[{"_1":2,"_1076":-5,"_1077":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_1071":1072,"_1073":1074,"_1075":-5},"setlist",{"_19":20,"_849":874,"_875":876,"_196":1060},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":38,"_39":40,"_41":42,"_43":36,"_44":36,"_45":36,"_46":-5,"_47":48,"_849":850,"_871":851,"_872":873},"id","341dab4f-3cc2-4098-a9a6-17aaf1d0831e","slug","2005-11-19-the-music-box-at-the-borgata-hotel-and-casino-atlantic-city-nj","date","2005-11-19","notes","The Atlantic City Drum-Off","legacyId",854,"createdAt","2020-02-22T16:19:52.200Z","updatedAt","2025-09-01T08:24:45.059Z","likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/2005/11/19","averageRating",4.5,"ratingsCount",17,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[49,198,287,365,443,506,559,618,680,736,796],{"_21":50,"_51":22,"_52":53,"_54":55,"_56":57,"_58":-5,"_31":59,"_33":60,"_35":36,"_23":61,"_62":-5,"_63":64,"_65":-5,"_66":-5,"_39":67,"_41":57,"_46":68,"_69":70,"_196":197},"64f81e69-a0b2-43e1-842f-cbc0825f4cc2","showId","songId","981ba91f-7e39-4140-aa5c-4aa8d96a876f","set","E1","position",1,"segue","2020-02-22T16:36:14.657Z","2025-11-13T03:52:39.940Z","2005-11-19-munchkin-invasion","note","allTimer",false,"previousTrackId","nextTrackId",5,"Munchkin Invasion E1 opener","song",{"_21":53,"_71":72,"_23":73,"_31":74,"_33":75,"_76":77,"_78":79,"_27":80,"_81":82,"_29":83,"_84":64,"_85":86,"_87":88,"_89":-5,"_90":91,"_92":93,"_94":95,"_96":97,"_98":99,"_138":139,"_190":191,"_192":193,"_194":195,"_46":72},"title","Munchkin Invasion","munchkin-invasion","2020-02-22T15:50:23.147Z","2025-08-26T02:09:54.314Z","lyrics","

We come from the city,
We come from the jungle.

Hi, my name is Sally.
I'm a little munchkin.

A little munchkin!

","tabs","Tablature by Evan Leon:

Introduction:

F# | Bm | C# | C# (repeat)

The next section is the one with the really complicated rhythm that
I don't really know how to transcribe. All I can say is that the
figure is repeated twice on A, then once on F#. Following that,
slide up to A for the first verse section.

For the verse section, Jon plays a short figure in A similar to
the following (but usually different):

Figure 1:
e 9h10p9
B 12 10 10 10 9
G 9
D 11
A 12
E

Play around on that for 4 measures, then break into a reggae-type
strum on an A chord for seven measures, and the words start on the
8th measure:

A
We come from the city,

Bm A (3 measures)
We come from the jungle.

Repeat that part, then to the bridge section:

Bm | D | F# | F#
Bm | D | F# | E A
F# | Bm | C# | C#
F# | Bm | A | A

Then Jon takes a solo over the bridge progression.

More to come soon, I just wanted to get something up here to get
everyone started.","","legacyAbbr","munchkin",126,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","The Disco Biscuits, Zuniga","history","featuredLyric","We come from the city, we come from\nthe jungle ","timesPlayed",239,"dateLastPlayed","2025-08-20T00:00:00.000Z","dateFirstPlayed","2000-04-29T00:00:00.000Z","yearlyPlayData",{"_100":101,"_102":103,"_104":105,"_106":101,"_107":67,"_108":67,"_109":110,"_111":112,"_113":114,"_115":116,"_117":118,"_119":120,"_121":114,"_122":120,"_123":114,"_124":67,"_125":114,"_126":114,"_127":120,"_128":118,"_129":57,"_130":131,"_132":118,"_133":134,"_135":136,"_137":118},"2000",14,"2001",29,"2002",26,"2003","2004","2005","2006",15,"2007",16,"2008",6,"2009",12,"2010",7,"2011",4,"2012","2013","2014","2015","2016","2017","2018","2019","2020","2021",8,"2022","2023",10,"2024",9,"2025","longestGapsData",{"_140":141,"_147":148,"_152":153,"_157":158,"_162":163,"_166":167,"_171":172,"_176":177,"_181":182,"_186":187},"129",{"_25":142,"_143":144,"_145":146},"2008-12-26","previous","2008-07-25","delta_days",154,"150",{"_25":149,"_143":150,"_145":151},"2011-07-02","2011-01-14",169,"154",{"_25":154,"_143":155,"_145":156},"2012-07-07","2012-01-27",162,"160",{"_25":159,"_143":160,"_145":161},"2013-07-13","2013-01-26",168,"161",{"_25":164,"_143":159,"_145":165},"2013-12-18",158,"165",{"_25":168,"_143":169,"_145":170},"2014-08-01","2014-02-22",160,"172",{"_25":173,"_143":174,"_145":175},"2015-10-31","2015-04-18",196,"187",{"_25":178,"_143":179,"_145":180},"2018-09-21","2018-04-21",153,"197",{"_25":183,"_143":184,"_145":185},"2020-10-17","2019-12-28",294,"198",{"_25":188,"_143":183,"_145":189},"2021-03-25",159,"mostCommonYear",2001,"leastCommonYear",2020,"guitarTabsUrl","http://sickbarberlicks.weebly.com/munchkin-invasion.html","annotations",[],{"_21":199,"_51":22,"_52":200,"_54":201,"_56":57,"_58":202,"_31":203,"_33":60,"_35":36,"_23":204,"_62":-5,"_63":64,"_65":-5,"_66":205,"_39":67,"_41":57,"_46":206,"_69":207,"_196":280},"69901de3-a72c-45ef-ba0a-b7bbf0a5ebc9","226f80c9-441d-4360-b9c2-826bc88b9a51","S1",">","2020-02-22T16:36:13.632Z","2005-11-19-shem-rah-boo","b453a50c-36f0-48fe-9928-4f9e881a4d9b","Shem-Rah Boo S1 opener segue > Astronaut with Mike Greenfield (The Ally) on drums",{"_21":200,"_71":208,"_23":209,"_31":74,"_33":210,"_76":211,"_78":212,"_27":80,"_81":213,"_29":214,"_84":64,"_85":215,"_87":216,"_89":-5,"_90":217,"_92":218,"_94":219,"_96":220,"_98":221,"_138":230,"_190":277,"_192":278,"_194":279,"_46":208},"Shem-Rah Boo","shem-rah-boo","2025-08-26T02:10:02.659Z","

Shem-Rah Boo was on the run
But he didn't know how to get things done
But he always knew what he was longing to be
The star of his own biography

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your life?

