Originally titled "Bert"

",173,"2025-06-27T00:00:00.000Z","1999-04-21T00:00:00.000Z",{"_215":216,"_217":117,"_102":105,"_104":218,"_106":219,"_108":220,"_110":71,"_112":107,"_114":107,"_115":220,"_116":117,"_118":221,"_120":70,"_121":70,"_122":57,"_123":111,"_125":57,"_126":71,"_127":111,"_129":57,"_130":71,"_131":57,"_222":111,"_132":57},"1999",36,"2000",23,10,5,6,"2024",{"_224":225,"_229":230,"_234":235,"_238":239,"_243":244,"_246":247,"_251":252,"_256":257,"_260":261,"_265":266},"36",{"_25":226,"_138":227,"_140":228},"2000-10-10","1999-12-30",285,"142",{"_25":231,"_138":232,"_140":233},"2012-01-27","2010-09-02",512,"143",{"_25":236,"_138":231,"_140":237},"2012-10-05",252,"154",{"_25":240,"_138":241,"_140":242},"2015-12-31","2015-04-25",250,"155",{"_25":245,"_138":240,"_140":233},"2017-05-26","158",{"_25":248,"_138":249,"_140":250},"2018-11-03","2017-12-31",307,"160",{"_25":253,"_138":254,"_140":255},"2019-10-05","2019-02-01",246,"161",{"_25":258,"_138":253,"_140":259},"2021-02-05",489,"164",{"_25":262,"_138":263,"_140":264},"2022-11-13","2021-11-26",352,"168",{"_25":267,"_138":268,"_140":269},"2024-07-14","2023-07-13",367,1999,2005,"http://sickbarberlicks.weebly.com/little-lai.html",[],{"_21":275,"_51":22,"_52":276,"_54":55,"_56":107,"_58":-5,"_31":277,"_33":61,"_35":36,"_23":278,"_63":-5,"_64":65,"_66":279,"_68":280,"_39":281,"_41":111,"_46":282,"_73":283,"_189":350},"0733945c-7420-4492-85e7-65ce32e51c73","8f1613ff-9002-4e03-853d-04c7e84a8b9b","2020-02-22T16:35:54.112Z","2004-10-01-astronaut-2","a4b0d791-151e-44d2-b5bb-4d5b81c18293","f6b5abbe-9a18-4784-8d36-b2d3c195e220",4.75,"Astronaut S1 Fletch Theme Reactor",{"_21":276,"_75":284,"_23":285,"_31":286,"_33":287,"_80":288,"_82":289,"_27":84,"_85":290,"_29":219,"_87":65,"_88":89,"_90":91,"_92":291,"_93":292,"_94":293,"_96":294,"_98":295,"_100":296,"_133":300,"_183":184,"_185":186,"_187":349,"_46":284},"Astronaut","astronaut","2020-02-22T15:50:22.697Z","2025-08-26T02:09:35.129Z","

