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Above the waves, Going under

Corrinado swam like hell on fire
With jelly arms and beaten bones
He rode the crests, he broke the waves
Trying to get a breath of air for all that he had left to save

Mulberry let the engines burn
The airship lifting off the ground
He watched the sea, could not believe
That he thought Corrinado could be free, his life was now in vain

All was left one chance to fly away
He spun, he heard a gasping sound
But he did not see his friend

After the sun and light were gone
Before he found himself at home
Corrinado swam, fought the waves
Remembering when, a myriad of falls, behind another day

All was left one chance to fly away
just beyond his reach the plan
To reunite them once again

Caught in the waves as the wind whipped on
and the sand sat calmly miles below
He had to swim, to take the day
Hoping to see Mulberry when he crawled to reach his getaway

All was left one chance to fly away
Just beyond his reach the plan
To reunite them once again

","tabs","

transcribed by Rich Steele

~~Above The Waves

Intro (in 4/4)
E
B 3 0 0 3 3 3 3 3
G 2 (sl) 4 4 2 2 2 0 2 2
D 0 0 0
A (let these notes
E sustain)
(repeat)

(next part after intro goes to 3/4)
(this part is played one through over the 3 chords, then stays on the B after that)

(A)
E 5(h)7 5
B 8(p)7 5 5(h)7 5 5(h)7 5
G 7(p)6 4 4(h)6 4 4(h)6 4
D 7(p)6 4 4(h)6 4 4(h)6 4
A 7 5 4
E 5

(Bb)
E 6(h)8 6
B 9(p)8 6 6(h)8 6 6(h)8 6
G 8(p)7 5 5(h)7 5 5(h)7 5
D 8(p)7 5 5(h)7 5 5(h)7 5
A 8 6 5
E 6

(B)
E 7(h)9 7
B 10(p)9 7 7(h)9 7 7(h)9 7
G 9(p)8 6 6(h)8 6 6(h)8 6
D 9(p)8 6 6(h)8 6 6(h)8 6
A 9 7 6
E 7

then the rest is over the B chord I believe.

here's the next little riff he does.

E
B 7(h)9(p)7
G 9(h)11(p)9
D 7(h)9(p)7 9(p)7
A
E

E
B 9(h)11(p)9
G 9(p)7
D
A
E
(repeat once, then play the part before that again)

Then, on the first (above the waves....) play a
B major on the 7th fret on every 3rd beat. and a C# major > B major at the
last (above the waves....).
On the next time around, instead of playing the B on every 3rd beat, it
goes B > E, B > E alternating every other 3rd beat, until the last (above
the waves...) where its a G#m > F# major.
(If all this details just confuses you, just listen to a tape and listen
for the chord changes.:)

then the song drops into F#m, where Jon comes in with this riff.

E
B 15 15 15 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14
D
A
E

E
B 15 15 15 15(sl)17 17 17 15 14
G 11~~ 14(p)11 14(p)11 14(p)11 14(p)11
D
A
E

E 14 14 14(sl)13 13 12 11 12(p)11
B 14 15 17 14 14 14 12 12 14 15~ 16~~~
G 16 11 12
D 12(sl)14
A
E
(Bb) (E) (C#m)
E 14 14 14(sl)13 13
B 14 14 14 14 13 11 12 9
G 10 10 13 13 9
D sl>12 12 14 14 11
A
E

(now, after the jam, when it comes back into this section, you're
basically playing the same thing as above, until right before the D-A-G-A
part, where you play over these chords: F#m F Bb E A. After the last A, it
goes into the D-A-G-A.)

This is a simple D, A, G progression. Play the D on the 5th fret, the A
also on the 5th, and the G on the 3rd. Figure out the rhythm and all that
for yourself, cause its pretty simple. :)

Ok, the next part comes right after that last A chord. (..and he could not
see his friend..)

