[{"_1":2,"_1135":-5,"_1136":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_1131":1132,"_1133":-5,"_1134":-5},"setlist",{"_19":20,"_887":915,"_916":917,"_192":1126},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":-5,"_38":39,"_40":41,"_42":36,"_43":36,"_44":36,"_45":-5,"_46":47,"_887":888,"_912":889,"_913":914},"id","e6664280-c9d6-4f86-bd10-75e41d5deb74","slug","2014-02-20-electric-factory-philadelphia-pa","date","2014-02-20","notes","Ichisan opened","legacyId",1416,"createdAt","2020-02-22T16:19:52.200Z","updatedAt","2025-08-22T14:57:25.066Z","likesCount",0,"relistenUrl","averageRating",3.617647058823529,"ratingsCount",17,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[48,194,273,347,414,433,495,558,626,696,715,774,828],{"_21":49,"_50":22,"_51":52,"_53":54,"_55":56,"_57":-5,"_31":58,"_33":58,"_35":36,"_23":59,"_60":-5,"_61":62,"_63":64,"_65":66,"_38":36,"_40":36,"_45":-5,"_67":68,"_192":193},"60feb22f-f788-4d86-9905-deb784b22d08","showId","songId","2abd0f94-5993-486f-8484-0b55aa8da445","set","S1","position",3,"segue","2020-02-22T16:44:36.699Z","2014-02-20-mulberry-s-dream","note","allTimer",false,"previousTrackId","38c7f568-b227-4341-b3d6-39040f20ef85","nextTrackId","c70a633f-eac9-4bdb-8c87-1d2c1742d127","song",{"_21":52,"_69":70,"_23":71,"_31":72,"_33":73,"_74":75,"_76":77,"_27":78,"_79":80,"_29":81,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":89,"_90":91,"_92":93,"_94":95,"_96":97,"_135":136,"_186":187,"_188":189,"_190":191,"_45":70},"title","Mulberry's Dream","mulberry-s-dream","2020-02-22T15:50:23.147Z","2025-08-26T02:09:54.204Z","lyrics","

I first caught the sun at noon today
To get another 24 hours
I lept & broke my bedframe
Which the termites have devoured

I lived a life in shambles
With one idea left to scheme
But if I ever built it
then what would I have left to dream?

Mulberry's Dream was talkin to me,
as we kickin' with time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

I walked down to the corner
To fetch myself some dollars
I left later that afternoon
When the streets began to holler
and there I saw O'Farrell
The old street corner pantomime
and I simply could not shake him
till old Mulberry came just in time

Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

","tabs","Transcribed by Chris Reilly (dreilly@interaccess.com)

Intro *
E-----------------------------------------------------
B-----------------------------8-8-8------6-6-6--------
G-----------------------------8-8-8-6h8--6-6-6-6h8----
D---------------------8p6-----8-8-8------6-6-6--------
A--------4-4h6p4----------8p7-6-6-6------4-4-4--------
E-4h6-6---------h6------------------------------------

*For the second and third time replace 6h8 with 'hey'.
Then for the fourth time end with:

E------------
B-8-8-8---6--
G-8-8-8---6--
D-8-8-8---6--
A-6-6-6---4--
E------------

Verses Chords:
Ebm Bb
E----6-----6---
B----7-----6---
G----8-----7---
D----8-----8--
A----6-----8---
E----------6--

-Verse 1-
Ebm Bb
I first caught the sun at noon today
Ebm Bb
To get another 24 hours
Ebm Bb
I lept & broke my bedframe
Ebm Bb
Which the termites have devoured
Ebm Bb
I lived my life in shambles
Ebm Bb
With one idea left to scheme
Ebm Bb
But if I ever built it
Ebm Bb
then what would I have left to dream?

Chorus Riff:
Endings 1-7 8
||: |----------------:|| |----------|
E----------------------------------------------- -----------
B-----------------------------8-8-8------6-6-6-- -8-8-8--6--
G-----------------------------8-8-8------6-6-6-- -8-8-8--6--
D---------------------8p6-----8-8-8------6-6-6-- -8-8-8--6--
A--------4-4h6p4----------8p7-6-6-6------4-4-4-- -6-6-6--4--
E-4h6-6---------h6------------------------------ -----------

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' with time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

Play ending 8, then Organ Solo/Jam begins in cut time.
Play same chords as verse. (Ebm Bb)
Cut time is maintained for the duration of the song.

-Verse 2- (Same chords as Verse 1)
I walked down to the corner
To fetch myself some dollars
I left later that afternoon
When the streets began to holler
and there I saw O'Farrell
The old street corner pantomime
and I simply could not shake him
till old Mulberry came just in time

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

-Then comes the Guitar Solo/Jam-
Scale Possibilities:
Bbm Bbm Pentatonic
E-----------------------------6-- -6--------9--
B-----------------------6-7-9---- -6--------9--
G-----------------5-6-8---------- -6-----8-----
D-------------6-8---------------- -6-----8-----
A-------6-8-9-------------------- -6-----8-----
E-6-8-9-------------------------- -6--------9--

Guitar Solo ending:
E-18--20-20-20-20-20-20-20h21-20-18h20---18-18-18-18-18-18h20-18----18-------
B----------------------------------------------------------------21----18----

-Chorus-
Mulberry's Dream was talkin to me,
as we kickin' our time.
Burnin' in the sun on the side of the street,
we gotta be out of our minds.
Life, he said, is all about style,
and my flying machine.
And we'll take the people cross miracle miles,
and I believed him

