Whimsical, a pen in motion, thoughts roll in my mind,
scamper by so quickly now an agile word would find,
well I tried to grasp an angel, saw her wings, and watched her fly
reality for mingling dreams to scurry back and get in line.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

A gallery, a pen in motion, a delightful line instead,
it's chivalry outranks commotion on the roads most common tread,
and on those boots, the clicking heels, the dreams, the angel starts to fly,
to masquerade the world's parade for only seconds at a time.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
And they missed the perfume.

In a native centered world, one picks the fruit right off the trees,
on a wild blue island in the deep blue seas,
beyond a paleocentric world with all our people shaped in threes,
the only way I get around is some mild insanity.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
and they missed the perfume.

","

transcribed by Rich Steele
after intro, the chord they hit is a F# major played
on the 2nd fret.
They keep hitting this until you get to the next part, which is the part
during the verse too.

the way barber plays this kinda has this shuffle feel to it. the chords dont really sustain at all. for best
results don't press down all the way on the strings
to keep it from sounding too loud, avoiding the heavy
pick attack sound.

Am Am G G
E 5 5 3 3
B 5 5 10 10 10 10 12 12 3 3
G 5 5 9 9 9 9 12 12 4 4
D 7 7 10 10 10 10 12 12 5 5
A 7 7 10 10 5 5
E 3 3

(verses)
(start the part above with the first line of each verse with the Am, and
hit the G with the last word of each line.)

(#1)
Whimsical, a pen in motion, thoughts roll off my mind.
Scamper by so quickly, now a agile word would find.
Tried to grasp an angel, saw her wings and watched her fly.
Reality from mingling dreams, to scurry back and get in line.

(Chorus)

Am G Am D Bm
E 5 5 5 3 5 7 7 7 7
B 5 5 5 3 5 7 7 7 7 7 7 7 7
G 5 5 5 4 5 7 7 7 7 7 7 7 7
D 7 7 7 5 7 7 7 7 7 9 9 9 9
A 7 7 7 5 7 5 5 5 5 9 9 9 9
E 5 5 5 3 5 7 7 7 7

F F# G
E 1 1 1 1 2 3
B 1 1 1 1 2 3
G 2 2 2 2 3 4
D 3 3 3 3 4 5
A 3 3 3 3 4 5
E 1 1 1 1 2 3

We ordered out for Mindless Dribble
Overused half-wit, ishkabible.
Corner store junkies giving advice.
We ordered out for paradise.

(applebutter toast part)

E 7
B 4 4 4 7 4 7 5 5(p)4
G 4 4 4 4 6 4 4 4 4 6 4 4 4 4 6 6 4 4 4 4 6(p)4
D
A
E

Applebutter toast is nice.
Envisioned on a third wing, twice.
My fine breaded friend, was denied by the vice
and they missed the perfume.

","dribble","4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","

Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.

The first debut of 1998, Mindless Dribble signalled an important shift in the band’s style and songwriting maturity. It’s challenging lyrics and aggressive style placed it in contrast to the faux-hippie neo-psychedelia of 97-95.

The first few performances of Dribble were completely free of improv, but within a little more than a month the band was beginning to carve out the song’s nascent jam section. There is a tremendous observable growth throughout the year, with at least one must-hear version, 12/30/98 (also noteworthy as the first "happy" Dribble). Other noteworthy early versions include 4/18/98 and 5/2/98.

The song became a major jam vehicle in 1999, the year where most of the strongest versions can be found. The jam section remained fairly standard throughout the year, with a few notable deviations, e.g. the demented, primal 10/28/99 and the fairly blissful 12/30/99 (another "happy" Dribble). The song remained strong through 2000, with noteworthy versions including 10/31/00 (the longest version to date) and 10/6/00, in which the chord progression that eventually gave rise to The Big Happy, Highwire, and I Remember When was debuted.

Dribble remained a strong selection in 2001, with the split-up "happy" Dribble from 3/31/01 widely regarded as one of the best. The song also underwent some important developments in this year. On 4/20/01 (fittingly) the “dub” version of Mindless Dribble was debuted, a part of the larger trend of dubbed versions of Biscuits songs that swept up both I-Man and Floodlights during April 2001. Later in the year, the song became the vehicle for the composed jam that would eventually become known as Strobelights and Martinis. Beginning on 9/1/01, and continuing through the month, every Dribble (with the exception of 9/21/01) would bear the hallmarks of this jam. The section was briefly reprised again in April 2003 and occasionally after Strobelights was debuted as its own song.

Although Dribble remained a staple of the catalog, its appearance grew less frequent in 2.0. It was never shelved, and was often split up to keep it interesting. When not split up, Dribble often fell into predictable patterns that made it less interesting than it had been in the 1.0 era (though exceptions to this rule exist--most notably the Red Rocks Dribble of 5/29/10).

Dribble continued to be a common presence throughout the setbreak era, being played, on average, around once every five or six shows (the striking exception to this is in 2018, when, excluding the dub version from Camp Bisco, Dribble was only played once the entire year). The song had a major renaissance during the "Setbreak is Over" tour of fall 2019. 11/16/19 and 11/17/19 each feature half of a strong split version, and arguably the strongest full version played with Allen took place on 12/13/19.

","Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.",298,["D",1755907200000],["D",887846400000],{"_185":186,"_187":188,"_189":190,"_191":192,"_193":194,"_195":190,"_196":197,"_198":199,"_200":201,"_202":190,"_203":42,"_95":204,"_97":205,"_99":206,"_207":199,"_101":199,"_208":209,"_102":206,"_103":206,"_210":209,"_211":212,"_213":206,"_214":212,"_215":209,"_216":199,"_217":205,"_218":219,"_104":197},"1998",50,"1999",42,"2000",11,"2001",17,"2002",24,"2003","2004",7,"2005",4,"2006",13,"2007","2008",12,8,5,"2012","2014",6,"2017","2018",2,"2019","2020","2021","2022","2023","2024",10,{"_221":222,"_226":227,"_231":232,"_235":236,"_240":241,"_245":246,"_249":250,"_254":255,"_259":260,"_264":265},"159",{"_25":223,"_109":224,"_111":225},"2004-11-26","2004-05-28",182,"211",{"_25":228,"_109":229,"_111":230},"2010-05-29","2009-11-22",188,"224",{"_25":233,"_109":234,"_111":230},"2012-07-05","2011-12-30","229",{"_25":237,"_109":238,"_111":239},"2013-07-13","2013-01-24",170,"254",{"_25":242,"_109":243,"_111":244},"2018-07-14","2017-12-31",195,"255",{"_25":247,"_109":242,"_111":248},"2018-12-30",169,"257",{"_25":251,"_109":252,"_111":253},"2019-11-16","2019-05-23",177,"261",{"_25":256,"_109":257,"_111":258},"2020-10-17","2019-12-31",291,"263",{"_25":261,"_109":262,"_111":263},"2021-04-23","2020-10-30",175,"270",{"_25":266,"_109":267,"_111":268},"2022-09-08","2022-03-11",181,1998,2018,"https://sick-barber-licks.weebly.com/mindless-dribble.html",[],{"_21":168,"_52":22,"_53":274,"_55":163,"_57":212,"_59":164,"_31":275,"_33":276,"_35":36,"_23":277,"_63":-5,"_64":65,"_66":161,"_67":278,"_39":36,"_41":36,"_47":-5,"_68":279,"_158":350},"def00c7f-c69f-42a2-ab12-15acecad87e4",["D",1582389640912],["D",1582389640912],"2009-09-11-spacebirdmatingcall","d048f288-1ffe-400a-a8cc-4f794b8e756f",{"_21":274,"_70":280,"_23":281,"_31":282,"_33":283,"_75":284,"_77":285,"_27":28,"_78":286,"_29":287,"_80":65,"_81":288,"_83":289,"_85":-5,"_86":290,"_87":291,"_89":292,"_91":293,"_93":294,"_105":299,"_152":347,"_154":348,"_156":349,"_47":280},"Spacebirdmatingcall","spacebirdmatingcall",["D",1582386623147],["D",1756174204226],"

Now i'm at ease deflating on a whim,
and I found peace in the waiting room,

And in my sleep I heard a maiden call.
so tell me please where you wanna be now.

All while your dreams are fading like the sea,
now I'm at ease deflating on a whim,
and I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And i found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

All while your dreams are fading like the sea,
and in my sleep I heard a mating bird call,
So tell me please where you wanna be,
Now I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And I found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

","transcribed by Rich Steele

D > G > A > G > A

E
B 17~ 15 15 15 14 14 15 17 15 17 15 17 19 17 19
G 14 14 16 16 16
D
A
E

E
B 17 19 17 15 17 15 15 14~ 14 15 17 15 17 15
G 14 14 16
D
A
E

E
B 17 19 17 19 17 19 17 15 17 > D > G > A > G > A
G 16 16
D
A
E","spacebird",176,"e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64","The Disco Biscuits","Now I'm at ease deflating on a whim,\nAnd I found peace on the waiting room floor,\nand In my sleep, I heard a mating bird call",226,["D",1755820800000],["D",984787200000],{"_191":295,"_193":296,"_195":42,"_196":212,"_198":58,"_200":297,"_202":204,"_203":204,"_95":298,"_97":205,"_99":197,"_207":206,"_101":206,"_208":197,"_102":206,"_103":209,"_210":209,"_211":100,"_213":209,"_214":58,"_215":42,"_216":42,"_217":190,"_218":190,"_104":197},29,20,16,19,{"_300":301,"_305":306,"_309":310,"_314":315,"_319":320,"_324":325,"_329":330,"_334":335,"_339":340,"_343":344},"60",{"_25":302,"_109":303,"_111":304},"2005-03-20","2004-05-09",315,"61",{"_25":307,"_109":302,"_111":308},"2006-02-22",339,"100",{"_25":311,"_109":312,"_111":313},"2008-12-30","2008-07-19",164,"134",{"_25":316,"_109":317,"_111":318},"2011-12-31","2011-08-21",132,"136",{"_25":321,"_109":322,"_111":323},"2012-07-07","2012-01-29",160,"138",{"_25":326,"_109":327,"_111":328},"2012-12-18","2012-07-13",158,"141",{"_25":331,"_109":332,"_111":333},"2013-07-12","2013-01-25",168,"171",{"_25":336,"_109":337,"_111":338},"2018-11-24","2018-05-25",183,"178",{"_25":341,"_109":257,"_111":342},"2020-10-16",290,"179",{"_25":345,"_109":341,"_111":346},"2021-03-26",161,2001,2005,"http://sickbarberlicks.weebly.com/spacebirdmatingcall.html",[],{"_21":352,"_52":22,"_53":353,"_55":354,"_57":197,"_59":-5,"_31":355,"_33":356,"_35":36,"_23":357,"_63":-5,"_64":65,"_66":358,"_67":-5,"_39":36,"_41":36,"_47":-5,"_68":359,"_158":408},"14a65a75-40f5-403b-99dc-1352f7355041","b3ab0677-0f27-43a6-ab47-2323a981fe99","S2",["D",1582389641631],["D",1582389641631],"2009-09-11-the-city","9be0f210-9769-4d51-9bd2-5d8065bfc555",{"_21":353,"_70":360,"_23":361,"_31":362,"_33":363,"_75":364,"_77":28,"_27":28,"_78":365,"_29":366,"_80":65,"_81":82,"_83":84,"_85":-5,"_86":-5,"_87":367,"_89":368,"_91":369,"_93":370,"_105":371,"_152":153,"_154":406,"_156":407,"_47":360},"The City","the-city",["D",1582386623989],["D",1756174207588],"When I was young I lived atop a mountain oh so high
It was built of ivory bricks and glass and towered in the sky
I lived above my brother and beside my father too
But they hardly ever saw me as I hung out on the roof
And I looked out on the city and the taxi cabs below
I would cherish that I had this little place to call my own
Well I thought I knew the future of the mountains in my range
If the future taught me anything the past can never change