E
B 10 10 10 10 9 7 7 10 9 7 7
G 9 11 11~ 7 9 9~
D
A (play this twice)
E

E
B 9 10 10(s)12 12 9 10 10 9
G 7 9 11 11 9 7 9 9

E 10 10 10 10 9
B 9 10 10(sl)12 9 10 12 7 9 9 10 10
G 7 9 11

E 9 10 12 12 9 10 9 10 12(sl)14 14 10 12 10 12 15 15 12 14
B 9 10 12 9 10 12 10 12 14
G

E 17 17 17 17 15 14 15 17 19 19 15 17 22 22 22 22 21 19
B 15 17 17 15 17 19
G

E 17 19 17 15 17 15 14 15 14
B 17 15 15 14 14 14 15 15 17
G 14

then he comes back in with that same intro riff for 2 measures (i think),
then he does something like this. (note: he first starts this a octave
higher, but its much easier to learn it this way first)

E
B 3 5 7
G 2(sl)4 4 4(sl)6 6 6(sl)9 7 9 9(h)11
D
A
E

E 7 10 9 7
B 7 8 8(sl)12 12 10 10 8 4
G 9
D
A
E

E 9 7 5
B 5 5 5 5 5(sl)10 10 8 8 7 7
G 4 4 4
D 5 5 5
A
E

E
B 7 7 7 5 5 5 3 2
G 7 7 7 7 6 6 4
D 7 7 7 7 7 5 4
A
E

E
B 0 0 0 3 3
G 0 0 0 2 4 0 2 2
D 2 2 2 2 4 5 2 0 0 0
A
E

(then, just repeat intro riff)

(Thanks to Bill Stites for helping me with those chord progressions)

","legacyAbbr","atw",11,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

Debuted at the tail end of 1998, Waves is one of the final songs of the Hot Air Balloon rock opera (third to last by debut order and second to last chronologically). Like most of the opera, it is a high water mark for the band both lyrically and compositionally. It is also the first Biscuits song to debut with a defined trance jam. Both versions from 1998 are remarkably strong.\r

Although it was one of the last Hot Air Balloon songs to debut, with the finished version first appearing 12/29/98, an instrumental passage that would later be incorporated into Waves was performed as Road Song four times in 1998, for the first time on 2/21/98 and as late as 6/4/98. All four versions were played before any song from the finalized opera had debuted. \r

Waves was the most played song in 1999, a year which saw the band continue to develop and use Waves in inventive ways. The song was split up for the first time the third time it was played, 1/18/99, in a spectacular Waves > Vassillios > Waves sandwich. It was performed dyslexic for the first time on 3/21/99 (Waves > Run Like Hell is particularly worth hearing) and inverted for the first time at the first Camp Bisco on 8/21/99 (the entire Shimmy > Waves (><) > Shimmy is worthwhile, but Waves > Shimmy is especially excellent).\r

The song was a massive vehicle for high speed trance jams in the winter and spring of 1999, with numerous standout versions including the 35 minute juggernaut from 2/3/99. Other excellent versions from this era include 3/13/99, 3/27/99, 4/9/99, 5/1/99, 5/6/99 and 6/5/99. In the summer and fall, the song regularly began to feature a dub jam. Waves had incorporated dub jams before, notably on 2/3/99 and 2/20/99, but after the inverted version from 8/21 it became a mainstay. Some excellent versions from this era include 8/21/99, 9/14/99, 10/9/99 and 10/22/99.\r

Waves remained a strong jam vehicle through the rest of 1.0. In 2000, a year with considerable dub influence, Waves reverted back to a trance vehicle. It soon became one of the most frequently inverted songs. 10/14/00 is one of the strongest inverted versions ever, and 11/2/01 notably opened with a “Koyanisqaatsi Jam” > inverted Waves, the first time a show opened with a jam into an inverted song. Important versions from post-1999 1.0 are multitudinous, including 10/14/00, 10/26/00, 11/2/00 12/27/00, 4/7/01, 4/28/01, 9/1/01, 11/2/01, 3/8/02, 10/2/02, 8/15/03, and 11/26/03. \r

When Allen joined the band, Waves remained a rotation staple and an important jam vehicle. On 11/8/06, the audience voted for a Waves encore; this was the first time a standalone Waves was played in the encore slot. There aren’t many standout versions from the year, but 11/19/06 with Magellan teases, and the fantastic Waves/Crickets mashup from 12/30/06 (the first setlist written by Allen, and what a setlist it is), are both standout versions. Similarly, for being such a strong year for the band, 2007 has something of a dearth of excellent Waves. 5/20/07 stands above the rest, but the song was grossly underutilized in 07.\r