In Hollywood, his mind was keen
When he married the very first girl he'd seen
But he dropped his mind, he stroked his wood
But klimpsch did do the best he could.

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

====================
Jon:
Klimpsch, you're the man of the hour,
Klimpsch, you're the man of the year,
Why don't you trust the woman that took you there?
Brownie:
The man of the hour,
The man of the year,
Why don't you trust the woman that took you there?
Magner:
The man of the hour
The man of the year
Why don't you trust the woman that took you there?
====================

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why'd you have to cut it with the....
Klimpsch, why did you emancipate your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

","(main riff)

E
B
G 12 12 12 12 12(sl)11(sl)12(sl)11(sl)12
D X X X X X
A 10 10 10 10 10(sl) 9(sl)10(sl) 9(sl)10
E

E
B
G 12 12 12(sl)11 16 16 16 16 16
D X X X X X X X X
A 10 10 10(sl)9 14 14 14 14 14
E
E

(the 'Man of the hour' part)
(thanks to Pete Caffrey for this part)

Am C G F E
E 5 3 1 0
B 5 5 3 1 0
G 5 5 4 2 1
D 7 5 5 3 2
A 7 3 5 3 2
E 5 3 1 0

(listen to a tape to hear the chord changes)","shemrah",164,"e2397ce3-857e-425f-925e-1cb30de780d7","Brownstein, Gutwillig","Klimpsch, why you always talkin' 'bout your life?",312,"2025-06-17T00:00:00.000Z","1997-01-17T00:00:00.000Z",{"_222":223,"_224":223,"_225":226,"_100":131,"_102":110,"_104":116,"_106":134,"_107":114,"_108":67,"_109":136,"_111":227,"_113":227,"_115":101,"_117":136,"_119":228,"_121":229,"_122":120,"_123":228,"_124":229,"_125":120,"_126":67,"_127":120,"_128":120,"_129":229,"_130":67,"_132":229,"_133":120,"_135":114,"_137":120},"1997",56,"1998","1999",36,11,3,2,{"_231":232,"_236":237,"_241":242,"_245":246,"_250":251,"_255":256,"_260":261,"_265":266,"_268":269,"_273":274},"148",{"_25":233,"_143":234,"_145":235},"2000-08-19","1999-12-30",233,"261",{"_25":238,"_143":239,"_145":240},"2012-07-06","2011-12-27",192,"262",{"_25":243,"_143":238,"_145":244},"2012-12-18",165,"269",{"_25":247,"_143":248,"_145":249},"2014-12-26","2014-06-14",195,"271",{"_25":252,"_143":253,"_145":254},"2015-12-04","2015-02-20",287,"287",{"_25":257,"_143":258,"_145":259},"2019-11-17","2019-05-24",177,"290",{"_25":262,"_143":263,"_145":264},"2020-10-19","2020-01-03",290,"291",{"_25":267,"_143":262,"_145":244},"2021-04-02","297",{"_25":270,"_143":271,"_145":272},"2022-09-30","2022-03-31",183,"298",{"_25":275,"_143":270,"_145":276},"2023-03-30",181,1998,2012,"https://sick-barber-licks.weebly.com/shem-rah-boo.html",[281],{"_21":282,"_283":199,"_284":285,"_31":286,"_33":286},"1ae7b326-203b-4575-bc2e-7e16f1e7efe3","trackId","desc","with Mike Greenfield (The Ally) on drums","2024-08-10T17:02:36.840Z",{"_21":288,"_51":22,"_52":289,"_54":290,"_56":57,"_58":80,"_31":291,"_33":60,"_35":36,"_23":292,"_62":-5,"_63":64,"_65":-5,"_66":293,"_39":67,"_41":57,"_46":294,"_69":295,"_196":360},"6c831e8a-f8ca-4c81-a517-34f65fbd2579","e8df46b0-e528-4f95-843e-b5d18f94d63f","S2","2020-02-22T16:36:14.217Z","2005-11-19-hot-air-balloon","56f97328-f10c-448e-ae86-29aab0248d5b","Hot Air Balloon S2 opener segue Spy with Allen Aucoin (Skydog Gypsy) on drums",{"_21":289,"_71":296,"_23":297,"_31":298,"_33":299,"_76":300,"_78":301,"_27":80,"_81":302,"_29":303,"_84":64,"_85":86,"_87":304,"_89":-5,"_90":-5,"_92":305,"_94":306,"_96":307,"_98":308,"_138":312,"_190":358,"_192":277,"_194":359,"_46":296},"Hot Air Balloon","hot-air-balloon","2020-02-22T15:50:22.856Z","2025-08-26T02:09:46.688Z","In the light of the moon, too soon
In a hot air balloon, he crossed the sea
Once an airship tycoon, turned buffoon
Leaving his home marooned, attempted to flee
The life he's begun.

In the blink of an eye, he spies
The shore where he's fantasized, his baby to be
Turns his gaze to the skies, he cries
Just give me one more try, to chase down my dream
Before I am done.

Unsure from the day, she prays
Hoping their getaway, will still come to be
Watching stars ricochet, she strays
Beyond the alleyway, where no one can see
Not anyone.

In the blink of an eye, she spies
The spot in the foggy skies, she's been longing to see
Camoflaged by the tides, she hides
Where the water and wind collide, she's soon to be free
From what she's begun.