Well I sit atop this city blowing smoke rings in the sky
With the twin peaks looming way above the place where I get high
And 10 million heads below me on an island I call mine
But we all find away to share it while we avoid each others eyes
But the truth is that these people are as much my family
As we share a love for mountains that are circled by the sea
While I look upon the city that I’ve grown to call my own
No matter where this journey takes me this place will always be my home

Chorus:
Whooooo-oooah
Sitting on a mountain top, fifteen miles (although now I think they sing floors) above the city
Whooooo-oooah
Sitting in this melting pot where you can see the future with me ","city",340,43,["D",1573862400000],["D",1205884800000],{"_203":201,"_95":297,"_97":206,"_207":58,"_101":58,"_208":58,"_102":212,"_103":58,"_210":58,"_213":212},{"_372":373,"_377":378,"_381":382,"_113":385,"_388":389,"_118":391,"_123":394,"_397":398,"_401":402,"_127":405},"12",{"_25":374,"_109":375,"_111":376},"2008-12-11","2008-07-25",139,"34",{"_25":379,"_109":115,"_111":380},"2012-12-27",848,"35",{"_25":383,"_109":379,"_111":384},"2013-12-31",369,{"_25":386,"_109":383,"_111":387},"2014-09-13",256,"37",{"_25":390,"_109":386,"_111":346},"2015-02-21",{"_25":392,"_109":390,"_111":393},"2015-12-31",313,{"_25":395,"_109":392,"_111":396},"2016-08-19",232,"40",{"_25":399,"_109":395,"_111":400},"2017-11-16",454,"41",{"_25":403,"_109":399,"_111":404},"2019-05-25",555,{"_25":251,"_109":403,"_111":263},2012,"http://sickbarberlicks.weebly.com/the-city.html",[],{"_21":410,"_52":22,"_53":274,"_55":163,"_57":206,"_59":-5,"_31":411,"_33":412,"_35":36,"_23":413,"_63":-5,"_64":65,"_66":414,"_67":-5,"_39":36,"_41":36,"_47":-5,"_68":415,"_158":432},"2c65443d-e81c-4cc0-98d9-3e1b62347b01",["D",1582389641164],["D",1582389641164],"2009-09-11-spacebirdmatingcall-2","42c2b6be-ddc9-4819-9fa4-01517052b6ca",{"_21":274,"_70":280,"_23":281,"_31":416,"_33":417,"_75":284,"_77":285,"_27":28,"_78":286,"_29":287,"_80":65,"_81":288,"_83":289,"_85":-5,"_86":290,"_87":291,"_89":418,"_91":419,"_93":420,"_105":421,"_152":347,"_154":348,"_156":349,"_47":280},["D",1582386623147],["D",1756174204226],["D",1755820800000],["D",984787200000],{"_191":295,"_193":296,"_195":42,"_196":212,"_198":58,"_200":297,"_202":204,"_203":204,"_95":298,"_97":205,"_99":197,"_207":206,"_101":206,"_208":197,"_102":206,"_103":209,"_210":209,"_211":100,"_213":209,"_214":58,"_215":42,"_216":42,"_217":190,"_218":190,"_104":197},{"_300":422,"_305":423,"_309":424,"_314":425,"_319":426,"_324":427,"_329":428,"_334":429,"_339":430,"_343":431},{"_25":302,"_109":303,"_111":304},{"_25":307,"_109":302,"_111":308},{"_25":311,"_109":312,"_111":313},{"_25":316,"_109":317,"_111":318},{"_25":321,"_109":322,"_111":323},{"_25":326,"_109":327,"_111":328},{"_25":331,"_109":332,"_111":333},{"_25":336,"_109":337,"_111":338},{"_25":341,"_109":257,"_111":342},{"_25":345,"_109":341,"_111":346},[],{"_21":278,"_52":22,"_53":434,"_55":163,"_57":100,"_59":164,"_31":435,"_33":436,"_35":36,"_23":437,"_63":-5,"_64":65,"_66":168,"_67":414,"_39":36,"_41":36,"_47":-5,"_68":438,"_158":498},"0cd7f2ad-df92-4164-9a72-a461ca3f35be",["D",1582389641033],["D",1582389641033],"2009-09-11-and-the-ladies-were-the-rest-of-the-night",{"_21":434,"_70":439,"_23":440,"_31":441,"_33":442,"_75":443,"_77":28,"_27":28,"_78":444,"_29":445,"_80":65,"_81":82,"_83":84,"_85":446,"_86":447,"_87":448,"_89":449,"_91":450,"_93":451,"_105":455,"_152":495,"_154":496,"_156":497,"_47":439},"And the Ladies Were the Rest of the Night","and-the-ladies-were-the-rest-of-the-night",["D",1582386623009],["D",1756174174382],"

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

It took a few months to infiltrate,
In just one night he bit the bait.
It didn't seem Lai would give it up.
Even when Shelby spiked his cup.