The lull continued into 08, with a few uninspired ending only versions at the beginning of the year, before a massive exploratory inverted version on 3/22/08 in Denmark. The April shows at the Nokia saw the first split inversion of Waves, with the middle played on 4/11/08 and the ending and beginning played on 4/12/08. After only one performance between April and December, Waves closed out the year strong, with two stellar performances at Holidaze (12/14/08) and the Nokia (12/28/08).\r

The momentum built at the end of 2008 continued into 2009, easily the strongest year for Waves in a decade. It was often played middle only, including such standout performances as 1/31/09, 2/13/09, 2/27/09, and, most significantly, 4/24/09, 6/4/09, and 12/31/09.\r

Waves remained a regular in the rotation through the rest of 2.0 and the setbreak era (appearing 2-6 times per year). In 2015, Waves was played as a split inversion again for the first time since 09, and was played that way off and on for the next couple of years. It hit another period of growth in 2016, with standout versions from 3/26/16 and 7/15/17.\r

In the post-setbreak years, Waves continued its upward trajectory, appearing 8 times in 2021 and 2022 and 10 times in 2023 (the most appearances in a single year since 2010). The 2021 versions are particularly strong, with the fall seeing a return to the looser, dubby style in which the song was played in fall 1999. The 9/19/21 version features a distinct Gamma Goblins jam (complete with Alan Watts samples) and 11/21/21 is perhaps the best standalone version played with Allen.\r

Waves has remained a staple of the band’s catalog since its debut. It was played on average every 2.6 shows in 1999, and never left the catalog for more than 23 shows, when Barber broke his wrist in 2010. The longest gap otherwise was 21 shows in 2013.\r

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Part of the slew of debuts from the Setbreak is Over tour, Anthem soon became the clear favorite of the band. It was played eight times over the tour, more than any other song (for comparison, Electric Slinky and Station were the next most played at six times). Anthem is an instrumental in the vein of Orch Theme, with a simple composed riff repeated, with a short jam section in the middle. It was widely assumed that Anthem would be used as the New Years countdown song and that assumption was borne out.\r

Along with Running into the Night, Anthem was one of the most successful debuts from this era in the following years. It was played 12 times in 2021 and 11 times in 2022. After 5 performances in 2023 (all in the first half of the year) it was shelved indefinitely as the Revolution in Motion songs began to take up more of the setlist.\r

Anthem was typically used as little more than a high-energy peak in jams, but by the summer of 2022 it began to take on a character of its own. Of particular note is the "unfinished" 8/26/22 version, which sees the band transform into a dubby groove out of what had been a fairly rigid jam structure. Most of the versions after this one are worth checking out, but especially 10/30/22, 11/13/22, and 5/21/23.\r

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Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
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All my friends
are super blissed out
Then the crash
Then the break down
The sirens are red
and then the blue lights
Sunbeams creeping in
And I'm running way into the night

So these things
got people wigged out
And I try to reel them in
And help them figure out
The sugar is on the strip
Searchlights in your eyes
We wanna live forever
And I'm running way into night