In a hot air balloon
Corrinado flies over the sea
for Leora today
And in one day
He went from his cell to the sky
At his last chance to fly","transcribed by Rich Steele

intro riff:
(each section repeats 8 times, before going back to the first)

E
B 7(h)8(p)7
G 9(p)7 6 6 6(h)7(p)6
D 9(p)7 7 7 7 7 7 7 7 7 7
A 9 9 9
E

E
B 9(h)10(p)9
G 11(p)9 8 8 8(h)9(p)8
D 11(p)9 9 9 9 9 9 9 9 9 9
A 11 11 11
E

E
B 11(h)12(p)11
G 13(p)11 10 10 10(h)11(p)10
D 13(p)11 11 11 11 11
A 13
E

E
B
G
D 11 11 11 11 11
A 13 13
E

(still working on the verses)

Chords for the ending chorus

A C# F# D A G E
E 5 2 5 3 0
B 5 6 2 7 5 3 0
G 6 6 3 7 6 4 1
D 7 6 4 7 7 5 2
A 7 4 4 5 7 5 2
E 5 2 5 3 0
In a hot air balloon corrinado flies over the sea for leora today

Bass tab:

transcribed by Bill (mrparker@OWLNET.RICE.EDU)

Once again, this tab is for bass, but the same melody is played on guitar
and piano. You can play it as written on guitar, but I'm sure it'd be the
wrong octave. If you really want to play it and can't find a good
position on the guitar, write me and I'll suggest somethin.

This is the theme to the ending instrumental thingee, _Flight of the Hot
Air Balloon,_ if you will.

(it starts with a vamp on

e----0-5-0-5-0-5-0-5-4-5-4-5-4-5-4-5, and so on. The notes in parentheses
are the between-lines vamp, those outside of parens are the melody itself)

g----------------------------------------------------------
d----------------------------------------------------------
a-----------------------------------4-4--------------------
e----(4-5-4-5-4-5-4-5)-4-5-7-7-4-0-7---(4-5-4-5-4-5-4-5)---

g----------------------------------------
d----------------------------------------
a----------------------------------------
e----4-5-7-7-4-0-7-5-5-------------------

(repeat whole thing)

g-----(2-2-2-2)--1-2-2-1-2-1-1--(1-1-1-1)----1----------
d----(4-4-4-4)--4-------2------(2-2-2-2)--2-4-4-2-0-2---
a-------------------------------------------------------
e-------------------------------------------------------

g-------------------------------------------------------
d----(0-2-0-2-0-2-0-2-0-2-0-2)--0-2-4-2-0-2--(2-2-2-2)--
a----------------------------------------4--(4-4-4-4)---
e-------------------------------------------------------

g-----------------------------------------------------------------
d-----2-0------------2-2-2-0------------2-2-2-0------------2-2----
a----4---4-2--2-4-2-4-------4-2--2-4-2-4-------4-2--2-4-2-4-------
e-----------------------------------------------------------------

g-----------------------------------------------------------------
d---------2-2-------2-2-------------------------------------------
a----4-2-4-----4-2-4-----4-2-4-2--2--2---2-0----------------0-----
e-------------------------------------------4-0--0--0--0-2-0------

(repeat whole thing, doubled with guitar)

and then it goes:

g----9-7-6------------------------------------
d---------9--9--9---7-6-----------------------
a----------------------9-7--7--7--5-4---------
e------------------------------------7-5------

Guitar Tab:

transcribed by Evan Leon

e
b 10-9h10-9h10-9h10-9h10-9h10-9.....

e 9 9
b 9h10 12-12p10p9 12
g 9 9

repeat the first part, end the second time with

e
b 9h10 12-12p10p9 12 10 10
g 9

now do all that one more time.

e
b 10 10 10 10 9 10 10p9 10 9 9
g 11 11 11 11 11 11
d

e
g 9 9 9 9 9
b 9 9 9 9 9 11 11p9 11 11 11 11
d 12 12 12 12

e
g
b 9 11p9 9 9 9 9
d 12p11 9 9 9

e
g
b 9 9 9 (repeat this part 3x)
d 12 11 9 11h12p11p9

e
g
b 9 9
d 12p11p9 12p11p9

e
g
b
d 12p11p9 (repeat 8x)

e
g
b
d 7

That's the basic section, then it repeats in A, which will be tabbed out
soon.","hab",71,"Jon Gutwillig",173,"2025-07-12T00:00:00.000Z","1998-12-31T00:00:00.000Z",{"_224":57,"_225":309,"_100":134,"_102":310,"_104":311,"_106":134,"_107":120,"_108":120,"_109":67,"_111":134,"_113":229,"_115":116,"_117":228,"_119":57,"_121":228,"_122":67,"_123":229,"_124":229,"_125":57,"_126":229,"_127":67,"_128":57,"_129":57,"_130":120,"_132":229,"_133":67,"_135":114,"_137":229},39,13,18,{"_313":314,"_318":319,"_323":324,"_327":328,"_331":332,"_336":337,"_341":342,"_345":346,"_350":351,"_157":354},"116",{"_25":315,"_143":316,"_145":317},"2009-01-25","2008-05-24",246,"128",{"_25":320,"_143":321,"_145":322},"2010-05-29","2009-09-18",253,"131",{"_25":239,"_143":325,"_145":326},"2010-12-30",362,"132",{"_25":329,"_143":239,"_145":330},"2012-10-05",283,"140",{"_25":333,"_143":334,"_145":335},"2014-09-12","2013-12-31",255,"143",{"_25":338,"_143":339,"_145":340},"2015-12-31","2015-04-24",251,"144",{"_25":343,"_143":338,"_145":344},"2016-10-28",302,"152",{"_25":347,"_143":348,"_145":349},"2019-11-22","2018-12-31",326,"153",{"_25":352,"_143":347,"_145":353},"2020-10-25",338,{"_25":355,"_143":356,"_145":357},"2023-01-21","2022-04-08",288,1999,"http://sickbarberlicks.weebly.com/hot-air-balloon.html",[361],{"_21":362,"_283":288,"_284":363,"_31":364,"_33":364},"05dfa5db-516e-475f-87d3-2c475f8e65fe","with Allen Aucoin (Skydog Gypsy) on drums","2024-08-10T17:13:50.944Z",{"_21":366,"_51":22,"_52":367,"_54":201,"_56":67,"_58":80,"_31":368,"_33":60,"_35":36,"_23":369,"_62":-5,"_63":64,"_65":370,"_66":371,"_39":67,"_41":57,"_46":372,"_69":373,"_196":438},"7799e168-92f1-4962-a9fb-b73c60fcd1a0","1358373c-1a40-4d36-a4c2-b4cfbb768d7c","2020-02-22T16:36:13.989Z","2005-11-19-rock-candy","aecf251b-c19d-4d8b-b16a-d5917b2e9e0d","3982808d-53ac-4c9a-9bb3-613837e322f7","Rock Candy S1 segue The Very Moon 42 with Jim Riordan (Cosmos Sunshine Band) on drums",{"_21":367,"_71":374,"_23":375,"_31":376,"_33":377,"_76":378,"_78":379,"_27":380,"_81":381,"_29":382,"_84":64,"_85":215,"_87":383,"_89":-5,"_90":384,"_92":385,"_94":386,"_96":387,"_98":388,"_138":390,"_190":435,"_192":436,"_194":437,"_46":374},"Rock Candy","rock-candy","2020-02-22T15:50:22.697Z","2025-08-26T02:10:00.532Z","

And you got, you got I,
And I got, I got you.
And you got, you got I,
And now we both have two.