He ran a tight ship and closed his mouth,
Every time the ladies were in the house.
Everything she did was done in vain.
Couldn't get a wire tap in the drain.

Give it up! Give it up!

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.
Come on all the ladies, get down tonight.
Give it up! Give it up!

Little Shelby Rose, this is how it goes,
And you know what it takes.
Careful what you say, careful what you do,
Can't afford a mistake.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Little does he know she has him read.
In a couple minutes, they're off to bed.
Takes another name and sculpts her clay,
And not before long she's got her prey.

Come on all the ladies, get down tonight.
Know a little agent who has set her sight.

Give it up! Give it up!

","ladies",99,"

Ladies was first played by Electron on 8/18/00, debuted on the same night as the full Chemical Warfare Brigade opera, along with Floodlights, Shelby Rose and Confrontation. The lyrics are largely the same, but the structure of the song is slightly different: there are shouts of “give it up! give it up!” in the introduction and before the jam, and there is a brief synth jam in between the verses. The jam in this Electron version is also considerably slower and mellower than in Biscuits versions, and there is no peak; rather, the jam just resolves back into the same verse from the intro.

The first and only Biscuits version of Ladies in 2000 is tightened up considerably from the Electron version. It is much faster than the Electron version, and the peak has that much needed Barber “oomph.” Although slightly slower than modern versions, in all other ways the song is virtually indistinguishable.

Ladies was played a whopping 27 times each in 2001 and 2002, the years of the song’s first golden age. It was a staple of the early spring tour, and was mostly played standalone, although it was split on its second performance on 3/22/01 and segued into on 4/12/01 and 4/20/01. It was inverted for the first time at the Bisco Knights festival on 8/25/01. In the fall tour the song became a powerhouse, with standout versions including the set closing standalone on 9/8/01 and the massive inverted version on 9/22/01.

2002 was the year Ladies really took off. 4/25/02 is the first dyslexic version, and the standout version from the spring tour. The summer tour included many excellent versions, including 7/26/02 and 8/11/02, but the real apex for the song came in the fall tour, with two legendary versions on 10/4/02 and 10/18/02.

Ladies became less common after 2002, and although the 2003 versions aren’t as legendary as the late 2001 or 2002 versions, there are a couple with unmistakable merit, such as the unfinished 4/25/03 or the split-up 11/28/03 (which was a part of the fourth complete performance of the Chemical Warfare Brigade. Ladies was only played seven more times with Sammy after 2003.

When Allen joined the band, Ladies became a catalog staple once again. Its second golden age lines up nicely with the second golden age of the band overall, beginning in mid-2007 and lasting into early 2010. The Astronaut > Ladies (><) > Astronaut from 11/19/06 is arguably the first great Ladies with Allen, but the spectacular 5/27/07 Ladies > O Fortuna > Spacebird (><) > Ladies and the over 35 minute Ladies > Gangster from 10/23/07 definitively assured Ladies’ place in the pantheon of trance-fusion juggernauts.

Ladies remained a powerhouse staple through 08 (standout versions including 1/16/08, 4/18/08, 5/24/08, 6/13/08 and 12/30/08), but the song hit another level in 2009, when it was played 21 times (the most of any year since 2002). In a year of furious lightspeed trance jams, Ladies flourished. Notable versions including 2/15/09, 4/24/09, and 6/25/09 are hailed as some of the best ever. The song was played twice in 2010 before wristgate, on 1/29/10 and 3/17/10, and both versions are excellent.

Ladies remained a setlist staple in the setbreak era, and in addition to the numerous versions played during this time, the band frequently used a Ladies style jam to get from A to B in this era. In fact, the year where Ladies was most common was 2012, when it was played on average once every 3.3 shows. Notable versions from the setbreak era include the 1/26/14 Tractorbeam version, 3/26/16, 6/02/16, and 8/20/16.

In the post-setbreak era, Ladies continues to be a setlist staple. It is still frequently played inverted, although well-known exceptions include the set bookending 9/23/23 and the dyslexic 1/28/24 (part of a full set palindrome). Ladies is one of the most frequently played Biscuits songs, appearing on average once every five to six shows since its debut. It has only disappeared from the rotation for more than a dozen shows a few times, and never for more than sixteen shows. It is an indisputably important part of the Biscuits’ catalog.