Ending Riff:
E----------------------------------------------------6~----
B-----------------------------8-8-8------6-6-6-------6~----
G-----------------------------8-8-8------6-6-6-------7~----
D---------------------8p6-----8-8-8------6-6-6-6h7h8-8~----
A--------4-4h6p4----------8p7-6-6-6------4-4-4-------8~----
E-4h6-6---------h6-----------------------------------6~----","","legacyAbbr","mulberry",125,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","featuredLyric","I lived a life in shambles\nWith one idea left to scheme\nBut if I ever built it, then what would I have left to dream?\n","timesPlayed",180,"dateLastPlayed","2025-06-14T00:00:00.000Z","dateFirstPlayed","1998-07-02T00:00:00.000Z","yearlyPlayData",{"_98":99,"_100":101,"_102":103,"_104":105,"_106":99,"_107":108,"_109":110,"_111":112,"_113":105,"_114":103,"_115":56,"_116":103,"_117":56,"_118":110,"_119":120,"_121":112,"_122":56,"_123":56,"_124":125,"_126":125,"_127":125,"_128":56,"_129":112,"_130":110,"_131":112,"_132":125,"_133":110,"_134":120},"1998",14,"1999",42,"2000",8,"2001",10,"2002","2003",7,"2004",4,"2005",1,"2006","2007","2008","2009","2010","2011","2012",2,"2013","2014","2015","2016",5,"2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_137":138,"_144":145,"_149":150,"_154":155,"_159":160,"_163":164,"_167":168,"_172":173,"_176":177,"_181":182},"98",{"_25":139,"_140":141,"_142":143},"2004-12-28","previous","2004-05-06","delta_days",236,"100",{"_25":146,"_140":147,"_142":148},"2006-06-09","2005-03-21",445,"121",{"_25":151,"_140":152,"_142":153},"2009-01-24","2008-06-13",225,"129",{"_25":156,"_140":157,"_142":158},"2010-09-02","2009-11-28",278,"139",{"_25":26,"_140":161,"_142":162},"2013-04-26",300,"140",{"_25":165,"_140":26,"_142":166},"2014-09-12",204,"163",{"_25":169,"_140":170,"_142":171},"2020-10-23","2019-11-23",335,"164",{"_25":174,"_140":169,"_142":175},"2021-05-14",203,"168",{"_25":178,"_140":179,"_142":180},"2022-11-19","2021-12-04",350,"174",{"_25":183,"_140":184,"_142":185},"2024-03-31","2023-07-12",263,"mostCommonYear",1999,"leastCommonYear",2005,"guitarTabsUrl","http://sickbarberlicks.weebly.com/mulberrys-dream.html","annotations",[],{"_21":195,"_50":22,"_51":196,"_53":54,"_55":112,"_57":78,"_31":197,"_33":198,"_35":36,"_23":199,"_60":-5,"_61":62,"_63":-5,"_65":64,"_38":36,"_40":36,"_45":-5,"_67":200,"_192":266},"a6698eb8-e6c2-4d1f-bed3-612f41e07b55","8b4845a1-0761-4343-84e1-b32dc919c4e9","2020-02-22T16:44:36.536Z","2020-06-23T17:46:46.723Z","2014-02-20-mary-had-a-little-lamb",{"_21":196,"_69":201,"_23":202,"_31":203,"_33":204,"_74":78,"_76":78,"_27":78,"_79":205,"_29":206,"_82":207,"_83":208,"_85":209,"_87":-5,"_88":-5,"_90":210,"_92":211,"_94":212,"_96":213,"_135":218,"_186":264,"_188":265,"_190":-5,"_45":201},"Mary Had A Little Lamb","mary-had-a-little-lamb","2020-02-22T15:50:23.009Z","2025-08-26T02:09:52.490Z","marylamb",116,true,"337b1646-6f56-4c72-a5d6-68708d1e71b5","Buddy Guy",40,"2014-02-20T00:00:00.000Z","1995-04-01T00:00:00.000Z",{"_214":56,"_215":56,"_216":56,"_98":217,"_100":108,"_102":112,"_104":112,"_106":56,"_107":112,"_115":112,"_122":112},"1995","1996","1997",16,{"_219":220,"_224":225,"_229":230,"_234":235,"_239":240,"_244":245,"_248":249,"_252":253,"_257":258,"_261":262},"1",{"_25":221,"_140":222,"_142":223},"1995-12-02","1995-04-01",245,"4",{"_25":226,"_140":227,"_142":228},"1996-07-06","1996-02-13",144,"6",{"_25":231,"_140":232,"_142":233},"1997-05-13","1996-09-06",249,"9",{"_25":236,"_140":237,"_142":238},"1998-01-30","1997-10-20",102,"32",{"_25":241,"_140":242,"_142":243},"2000-11-09","1999-05-14",545,"33",{"_25":246,"_140":241,"_142":247},"2001-03-31",142,"34",{"_25":250,"_140":246,"_142":251},"2002-03-30",364,"37",{"_25":254,"_140":255,"_142":256},"2003-10-01","2002-04-14",535,"38",{"_25":259,"_140":254,"_142":260},"2008-03-15",1627,"39",{"_25":26,"_140":259,"_142":263},2168,1998,2000,[267],{"_21":268,"_269":195,"_270":271,"_31":272,"_33":272},"c6470b56-a05e-4984-b2ee-5946bfe1fb4b","trackId","desc","LTP 3/15/08 (311 shows)","2023-04-20T13:43:47.502Z",{"_21":64,"_50":22,"_51":274,"_53":54,"_55":120,"_57":275,"_31":276,"_33":276,"_35":36,"_23":277,"_60":-5,"_61":62,"_63":195,"_65":49,"_38":36,"_40":36,"_45":-5,"_67":278,"_192":342},"355043fc-f808-443b-b8b8-d20a473c1799",">","2020-02-22T16:44:36.605Z","2014-02-20-jigsaw-earth",{"_21":274,"_69":279,"_23":280,"_31":203,"_33":281,"_74":282,"_76":283,"_27":78,"_79":284,"_29":285,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":-5,"_90":286,"_92":287,"_94":288,"_96":289,"_135":295,"_186":339,"_188":340,"_190":341,"_45":279},"Jigsaw Earth","jigsaw-earth","2025-08-26T02:09:48.688Z","Once the patient breathes
You slide into the world
The womb you have to leave
To be a boy or girl

When the man steals your nature with his watch
All in time a bit of peace, in time the chaos stops
Yellin' but you just can't find the words
Gaia, still loves all the pieces, of her jigsaw earth

Gaia...