","

Transcribed by Rich Steele

main riff

E
B
G
D 5(h)7 9 7 5 7
A 7
E

main progression
E E D F# F# E G G F# D# D# D# E
E
B 9 9 7 11 11 9 12 12 11
G 9 9 7 11 11 9 12 12 11 20 20 20 21
D 9 9 7 11 11 9 12 12 11
A 7 7 5 9 9 7 10 10 9 18 18 18 19
E

chords over the \\"youuuuu gotttt IIII gottttt youuuu\\" part is C > A > E > C > main riff

keyboard riff transcribed by Ben Conarck

E - 17~~ 13(h)14 17 16 15 13
B - then.. 17~~ 13(h)14 17 16 15 13
G -
D -
A -
E -

","Appears on Electron's \"This is Electron\" album","candy",31,"Marc Brownstein","And you got, you got I,\nAnd now we both have two",187,"2025-08-23T00:00:00.000Z","2002-07-25T00:00:00.000Z",{"_104":389,"_106":389,"_107":118,"_108":228,"_109":134,"_111":310,"_113":114,"_115":227,"_117":136,"_119":114,"_121":228,"_122":120,"_123":120,"_124":67,"_125":67,"_126":228,"_127":67,"_128":228,"_129":120,"_130":136,"_132":118,"_133":136,"_135":116,"_137":136},20,{"_391":392,"_395":396,"_400":401,"_404":405,"_409":410,"_412":413,"_417":418,"_422":423,"_427":428,"_430":431},"48",{"_25":26,"_143":393,"_145":394},"2005-03-26",238,"78",{"_25":397,"_143":398,"_145":399},"2008-12-31","2008-07-18",166,"99",{"_25":149,"_143":402,"_145":403},"2010-12-28",186,"105",{"_25":406,"_143":407,"_145":408},"2012-10-06","2011-12-31",280,"109",{"_25":159,"_143":411,"_145":151},"2013-01-25","113",{"_25":414,"_143":415,"_145":416},"2014-08-15","2014-01-26",201,"121",{"_25":419,"_143":420,"_145":421},"2016-06-04","2015-12-30",157,"134",{"_25":424,"_143":425,"_145":426},"2019-05-25","2018-11-24",182,"135",{"_25":257,"_143":424,"_145":429},176,"138",{"_25":432,"_143":433,"_145":434},"2020-06-22","2020-01-02",172,2003,2005,"http://sickbarberlicks.weebly.com/rock-candy.html",[439],{"_21":440,"_283":366,"_284":441,"_31":442,"_33":442},"06672a81-09ed-4da9-9974-424a13c97757","with Jim Riordan (Cosmos Sunshine Band) on drums","2024-08-10T17:03:32.053Z",{"_21":444,"_51":22,"_52":445,"_54":201,"_56":228,"_58":80,"_31":446,"_33":60,"_35":36,"_23":447,"_62":-5,"_63":64,"_65":205,"_66":370,"_39":67,"_41":57,"_46":448,"_69":449,"_196":502},"2fa35723-4801-40a8-8147-dfb369532645","355043fc-f808-443b-b8b8-d20a473c1799","2020-02-22T16:36:13.785Z","2005-11-19-jigsaw-earth","Jigsaw Earth S1 segue Astronaut The Very Moon with Mike Greenfield (The Ally) on drums",{"_21":445,"_71":450,"_23":451,"_31":452,"_33":453,"_76":454,"_78":455,"_27":80,"_81":456,"_29":457,"_84":64,"_85":86,"_87":304,"_89":-5,"_90":-5,"_92":156,"_94":458,"_96":459,"_98":460,"_138":463,"_190":191,"_192":500,"_194":501,"_46":450},"Jigsaw Earth","jigsaw-earth","2020-02-22T15:50:23.009Z","2025-08-26T02:09:48.688Z","Once the patient breathes
You slide into the world
The womb you have to leave
To be a boy or girl

When the man steals your nature with his watch
All in time a bit of peace, in time the chaos stops
Yellin' but you just can't find the words
Gaia, still loves all the pieces, of her jigsaw earth

Gaia...

Jacob left in the dark of night, hopped into his car
Finding street-wise Sandibel , and a volunteer chauffeur
Didn't see no reason to take a third
Gaia still loves all the trees, home to all the birds

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

Jacob sat on empty, Sandibel got tied up
The volunteer put on her clothes and pilfered her make-up
Guaranteed to be back for them soon
Gaia makes and takes the rain how ever opportune

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

I gathered myself, and rubbed my eyes, and wondered, did she know?
That I put glass and concrete beams as tall as trees can grow.
That I tear down the oldest statues, faces who've grown long
She may have known, may not have cared, continued with her song...

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.","tabbed by Rich Steele

intro/verse riff

E 9 8 6(h)7 6 6
B 9 9 7 7(h)9 9
G 10 10
D
A
E

then the quick little riff after the lick above is played 8 times.

E 14
B 12
G 11
D 13
A
E

then...

E 14 12 11 12 10 9 10 8 7 7
B 12 12 14 10 10 8 8 10 7 7
G 11 13 9 7 9
D 13 15 11 9
A
E

E 7 10 7 7 11
B 8 8 10 7 9
G 9 8
D 9
A
E

then it's the upward dubby strum on Abm

E 4
B 4
G 4
D 6
A 6
E 4

then...