","Come on all the ladies, get down tonight.\nGive it up! Give it up!",229,["D",1755734400000],["D",978134400000],{"_189":58,"_191":452,"_193":452,"_195":453,"_196":209,"_198":58,"_200":201,"_202":190,"_203":201,"_95":454,"_97":42,"_99":209,"_207":209,"_101":199,"_208":206,"_102":100,"_103":209,"_210":209,"_211":212,"_213":206,"_214":58,"_215":206,"_216":197,"_217":42,"_218":190,"_104":42},27,15,21,{"_456":457,"_460":461,"_465":466,"_469":470,"_471":472,"_475":476,"_480":481,"_483":484,"_488":489,"_492":493},"74",{"_25":223,"_109":458,"_111":459},"2004-05-06",204,"76",{"_25":462,"_109":463,"_111":464},"2005-08-26","2004-12-31",238,"77",{"_25":467,"_109":462,"_111":468},"2006-02-04",162,"113",{"_25":311,"_109":312,"_111":313},"150",{"_25":321,"_109":473,"_111":474},"2011-12-28",192,"158",{"_25":477,"_109":478,"_111":479},"2013-12-19","2013-04-27",236,"166",{"_25":138,"_109":390,"_111":482},196,"181",{"_25":485,"_109":486,"_111":487},"2018-12-07","2018-05-24",197,"183",{"_25":490,"_109":491,"_111":263},"2019-07-19","2019-01-25","187",{"_25":341,"_109":494,"_111":258},"2019-12-30",2002,2000,"http://sickbarberlicks.weebly.com/and-the-ladies-were-the-rest-of-the-night.html",[499],{"_21":500,"_501":278,"_502":503,"_31":504,"_33":505},"cccb6dd9-5197-4852-b8cd-af0668a81a18","trackId","desc","inverted",["D",1582389641059],["D",1582389641059],{"_21":414,"_52":22,"_53":162,"_55":163,"_57":199,"_59":164,"_31":507,"_33":508,"_35":36,"_23":509,"_63":-5,"_64":65,"_66":278,"_67":410,"_39":36,"_41":36,"_47":-5,"_68":510,"_158":527},["D",1582389641111],["D",1582389641111],"2009-09-11-mindless-dribble-2",{"_21":162,"_70":170,"_23":171,"_31":511,"_33":512,"_75":174,"_77":175,"_27":28,"_78":176,"_29":112,"_80":65,"_81":177,"_83":178,"_85":179,"_86":180,"_87":181,"_89":513,"_91":514,"_93":515,"_105":516,"_152":269,"_154":270,"_156":271,"_47":170},["D",1582386622856],["D",1756174193167],["D",1755907200000],["D",887846400000],{"_185":186,"_187":188,"_189":190,"_191":192,"_193":194,"_195":190,"_196":197,"_198":199,"_200":201,"_202":190,"_203":42,"_95":204,"_97":205,"_99":206,"_207":199,"_101":199,"_208":209,"_102":206,"_103":206,"_210":209,"_211":212,"_213":206,"_214":212,"_215":209,"_216":199,"_217":205,"_218":219,"_104":197},{"_221":517,"_226":518,"_231":519,"_235":520,"_240":521,"_245":522,"_249":523,"_254":524,"_259":525,"_264":526},{"_25":223,"_109":224,"_111":225},{"_25":228,"_109":229,"_111":230},{"_25":233,"_109":234,"_111":230},{"_25":237,"_109":238,"_111":239},{"_25":242,"_109":243,"_111":244},{"_25":247,"_109":242,"_111":248},{"_25":251,"_109":252,"_111":253},{"_25":256,"_109":257,"_111":258},{"_25":261,"_109":262,"_111":263},{"_25":266,"_109":267,"_111":268},[],{"_21":529,"_52":22,"_53":530,"_55":354,"_57":58,"_59":-5,"_31":531,"_33":532,"_35":36,"_23":533,"_63":-5,"_64":65,"_66":-5,"_67":534,"_39":36,"_41":36,"_47":-5,"_68":535,"_158":590},"8ca1ccd1-b7f8-4abe-8a08-691e6e106cc4","73f6133e-9dc6-48dc-8e2d-012bb1b25116",["D",1582389641256],["D",1582389641256],"2009-09-11-house-dog-party-favor","61e4a28d-5c54-4e28-8e95-64c4ccffdbd3",{"_21":530,"_70":536,"_23":537,"_31":538,"_33":539,"_75":540,"_77":541,"_27":28,"_78":542,"_29":543,"_80":65,"_81":177,"_83":178,"_85":-5,"_86":544,"_87":487,"_89":545,"_91":546,"_93":547,"_105":549,"_152":495,"_154":588,"_156":589,"_47":536},"House Dog Party Favor","house-dog-party-favor",["D",1582386623009],["D",1756174186789],"

House Dog, Party Favor.
Well-to-do on the bone you savor.
a local invitational, a roaring hello,
Mind's racing but you just don't know.
What to do, How to stop it.
When the seeds that you sow are all microscopic.
And your tailor made suit, yo the man's best friend.
And the city boy's out of his mind again.

House call, do yourself a favor.
Take a big bite of the fruit of your labor.
When you might be dreaming, go back in time.
To chariots, wizardry and regicide.
Where the warriors and the armor have a different name,
And the church and the paupers play the same old game.
So you try to break the rules that you just can't bend,
and the city boy's out of his mind again.

Yeah, oh yeah, oh yeah.
City boy's out of his mind again.
Oh yeah, oh yeah.
City boy's out of his mind again.

Sanitarium, and doing alright.
Three square meals and a bed for the night.
And you might be busted on the daily grind,
You got nurse Belinda and a porcupine.
So howling granny howl, and give'm a hoot,
and little nurse Belinda's licking off your boot
And you might even think that you like to pretend,
That its the city boy whose out of his mind again.

Yeah, oh yeah, oh yeah.
City boy's out of his mind again.
Oh yeah, oh yeah.
City boy's out of his mind again.