Jacob left in the dark of night, hopped into his car
Finding street-wise Sandibel , and a volunteer chauffeur
Didn't see no reason to take a third
Gaia still loves all the trees, home to all the birds

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

Jacob sat on empty, Sandibel got tied up
The volunteer put on her clothes and pilfered her make-up
Guaranteed to be back for them soon
Gaia makes and takes the rain how ever opportune

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

I gathered myself, and rubbed my eyes, and wondered, did she know?
That I put glass and concrete beams as tall as trees can grow.
That I tear down the oldest statues, faces who've grown long
She may have known, may not have cared, continued with her song...

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.","tabbed by Rich Steele

intro/verse riff

E 9 8 6(h)7 6 6
B 9 9 7 7(h)9 9
G 10 10
D
A
E

then the quick little riff after the lick above is played 8 times.

E 14
B 12
G 11
D 13
A
E

then...

E 14 12 11 12 10 9 10 8 7 7
B 12 12 14 10 10 8 8 10 7 7
G 11 13 9 7 9
D 13 15 11 9
A
E

E 7 10 7 7 11
B 8 8 10 7 9
G 9 8
D 9
A
E

then it's the upward dubby strum on Abm

E 4
B 4
G 4
D 6
A 6
E 4

then...

Ebm Db Abm
E 6 4
B 7 6 4
G 8 6 4
D 8 6 6
A 6 4 6
E 4

quick in between riff

E
B
G 8 10 11 10 6 8
D
A
E

chorus - Ebm > C# > B > Ebm

the \\\"chase\\\" section

E
B 11
G 11 10 11 10 13 11 13 11
D 11 11 11 (play this twice)
A
E

E 11 13 11 11
B 11 11 13 10 11 12 13 11 11
G 11 10 11 10 10 11 12 13 11
D 11 11 11
A
E

E
B 9 10 7 9
G 9
D 7 6 7 6 9 7 6 7 6 (twice) 7 6 7 6 9 10
A 7 7 7 7 10
E

(still not 100% sure on the rest of that lick. will work on it and get it up along with the rest of the song very soon)","jigsaw",92,162,"2025-07-06T00:00:00.000Z","1999-10-07T00:00:00.000Z",{"_100":103,"_102":290,"_104":291,"_106":292,"_107":293,"_109":110,"_111":110,"_113":108,"_114":294,"_115":110,"_116":108,"_117":56,"_118":56,"_119":120,"_121":112,"_122":125,"_123":112,"_124":120,"_126":56,"_127":56,"_128":110,"_129":112,"_130":110,"_131":120,"_132":125,"_133":112,"_134":120},13,25,24,15,9,{"_296":297,"_301":302,"_154":306,"_309":310,"_314":315,"_163":318,"_322":323,"_326":327,"_330":331,"_335":336},"113",{"_25":298,"_140":299,"_142":300},"2009-02-05","2008-06-11",239,"125",{"_25":303,"_140":304,"_142":305},"2011-12-27","2011-05-28",213,{"_25":26,"_140":307,"_142":308},"2013-01-24",392,"135",{"_25":311,"_140":312,"_142":313},"2016-02-04","2015-04-18",292,"136",{"_25":316,"_140":311,"_142":317},"2016-12-03",303,{"_25":319,"_140":320,"_142":321},"2018-04-21","2017-09-23",210,"141",{"_25":324,"_140":319,"_142":325},"2018-11-02",195,"147",{"_25":328,"_140":329,"_142":313},"2020-10-18","2019-12-31","159",{"_25":332,"_140":333,"_142":334},"2024-08-29","2023-12-30",243,"160",{"_25":337,"_140":332,"_142":338},"2025-06-26",301,2001,2013,"http://sickbarberlicks.weebly.com/jigsaw-earth.html",[343],{"_21":344,"_269":64,"_270":345,"_31":346,"_33":346},"76ff8bbb-c0bf-47e1-a336-32cbd02ba510","unfinished","2020-02-22T16:44:36.637Z",{"_21":66,"_50":22,"_51":348,"_53":54,"_55":110,"_57":275,"_31":349,"_33":349,"_35":36,"_23":350,"_60":-5,"_61":62,"_63":49,"_65":351,"_38":36,"_40":36,"_45":-5,"_67":352,"_192":413},"747bebf1-ad9c-4e63-9aab-a8d518b33223","2020-02-22T16:44:36.762Z","2014-02-20-42","cd809f24-7b16-4646-bb8a-5644d8686680",{"_21":348,"_69":353,"_23":353,"_31":354,"_33":355,"_74":356,"_76":78,"_27":78,"_79":357,"_29":358,"_82":62,"_83":359,"_85":360,"_87":361,"_88":362,"_90":363,"_92":364,"_94":365,"_96":366,"_135":369,"_186":410,"_188":411,"_190":412,"_45":353},"42","2020-02-22T15:50:22.856Z","2025-08-26T02:09:32.760Z","

vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

","Shall I forget the dream I had last night?",160,"2025-08-20T00:00:00.000Z","2003-04-03T00:00:00.000Z",{"_107":367,"_109":108,"_111":125,"_113":368,"_114":99,"_115":105,"_116":41,"_117":108,"_118":125,"_119":120,"_121":110,"_122":56,"_123":56,"_124":112,"_126":110,"_127":110,"_128":56,"_129":56,"_130":125,"_131":125,"_132":294,"_133":110,"_134":110},22,19,{"_370":371,"_375":376,"_378":379,"_296":383,"_386":387,"_391":392,"_395":396,"_399":400,"_403":404,"_407":408},"107",{"_25":372,"_140":373,"_142":374},"2012-07-12","2012-01-28",166,"108",{"_25":307,"_140":372,"_142":377},196,"111",{"_25":380,"_140":381,"_142":382},"2013-12-18","2013-07-12",159,{"_25":384,"_140":26,"_142":385},"2014-08-15",176,"117",{"_25":388,"_140":389,"_142":390},"2015-10-31","2015-04-15",199,"118",{"_25":393,"_140":388,"_142":394},"2016-07-14",257,"119",{"_25":397,"_140":393,"_142":398},"2017-06-01",322,"128",{"_25":401,"_140":402,"_142":385},"2019-11-15","2019-05-23","132",{"_25":328,"_140":405,"_142":406},"2020-01-04",288,"133",{"_25":409,"_140":328,"_142":374},"2021-04-02",2003,2016,"http://sickbarberlicks.weebly.com/42.html",[],{"_21":415,"_50":22,"_51":348,"_53":54,"_55":416,"_57":-5,"_31":417,"_33":417,"_35":36,"_23":418,"_60":-5,"_61":62,"_63":351,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":419,"_192":432},"4f08b62d-96ec-4537-a3e1-d4c8da35ef01",6,"2020-02-22T16:44:36.913Z","2014-02-20-42-2",{"_21":348,"_69":353,"_23":353,"_31":354,"_33":355,"_74":356,"_76":78,"_27":78,"_79":357,"_29":358,"_82":62,"_83":359,"_85":360,"_87":361,"_88":362,"_90":363,"_92":364,"_94":365,"_96":420,"_135":421,"_186":410,"_188":411,"_190":412,"_45":353},{"_107":367,"_109":108,"_111":125,"_113":368,"_114":99,"_115":105,"_116":41,"_117":108,"_118":125,"_119":120,"_121":110,"_122":56,"_123":56,"_124":112,"_126":110,"_127":110,"_128":56,"_129":56,"_130":125,"_131":125,"_132":294,"_133":110,"_134":110},{"_370":422,"_375":423,"_378":424,"_296":425,"_386":426,"_391":427,"_395":428,"_399":429,"_403":430,"_407":431},{"_25":372,"_140":373,"_142":374},{"_25":307,"_140":372,"_142":377},{"_25":380,"_140":381,"_142":382},{"_25":384,"_140":26,"_142":385},{"_25":388,"_140":389,"_142":390},{"_25":393,"_140":388,"_142":394},{"_25":397,"_140":393,"_142":398},{"_25":401,"_140":402,"_142":385},{"_25":328,"_140":405,"_142":406},{"_25":409,"_140":328,"_142":374},[],{"_21":434,"_50":22,"_51":435,"_53":436,"_55":112,"_57":-5,"_31":437,"_33":437,"_35":36,"_23":438,"_60":-5,"_61":62,"_63":-5,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":439,"_192":494},"a6db39ad-5f10-47f1-829f-611b2a30c45f","21556014-aa6e-4f53-8beb-e4a378998360","E1","2020-02-22T16:44:37.425Z","2014-02-20-7-11",{"_21":435,"_69":440,"_23":440,"_31":441,"_33":442,"_74":443,"_76":78,"_27":444,"_79":445,"_29":446,"_82":62,"_83":84,"_85":86,"_87":447,"_88":448,"_90":449,"_92":364,"_94":450,"_96":451,"_135":455,"_186":491,"_188":492,"_190":493,"_45":440},"7-11","2020-02-22T15:50:22.697Z","2025-08-26T02:09:32.974Z","

My girl she left,
so the story goes,
what do you know?
All the things that I thought that I knew went out the window.

There's a last time for everything,
What do you say?
It happens that way.
Stormed out yelling, gone forever, but she called me today...

And maybe, all that you want to be is all that you had to be,
When flakes of gold and fallen rubies are never enough, never enough
So you spend your time opening doors for everyone else but me.
In the morning time, the sky up above you, the sun'll come up.

I Work too hard so I buy myself style for walking the mile,
Hours a day that I spend doing nonsense worth somebody's while.

I'm gonna go out and jam
I'm gonna go out and party
I got a brand new mission
So bring your ass to the party

Cover it up
I know you got eyes,
you know you got time.
You want free from the octopus wrapped around your mind.

Run to the hills,
out on your own,
fig leaves for clothes.
Whip that tongue,
as you search for a grip,
and you reach for the phone.

And maybe, all that you want to be is all that you had to be,
When flakes of gold and fallen rubies are never enough, never enough
So you spend your time opening doors for everyone else but me.
In the morning time, the sky up above you, the sun'll come up.

I Work too hard so I buy myself style for walking the mile,
Hours a day that I spend doing nonsense worth somebody's while.

I'm gonna go out and jam!
I'm gonna go out and party!
I got a brand new mission (sometimes it's 'I got a pool full of bitches')
so bring your ass to the party!

You can't stop me
You can't stop me
You can't stop me
You can't stop me

Crossed off, laid up till noon in bed,
Got cauliflower dreams as your brain's ripped to shreds
You made it to the dance, but you're wearing a towel.
Let me play you one that'll make you howl.

Crossed off, laid up till noon in bed,
got cauliflower dreams as your brain's ripped to shreds
you made it to the dance, but you're wearing a towel.
Let me play you one that'll make you howl,
Ladies give me one that'll make me howl,
Let me play you one that'll make you wanna go out and jam!
Gonna go out and party!
I got a brand new mission
so bring your ass to the party!

","Also known as 'Bring Your Ass To The Party'.","bringyoass",27,"

7-11, in its earliest stage, almost feels like a symbolic statement on the band. It debuted 3/11/00, the first show after Marc Brownstein was fired, a show rife with experimentation, new ideas and techniques. A morose breakup song with a resigned yet optimistic and somewhat fuck-it-all refrain seems very fitting for this mood.

