45":369,"_72":370,"_195":423},"cf858a3f-0e5b-4af7-aeb5-deb1ff885b1d","a633dafa-d9ec-4882-a9f8-89531558cf35","E1",["D",1740804913949],["D",1761935067450],"2025-02-28-no-recollection-e1-1",2.666666666666667,"No Recollection E1 opener segue",{"_21":363,"_74":371,"_23":372,"_30":373,"_32":374,"_79":375,"_81":37,"_27":376,"_83":-5,"_29":-5,"_86":65,"_87":307,"_89":-5,"_91":37,"_92":377,"_94":332,"_96":378,"_98":379,"_100":380,"_140":382,"_189":358,"_191":422,"_193":37,"_45":371},"No Recollection ","no-recollection",["D",1706321217328],["D",1756174195022],"

VERSE 1

I store my memories

Somewhere beyond comprehension

Is it real, if there’s no recollection

Now suddenly

I can recall our connection

(and it’s) looking like the life for me

VERSE 2

Sometimes my fantasies

Can be a source of contention

Sometimes i dream of things i cannot mention

Now suddenly

It seems you caught my attention

(and it’s) looking like the life for me

CHORUS

We got supernatural connection

(and it’s) looking like the life for me

We got love we got our imperfections

(and it’s) looking like the life for me

","The No Recollection jam had been played several times throughout 2023, most notably 3/11/23 during the ‘Helicopter’ encore, 10/7/23 during Mindless Dribble & 12/28/23 at the end of Times Square before the band added lyrics. It debuted on 1/26/24 at Crystal Bay.","We got supernatural connection\n(and it’s) looking like the life for me",["D",1755907200000],["D",1706227200000],{"_138":381,"_139":226},17,{"_383":384,"_387":388,"_392":393,"_328":396,"_333":400,"_403":404,"_408":409,"_342":412,"_415":416,"_419":420},"5",{"_25":385,"_145":386,"_147":317},"2024-03-09","2024-02-10","10",{"_25":389,"_145":390,"_147":391},"2024-05-26","2024-04-12",44,"11",{"_25":394,"_145":389,"_147":395},"2024-07-05",40,{"_25":397,"_145":398,"_147":399},"2024-09-08","2024-07-15",55,{"_25":401,"_145":397,"_147":402},"2024-11-07",60,"17",{"_25":405,"_145":406,"_147":407},"2025-01-19","2024-11-22",58,"19",{"_25":26,"_145":410,"_147":411},"2025-01-30",29,{"_25":413,"_145":26,"_147":414},"2025-06-19",111,"21",{"_25":417,"_145":413,"_147":418},"2025-07-05",16,"22",{"_25":355,"_145":417,"_147":421},49,2025,[],{"_21":68,"_51":22,"_52":425,"_54":55,"_56":130,"_58":59,"_30":426,"_32":427,"_34":35,"_23":428,"_63":37,"_64":65,"_66":50,"_67":429,"_38":430,"_40":70,"_45":431,"_72":432,"_195":472},"bec6ebe0-91dd-4da8-9657-a680d3f943d6",["D",1740794037869],["D",1761935009452],"2025-02-28-better-in-doses-s1-2","8dd4d40e-a6e4-46f5-b6a7-3f879567b39f",4.666666666666667,"Better In Doses S1 segue > The Very Moon Portal To An Empty Head",{"_21":425,"_74":433,"_23":434,"_30":435,"_32":436,"_79":437,"_81":-5,"_27":438,"_83":-5,"_29":-5,"_86":65,"_87":307,"_89":-5,"_91":-5,"_92":-5,"_94":418,"_96":439,"_98":440,"_100":441,"_140":442,"_189":422,"_191":358,"_193":-5,"_45":433},"Better In Doses","better-in-doses",["D",1720380219933],["D",1758186604985],"