","Transcription by Rich Steele

~~House Dog Party Favor

Intro (in D)

(play this twice)
E 10
B 12 12 12 12 10 12 12 10 10 12 12 10 10
G
D
A
E

E
B
G 12 11 9(h)11 9
D 12 11 9(h)11 9 7~ 7 7 9
A
E

E
B
G
D 5 5 5 4 4 4 2 2 2
A
E

E
B
G
D 2 2 2 2 2 2 2(sl)4
A 2(h)4 2(h)4 2(h)4 2
E

E
B
G 4 4 4(p)2 7 7 7(p)5
D 4 4 4(p)2 7(p)5
A 2(h)5
E

E
B 7 7 7(p)5 8 8 8(p)7
G 7 7 7(p)5 9(p)7
D 5(h)7
A
E

E 8 8 7 7 7(h)8
B 8 8 8(p)7 10 10 10(p)8
G 7(h)9
D
A
E

E 10 10 10 10 9 10 10 9 10 12(sl)14
B
G (play this 3 times)
D
A
E

E 10 10 9 10
B
G 4(p)2
D 4 2
A 4 4(p)2 2
E

E
B
G 4 4 4 4 2 4
D 2 4 5
A
E (play 3 times)

E 5 5 5 7 8
B 5 5 5 6 8
G 5 7 5 5 7 9
D 5(h)7 9 7
A
E

(play this next section 3 times)
--------------------------------------------
E 9 10 12 12 12 10 12 12 10 12 15
B
G

E 12 12 12 12 12 10 9 10
B
G

E 12 12 10 12 12 10 12 15 12 12 12 12 12
B
G

E
B
G
D 4 4
A
E 2~ 2 2

------------------------------------------

E |
B | (play 3 times)
G |
D | 9 9 9 9 7 9
A | 7 9 10
E 5(h)7 |

Verse riffs

Dm
E
B
G 10
D 7(p)5 5 7 5 7 (sl) 10
A 5
E

Em
E
B
G 12
D 9(p)7 7 9 7 9 (sl) 12
A 7
E

(goes back to the Dm riff a couple of times, then into this)

E
B
G
D 7(p)5 5 7 5
A 5 7 5
E

(which leads into the oh yeah... oh yeah.. chorus.)

E
B
G 5 6
D 7(p)5 5 7 5 5
A 7(p)5 5 7(p)5 5
E 5 5

E
B
G 10
D 7(p)5 5 7 5 7 (sl) 10
A 5
E

E
B
G
D 7(p)5 5 7 5
A 5 7 5
E

(after the 2nd chorus, they lead into this...)

E
B 10 10 10 12 10 10 10 10 12 10 9(h)10(p)9
G

E
B 7~ 7 7 7(h)8 7 7 7 8 7
G 9 7

(after playing that 4 times, lead right into
this...)

(play twice)
E
B 8 7
G 7(h)9(p)7(h)9 7 9 9 7
D 5 7
A
E

E
B
G
D 4(h)5 7 9 7 4 4
A 5
E

Now the next section after this before the jam starts i'm still not 100%
sure on.
i'll add it as soon as i work out all the kinks.)

Jam goes over a A > G.

then jon comes in with this riff, which is first
played 4 times before the ascending 10 count starts.

E 12 10 9 9 9 9 9 9 10 9(h)10 10 10 10(p)9
B 9
G 9

E 9 9 9 12 9 12
B 10 10
G

so basically you loop this riff 4 times, and
the ascending part is just the last 3 notes repeating up to 10.