Ebm Db Abm
E 6 4
B 7 6 4
G 8 6 4
D 8 6 6
A 6 4 6
E 4

quick in between riff

E
B
G 8 10 11 10 6 8
D
A
E

chorus - Ebm > C# > B > Ebm

the \\\"chase\\\" section

E
B 11
G 11 10 11 10 13 11 13 11
D 11 11 11 (play this twice)
A
E

E 11 13 11 11
B 11 11 13 10 11 12 13 11 11
G 11 10 11 10 10 11 12 13 11
D 11 11 11
A
E

E
B 9 10 7 9
G 9
D 7 6 7 6 9 7 6 7 6 (twice) 7 6 7 6 9 10
A 7 7 7 7 10
E

(still not 100% sure on the rest of that lick. will work on it and get it up along with the rest of the song very soon)","jigsaw",92,"2025-07-06T00:00:00.000Z","1999-10-07T00:00:00.000Z",{"_225":131,"_100":310,"_102":461,"_104":462,"_106":110,"_107":120,"_108":120,"_109":118,"_111":136,"_113":120,"_115":118,"_117":228,"_119":228,"_121":229,"_122":57,"_123":67,"_124":57,"_125":229,"_126":228,"_127":228,"_128":120,"_129":57,"_130":120,"_132":229,"_133":67,"_135":57,"_137":229},25,24,{"_412":464,"_467":468,"_140":471,"_427":475,"_478":479,"_331":482,"_485":486,"_488":489,"_492":493,"_157":497},{"_25":465,"_143":466,"_145":93},"2009-02-05","2008-06-11","125",{"_25":239,"_143":469,"_145":470},"2011-05-28",213,{"_25":472,"_143":473,"_145":474},"2014-02-20","2013-01-24",392,{"_25":476,"_143":174,"_145":477},"2016-02-04",292,"136",{"_25":480,"_143":476,"_145":481},"2016-12-03",303,{"_25":179,"_143":483,"_145":484},"2017-09-23",210,"141",{"_25":487,"_143":179,"_145":249},"2018-11-02","147",{"_25":490,"_143":491,"_145":477},"2020-10-18","2019-12-31","159",{"_25":494,"_143":495,"_145":496},"2024-08-29","2023-12-30",243,{"_25":498,"_143":494,"_145":499},"2025-06-26",301,2013,"http://sickbarberlicks.weebly.com/jigsaw-earth.html",[503],{"_21":504,"_283":444,"_284":285,"_31":505,"_33":505},"c0dac834-6fbe-46e2-acd6-9e2dce68a218","2024-08-10T17:02:51.966Z",{"_21":371,"_51":22,"_52":507,"_54":201,"_56":114,"_58":80,"_31":508,"_33":60,"_35":36,"_23":509,"_62":-5,"_63":64,"_65":366,"_66":-5,"_39":67,"_41":57,"_46":510,"_69":511,"_196":555},"747bebf1-ad9c-4e63-9aab-a8d518b33223","2020-02-22T16:36:14.073Z","2005-11-19-42","42 S1 closer segue Rock Candy with Jim Riordan (Cosmos Sunshine Band) on drums",{"_21":507,"_71":512,"_23":512,"_31":298,"_33":513,"_76":514,"_78":80,"_27":80,"_81":515,"_29":516,"_84":64,"_85":215,"_87":383,"_89":517,"_90":518,"_92":170,"_94":95,"_96":519,"_98":520,"_138":523,"_190":435,"_192":553,"_194":554,"_46":512},"42","2025-08-26T02:09:32.760Z","

vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

","Shall I forget the dream I had last night?","2003-04-03T00:00:00.000Z",{"_106":521,"_107":118,"_108":67,"_109":522,"_111":101,"_113":134,"_115":42,"_117":118,"_119":67,"_121":229,"_122":120,"_123":228,"_124":228,"_125":57,"_126":120,"_127":120,"_128":228,"_129":228,"_130":67,"_132":67,"_133":136,"_135":120,"_137":120},22,19,{"_524":525,"_528":529,"_530":531,"_412":533,"_534":535,"_538":539,"_542":543,"_318":546,"_327":549,"_551":552},"107",{"_25":526,"_143":527,"_145":399},"2012-07-12","2012-01-28","108",{"_25":473,"_143":526,"_145":175},"111",{"_25":164,"_143":532,"_145":189},"2013-07-12",{"_25":414,"_143":472,"_145":429},"117",{"_25":173,"_143":536,"_145":537},"2015-04-15",199,"118",{"_25":540,"_143":173,"_145":541},"2016-07-14",257,"119",{"_25":544,"_143":540,"_145":545},"2017-06-01",322,{"_25":547,"_143":548,"_145":429},"2019-11-15","2019-05-23",{"_25":490,"_143":550,"_145":357},"2020-01-04","133",{"_25":267,"_143":490,"_145":399},2016,"http://sickbarberlicks.weebly.com/42.html",[556],{"_21":557,"_283":371,"_284":441,"_31":558,"_33":558},"0d8de861-0050-4cb5-899c-d7897f55bb3a","2024-08-10T17:03:41.313Z",{"_21":560,"_51":22,"_52":561,"_54":290,"_56":228,"_58":80,"_31":562,"_33":60,"_35":36,"_23":563,"_62":-5,"_63":64,"_65":293,"_66":564,"_39":67,"_41":229,"_46":565,"_69":566,"_196":614},"55c0d612-200f-453a-ba0e-5660b1b2b9d5","c5134cd9-cc82-472b-9dfa-994f64f0954b","2020-02-22T16:36:14.428Z","2005-11-19-save-the-robots","7eae6f92-b3a8-4a56-bceb-6481f7b02680","Save The Robots S2 segue Spy Confrontation with Allen Aucoin (Skydog Gypsy) on drums",{"_21":561,"_71":567,"_23":568,"_31":74,"_33":569,"_76":570,"_78":80,"_27":80,"_81":571,"_29":421,"_84":64,"_85":86,"_87":304,"_89":-5,"_90":572,"_92":151,"_94":573,"_96":574,"_98":575,"_138":577,"_190":612,"_192":500,"_194":613,"_46":567},"Save The Robots","save-the-robots","2025-08-26T02:10:01.663Z","

Save the robots
Where they fall
Another one up
Behind them all

Save the robots
Crystallize
The one you stole
Was in disguise

Freeze your focus
Counteract
Commencing countdown
Turn it back

Refusing moments
Peck out words
Was simply angels
Or maybe

They all make me daydream
Trade my peace for
Day old armies save me
Take my piece and..
They all make me daydream
Trade my peace for
Day old armies save me
Take my piece and
Go! Go! Go! Go!