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

","Just smile as we unveil the surprise",191,"2025-08-23T00:00:00.000Z","2001-08-08T00:00:00.000Z",{"_102":113,"_104":297,"_106":298,"_108":70,"_110":70,"_112":299,"_114":299,"_115":219,"_116":103,"_118":219,"_119":70,"_120":57,"_121":70,"_122":70,"_123":70,"_124":70,"_125":107,"_126":57,"_127":220,"_128":111,"_129":221,"_130":220,"_131":109,"_222":107,"_132":221},20,11,15,{"_301":302,"_306":307,"_311":312,"_316":317,"_321":322,"_325":326,"_330":331,"_335":336,"_340":341,"_344":345},"48",{"_25":303,"_138":304,"_140":305},"2005-08-26","2005-03-25",154,"88",{"_25":308,"_138":309,"_140":310},"2008-12-12","2008-07-19",146,"118",{"_25":313,"_138":314,"_140":315},"2011-07-02","2010-12-27",187,"122",{"_25":318,"_138":319,"_140":320},"2012-07-07","2011-12-31",189,"127",{"_25":323,"_138":160,"_140":324},"2013-12-27",244,"130",{"_25":327,"_138":328,"_140":329},"2014-08-15","2014-02-20",176,"136",{"_25":332,"_138":333,"_140":334},"2015-12-05","2015-07-18",140,"150",{"_25":337,"_138":338,"_140":339},"2018-11-02","2018-04-21",195,"157",{"_25":168,"_138":342,"_140":343},"2019-12-27",296,"159",{"_25":346,"_138":347,"_140":348},"2021-03-26","2020-10-30",147,"http://sickbarberlicks.weebly.com/astronaut.html",[],{"_21":352,"_51":22,"_52":353,"_54":55,"_56":71,"_58":-5,"_31":354,"_33":61,"_35":36,"_23":355,"_63":-5,"_64":65,"_66":-5,"_68":67,"_39":70,"_41":71,"_46":356,"_73":357,"_189":384},"0782ddf1-32f3-4e64-a69b-b2a85548bc1b","9ce2237d-f235-48f0-b20d-69f714902d2f","2020-02-22T16:35:53.544Z","2004-10-01-resolution","Resolution S1 opener Shelby Rose",{"_21":353,"_75":358,"_23":359,"_31":360,"_33":361,"_80":84,"_82":84,"_27":84,"_85":359,"_29":362,"_87":363,"_88":364,"_90":365,"_92":-5,"_93":-5,"_94":221,"_96":366,"_98":367,"_100":368,"_133":369,"_183":382,"_185":383,"_187":-5,"_46":358},"Resolution","resolution","2020-02-22T15:50:23.818Z","2025-08-26T02:09:59.356Z",231,true,"b3c98e50-569b-4be4-b662-04663d1ffdf5","Mahavishnu Orchestra","2008-06-09T00:00:00.000Z","2003-09-27T00:00:00.000Z",{"_106":70,"_108":71,"_115":71},{"_370":371,"_375":376,"_378":379},"3",{"_25":372,"_138":373,"_140":374},"2003-11-01","2003-09-30",32,"4",{"_25":26,"_138":372,"_140":377},335,"5",{"_25":380,"_138":26,"_140":381},"2008-06-09",1347,2003,2004,[],{"_21":386,"_51":22,"_52":387,"_54":55,"_56":219,"_58":59,"_31":388,"_33":61,"_35":36,"_23":389,"_63":-5,"_64":65,"_66":280,"_68":390,"_39":281,"_41":111,"_46":391,"_73":392,"_189":447},"13aa7bde-f82d-49b8-80bd-7bb532ac9ed4","747bebf1-ad9c-4e63-9aab-a8d518b33223","2020-02-22T16:35:54.329Z","2004-10-01-42","2fc91938-7661-4ece-8637-5b87b28fdcf1","42 S1 segue > Reactor Reactor",{"_21":387,"_75":393,"_23":393,"_31":394,"_33":395,"_80":396,"_82":84,"_27":84,"_85":397,"_29":398,"_87":65,"_88":208,"_90":209,"_92":399,"_93":400,"_94":401,"_96":97,"_98":402,"_100":403,"_133":406,"_183":382,"_185":445,"_187":446,"_46":393},"42","2020-02-22T15:50:22.856Z","2025-08-26T02:09:32.760Z","

vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

","Shall I forget the dream I had last night?",160,"2003-04-03T00:00:00.000Z",{"_106":105,"_108":109,"_110":220,"_112":404,"_114":405,"_115":219,"_116":103,"_118":109,"_119":220,"_120":111,"_121":70,"_122":57,"_123":57,"_124":71,"_125":70,"_126":70,"_127":57,"_128":57,"_129":220,"_130":220,"_131":117,"_222":70,"_132":70},19,14,{"_407":408,"_412":413,"_179":416,"_420":421,"_422":423,"_311":427,"_430":431,"_434":435,"_438":439,"_442":443},"107",{"_25":409,"_138":410,"_140":411},"2012-07-12","2012-01-28",166,"108",{"_25":414,"_138":409,"_140":415},"2013-01-24",196,{"_25":417,"_138":418,"_140":419},"2013-12-18","2013-07-12",159,"113",{"_25":327,"_138":328,"_140":329},"117",{"_25":424,"_138":425,"_140":426},"2015-10-31","2015-04-15",199,{"_25":428,"_138":424,"_140":429},"2016-07-14",257,"119",{"_25":432,"_138":428,"_140":433},"2017-06-01",322,"128",{"_25":436,"_138":437,"_140":329},"2019-11-15","2019-05-23","132",{"_25":168,"_138":440,"_140":441},"2020-01-04",288,"133",{"_25":444,"_138":168,"_140":411},"2021-04-02",2016,"http://sickbarberlicks.weebly.com/42.html",[],{"_21":390,"_51":22,"_52":449,"_54":55,"_56":298,"_58":-5,"_31":450,"_33":61,"_35":36,"_23":451,"_63":-5,"_64":65,"_66":386,"_68":-5,"_39":281,"_41":111,"_46":452,"_73":453,"_189":506},"c427cefa-14e9-4701-be83-9de50e8b9c8d","2020-02-22T16:35:54.383Z","2004-10-01-reactor-2","Reactor S1 closer 42",{"_21":449,"_75":454,"_23":455,"_31":78,"_33":456,"_80":457,"_82":458,"_27":84,"_85":455,"_29":459,"_87":65,"_88":89,"_90":91,"_92":-5,"_93":460,"_94":461,"_96":462,"_98":463,"_100":464,"_133":466,"_183":184,"_185":504,"_187":505,"_46":454},"Reactor","reactor","2025-08-26T02:09:59.230Z","

Bit by a spider again
The girl had a chocolate bar
with a poem in it
Saying he was not the man

To get in on a two-bit plan
the boy went and parked his car
at the bowling alley
waiting for his ride.

The new idea don't hypnotize
the boy knocked a jewerly store
at the eve of twilight
with two friends of mine

Shopkeep, crack, quick enthrall
he turned, he cocked the shotgun
to avoid the violence
But it was justified.

Nowhere to kick us out
You've got the meaning all confused.
Break down the core reactor
blown all to pieces for the new

Brick broke through the window
The girl awoke to the sound
of chinese lanterns
crashing on the bed.

They raised the burning candles
the boy went across the floor
to the open window
as they crashed the wall

Unknown inside the crosshairs
he took one last look at the girl
as he dropped the handle.
It was justified.

Nowhere (No way) to kick us out
You've got the meaning all confused.
Break down the core reactor
Blown all to pieces for the new

Nowhere to kick us out
You've got the meaning all confused.
Break down the core reactor
Blown all to pieces for the new

","Transcribed by Rich Steele

Intro/Chorus
Eb F# C# A Bb

E 2 5 6
B 4 2 6 5 6
G 3 3 6 6 7
D 5 4 6 7 8
A 6 4 4 7 8
E 2 5 6

chords over the verses:

G F Bb Bbm A Bb F# C# Ab

E 3 1 6 6 5 6 2 4
B 3 1 6 6 5 6 2 6 4
G 4 2 7 6 6 7 3 6 5
D 5 3 8 8 7 8 4 6 6
A 5 3 8 8 7 8 4 4 6
E 3 1 6 6 5 6 2 4

chord progression leading into the jam:

F C B Eb D A Ab C F
E 5 4 1
B 6 5 4 8 7 5 4 5 1
G 5 5 4 8 7 6 5 5 2
D 7 5 4 8 7 7 6 5 3
A 8 3 2 6 5 7 6 3 3
E 5 4 1

Bb Ab G7 F

E 6 4 3 1
B 6 4 3 1
G 7 5 4 2
D 8 6 3 3
A 8 6 5 3
E 6 4 3 1

",149,"Nowhere to kick us out, you've got the meaning all confused, break down the core reactor, blown all to pieces for the new",153,"2025-08-22T00:00:00.000Z","2001-08-26T00:00:00.000Z",{"_102":465,"_104":105,"_106":117,"_108":57,"_110":57,"_112":113,"_114":113,"_115":221,"_116":113,"_118":220,"_119":111,"_120":111,"_121":70,"_122":70,"_123":71,"_124":220,"_125":70,"_126":70,"_127":111,"_128":71,"_129":57,"_130":71,"_131":107,"_222":109,"_132":220},16,{"_301":467,"_469":470,"_474":475,"_477":478,"_481":482,"_486":487,"_434":490,"_494":495,"_438":498,"_442":501},{"_25":26,"_138":468,"_140":173},"2004-01-03","100",{"_25":471,"_138":472,"_140":473},"2011-04-15","2010-09-10",217,"102",{"_25":231,"_138":155,"_140":476},202,"103",{"_25":479,"_138":231,"_140":480},"2012-12-18",326,"109",{"_25":483,"_138":484,"_140":485},"2014-09-14","2014-02-22",204,"126",{"_25":488,"_138":489,"_140":476},"2019-07-19","2018-12-29",{"_25":491,"_138":492,"_140":493},"2020-10-24","2019-11-21",338,"129",{"_25":496,"_138":491,"_140":497},"2021-05-15",203,{"_25":499,"_138":263,"_140":500},"2022-08-19",266,{"_25":502,"_138":499,"_140":503},"2023-03-23",216,2015,"http://sickbarberlicks.weebly.com/reactor.html",[],{"_21":67,"_51":22,"_52":508,"_54":55,"_56":111,"_58":-5,"_31":509,"_33":61,"_35":36,"_23":510,"_63":-5,"_64":65,"_66":352,"_68":50,"_39":511,"_41":111,"_46":512,"_73":513,"_189":569},"94d3c24f-d62f-4f28-b2df-1c508ef07540","2020-02-22T16:35:53.601Z","2004-10-01-shelby-rose",3.75,"Shelby Rose S1 Resolution Spectacle",{"_21":508,"_75":514,"_23":515,"_31":78,"_33":516,"_80":517,"_82":518,"_27":84,"_85":519,"_29":520,"_87":65,"_88":208,"_90":209,"_92":-5,"_93":-5,"_94":211,"_96":521,"_98":522,"_100":523,"_133":525,"_183":184,"_185":567,"_187":568,"_46":514},"Shelby Rose","shelby-rose","2025-08-26T02:10:02.535Z","Springtime come, and the flowers bloom.
Quiet walk in the park.
And the sun sinks and reddens.
Shelby Rose in the dark.
A yellow bird on a tree stump.
You take a stroll by the lake.
And when you see Shelby coming,
You feel your heart palpitate.

And I suppose I can tell Shelby Rose how I feel.
And I suppose I can tell Shelby Rose what I do.

And in a few days you tell her,
that the future is bright.
You fill her in on the prospect,
And she fills with delight.
It's a good thing you tell her.
Because you know that she'll stay.
You celebrate with some champagne,
And you wake the next day.

Every day is a walk in the park, every afternoon to the days turn dark.
Every night is heaven sent.
Every night is heaven sent.
Every day that I spend with you, every afternoon that we go to the zoo.
Every place we ever went.
Every night is heaven sent.\\r","transcribed by Rich Steele

Shelby Rose

(intro riff - played 4 times)

E
B 8 6 6(p)5 6 5 5(p)3
G 7(p)5 5(p)3
D
A
E

E
B 5 3 3(p)2 3 2
G 3(p)2 3(p)2
D 3(p)0
A
E

F F#m G A
E 1 1 1 1 2 2 2 2 3 3 3 3 5
B 1 1 1 1 2 2 2 2 3 3 3 3 5
G 2 2 2 2 2 2 2 2 4 4 4 4 6
D 3 3 3 3 4 4 4 4 5 5 5 5 7
A 3 3 3 3 4 4 4 4 5 5 5 5 7
E 1 1 1 1 2 2 2 2 3 3 3 3 5