",495,"16dea9b0-03b7-43eb-bcda-5162b37b7088","Aron Magner, Jon Gutwillig",37,["D",1730937600000],["D",1577404800000],{"_133":229,"_135":115,"_136":505,"_137":119,"_138":125,"_139":229},14,{"_507":508,"_511":512,"_318":513,"_516":517,"_259":520,"_524":525,"_264":528,"_273":530,"_394":534,"_399":536},"2",{"_25":369,"_146":509,"_148":510},"2020-01-03",172,"3",{"_25":373,"_146":369,"_148":374},{"_25":514,"_146":515,"_148":333},"2021-03-26","2020-10-31","20",{"_25":518,"_146":383,"_148":519},"2022-03-04",63,{"_25":521,"_146":522,"_148":523},"2022-08-28","2022-06-23",66,"30",{"_25":526,"_146":527,"_148":384},"2023-01-21","2022-11-18",{"_25":401,"_146":526,"_148":529},68,{"_25":531,"_146":532,"_148":533},"2023-07-18","2023-05-03",76,{"_25":535,"_146":531,"_148":523},"2023-09-22",{"_25":537,"_146":538,"_148":539},"2024-11-07","2023-10-25",379,"http://sickbarberlicks.weebly.com/running-into-the-night.html",[],{"_21":355,"_50":22,"_51":419,"_53":54,"_55":115,"_57":28,"_30":543,"_32":544,"_34":35,"_23":545,"_61":28,"_62":63,"_64":293,"_66":216,"_38":546,"_40":229,"_45":547,"_70":548,"_200":565},["D",1654395853577],["D",1763005959940],"2022-06-04-little-shimmy-in-a-conga-line-s1-5",0.5,"Little Shimmy In A Conga Line S1 segue Anthem Freeze",{"_21":419,"_72":425,"_23":426,"_30":549,"_32":550,"_77":429,"_79":430,"_27":28,"_81":431,"_29":432,"_84":63,"_85":86,"_87":88,"_89":-5,"_91":433,"_93":434,"_95":551,"_97":552,"_99":553,"_141":554,"_194":197,"_196":409,"_198":484,"_45":425},["D",1582386623147],["D",1756174191371],["D",1755993600000],["D",888451200000],{"_101":263,"_102":438,"_104":439,"_106":440,"_108":122,"_110":119,"_112":115,"_114":134,"_116":119,"_118":115,"_120":113,"_121":119,"_123":119,"_124":134,"_126":113,"_127":115,"_128":211,"_129":134,"_130":115,"_131":134,"_132":113,"_133":115,"_135":229,"_136":211,"_137":125,"_138":56,"_139":125,"_140":439},{"_442":555,"_446":556,"_451":557,"_456":558,"_165":559,"_463":560,"_468":561,"_472":562,"_477":563,"_481":564},{"_25":444,"_146":445,"_148":370},{"_25":448,"_146":449,"_148":450},{"_25":453,"_146":454,"_148":455},{"_25":458,"_146":453,"_148":459},{"_25":461,"_146":458,"_148":462},{"_25":465,"_146":466,"_148":467},{"_25":317,"_146":470,"_148":471},{"_25":474,"_146":475,"_148":476},{"_25":377,"_146":479,"_148":480},{"_25":483,"_146":377,"_148":321},[],{"_21":216,"_50":22,"_51":567,"_53":54,"_55":125,"_57":212,"_30":568,"_32":569,"_34":35,"_23":570,"_61":28,"_62":63,"_64":355,"_66":65,"_38":546,"_40":229,"_45":571,"_70":572,"_200":618},"da629823-835a-4199-a674-f3753dee01f7",["D",1654395874294],["D",1763005959940],"2022-06-04-freeze-s1-6","Freeze S1 segue > Little Shimmy In A Conga Line M1 FTP (tDB original)",{"_21":567,"_72":573,"_23":574,"_30":575,"_32":576,"_77":577,"_79":28,"_27":28,"_81":-5,"_29":-5,"_84":63,"_85":578,"_87":-5,"_89":28,"_91":28,"_93":579,"_95":580,"_97":581,"_99":582,"_141":584,"_194":277,"_196":278,"_198":28,"_45":573},"Freeze","freeze",["D",1654395988960],["D",1756174183799],"

Freeze, get your hands up x2

Feels like yesterday, flying around causing trouble, nothing left to do

Now we're on our way, future’s bright got my sights set on 7th avenue

In New York City, drive around we should kick it, drop top in the rain

Don’t have no pity, it's not the human way, they won't feel any pain

CHORUS:

Freeze, get your hands up…you think you got all the moves

Freeze, get your hands up…there's nothing you can do

Freeze, get your hands up…come close i'll tell you the news

Freeze, get your hands up…

This freeze is coming after you x5

Better lucky than good, never turn your back on a each other, not the thing to do

It’s well understood, it's our night city lights lookin real good on you

Gotta make some money, throw it around book a party, spend it all in a day

Gonna have a good time, i don't care what they say, were gonna do it anyway

CHORUS:

Take your positions, prepare the crystal

Don't heed your inhibitions, you won't find them useful

Full power procedures, all systems ready

This calls for precision, you better keep the aim steady

This freeze is coming after you x5

get your hands up…This freeze is coming after you x2

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June 04, 2022