Behind them all.
Behind them all.
Behind them all.

Save the robots
From themselves
Connect their arms
To yourself

Fearless humans
Playing games
Soldered wire
Into your brain

Antennae haircut
Is really nothing
It frees your hands
For the panic button.

Enslave the robots
Like us in tribes
Build your igloo
In summer time.

They all make me daydream
Trade my peace for
Day old armies save me
Take my piece and..
Go! Go! Go! Go!

Behind them all.

","robots","Antennae haircut is really nothing, \nIt frees your hands for the panic button","2025-08-21T00:00:00.000Z","2001-03-27T00:00:00.000Z",{"_102":114,"_104":576,"_106":101,"_107":114,"_108":120,"_109":110,"_111":110,"_113":136,"_115":389,"_117":114,"_119":67,"_121":228,"_122":57,"_123":120,"_124":228,"_125":228,"_126":67,"_127":229,"_128":228,"_129":229,"_130":120,"_132":229,"_133":67,"_135":114,"_137":67},21,{"_578":579,"_582":583,"_534":587,"_467":591,"_323":593,"_551":596,"_485":600,"_603":604,"_606":607,"_345":610},"5",{"_25":580,"_143":581,"_145":541},"2001-12-31","2001-04-18","45",{"_25":584,"_143":585,"_145":586},"2004-11-26","2004-05-07",203,{"_25":588,"_143":589,"_145":590},"2011-07-09","2011-01-16",174,{"_25":592,"_143":160,"_145":326},"2014-01-23",{"_25":594,"_143":595,"_145":175},"2015-09-05","2015-02-21",{"_25":597,"_143":598,"_145":599},"2016-08-18","2016-02-06",194,{"_25":425,"_143":601,"_145":602},"2018-04-20",218,"146",{"_25":605,"_143":263,"_145":344},"2020-10-31","151",{"_25":608,"_143":609,"_145":590},"2022-04-09","2021-10-17",{"_25":611,"_143":608,"_145":602},"2022-11-13",2002,"http://sickbarberlicks.weebly.com/save-the-robots.html",[615],{"_21":616,"_283":560,"_284":363,"_31":617,"_33":617},"f00da659-fe8d-4553-841f-6796c98de858","2024-08-10T17:14:05.148Z",{"_21":293,"_51":22,"_52":619,"_54":290,"_56":229,"_58":80,"_31":620,"_33":60,"_35":36,"_23":621,"_62":-5,"_63":64,"_65":288,"_66":560,"_39":67,"_41":57,"_46":622,"_69":623,"_196":676},"7cc00989-c864-4104-9a07-af3d0801cc61","2020-02-22T16:36:14.332Z","2005-11-19-spy","Spy S2 segue Hot Air Balloon Save The Robots with Allen Aucoin (Skydog Gypsy) on drums",{"_21":619,"_71":624,"_23":625,"_31":74,"_33":626,"_76":627,"_78":80,"_27":628,"_81":625,"_29":161,"_84":64,"_85":629,"_87":630,"_89":-5,"_90":-5,"_92":631,"_94":632,"_96":633,"_98":634,"_138":635,"_190":191,"_192":674,"_194":675,"_46":624},"Spy","spy","2025-08-26T02:10:04.861Z","The answer please, Will not occur to me
The secrets of our lives, Are there for all to see
The innocence of our lies, That come so naturally,
So how to get out of...
Livin' in the public eye?

She came to me last fall
I was drinking Joe and smoking Strikes
Now I moved out of the hall, but now Java, switched to lights
Time's a ticking, this charade
Hidin' clues left and right
Didn't know that masquerade, was hiding them all out of sight
So how to get out of...
Livin' as a private eye

When dreams escape reality
They never get where you need them to be
Distorted views of what we all see
How should we except the plea?
Forgiving as the days go by.
Forgiving as the days' goodbye.

Just like that I'm on the run
But my past out to play.
I'm still chasing the sun,
For yet another day.","Everyone originally thought the name of this song was 'Sly'.","a827e021-ab19-4d94-9aa8-6097e0fba28b","Aron Magner",89,"2024-07-15T00:00:00.000Z","2001-03-31T00:00:00.000Z",{"_102":42,"_104":110,"_106":118,"_107":120,"_108":228,"_109":101,"_111":114,"_113":120,"_115":67,"_117":57,"_119":57,"_122":229,"_123":57,"_125":57,"_127":57,"_128":229,"_129":57,"_130":229,"_133":57,"_135":57},{"_636":637,"_640":641,"_643":644,"_648":649,"_652":653,"_656":657,"_659":660,"_662":663,"_665":666,"_670":671},"44",{"_25":26,"_143":638,"_145":639},"2005-03-22",242,"77",{"_25":159,"_143":589,"_145":642},909,"79",{"_25":645,"_143":646,"_145":647},"2014-12-29","2013-09-26",459,"80",{"_25":650,"_143":645,"_145":651},"2016-01-02",369,"81",{"_25":654,"_143":650,"_145":655},"2018-04-19",838,"82",{"_25":658,"_143":654,"_145":254},"2019-01-31","83",{"_25":661,"_143":658,"_145":185},"2019-11-21","84",{"_25":352,"_143":661,"_145":664},339,"87",{"_25":667,"_143":668,"_145":669},"2023-02-03","2021-09-17",504,"88",{"_25":672,"_143":667,"_145":673},"2024-07-15",528,2010,"http://sickbarberlicks.weebly.com/spy.html",[677],{"_21":678,"_283":293,"_284":363,"_31":679,"_33":679},"43fdc6e0-ba82-434d-a347-3d464426b843","2024-08-10T17:13:58.461Z",{"_21":564,"_51":22,"_52":681,"_54":290,"_56":120,"_58":80,"_31":682,"_33":60,"_35":36,"_23":683,"_62":-5,"_63":64,"_65":560,"_66":-5,"_39":67,"_41":57,"_46":684,"_69":685,"_196":732},"aba63063-b8b0-4d5a-9a64-b2baac695883","2020-02-22T16:36:14.571Z","2005-11-19-confrontation","Confrontation S2 closer segue Save The Robots with Allen Aucoin (Skydog Gypsy) on drums",{"_21":681,"_71":686,"_23":687,"_31":376,"_33":688,"_76":689,"_78":690,"_27":80,"_81":691,"_29":692,"_84":64,"_85":215,"_87":383,"_89":-5,"_90":693,"_92":639,"_94":573,"_96":694,"_98":695,"_138":696,"_190":191,"_192":193,"_194":731,"_46":686},"Confrontation","confrontation","2025-08-26T02:09:38.864Z","

I didn't mean no harm,
I know there's no alarm,
And now we've made our choice.