(verse chords)

Bm D C Bm D G
E
B 3 7 5 3 7 3
G 4 7 5 4 7 4
D 4 7 5 4 7 5
A 2 5 3 2 5 5
E

(chorus)

F G Bb
E 1 3
B 1 3 3
G 2 4 3
D 3 5 3
A 3 5 1
E 1 3
(every day is a walk in the park..)

C
E
B 5
G 5
D 5
A 3
E
(every afternoon, till the day turns dark..)

G
E 3
B 3
G 4
D 5
A 5
E 3
(every night is a heaven sent...)

(play chorus once, then on the second time around, replace that G with a D
on the 5th fret)

(then the intro riff and the F > F#m > G > A chords lead into the jam)

\\r","shelby",163,"2025-08-24T00:00:00.000Z","2000-08-25T00:00:00.000Z",{"_217":117,"_102":297,"_104":524,"_106":299,"_108":220,"_110":111,"_112":107,"_114":298,"_115":219,"_116":405,"_118":109,"_119":70,"_120":71,"_121":57,"_122":111,"_123":111,"_124":111,"_125":57,"_126":111,"_127":71,"_128":71,"_129":111,"_130":111,"_131":221,"_222":221,"_132":107},27,{"_526":527,"_438":531,"_534":535,"_330":538,"_542":543,"_229":546,"_548":549,"_553":554,"_558":559,"_563":564},"77",{"_25":528,"_138":529,"_140":530},"2005-12-30","2005-03-24",281,{"_25":532,"_138":533,"_140":269},"2012-12-27","2011-12-26","134",{"_25":159,"_138":536,"_140":537},"2013-04-25",235,{"_25":539,"_138":540,"_140":541},"2014-09-13","2013-12-31",256,"139",{"_25":240,"_138":544,"_140":545},"2015-02-21",313,{"_25":245,"_138":547,"_140":165},"2016-07-16","146",{"_25":550,"_138":551,"_140":552},"2018-12-15","2018-03-10",280,"148",{"_25":555,"_138":556,"_140":557},"2020-10-16","2019-02-02",622,"151",{"_25":560,"_138":561,"_140":562},"2022-03-10","2021-05-28",286,"153",{"_25":502,"_138":565,"_140":566},"2022-05-07",320,2012,"http://sickbarberlicks.weebly.com/shelby-rose.html",[],{"_21":69,"_51":22,"_52":571,"_54":55,"_56":70,"_58":-5,"_31":572,"_33":61,"_35":36,"_23":573,"_63":-5,"_64":65,"_66":50,"_68":574,"_39":70,"_41":71,"_46":575,"_73":576,"_189":635},"226f80c9-441d-4360-b9c2-826bc88b9a51","2020-02-22T16:35:53.732Z","2004-10-01-shem-rah-boo","df4e5e75-c722-4081-8ab9-62abce38d541","Shem-Rah Boo S1 Spectacle No Pain",{"_21":571,"_75":577,"_23":578,"_31":78,"_33":579,"_80":580,"_82":581,"_27":84,"_85":582,"_29":583,"_87":65,"_88":208,"_90":584,"_92":-5,"_93":585,"_94":169,"_96":586,"_98":587,"_100":588,"_133":592,"_183":633,"_185":567,"_187":634,"_46":577},"Shem-Rah Boo","shem-rah-boo","2025-08-26T02:10:02.659Z","

Shem-Rah Boo was on the run
But he didn't know how to get things done
But he always knew what he was longing to be
The star of his own biography

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your life?

In Hollywood, his mind was keen
When he married the very first girl he'd seen
But he dropped his mind, he stroked his wood
But klimpsch did do the best he could.