\\r","housedog",82,"City boy’s out of his mind again ",["D",1750291200000],["D",934329600000],{"_187":298,"_189":297,"_191":296,"_193":548,"_195":201,"_196":212,"_198":199,"_200":219,"_202":197,"_203":199,"_95":204,"_97":205,"_99":206,"_207":100,"_101":199,"_208":199,"_102":199,"_103":199,"_210":199,"_211":197,"_213":100,"_214":212,"_215":199,"_216":100,"_217":206,"_218":206,"_104":212},23,{"_550":551,"_554":555,"_559":560,"_562":563,"_566":567,"_570":571,"_572":573,"_577":578,"_339":582,"_488":584},"93",{"_25":302,"_109":552,"_111":553},"2004-05-08",316,"95",{"_25":556,"_109":557,"_111":558},"2005-11-18","2005-04-26",206,"118",{"_25":561,"_109":312,"_111":225},"2009-01-17","121",{"_25":26,"_109":564,"_111":565},"2009-02-03",220,"143",{"_25":568,"_109":473,"_111":569},"2012-07-06",191,"147",{"_25":331,"_109":238,"_111":248},"174",{"_25":574,"_109":575,"_111":576},"2019-11-15","2019-04-27",202,"177",{"_25":579,"_109":580,"_111":581},"2020-10-23","2020-01-03",294,{"_25":583,"_109":579,"_111":338},"2021-04-24",{"_25":585,"_109":586,"_111":587},"2022-10-03","2022-03-31",186,2004,"http://sickbarberlicks.weebly.com/house-dog-party-favor.html",[],{"_21":592,"_52":22,"_53":593,"_55":354,"_57":100,"_59":-5,"_31":594,"_33":595,"_35":36,"_23":596,"_63":-5,"_64":65,"_66":534,"_67":597,"_39":36,"_41":36,"_47":-5,"_68":598,"_158":663},"9aee42b3-22dc-416f-a9c6-efe3e9ad2675","3f5505cc-906e-47b4-9e19-6a43c7e82540",["D",1582389641342],["D",1582389641342],"2009-09-11-aceetobee","d5dd6000-8541-45ba-8c63-5f08da887129",{"_21":593,"_70":599,"_23":600,"_31":601,"_33":602,"_75":603,"_77":604,"_27":28,"_78":605,"_29":212,"_80":65,"_81":177,"_83":178,"_85":606,"_86":607,"_87":608,"_89":609,"_91":610,"_93":611,"_105":618,"_152":269,"_154":270,"_156":662,"_47":599},"Aceetobee","aceetobee",["D",1582386622697],["D",1756174173437],"
Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.
","
transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)
","actob","
Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.
In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.
Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.
Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.
From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).
The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.
In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.
When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.
After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).
Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.
Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.
After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.
","One day you’re all locked up, the next day you’re free",292,["D",1752019200000],["D",815875200000],{"_612":212,"_613":206,"_614":615,"_185":616,"_187":617,"_189":205,"_191":192,"_193":192,"_195":98,"_196":206,"_198":199,"_200":197,"_202":209,"_203":212,"_95":42,"_97":205,"_99":209,"_207":209,"_101":100,"_208":199,"_102":100,"_103":212,"_210":209,"_211":58,"_213":212,"_214":58,"_215":100,"_216":212,"_217":100,"_218":100,"_104":199},"1995","1996","1997",54,55,30,{"_619":620,"_623":624,"_249":628,"_631":632,"_636":637,"_640":641,"_645":646,"_649":650,"_654":655,"_657":658},"2",{"_25":621,"_109":622,"_111":387},"1996-08-14","1995-12-02","226",{"_25":625,"_109":626,"_111":627},"2009-02-14","2008-06-06",253,{"_25":629,"_109":478,"_111":630},"2013-12-18",235,"267",{"_25":633,"_109":634,"_111":635},"2017-04-29","2016-07-16",287,"273",{"_25":638,"_109":243,"_111":639},"2018-12-09",343,"275",{"_25":642,"_109":643,"_111":644},"2019-11-21","2019-01-26",299,"276",{"_25":647,"_109":642,"_111":648},"2020-10-18",332,"281",{"_25":651,"_109":652,"_111":653},"2022-12-29","2022-04-01",272,"282",{"_25":656,"_109":651,"_111":244},"2023-07-12","285",{"_25":659,"_109":660,"_111":661},"2024-09-07","2023-12-01",281,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":597,"_52":22,"_53":665,"_55":354,"_57":199,"_59":164,"_31":666,"_33":667,"_35":36,"_23":668,"_63":-5,"_64":65,"_66":592,"_67":669,"_39":36,"_41":36,"_47":-5,"_68":670,"_158":727},"2923ea2d-00c9-4867-b60a-efbb1d8adfa1",["D",1582389641406],["D",1582389641406],"2009-09-11-vassillios","3b62a9cf-54ea-4e8b-862b-21dcdf8e0e92",{"_21":665,"_70":671,"_23":672,"_31":673,"_33":674,"_75":675,"_77":676,"_27":28,"_78":677,"_29":678,"_80":65,"_81":177,"_83":178,"_85":-5,"_86":679,"_87":680,"_89":681,"_91":682,"_93":683,"_105":687,"_152":269,"_154":406,"_156":726,"_47":671},"Vassillios","vassillios",["D",1582386623818],["D",1756174211167],"
Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe
","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"Straight from the gutter",244,["D",1748995200000],["D",850521600000],{"_613":212,"_614":684,"_185":44,"_187":685,"_189":42,"_191":686,"_193":192,"_195":205,"_196":212,"_198":212,"_200":209,"_202":212,"_203":199,"_95":190,"_97":206,"_99":209,"_207":58,"_101":212,"_208":58,"_102":58,"_103":58,"_210":212,"_211":58,"_213":100,"_214":58,"_215":58,"_216":212,"_217":100,"_218":199,"_104":100},40,33,18,{"_688":689,"_692":693,"_695":696,"_699":700,"_231":704,"_708":709,"_623":710,"_713":714,"_717":718,"_721":722},"182",{"_25":690,"_109":303,"_111":691},"2005-03-25",320,"218",{"_25":379,"_109":316,"_111":694},362,"220",{"_25":697,"_109":134,"_111":698},"2013-12-27",334,"222",{"_25":701,"_109":702,"_111":703},"2015-07-18","2014-02-20",513,{"_25":705,"_109":706,"_111":707},"2017-02-02","2016-02-05",363,"225",{"_25":399,"_109":705,"_111":635},{"_25":711,"_109":399,"_111":712},"2018-12-12",391,"231",{"_25":715,"_109":716,"_111":400},"2021-04-02","2020-01-04","232",{"_25":719,"_109":715,"_111":720},"2022-04-02",365,"237",{"_25":723,"_109":724,"_111":725},"2024-07-05","2023-09-24",285,"http://sickbarberlicks.weebly.com/vassillios.html",[],{"_21":669,"_52":22,"_53":729,"_55":354,"_57":206,"_59":164,"_31":730,"_33":731,"_35":36,"_23":732,"_63":-5,"_64":65,"_66":597,"_67":358,"_39":36,"_41":36,"_47":-5,"_68":733,"_158":786},"2e3bddac-1cbc-427a-bdd2-bb9cb45f56fa",["D",1582389641480],["D",1582389641480],"2009-09-11-you-and-i",{"_21":729,"_70":734,"_23":735,"_31":736,"_33":737,"_75":738,"_77":28,"_27":28,"_78":739,"_29":740,"_80":65,"_81":741,"_83":28,"_85":-5,"_86":-5,"_87":742,"_89":743,"_91":744,"_93":745,"_105":746,"_152":153,"_154":784,"_156":785,"_47":734},"You and I","you-and-i",["D",1582386623989],["D",1756174213328],"
I think we should go outside and set the world on fire
You say that you're so bad but you know I don't buy it
I know how we both feel, so let's not let's not let's not try to hide it
So come over here right now and let's not try to fight it, 'cause you know you like it