Before the debut, Barber told the audience that the song came from “a very emotional time… I was working a 7-11, and then I got back to 7-11 and the song was in the rotation. We’re going to play it once. Only today.” Shortly before its second performance, Barber told the audience that people had been telling him to keep it in the rotation.

Perhaps no song changed as much from its debut as 7-11. The earliest versions of the song, called “Bring Your Ass to the Party” until its first rework in 2001, were considerably slower and the lyrics much less polished and rawer than later versions. There is a poignant personalness to the lyrics in the 2000 versions not present in the post-rework versions: take for example the line, “girl, I even wrote a rock opera for you, it wasn’t enough, it wasn’t enough.” The distinct “I’m gonna go out and jam” refrain is present and largely the same as modern versions, but the pre-chorus is absent and the verses are very different.

Bring Your Ass to the Party was played six times before being shelved, five without Marc Brownstein. The jam section, like the song itself, was considerably rawer than with modern iterations, often resulting in wild exploratory jams. The best example of this is the only version played with the full band before the song was reworked, 8/26/00 at Camp Bisco, sandwiched between the debut of Home Again. The segues into and out of Bring Your Ass to the Party put this segment in easy contention for the best versions ever played of both songs.

After Camp Bisco, Bring Your Ass to the Party was shelved until it was debuted again, reworked and rebranded as 7-11, on 6/27/01 at the private show at Lisa Klein’s house. This show also featured the debuts of The Tunnel and the Spy rework. The differences in the song structure are numerous and profound. The song was much faster post-rework, and the lyrics no longer make reference to a breakup. The composition is considerably more fleshed out as well. The “maybe all that you want to be is all that you have to be” pre-chorus/ending and the “towel” bridge were both added--and, in fact, prior to the rework, the song didn’t really have an ending at all.

7-11 became a staple of the fall tour of 2001, which is replete with standout versions of the song, most notably 9/9/01. The band also became more adventurous with the song structure. It was split up for the first time on 8/8/01, split up at the middle (or towel section) on 9/14/01 and 9/15/01, and inverted on 12/1/01.

7-11 remained a staple of the band’s catalog after the rework, not disappearing from the rotation for more than 40 shows, however it still was not fully finished. 3/9/02 is a particularly interesting version, featuring both the first verse referencing a breakup and the distinctive heavy intro riff; the former was not standard until 8/7/02 and the latter not until 9/28/02. Additionally, the Perfume version, often called Wawa, was introduced on 5/28/03. Despite the fact that it was played only the once, it has remained a popular request ever since.

The song remained solid for the remainder of Sammy’s tenure, particularly in the fall of 2002. 9/28/02 was the first three part version and 11/9/02 the second and final until 1/4/20. Other significant versions from this era include 10/19/02 and 10/26/02.

7-11 remained in the rotation after Allen joined the band, but over the years the ending became rarer and rarer. Allen played the ending for the first time on 10/19/07, whereupon it reentered the rotation sporadically. It was played two more times in 2007, twice in 2008, twice in 2009, then shelved again until 2014.

7-11 was especially strong in the golden years of 2.0, 2007 and 2009. 10/26/07 stands head and shoulders above the others from the year, although they’re all fairly consistent. 2009 was possibly the best year for the song; the most notable versions include 2/25/09, 6/4/09, 9/25/09, and 10/2/09. The song was only played three times in 2010, but all three are worthwhile.

The song remained in fairly steady rotation in the setbreak era with at least one or two per year. It became fairly interesting again in 2018, with two massive contenders for GOAT status: 5/24/18, a type two full version complete with outro, and 12/28/18, an unfinished version with two lengthy jams including one of the longest towel jams ever.

After setbreak was declared to be over, the song became somewhat more of a rarity, appearing only twice per year in 2020-2022 and just once in 2023. Of these versions, 4/8/22 is notable as being the fourth three-part 7-11 ever, and 10/16/21 is worth hearing for a particularly strong towel jam.

","I’ve got a brand new mission\nSo bring your ass to the party",155,"2000-03-11T00:00:00.000Z",{"_102":416,"_104":452,"_106":367,"_107":453,"_109":110,"_111":56,"_113":454,"_114":454,"_115":294,"_116":453,"_117":56,"_118":120,"_119":112,"_121":120,"_122":110,"_123":56,"_124":120,"_126":56,"_127":56,"_128":120,"_129":120,"_130":120,"_131":120,"_132":112,"_133":125,"_134":103},20,11,12,{"_229":456,"_460":461,"_391":465,"_468":469,"_301":472,"_399":475,"_314":478,"_163":481,"_322":484,"_487":488},{"_25":457,"_140":458,"_142":459},"2001-06-27","2000-08-26",305,"114",{"_25":462,"_140":463,"_142":464},"2011-12-30","2011-01-15",349,{"_25":26,"_140":466,"_142":467},"2013-07-11",224,"124",{"_25":470,"_140":389,"_142":471},"2015-12-31",260,{"_25":473,"_140":470,"_142":474},"2016-08-19",232,{"_25":476,"_140":477,"_142":223},"2017-12-28","2017-04-27",{"_25":479,"_140":405,"_142":480},"2020-10-29",299,{"_25":482,"_140":483,"_142":467},"2022-11-18","2022-04-08",{"_25":485,"_140":482,"_142":486},"2023-07-07",231,"142",{"_25":489,"_140":485,"_142":490},"2024-03-09",246,2002,2012,"http://sickbarberlicks.weebly.com/7-11.html",[],{"_21":496,"_50":22,"_51":497,"_53":498,"_55":112,"_57":275,"_31":499,"_33":499,"_35":36,"_23":500,"_60":-5,"_61":62,"_63":-5,"_65":501,"_38":36,"_40":36,"_45":-5,"_67":502,"_192":557},"0acbc9c1-0bed-406d-8a22-3f59ed44869a","54082fad-e0b0-4e94-bf78-aaadf6535c99","S2","2020-02-22T16:44:36.981Z","2014-02-20-kitchen-mitts","ebf54015-0f4a-4bb6-b0f0-9f6ff1e0a458",{"_21":497,"_69":503,"_23":504,"_31":203,"_33":505,"_74":506,"_76":507,"_27":78,"_79":508,"_29":509,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":-5,"_90":510,"_92":511,"_94":512,"_96":513,"_135":514,"_186":491,"_188":492,"_190":556,"_45":503},"Kitchen Mitts","kitchen-mitts","2025-08-26T02:09:49.300Z","There're some nights I dream my body stroll away
and left me but the voice
to warm your heart and spark your soul
yet my words they go unheard