There is no turning back,
You've always had the knack,
To hear your inner voice.

But now you tune it out,
And then begin to shout,
Until your face turns red.

And Amos pleads his case,
And you remove his face,
From what was once his head.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

No time to reminisce,
But time is what you miss,
It seems you've got no chance.

A mask to hide your face,
And wings to win your race,
We've had a change of plans.

And in the thick of night,
With not a speck of light,
And with your fingers curled.

How did you kill your friend,
And have you reached the end,
Of your forsaken world.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

The confrontation was a necessary act.
We traded in our lives but took a million back.
And in the end, it seems I get what I deserve.
But for one moment's time, I wish I had the nerve.

","transcribed by Rich Steele

intro/main progression

(I found that the easiest way to learn the chord voicings is to finger pick it)

E
B 8 8 8 10 7 7 7 10 10 10 8 8 8 8
G 9 9 9 9 10 10 9 9 7 9
D 10 10 10 10 10 10 10 10 9 10
A 8
E

then...

C > G > A

A G
And if you ever see me in my dreams..

D > C > A

then..

E > G > F#m > A > C > Bm > E
and
E > G > F#m > A > main progression

Chorus

- E 5
- B 7 5
A > D with a - G 7 6 at the end of each line.
- D 7
- A
- E

that is only one way of playing the chorus part. basically you just need to make sure you're throwing in a F# note to a D note below it that resolves to a E note, which is part of the A major chord you go back into. So the whole thing is a A > D progression with a couple notes thrown in between.

","confront",37,"And in the end, it seems I get what I deserve\nBut for one moment's time, I wish I had the nerve","2000-08-26T00:00:00.000Z",{"_100":310,"_102":461,"_104":462,"_106":116,"_107":67,"_108":114,"_109":112,"_111":227,"_113":118,"_115":42,"_117":101,"_119":114,"_121":120,"_122":67,"_123":114,"_124":67,"_125":120,"_126":114,"_127":67,"_128":228,"_129":229,"_130":131,"_132":114,"_133":227,"_135":116,"_137":136},{"_697":698,"_640":702,"_152":705,"_707":708,"_709":710,"_711":712,"_715":716,"_719":720,"_723":724,"_727":728},"75",{"_25":699,"_143":700,"_145":701},"2004-05-06","2004-01-03",124,{"_25":584,"_143":703,"_145":704},"2004-07-10",139,{"_25":706,"_143":588,"_145":434},"2011-12-28","157",{"_25":238,"_143":527,"_145":170},"158",{"_25":243,"_143":238,"_145":244},"162",{"_25":713,"_143":714,"_145":146},"2013-09-27","2013-04-26","169",{"_25":717,"_143":718,"_145":83},"2014-12-06","2014-08-02","192",{"_25":424,"_143":721,"_145":722},"2019-01-25",120,"193",{"_25":725,"_143":424,"_145":726},"2019-11-20",179,"195",{"_25":729,"_143":550,"_145":730},"2020-10-16",286,"http://sickbarberlicks.weebly.com/confrontation.html",[733],{"_21":734,"_283":564,"_284":363,"_31":735,"_33":735},"8fcf79ea-1c1e-48cc-ade8-9aa7d1eb9d4d","2024-08-10T17:14:12.490Z",{"_21":370,"_51":22,"_52":737,"_54":201,"_56":120,"_58":80,"_31":738,"_33":60,"_35":36,"_23":739,"_62":-5,"_63":64,"_65":444,"_66":366,"_39":67,"_41":57,"_46":740,"_69":741,"_196":792},"3f67b2bf-aa2b-4eb5-9c2b-608717bdd851","2020-02-22T16:36:13.887Z","2005-11-19-the-very-moon","The Very Moon S1 segue Jigsaw Earth Rock Candy with Mike Greenfield (The Ally) on drums",{"_21":737,"_71":742,"_23":743,"_31":452,"_33":744,"_76":745,"_78":746,"_27":80,"_81":747,"_29":748,"_84":64,"_85":86,"_87":304,"_89":-5,"_90":749,"_92":416,"_94":750,"_96":751,"_98":752,"_138":754,"_190":358,"_192":278,"_194":791,"_46":742},"The Very Moon","the-very-moon","2025-08-26T02:10:08.731Z","

Manilla was a crude machine who'd taken his fair share
He gobbled up the world he owned as petals paved his stairs
Manilla thanked the very moon for money and his life
He triffled nothing miniscule including one, his wife

Leora, his arranged wife, did not need his greed
She asked that stars, the very moon, to one day cross the sea
Manilla gazed an empty stare nothing there could grow
She cherished dreams of flying high and leaving him below

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

Manilla wanted worldly things and everything he'd have
He built castles, moats, battleships and troops in iron clad
Manilla heard Mulberry's name under the very moon
His troops went running the next day to find the air balloon.

Leora, his arranged wife, cooked the men a feast
And cleaned herself up solemnly before she faced the beast
That night she asked the very moon was this her fate to be
At lunch she met the flying man whose airships crossed the sea

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

","transcribed by Bill

Just figured this one out yesterday....too fun not to share. The only
parts I'm still a little shaky on are The Riff from the intro and the
chords under the chorus....but both are reasonable approximations.

FWIW, all the HAB tunes I've tabbed are from the 12/31/98 version, since
those performances are pretty grounded and manageable. Things evolve over
time, so YMMV.

Intro:

C jam

Brownstein defines the chord like so:
d-------2-5--
a----3-3-----

(repeat a lotta buncha times....jam.....)

Magner's playing arpeggios than can be approximated on guitar like so:
e----0----1--3--1-1------
b-----1-0--1--1----1-1---
g------0----0--0----0----

Or something...listen to it and you'll hear what I mean.