VERSE 1

You know I’m waiting, waiting for days

You’re busy plotting every move that you make

I chase you down and you say nothin’s changed

Knew you lyin from that look on your beautiful face

And then you said I, said I was brave

Those good intentions on the road that you pave

You say im crazy then you act insane

This typa spice is never free

CHORUS

this situation explosive

I know its been a long time since I been around here did you notice

you cut me up with a smile

I’m taken better in doses

and you can take it for a ride if you get into gear and you know this

And you have for a while

this situation explosive

VERSE 2

Talk is a little too late

You can’t explain you only see it your way

You won’t betray me with the words you say

But you can try it if you thinking you missing the taste

It’s not the time to behave

and its ok to be a little afraid

This kinda feeling isn’t one you fake

You know the secrets safe with me

CHORUS

POST

Its not the time to behave

You know the secrets safe with me

","Inspired by the Wormhole jam from 8/10/23 at the Clubhouse in Hampton, NY, Better In Doses was FTP at Biscoland on 7/6/24. It has since become a jam vehicle with several 30min+ versions to date.",["D",1755734400000],["D",1720224000000],{"_138":226,"_139":224},{"_318":443,"_446":447,"_383":449,"_451":452,"_454":455,"_457":458,"_323":459,"_392":462,"_465":466,"_333":468},{"_25":186,"_145":444,"_147":445},"2024-07-18",41,"4",{"_25":401,"_145":186,"_147":448},71,{"_25":450,"_145":401,"_147":104},"2024-12-27","6",{"_25":453,"_145":450,"_147":222},"2025-01-21","7",{"_25":456,"_145":453,"_147":381},"2025-02-07","8",{"_25":26,"_145":456,"_147":225},{"_25":460,"_145":26,"_147":461},"2025-06-10",102,{"_25":463,"_145":464,"_147":119},"2025-06-27","2025-06-18","12",{"_25":467,"_145":463,"_147":119},"2025-07-06",{"_25":469,"_145":470,"_147":471},"2025-08-20","2025-07-12",39,[],{"_21":474,"_51":22,"_52":475,"_54":55,"_56":127,"_58":37,"_30":476,"_32":477,"_34":35,"_23":478,"_63":37,"_64":65,"_66":429,"_67":-5,"_38":130,"_40":130,"_45":479,"_72":480,"_195":545},"1eeb15b1-2224-45b5-8c79-7aef6d00691c","1358373c-1a40-4d36-a4c2-b4cfbb768d7c",["D",1740796503562],["D",1761935022062],"2025-02-28-rock-candy-s1-4","Rock Candy S1 closer segue Portal To An Empty Head",{"_21":475,"_74":481,"_23":482,"_30":483,"_32":484,"_79":485,"_81":486,"_27":487,"_83":488,"_29":489,"_86":65,"_87":490,"_89":491,"_91":-5,"_92":492,"_94":493,"_96":494,"_98":495,"_100":496,"_140":498,"_189":542,"_191":543,"_193":544,"_45":481},"Rock Candy","rock-candy",["D",1582386622697],["D",1756174200532],"

And you got, you got I,
And I got, I got you.
And you got, you got I,
And now we both have two.

","

Transcribed by Rich Steele

main riff

E
B
G
D 5(h)7 9 7 5 7
A 7
E

main progression
E E D F# F# E G G F# D# D# D# E
E
B 9 9 7 11 11 9 12 12 11
G 9 9 7 11 11 9 12 12 11 20 20 20 21
D 9 9 7 11 11 9 12 12 11
A 7 7 5 9 9 7 10 10 9 18 18 18 19
E

chords over the \\"youuuuu gotttt IIII gottttt youuuu\\" part is C > A > E > C > main riff

keyboard riff transcribed by Ben Conarck

E - 17~~ 13(h)14 17 16 15 13
B - then.. 17~~ 13(h)14 17 16 15 13
G -
D -
A -
E -

","Appears on Electron's \"This is Electron\" album","candy",31,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","And you got, you got I,\nAnd now we both have two",187,["D",1755907200000],["D",1027555200000],{"_109":110,"_111":110,"_113":497,"_115":70,"_116":224,"_118":223,"_120":226,"_121":106,"_122":119,"_123":226,"_124":70,"_125":127,"_126":127,"_128":114,"_129":114,"_131":70,"_132":114,"_133":70,"_134":127,"_135":119,"_136":497,"_137":119,"_138":112,"_139":119},7,{"_499":500,"_504":505,"_509":510,"_513":514,"_518":519,"_521":522,"_525":526,"_530":531,"_233":534,"_537":538},"48",{"_25":501,"_145":502,"_147":503},"2005-11-19","2005-03-26",238,"78",{"_25":506,"_145":507,"_147":508},"2008-12-31","2008-07-18",166,"99",{"_25":511,"_145":512,"_147":242},"2011-07-02","2010-12-28","105",{"_25":515,"_145":516,"_147":517},"2012-10-06","2011-12-31",280,"109",{"_25":520,"_145":251,"_147":276},"2013-07-13","113",{"_25":523,"_145":524,"_147":95},"2014-08-15","2014-01-26","121",{"_25":527,"_145":528,"_147":529},"2016-06-04","2015-12-30",157,"134",{"_25":266,"_145":532,"_147":533},"2018-11-24",182,{"_25":535,"_145":266,"_147":536},"2019-11-17",176,"138",{"_25":539,"_145":540,"_147":541},"2020-06-22","2020-01-02",172,2003,2005,"http://sickbarberlicks.weebly.com/rock-candy.html",[],{"_21":429,"_51":22,"_52":547,"_54":55,"_56":70,"_58":59,"_30":548,"_32":549,"_34":35,"_23":550,"_63":37,"_64":65,"_66":68,"_67":474,"_38":130,"_40":130,"_45":551,"_72":552,"_195":607},"c015a2af-a88c-4daf-ba8b-bd38968023bb",["D",1740795908301],["D",1761935014634],"2025-02-28-portal-to-an-empty-head-s1-3","Portal To An Empty Head S1 segue > Better In Doses Rock Candy inverted",{"_21":547,"_74":553,"_23":554,"_30":555,"_32":556,"_79":557,"_81":37,"_27":37,"_83":558,"_29":559,"_86":65,"_87":490,"_89":491,"_91":-5,"_92":-5,"_94":560,"_96":561,"_98":562,"_100":563,"_140":564,"_189":604,"_191":605,"_193":606,"_45":553},"Portal To An Empty Head","portal-to-an-empty-head",["D",1582386623989],["D",1756174198002],"And I step into a black hole, take a step back
So maybe I won't go in my head
And I'm looking out the window and I see the wind blow
Maybe I won't know when to end

