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Transcription by Rich Steele:\\n\\nE 3(sl)5(sl)3\\nB 3(sl)5(sl)3\\nG 2(sl)3(sl)2 0 0 0 \\nD 0 2 2 2\\nA\\nE\\n\\nE\\nB\\nG 2(sl)3(sl)2 0 0\\nD 0(h)2\\nA\\nE\\n\\n\\n(next riff)\\nE\\nB 15~ 13(p)12\\nG 12~ 9 10~~\\nD\\nA\\nE\\n\\n(verse riff)\\nE\\nB\\nG 12 12 12 12 12 12 \\nD 14 12 12\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 14 12 10 10\\nD 14\\nA\\nE\\n\\nE\\nB\\nG 16 16 16 16 14 16 16\\nD 16 16\\nA\\nE\\n\\nE\\nB\\nG 14 14 14 14 12 10 10 10 10 12 14 12\\nD\\nA (start the 2nd riff from above \\nE after that last G)\\n\\nTranscription by Evan Leon:\\n\\n\\ne 3 sl 5 sl 3\\nB 3 sl 5 sl 3 3 sl 5 3 3 1 1 1 1 1\\nG 2 sl 4 2 0 0 0 0 0 0\\nD 0 h 2 2 2 0 h 2\\n\\nrepeat a bunch of times.. (sl=slide up/down)\\n\\ne\\nB 15 12 h 13 p 12\\nG sl 12 12 12 12\\nD 14 15\\n\\nand repeat that a bunch, as well.\\n\\nI did figure out the other parts after that... let's see.. there's a\\nvariation on the second part:\\n\\ne 15\\nB 12 h 13 p 12\\nG 15 15 15 15\\nD 14 15\\n\\nthere's a part right before the vocals where Barber\\nplays the vocal line.. something like:\\n\\ne\\nB\\nG 12 12 12 12 12 12 14 14 14 14 12 14 12\\nD 15 12 15 15 15\\n\\ne\\nB 12 12 12 12 12 12\\nG 14 12 14\\nD .......... and on and on.. just play\\naround up there until you get it.\\n\\nTranscribed by Eric Smith:\\n\\nRiff 1\\nE-----------------------------------------------------------\\nB--7/-9--/-7------------------------------------------------\\nG--8/-10-/-8--7/9--7--7-------------5---5-------5---------5-\\nD-------------7/9--7--5-------------5---5h7p5---5h7p5-----5-\\nA-------------------------------5h7---7-------7-------5h7---\\nE-----------------------------------------------------------\\n *\\nrepeat 2x, then w/ band 8 times\\n\\nMess around with the beginning of Riff 2 (up to *) using \\nthe end of Riff 1 (starting at *)\\n\\nRiff 2 *\\nE-----------------------------------------------------------\\nB------15~-------13p12--------------------------------------\\nG-/12--------12--------10--12~------------------------------ repeat 8x\\nD-----------------------------------------------------------\\nA-----------------------------------------------------------\\nE-----------------------------------------------------------\\n\\nJam around with Riff 2 in the key of E then into Riff 3\\n\\nRiff 3\\nE-----------------------------------------------------------------------\\nB-----------------------------------------------------------------------\\nG-12-12-12-12--------12----12------14-14-14-14-12---14-12-------12--14--\\nD-------------15--12----15------------------------15------15-15---------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nE-----------------------------------------------------------------------\\nB-12-12-12-12-------12----12--------------------------------------------\\nG-------------14-12----14------14-14-14-14--12----14--------12-14-------\\nD----------------------------------------------15-----15-15-------------\\nA-----------------------------------------------------------------------\\nE-----------------------------------------------------------------------\\n\\nRepeat Riff 3 a bunch with singing\\nJam out in E\\nRiff 3 again then with lyrics\\nRiff 2 4x\\nRiff 1 4x

","legacyAbbr","splat",179,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

When the song first debuted, it didn't have a name, and a group of fans took to calling it "Splattums" (a description of what happened to your brain when you listened to it). After the band gave the song it's official name, those same fans refused to call it anything but Splattums and continued to label it as such on recordings. Eventually, the band wrote Crickets, and added the "Lookout, splattums!" line in the chorus in the hopes that it would confuse people just enough to force the fanbase to start calling this song Svenghali.