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

====================
Jon:
Klimpsch, you're the man of the hour,
Klimpsch, you're the man of the year,
Why don't you trust the woman that took you there?
Brownie:
The man of the hour,
The man of the year,
Why don't you trust the woman that took you there?
Magner:
The man of the hour
The man of the year
Why don't you trust the woman that took you there?
====================

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why'd you have to cut it with the....
Klimpsch, why did you emancipate your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

","(main riff)

E
B
G 12 12 12 12 12(sl)11(sl)12(sl)11(sl)12
D X X X X X
A 10 10 10 10 10(sl) 9(sl)10(sl) 9(sl)10
E

E
B
G 12 12 12(sl)11 16 16 16 16 16
D X X X X X X X X
A 10 10 10(sl)9 14 14 14 14 14
E
E

(the 'Man of the hour' part)
(thanks to Pete Caffrey for this part)

Am C G F E
E 5 3 1 0
B 5 5 3 1 0
G 5 5 4 2 1
D 7 5 5 3 2
A 7 3 5 3 2
E 5 3 1 0

(listen to a tape to hear the chord changes)","shemrah",164,"Brownstein, Gutwillig","Klimpsch, why you always talkin' 'bout your life?","2025-06-17T00:00:00.000Z","1997-01-17T00:00:00.000Z",{"_589":590,"_591":590,"_215":216,"_217":107,"_102":299,"_104":113,"_106":219,"_108":221,"_110":220,"_112":117,"_114":298,"_115":298,"_116":405,"_118":117,"_119":57,"_120":111,"_121":70,"_122":57,"_123":111,"_124":70,"_125":220,"_126":70,"_127":70,"_128":111,"_129":220,"_130":111,"_131":70,"_222":221,"_132":70},"1997",56,"1998",{"_553":593,"_595":596,"_600":601,"_603":604,"_607":608,"_612":613,"_617":618,"_622":623,"_624":625,"_629":630},{"_25":594,"_138":227,"_140":146},"2000-08-19","261",{"_25":597,"_138":598,"_140":599},"2012-07-06","2011-12-27",192,"262",{"_25":479,"_138":597,"_140":602},165,"269",{"_25":605,"_138":606,"_140":339},"2014-12-26","2014-06-14","271",{"_25":609,"_138":610,"_140":611},"2015-12-04","2015-02-20",287,"287",{"_25":614,"_138":615,"_140":616},"2019-11-17","2019-05-24",177,"290",{"_25":619,"_138":620,"_140":621},"2020-10-19","2020-01-03",290,"291",{"_25":444,"_138":619,"_140":602},"297",{"_25":626,"_138":627,"_140":628},"2022-09-30","2022-03-31",183,"298",{"_25":631,"_138":626,"_140":632},"2023-03-30",181,1998,"https://sick-barber-licks.weebly.com/shem-rah-boo.html",[],{"_21":279,"_51":22,"_52":637,"_54":55,"_56":109,"_58":59,"_31":638,"_33":61,"_35":36,"_23":639,"_63":-5,"_64":65,"_66":640,"_68":275,"_39":220,"_41":111,"_46":641,"_73":642,"_189":651},"0df99316-ea0a-4f29-8a23-1159ff89d0a0","2020-02-22T16:35:53.994Z","2004-10-01-fletch-theme","cd68ef10-ce3c-4f51-8759-123f3e5b4265","Fletch Theme S1 segue > Astronaut Astronaut FTP (Harold Faltermeyer)",{"_21":637,"_75":643,"_23":644,"_31":360,"_33":645,"_80":84,"_82":84,"_27":84,"_85":646,"_29":647,"_87":363,"_88":-5,"_90":84,"_92":-5,"_93":-5,"_94":71,"_96":648,"_98":648,"_100":649,"_133":650,"_183":383,"_185":383,"_187":-5,"_46":643},"Fletch