I can't quite make out what you said
As you step through a portal to my empty head

Here's my portal to an empty head

And I'm driven by desire, dreams are on fire
Gonna hook a wire to my brain
And I'm sitting in a limo, living in limbo
Hoping that I won't end up insane","portal",390,62,["D",1752019200000],["D",1261785600000],{"_121":130,"_122":381,"_123":119,"_124":130,"_125":130,"_128":57,"_131":70,"_132":70,"_133":130,"_134":57,"_135":130,"_136":70,"_137":497,"_138":70,"_139":114},{"_565":566,"_569":570,"_574":575,"_353":578,"_581":582,"_586":587,"_590":591,"_592":593,"_596":597,"_228":600},"28",{"_25":515,"_145":567,"_147":568},"2011-12-30",281,"31",{"_25":571,"_145":572,"_147":573},"2013-07-12","2013-01-26",167,"32",{"_25":576,"_145":571,"_147":577},"2015-12-03",874,{"_25":579,"_145":576,"_147":580},"2017-02-02",427,"36",{"_25":583,"_145":584,"_147":585},"2018-05-25","2017-09-22",245,"39",{"_25":588,"_145":532,"_147":589},"2019-05-23",180,"40",{"_25":265,"_145":588,"_147":536},"41",{"_25":594,"_145":265,"_147":595},"2020-10-30",350,"44",{"_25":598,"_145":599,"_147":188},"2022-03-31","2021-08-28",{"_25":601,"_145":602,"_147":603},"2024-11-03","2024-02-07",270,2010,2015,"http://sickbarberlicks.weebly.com/portal-to-an-empty-head.html",[608],{"_21":609,"_282":429,"_283":610,"_30":611,"_32":612},"4dd74c22-7eb8-4ed4-aed1-88407394662f","inverted",["D",1740796199603],["D",1740796199603],{"_21":204,"_51":22,"_52":614,"_54":200,"_56":130,"_58":59,"_30":615,"_32":616,"_34":35,"_23":617,"_63":37,"_64":65,"_66":198,"_67":293,"_38":618,"_40":127,"_45":619,"_72":620,"_195":677},"0cd7f2ad-df92-4164-9a72-a461ca3f35be",["D",1740800555129],["D",1761935044230],"2025-02-28-and-the-ladies-were-the-rest-of-the-night-s2-2",4.5,"And the Ladies Were the Rest of the Night S2 segue > Above The Waves Ring the Doorbell Twice inverted",{"_21":614,"_74":621,"_23":622,"_30":623,"_32":624,"_79":625,"_81":37,"_27":37,"_83":626,"_29":352,"_86":65,"_87":490,"_89":491,"_91":627,"_92":628,"_94":629,"_96":630,"_98":631,"_100":632,"_140":633,"_189":674,"_191":675,"_193":676,"_45":621},"And the Ladies Were the Rest of the Night","and-the-ladies-were-the-rest-of-the-night",["D",1582386623009],["D",1756174174382],"

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

It took a few months to infiltrate,
In just one night he bit the bait.
It didn't seem Lai would give it up.
Even when Shelby spiked his cup.

He ran a tight ship and closed his mouth,
Every time the ladies were in the house.
Everything she did was done in vain.
Couldn't get a wire tap in the drain.

Give it up! Give it up!