He's being nice to set you free
when at my door a knocking sound
in your heart you're free with me
we'll plant our feet deep in the ground

I wish and pray if god could hear
it's not for money, luck or fame
walk with me and without fear
some nights I dream the days became

These words of love I say they said
all while I walk a different path
My love for you not counterfeit
some nights I dream to steal you back.

I wrote this song
To say hello
Just a few words from me

I play it for you
When you're in my bed
Where you oughta' be

And I could be riddled by those secrets
That make you wanna say
Maybe lets go easy

But life has changed
Don't uproot the tree in spring
when all I wanna say

If only you called on the doctor
waited with kitchen mitts, anticipating
you just have to get your hands dirty sometimes
just like mine.

If only like shooting stars fare
You see what you dare
The thoughts travel elsewhere
Why can't you hijack a comet and fly?
Tell me why I always see
We for tea
You and me.

So sweet Georgia
Why must I try
When you like to rob and steal
and all these people tell me to go find someone else
when you never cut me a good deal

So might I have to mention that we should blow them off
18 wheels and a ride
Miles of paranoia, lunatics in jail
And still we're having a good time.

If only you called on the doctor
waited with kitchen mitts, anticipating
you just have to get your hands dirty sometimes
just like mine.

If only like shooting stars fare
You see what you dare
The thoughts travel elsewhere
Why can't you hijack a comet and fly?

Tell me why I always see
We for tea
You and me.

Just like mine
Just like mine
Just like mine","Transcribed by Rich Steele

(intro/verse riff)

D E F# C G D Bm A
E
B 10 7 5 5 5
G 7 9 11 9 9 12 11 7 6 6 6
D 7 9 11 10 10 12 12 9 7 7 7
A 5 7 9 10
E

(after 2nd verse)

E
E
B 9
G 9 11 11 11(sl)9 9 9 13(sl)9 9 9 9 16 16 16(sl)15 15 15 15(sl)14 14 14
D 9
A 7 9 9 9 (sl)7 7 7 11(sl)9 9 9 9 14 14 14(sl)13 13 13 13(sl)12 12 12
E 0

E
B
G 14 14 14(sl)13 13(sl)14
D 12(h)14
A 12 12 12(sl)11 11(sl)12 12 12(h)14 12
E 12(h)14

Middle section is over a E > Ab.

(keyboard riff)
E
B
G 4 4 6 4 4 6 8
D 6 6
A
E

(ending part before final chorus - use at least some overdrive)
E
B
G 21 21 21 21 21 21(sl)20(sl)21
D (play twice)
A 19 19 19 19 19 19(sl)18(sl)19
E

E
B
G 20 20 20 20 20 20(sl)19(sl)20
D (play twice)
A 18 18 18 18 18 18(sl)17(sl)18
E

E
B
G 20 18 16 13
D
A 18 16 14 11
E","kitchen",97,87,"2025-08-24T00:00:00.000Z","2002-07-26T00:00:00.000Z",{"_106":217,"_107":105,"_109":125,"_111":56,"_113":110,"_114":125,"_115":110,"_116":108,"_118":120,"_119":112,"_121":120,"_122":56,"_123":112,"_124":110,"_126":56,"_127":120,"_128":112,"_130":125,"_131":120,"_132":120,"_133":56,"_134":120},{"_515":516,"_520":521,"_523":524,"_526":527,"_531":532,"_536":537,"_540":541,"_544":545,"_548":549,"_552":553},"54",{"_25":517,"_140":518,"_142":519},"2011-04-15","2009-12-27",474,"55",{"_25":522,"_140":517,"_142":471},"2011-12-31","58",{"_25":380,"_140":307,"_142":525},328,"62",{"_25":528,"_140":529,"_142":530},"2015-10-29","2014-09-27",397,"71",{"_25":533,"_140":534,"_142":535},"2018-12-09","2018-03-10",274,"72",{"_25":538,"_140":533,"_142":539},"2019-12-30",386,"73",{"_25":542,"_140":538,"_142":543},"2021-03-26",452,"78",{"_25":546,"_140":547,"_142":406},"2022-09-10","2021-11-26","81",{"_25":550,"_140":551,"_142":223},"2023-10-07","2023-02-04","85",{"_25":554,"_140":555,"_142":300},"2025-06-28","2024-11-01","http://sickbarberlicks.weebly.com/kitchen-mitts.html",[],{"_21":501,"_50":22,"_51":559,"_53":498,"_55":120,"_57":275,"_31":560,"_33":560,"_35":36,"_23":561,"_60":-5,"_61":62,"_63":496,"_65":562,"_38":36,"_40":36,"_45":-5,"_67":563,"_192":625},"2923ea2d-00c9-4867-b60a-efbb1d8adfa1","2020-02-22T16:44:37.040Z","2014-02-20-vassillios","2b00a525-946f-495e-8225-2d0a8839f016",{"_21":559,"_69":564,"_23":565,"_31":566,"_33":567,"_74":568,"_76":569,"_27":78,"_79":570,"_29":571,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":572,"_90":573,"_92":574,"_94":575,"_96":576,"_135":580,"_186":264,"_188":492,"_190":624,"_45":564},"Vassillios","vassillios","2020-02-22T15:50:23.818Z","2025-08-26T02:10:11.167Z","

Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe

","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"Straight from the gutter",244,"2025-06-04T00:00:00.000Z","1996-12-14T00:00:00.000Z",{"_215":120,"_216":210,"_98":577,"_100":578,"_102":294,"_104":579,"_106":41,"_107":103,"_109":120,"_111":120,"_113":416,"_114":120,"_115":110,"_116":453,"_117":125,"_118":416,"_119":112,"_121":120,"_122":112,"_123":112,"_124":112,"_126":120,"_127":112,"_128":56,"_129":112,"_130":112,"_131":120,"_132":56,"_133":110,"_134":56},53,33,18,{"_581":582,"_586":587,"_590":591,"_595":596,"_599":600,"_604":605,"_608":609,"_612":613,"_615":616,"_619":620},"182",{"_25":583,"_140":584,"_142":585},"2005-03-25","2004-05-09",320,"218",{"_25":588,"_140":522,"_142":589},"2012-12-27",362,"220",{"_25":592,"_140":593,"_142":594},"2013-12-27","2013-01-27",334,"222",{"_25":597,"_140":26,"_142":598},"2015-07-18",513,"224",{"_25":601,"_140":602,"_142":603},"2017-02-02","2016-02-05",363,"225",{"_25":606,"_140":601,"_142":607},"2017-11-16",287,"226",{"_25":610,"_140":606,"_142":611},"2018-12-12",391,"231",{"_25":409,"_140":405,"_142":614},454,"232",{"_25":617,"_140":409,"_142":618},"2022-04-02",365,"237",{"_25":621,"_140":622,"_142":623},"2024-07-05","2023-09-24",285,"http://sickbarberlicks.weebly.com/vassillios.html",[],{"_21":562,"_50":22,"_51":627,"_53":498,"_55":56,"_57":275,"_31":628,"_33":628,"_35":36,"_23":629,"_60":-5,"_61":62,"_63":501,"_65":630,"_38":36,"_40":36,"_45":-5,"_67":631,"_192":691},"1d813e1f-f852-48c6-9f91-043541454f86","2020-02-22T16:44:37.136Z","2014-02-20-little-shimmy-in-a-conga-line","ae651877-b442-4f9c-86a8-c7405f499fe5",{"_21":627,"_69":632,"_23":633,"_31":72,"_33":634,"_74":635,"_76":636,"_27":78,"_79":637,"_29":638,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":639,"_90":640,"_92":511,"_94":641,"_96":642,"_135":647,"_186":264,"_188":689,"_190":690,"_45":632},"Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line","2025-08-26T02:09:51.371Z","

Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","shimmy",165,"And you wonder why I sleep through my alarm",289,"1998-02-26T00:00:00.000Z",{"_98":643,"_100":644,"_102":294,"_104":645,"_106":646,"_107":105,"_109":125,"_111":56,"_113":105,"_114":125,"_115":110,"_116":105,"_117":105,"_118":56,"_119":110,"_121":125,"_122":108,"_123":56,"_124":125,"_126":56,"_127":110,"_128":125,"_129":112,"_130":108,"_131":416,"_132":103,"_133":416,"_134":294},62,41,23,21,{"_648":649,"_653":654,"_658":659,"_662":663,"_665":666,"_669":670,"_673":674,"_677":678,"_682":683,"_685":686},"172",{"_25":650,"_140":651,"_142":652},"2005-09-13","2005-03-26",171,"192",{"_25":655,"_140":656,"_142":657},"2008-12-27","2008-04-19",252,"214",{"_25":660,"_140":661,"_142":385},"2011-07-09","2011-01-14","215",{"_25":522,"_140":660,"_142":664},175,"216",{"_25":667,"_140":522,"_142":668},"2012-10-05",279,"234",{"_25":528,"_140":671,"_142":672},"2015-04-25",187,"245",{"_25":675,"_140":676,"_142":377},"2018-11-01","2018-04-19","248",{"_25":679,"_140":680,"_142":681},"2019-07-19","2019-02-02",167,"252",{"_25":684,"_140":538,"_142":162},"2020-10-25","253",{"_25":687,"_140":684,"_142":688},"2021-04-20",177,2020,"http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html",[692],{"_21":693,"_269":562,"_270":694,"_31":695,"_33":695},"40212b62-d5e0-4149-8f32-a97bded0c9d7","dyslexic ending of 2/22/14 version","2024-07-17T06:24:55.175Z",{"_21":697,"_50":22,"_51":497,"_53":498,"_55":125,"_57":-5,"_31":698,"_33":698,"_35":36,"_23":699,"_60":-5,"_61":62,"_63":630,"_65":700,"_38":36,"_40":36,"_45":-5,"_67":701,"_192":714},"46e522aa-cda9-49af-9a47-7ca2a6e1f78d","2020-02-22T16:44:37.289Z","2014-02-20-kitchen-mitts-2","c436b5bc-8b14-4183-9290-02d814911710",{"_21":497,"_69":503,"_23":504,"_31":203,"_33":505,"_74":506,"_76":507,"_27":78,"_79":508,"_29":509,"_82":62,"_83":84,"_85":86,"_87":-5,"_88":-5,"_90":510,"_92":511,"_94":512,"_96":702,"_135":703,"_186":491,"_188":492,"_190":556,"_45":503},{"_106":217,"_107":105,"_109":125,"_111":56,"_113":110,"_114":125,"_115":110,"_116":108,"_118":120,"_119":112,"_121":120,"_122":56,"_123":112,"_124":110,"_126":56,"_127":120,"_128":112,"_130":125,"_131":120,"_132":120,"_133":56,"_134":120},{"_515":704,"_520":705,"_523":706,"_526":707,"_531":708,"_536":709,"_540":710,"_544":711,"_548":712,"_552":713},{"_25":517,"_140":518,"_142":519},{"_25":522,"_140":517,"_142":471},{"_25":380,"_140":307,"_142":525},{"_25":528,"_140":529,"_142":530},{"_25":533,"_140":534,"_142":535},{"_25":538,"_140":533,"_142":539},{"_25":542,"_140":538,"_142":543},{"_25":546,"_140":547,"_142":406},{"_25":550,"_140":551,"_142":223},{"_25":554,"_140":555,"_142":300},[],{"_21":700,"_50":22,"_51":716,"_53":498,"_55":416,"_57":-5,"_31":717,"_33":717,"_35":36,"_23":718,"_60":-5,"_61":62,"_63":697,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":719,"_192":773},"a345a821-dd64-4665-9026-894abc360139","2020-02-22T16:44:37.362Z","2014-02-20-morph-dusseldorf",{"_21":716,"_69":720,"_23":721,"_31":203,"_33":722,"_74":723,"_76":78,"_27":78,"_79":724,"_29":725,"_82":62,"_83":359,"_85":360,"_87":-5,"_88":726,"_90":251,"_92":511,"_94":727,"_96":728,"_135":731,"_186":264,"_188":189,"_190":772,"_45":720},"Morph Dusseldorf","morph-dusseldorf","2025-08-26T02:09:53.850Z","