Theme","fletch-theme","2025-08-26T02:09:43.238Z","fletch",261,"2004-10-01T00:00:00.000Z",{"_108":71},{},[652],{"_21":653,"_654":279,"_655":656,"_31":657,"_33":657},"d81ea8cc-9311-49a2-9cdf-a6467a14030e","trackId","desc","FTP (Harold Faltermeyer)","2024-01-15T11:50:00.503Z",{"_21":640,"_51":22,"_52":276,"_54":55,"_56":221,"_58":59,"_31":659,"_33":61,"_35":36,"_23":660,"_63":-5,"_64":65,"_66":574,"_68":279,"_39":281,"_41":111,"_46":661,"_73":662,"_189":675},"2020-02-22T16:35:53.893Z","2004-10-01-astronaut","Astronaut S1 segue > No Pain Fletch Theme",{"_21":276,"_75":284,"_23":285,"_31":286,"_33":287,"_80":288,"_82":289,"_27":84,"_85":290,"_29":219,"_87":65,"_88":89,"_90":91,"_92":291,"_93":292,"_94":293,"_96":294,"_98":295,"_100":663,"_133":664,"_183":184,"_185":186,"_187":349,"_46":284},{"_102":113,"_104":297,"_106":298,"_108":70,"_110":70,"_112":299,"_114":299,"_115":219,"_116":103,"_118":219,"_119":70,"_120":57,"_121":70,"_122":70,"_123":70,"_124":70,"_125":107,"_126":57,"_127":220,"_128":111,"_129":221,"_130":220,"_131":109,"_222":107,"_132":221},{"_301":665,"_306":666,"_311":667,"_316":668,"_321":669,"_325":670,"_330":671,"_335":672,"_340":673,"_344":674},{"_25":303,"_138":304,"_140":305},{"_25":308,"_138":309,"_140":310},{"_25":313,"_138":314,"_140":315},{"_25":318,"_138":319,"_140":320},{"_25":323,"_138":160,"_140":324},{"_25":327,"_138":328,"_140":329},{"_25":332,"_138":333,"_140":334},{"_25":337,"_138":338,"_140":339},{"_25":168,"_138":342,"_140":343},{"_25":346,"_138":347,"_140":348},[],{"_21":574,"_51":22,"_52":677,"_54":55,"_56":220,"_58":59,"_31":678,"_33":61,"_35":36,"_23":679,"_63":-5,"_64":65,"_66":69,"_68":640,"_39":70,"_41":71,"_46":680,"_73":681,"_189":690},"764886cc-01ab-4d7c-8275-9d6c8f17165d","2020-02-22T16:35:53.794Z","2004-10-01-no-pain","No Pain S1 segue > Shem-Rah Boo Astronaut FTP (tDB Original)",{"_21":677,"_75":682,"_23":683,"_31":360,"_33":684,"_80":84,"_82":84,"_27":84,"_85":685,"_29":686,"_87":65,"_88":89,"_90":91,"_92":-5,"_93":-5,"_94":71,"_96":648,"_98":648,"_100":687,"_133":688,"_183":383,"_185":383,"_187":689,"_46":682},"No Pain","no-pain","2025-08-26T02:09:54.952Z","nopain",260,{"_108":71},{},"http://sickbarberlicks.weebly.com/no-pain.html",[691],{"_21":692,"_654":574,"_655":693,"_31":694,"_33":694},"5e4f15ec-7afe-48f3-8a5c-4d503fcaee10","FTP (tDB Original)","2024-01-15T11:49:40.778Z",{"_21":280,"_51":22,"_52":449,"_54":55,"_56":117,"_58":59,"_31":696,"_33":61,"_35":36,"_23":697,"_63":-5,"_64":65,"_66":275,"_68":386,"_39":281,"_41":111,"_46":698,"_73":699,"_189":712},"2020-02-22T16:35:54.184Z","2004-10-01-reactor","Reactor S1 segue > Astronaut 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