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

Little Shelby Rose, this is how it goes,
And you know what it takes.
Careful what you say, careful what you do,
Can't afford a mistake.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Little does he know she has him read.
In a couple minutes, they're off to bed.
Takes another name and sculpts her clay,
And not before long she's got her prey.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Give it up! Give it up!

","ladies","

Ladies was first played by Electron on 8/18/00, debuted on the same night as the full Chemical Warfare Brigade opera, along with Floodlights, Shelby Rose and Confrontation. The lyrics are largely the same, but the structure of the song is slightly different: there are shouts of “give it up! give it up!” in the introduction and before the jam, and there is a brief synth jam in between the verses. The jam in this Electron version is also considerably slower and mellower than in Biscuits versions, and there is no peak; rather, the jam just resolves back into the same verse from the intro.

The first and only Biscuits version of Ladies in 2000 is tightened up considerably from the Electron version. It is much faster than the Electron version, and the peak has that much needed Barber “oomph.” Although slightly slower than modern versions, in all other ways the song is virtually indistinguishable.

Ladies was played a whopping 27 times each in 2001 and 2002, the years of the song’s first golden age. It was a staple of the early spring tour, and was mostly played standalone, although it was split on its second performance on 3/22/01 and segued into on 4/12/01 and 4/20/01. It was inverted for the first time at the Bisco Knights festival on 8/25/01. In the fall tour the song became a powerhouse, with standout versions including the set closing standalone on 9/8/01 and the massive inverted version on 9/22/01.

2002 was the year Ladies really took off. 4/25/02 is the first dyslexic version, and the standout version from the spring tour. The summer tour included many excellent versions, including 7/26/02 and 8/11/02, but the real apex for the song came in the fall tour, with two legendary versions on 10/4/02 and 10/18/02.

Ladies became less common after 2002, and although the 2003 versions aren’t as legendary as the late 2001 or 2002 versions, there are a couple with unmistakable merit, such as the unfinished 4/25/03 or the split-up 11/28/03 (which was a part of the fourth complete performance of the Chemical Warfare Brigade. Ladies was only played seven more times with Sammy after 2003.

When Allen joined the band, Ladies became a catalog staple once again. Its second golden age lines up nicely with the second golden age of the band overall, beginning in mid-2007 and lasting into early 2010. The Astronaut > Ladies (><) > Astronaut from 11/19/06 is arguably the first great Ladies with Allen, but the spectacular 5/27/07 Ladies > O Fortuna > Spacebird (><) > Ladies and the over 35 minute Ladies > Gangster from 10/23/07 definitively assured Ladies’ place in the pantheon of trance-fusion juggernauts.

Ladies remained a powerhouse staple through 08 (standout versions including 1/16/08, 4/18/08, 5/24/08, 6/13/08 and 12/30/08), but the song hit another level in 2009, when it was played 21 times (the most of any year since 2002). In a year of furious lightspeed trance jams, Ladies flourished. Notable versions including 2/15/09, 4/24/09, and 6/25/09 are hailed as some of the best ever. The song was played twice in 2010 before wristgate, on 1/29/10 and 3/17/10, and both versions are excellent.

Ladies remained a setlist staple in the setbreak era, and in addition to the numerous versions played during this time, the band frequently used a Ladies style jam to get from A to B in this era. In fact, the year where Ladies was most common was 2012, when it was played on average once every 3.3 shows. Notable versions from the setbreak era include the 1/26/14 Tractorbeam version, 3/26/16, 6/02/16, and 8/20/16.

In the post-setbreak era, Ladies continues to be a setlist staple. It is still frequently played inverted, although well-known exceptions include the set bookending 9/23/23 and the dyslexic 1/28/24 (part of a full set palindrome). Ladies is one of the most frequently played Biscuits songs, appearing on average once every five to six shows since its debut. It has only disappeared from the rotation for more than a dozen shows a few times, and never for more than sixteen shows. It is an indisputably important part of the Biscuits’ catalog.

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Rollin through outer space with my brothers

Shocked! We’re getting shocked!

Four hundred twenty fever blisters my brain

This ship can go faster but you'll go insane

Too amp’d to sense any trouble can't stay in the lanes

Will get ya noticed someday but today’s not that day yeah, yeah, yeah

We’re getting shocked!

Rollin through outer space with my brothers…Shocked!

Maybe it's play ya say what you wanna…Shocked!

Cracks in the windshield spider every which way

They seem to start nowhere then they shatter the pane

The pressure too much to take it’s better running away

The crystal resets the system realigns the display

Ever wonder why you've struggled playing over the line

It's undercover from your mother wasting all of your time

Shocked! We’re getting shocked!

Rollin through outer space with my brothers

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