Intro melody 1 (I know Barber plays these in a different position, but
whatever):
C * F
e-------0--3--7--8--8s5---0--3--1-----
b----1--------------------------------
g----------0--4--5--5s2------0--------
d-------2-----------------2-----3-----
a----3--------------------------------

F piano arpeggio is like this:

e----1-----3----5----3-3------
b-----1-1---1----1------1-1--- (x 2)
g------2-----2----2------2----

Then repeat Melody 1, except from the * on play:

C Dm
e----8s5---0-----------
b--------------3-------
g----5s2---------------
d----------2---0-------

Dm arpeggio (again, all of these are just to give you an idea of what's
going on- listen to it, you'll hear what I mean):

e----------0----1----0-------
b----3------3----3----3-3---- (x 2)
g-----2-2----2----2----2-----
d------0---------------------

Melody 1 again, from the * on play
G
e----10--12--13-15--17--19-----
b------------------------------
g----7---9---10-12--14--15-----

G arpeggio:

e-------------------1s3-1---------
b----0----1----3---------3-1-3----
g-----0----0----0----------------- (x 2)
d------0----0----0----------------

Intro melody 2:
G C
e----19---15---17---17-15-17-15-13---13-13--10--8----
b----------------------------------------------------
g----15---12---14---14-12-14-12-10---10-10--7---5----

C arpeggio (Barber actually plays this one):
e-------------------3s5---------
b---------3----5-------6-3-5----
g----5-----5----5--------------- (x 4)
d-----5-----5----5--------------
a------3------------------------

The Riff (best I can figure it):
e-----------------------13------15s17----------12-12----------
b----13--13-15s17-13--13--13--13-------15-15--------13-13----- (x 4)
g------12-----------12------12--------------------------------

Intro melody 3:
e----19--17--15--13--12-13-12----12-13------------
b----------------------------14-------15------------
g-----------------------------------------14-14----

(and Brownstein adds:)
a----2-------
E-----3-3----

(x 4, and then the last time add this transition lick into the verse):
F D/F# G
e----------------------------------
b----12-12h13-12--12-13-13-14----15
g---------------14-----------------

C/G A5 Bb5 A5 C C (x 4)

(the 5's indicate power chords- no thirds)

A5 Bb5 A5 Bb5 A5 G G (x 3)

A5 Bb5 A5 Bb5 A5 G G7

C/G A5 Bb5 A5 C C

C F Em Dm
Manila was a cruel machine, he'd taken his fair share
C F Em Dm
He gobbled up the world he owned, petals paved his stairs
C F Em Dm
Manila thanked the very moon for money and his life
C F Em Dm
He trifled nothing miniscule, including one, his wife
F Em Dm G
Leora, his arranged wife, did not need his greed
F Em Dm G
She asked the stars and very moon to one day cross the sea
F Em Dm G
Manila's gaze a vacant stare, nothing there could grow
F Em Dm G
She cherished dreams of flying high and leaving him below

G7

C G Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
As her eyes go round the room to catch someone watching
C Dm Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
Underneath the very moon that each one was watching

C/G A5 Bb5 A5 C C

2d verse and chorus same as first

Then the melody referred to by some as the Don Cote lick:
*
e--------------------------------------------------------------------
b--------8-8-6-5---------5----------------5---5h6-5---5-8-8-----8----
g----5--5---------7-7-7-7-7-5-5--7--7-7--7---7-----7---------7-7-7---

(x 4) The fourth time it stops at the * and they hit these chords:

C C G Am G D Am D

Jam riff:

d-----------------------------------------------2-2---------------
a-------2-4-5-4-2-----2-4-5-4-2h4p2------2-4-5-4------2-4-5-4-2---
E----3-----------5p3-----------------0-0--------------------------","moon",122,"Leora stands on her head\nDoin' the two step on her hands\nUnderneath the very moon each one was watching","2025-06-25T00:00:00.000Z","1998-12-09T00:00:00.000Z",{"_224":228,"_225":753,"_100":227,"_102":110,"_104":389,"_106":116,"_107":67,"_108":228,"_109":131,"_111":136,"_113":67,"_115":110,"_117":67,"_119":67,"_121":57,"_122":57,"_123":120,"_124":120,"_125":229,"_126":120,"_127":228,"_128":229,"_129":57,"_130":228,"_132":57,"_133":228,"_135":120,"_137":229},50,{"_755":756,"_760":761,"_762":763,"_764":765,"_768":769,"_773":774,"_176":776,"_779":780,"_719":783,"_786":787},"139",{"_25":757,"_143":758,"_145":759},"2008-12-12","2008-04-22",234,"166",{"_25":154,"_143":706,"_145":240},"167",{"_25":473,"_143":154,"_145":416},"168",{"_25":766,"_143":473,"_145":767},"2014-01-24",365,"174",{"_25":770,"_143":771,"_145":772},"2015-10-30","2015-04-25",188,"185",{"_25":775,"_143":348,"_145":416},"2019-07-20",{"_25":352,"_143":777,"_145":778},"2019-12-12",318,"191",{"_25":781,"_143":782,"_145":357},"2022-09-10","2021-11-26",{"_25":784,"_143":781,"_145":785},"2023-06-08",271,"196",{"_25":788,"_143":789,"_145":790},"2024-08-28","2024-01-26",215,"http://sickbarberlicks.weebly.com/the-very-moon.html",[793],{"_21":794,"_283":370,"_284":285,"_31":795,"_33":795},"5a7786d8-cd24-4de0-8e7a-55fe1a015995","2024-08-10T17:02:58.416Z",{"_21":205,"_51":22,"_52":797,"_54":201,"_56":229,"_58":80,"_31":798,"_33":60,"_35":36,"_23":799,"_62":-5,"_63":64,"_65":199,"_66":444,"_39":67,"_41":57,"_46":800,"_69":801,"_196":845},"8f1613ff-9002-4e03-853d-04c7e84a8b9b","2020-02-22T16:36:13.708Z","2005-11-19-astronaut","Astronaut S1 segue Shem-Rah Boo Jigsaw Earth with Mike Greenfield (The Ally) on drums",{"_21":797,"_71":802,"_23":803,"_31":376,"_33":804,"_76":805,"_78":806,"_27":80,"_81":807,"_29":134,"_84":64,"_85":86,"_87":304,"_89":808,"_90":809,"_92":810,"_94":386,"_96":811,"_98":812,"_138":813,"_190":612,"_192":193,"_194":844,"_46":802},"Astronaut","astronaut","2025-08-26T02:09:35.129Z","

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

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