You & I
We're different but we're still the same
You & I

I think I'm crazy, why don't you lock me away?
Cause it's late at night, I don't wanna work I wanna play
You're such a pretty little girl, I want you to stay
We can have a lot of fun, get the job done, play a little game, it's called scream my name

You & I
We're different but we're still the same
You & I
We're different but we're still the same
You & I

One two three four five six SEVEN

You & I
We're different but we're still the same
You & I
We're different but we're still the same
You & I
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Transcription by Rich Steele:\\n\\nE 3(sl)5(sl)3\\nB 3(sl)5(sl)3\\nG 2(sl)3(sl)2 0 0 0 \\nD 0 2 2 2\\nA\\nE\\n\\nE\\nB\\nG 2(sl)3(sl)2 0 0\\nD 0(h)2\\nA\\nE\\n\\n\\n(next riff)\\nE\\nB 15~ 13(p)12\\nG 12~ 9 10~~\\nD\\nA\\nE\\n\\n(verse riff)\\nE\\nB\\nG 12 12 12 12 12 12 \\nD 14 12 12\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 14 12 10 10\\nD 14\\nA\\nE\\n\\nE\\nB\\nG 16 16 16 16 14 16 16\\nD 16 16\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 10 10 10 10 12 14 12\\nD\\nA (start the 2nd riff from above \\nE after that last G)\\n\\nTranscription by Evan Leon:\\n\\n\\ne 3 sl 5 sl 3\\nB 3 sl 5 sl 3 3 sl 5 3 3 1 1 1 1 1\\nG 2 sl 4 2 0 0 0 0 0 0\\nD 0 h 2 2 2 0 h 2\\n\\nrepeat a bunch of times.. (sl=slide up/down)\\n\\ne\\nB 15 12 h 13 p 12\\nG sl 12 12 12 12\\nD 14 15\\n\\nand repeat that a bunch, as well.\\n\\nI did figure out the other parts after that... let's see.. there's a\\nvariation on the second part:\\n\\ne 15\\nB 12 h 13 p 12\\nG 15 15 15 15\\nD 14 15\\n\\nthere's a part right before the vocals where Barber\\nplays the vocal line.. something like:\\n\\ne\\nB\\nG 12 12 12 12 12 12 14 14 14 14 12 14 12\\nD 15 12 15 15 15\\n\\ne\\nB 12 12 12 12 12 12\\nG 14 12 14\\nD .......... and on and on.. just play\\naround up there until you get it.\\n\\nTranscribed by Eric Smith:\\n\\nRiff 1\\nE-----------------------------------------------------------\\nB--7/-9--/-7------------------------------------------------\\nG--8/-10-/-8--7/9--7--7-------------5---5-------5---------5-\\nD-------------7/9--7--5-------------5---5h7p5---5h7p5-----5-\\nA-------------------------------5h7---7-------7-------5h7---\\nE-----------------------------------------------------------\\n *\\nrepeat 2x, then w/ band 8 times\\n\\nMess around with the beginning of Riff 2 (up to *) using \\nthe end of Riff 1 (starting at *)\\n\\nRiff 2 *\\nE-----------------------------------------------------------\\nB------15~-------13p12--------------------------------------\\nG-/12--------12--------10--12~------------------------------ repeat 8x\\nD-----------------------------------------------------------\\nA-----------------------------------------------------------\\nE-----------------------------------------------------------\\n\\nJam around with Riff 2 in the key of E then into Riff 3\\n\\nRiff 3\\nE-----------------------------------------------------------------------\\nB-----------------------------------------------------------------------\\nG-12-12-12-12--------12----12------14-14-14-14-12---14-12-------12--14--\\nD-------------15--12----15------------------------15------15-15---------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nE-----------------------------------------------------------------------\\nB-12-12-12-12-------12----12--------------------------------------------\\nG-------------14-12----14------14-14-14-14--12----14--------12-14-------\\nD----------------------------------------------15-----15-15-------------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nRepeat Riff 3 a bunch with singing\\nJam out in E\\nRiff 3 again then with lyrics\\nRiff 2 4x\\nRiff 1 4x
","splat",179,"
When the song first debuted, it didn't have a name, and a group of fans took to calling it "Splattums" (a description of what happened to your brain when you listened to it). After the band gave the song it's official name, those same fans refused to call it anything but Splattums and continued to label it as such on recordings. Eventually, the band wrote Crickets, and added the "Lookout, splattums!" line in the chorus in the hopes that it would confuse people just enough to force the fanbase to start calling this song Svenghali.
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(these are a work in progress)

she was on the palisades
want to be a rapper
she was goin uptown
i was chasin after

she was on the rollbar
kickin and a laughin
???
where she would come back faster

we're gonna make it don't stop
kickin out dreams
hittin that spot
you can't get lucky if you're never gonna die
one way out and you ain't even gonna try

i wanna be your medicine
gonna keep you rollin beside me heyyyy
i'm gonna take you to the top top momma
you can't get busted if we're gonna go further

she was in to velvet
flirtin with disaster
cupid rollin on the pills
tearin and a blastin
foreceps drop top
givin in to mobsters
thought he had the appetite
pimp blue rikkiiiii

we're gonna make it don't stop
kickn out dreams
hittin that spot
you can't get lucky if you're never gonna die
one way out and you ain't even gonna try

i wanna be your medicine
wanna keep you rollin beside me heyyyy
gonna take you to the top top momma
you can't get nuthin if you won't go further
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September 11, 2009