Morph is who a boy you see, he's changing as we speak
from adavan to aleman in twenty-forms a week
A rock at three to feel still the wind at four to fly
POSTED BY BROWNSTEIN:
At TEN (tomorrow) we'll huff a mighty greer, cause troopers comin by.
ON UNCIVILIZED AREA:
At six he'll be in Texas, when Trooper's comin' by

All social situations, he handles like a dream
a chameleon in space and form, in color too it seems.
The ability to NOT BE SEEN, though you SEE him everywhere
POSTED BY BROWNSTEIN:
And Morph has said tomorrow, that you'll see him over there.
ON UNCIVILIZED AREA:
Morph in here tomorrow, and he'll be right over there.

Morph, Morph from dusseldorf, Changing all the time.
And if you stay the same one day, that night will be sublime
Morph, Morph from dusseldorf, no need to drink that wine,
Cause if you wish to break the date with your savvy concubine.

","morph",123,"Morph, Morph from dusseldorf, Changing all the time\nAnd if you stay the same one day, that night will be sublime","1996-09-12T00:00:00.000Z",{"_215":125,"_216":729,"_98":643,"_100":730,"_102":103,"_104":217,"_106":368,"_107":294,"_109":110,"_111":56,"_113":453,"_114":453,"_115":453,"_116":41,"_117":125,"_118":125,"_119":110,"_121":56,"_122":125,"_123":110,"_124":416,"_126":108,"_127":416,"_128":56,"_129":56,"_130":416,"_131":416,"_132":294,"_133":108,"_134":125},60,44,{"_732":733,"_604":737,"_741":742,"_746":747,"_751":752,"_756":757,"_759":760,"_761":762,"_765":766,"_768":769},"171",{"_25":734,"_140":735,"_142":736},"2000-08-25","1999-12-31",238,{"_25":738,"_140":739,"_142":740},"2004-11-26","2004-05-08",202,"229",{"_25":743,"_140":744,"_142":745},"2005-12-29","2005-05-27",216,"262",{"_25":748,"_140":749,"_142":750},"2008-12-30","2008-07-26",157,"286",{"_25":753,"_140":754,"_142":755},"2011-07-02","2011-01-13",170,"292",{"_25":758,"_140":373,"_142":382},"2012-07-05","293",{"_25":588,"_140":758,"_142":664},"298",{"_25":763,"_140":26,"_142":764},"2014-07-31",161,"326",{"_25":401,"_140":767,"_142":664},"2019-05-24","329",{"_25":328,"_140":770,"_142":771},"2020-01-02",290,"https://sick-barber-licks.weebly.com/morph-dusseldorf.html",[],{"_21":630,"_50":22,"_51":775,"_53":498,"_55":110,"_57":275,"_31":776,"_33":777,"_35":36,"_23":778,"_60":-5,"_61":62,"_63":562,"_65":697,"_38":125,"_40":112,"_45":779,"_67":780,"_192":827},"8f1613ff-9002-4e03-853d-04c7e84a8b9b","2020-02-22T16:44:37.212Z","2025-11-13T03:52:39.940Z","2014-02-20-astronaut","Astronaut S2 segue > Little Shimmy In A Conga Line Kitchen Mitts",{"_21":775,"_69":781,"_23":782,"_31":441,"_33":783,"_74":784,"_76":785,"_27":78,"_79":786,"_29":105,"_82":62,"_83":84,"_85":86,"_87":787,"_88":788,"_90":789,"_92":790,"_94":791,"_96":792,"_135":793,"_186":491,"_188":689,"_190":826,"_45":781},"Astronaut","astronaut","2025-08-26T02:09:35.129Z","

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

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Who am I to walk away.
But I don't know if I can stay.

We haven't said a word in years.
We haven't ever faced our fears.
You never asked me what was wrong.
And then you said it in a song.

And you say that the grass is greener over there,
So I go and then the grass is green.
And you say that the grass is greener over here,
So I go and then the grass is green.

I hope these aren't dying words.
And I'll keep flying with the birds.
Swimming in the magic reef.
Dancing like a falling leaf.

And still I don't know what to do.
The grass is green but I am blue.
And when I see that nothings changed.
The city boy is still deranged.

And you say that the grass is greener over there,
So I go and then the grass is green.
And you say that the grass is greener over here,
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