","featuredLyric","timesPlayed",208,"dateLastPlayed","2025-08-21T00:00:00.000Z","dateFirstPlayed","1999-09-08T00:00:00.000Z","yearlyPlayData",{"_97":98,"_99":100,"_101":102,"_103":104,"_105":106,"_107":42,"_108":42,"_109":100,"_110":111,"_112":113,"_114":115,"_116":117,"_118":117,"_119":40,"_120":121,"_122":121,"_123":57,"_124":117,"_125":121,"_126":127,"_128":57,"_129":57,"_130":121,"_131":121,"_132":42,"_133":134,"_135":42},"1999",14,"2000",15,"2001",17,"2002",27,"2003",16,"2004","2005","2006","2007",12,"2008",8,"2009",10,"2010",5,"2011","2012","2013",4,"2014","2015","2016","2017","2018",2,"2019","2020","2021","2022","2023","2024",7,"2025","longestGapsData",{"_138":139,"_145":146,"_150":151,"_155":156,"_160":161,"_165":166,"_170":171,"_174":175,"_178":179,"_182":183},"150",{"_25":140,"_141":142,"_143":144},"2010-12-28","previous","2010-04-25","delta_days",247,"153",{"_25":147,"_141":148,"_143":149},"2011-08-21","2011-01-23",210,"156",{"_25":152,"_141":153,"_143":154},"2012-07-07","2011-12-30",190,"168",{"_25":157,"_141":158,"_143":159},"2016-01-02","2015-04-16",261,"176",{"_25":162,"_141":163,"_143":164},"2017-12-28","2017-07-14",167,"178",{"_25":167,"_141":168,"_143":169},"2018-12-30","2018-05-27",217,"179",{"_25":172,"_141":167,"_143":173},"2019-11-22",327,"180",{"_25":176,"_141":172,"_143":177},"2020-10-17",330,"181",{"_25":180,"_141":176,"_143":181},"2021-03-26",160,"186",{"_25":184,"_141":185,"_143":186},"2022-09-08","2022-03-11",181,"mostCommonYear",2002,"leastCommonYear",2015,"guitarTabsUrl","http://sickbarberlicks.weebly.com/svenghali.html","annotations",[],{"_21":196,"_51":22,"_52":197,"_54":55,"_56":40,"_58":198,"_31":199,"_33":199,"_35":36,"_23":200,"_61":-5,"_62":63,"_64":66,"_65":201,"_39":36,"_41":36,"_46":-5,"_67":202,"_193":268},"6a592333-3298-4178-96fc-daccc453a7b7","f5022ee7-d570-49e5-aa8e-f2e1a0814312",">","2020-02-22T16:34:54.604Z","2003-07-05-story-of-the-world","15bcb27b-6094-4079-9f8b-74e941c9e9ef",{"_21":197,"_69":203,"_23":204,"_31":72,"_33":205,"_74":206,"_76":207,"_27":28,"_78":208,"_29":209,"_81":63,"_82":83,"_84":85,"_86":-5,"_88":210,"_89":211,"_91":212,"_93":213,"_95":214,"_136":219,"_187":188,"_189":266,"_191":267,"_46":203},"Story of the World","story-of-the-world","2025-08-26T02:10:05.461Z","

Slide against the fan, the room is clear,
Suddenly we have a vacuum.
In the mail a telegram, I could not wait, all aboard the caravan it leves today,
And then the night comes on, the lights turn low,
fall asleep, all alone,
Consider for a second the ways of the world.
Maybe I'll throw myself a bone.

Maybe I'll throw myself to the dogs,
But my back's not to the wall.
Maybe I'll lay some bricks for the man,
But the days just aren't that long.
So if I settle back and chill,
Will I see far enough to feel the angel's dream?
I thought it was the story of the world.

Can I call out and say, everybody here,
Lend me an ear to talk to.
Can I call out and scream, the ways of the world,
Have got me singing another tune.
But the words are so familiar, I heard it before.
And you might dare to sing along.
With the crickets out chirping a random song,
Maybe I'll throw myself a bone.

Maybe I'll throw myself to the dogs,
But my back's not to the wall.
Maybe I'll lay some bricks for the man,
But the days just aren't that long.
So if I settle back and chill,
Will I see far enough to feel the angel's dream?
I thought it was the story of the world.

When frick turns to frack, there's no turning back,
and you got a slip tongue and a smack attack.
and there's colors like green and you're wearing black,
and your phone got flat on a railroad track.
but then the sun comes up and the day moves on,
and the old routine takes its toll,
and you feel like a copier rolling along,
maybe you'd throw yourself a bone.

Maybe you'd throw yourself to the dogs,
but you back's not to the wall.
Maybe you'd lay some bricks for the man,
But the days just aren't that long.
And if you settle back and chill,
Will you see far enough to feel the angel's dream?

I thought it was the story of the world.
I thought it was the story of the world.
I thought it was the story.

","transcribed by Rich Steele

~~Story of the World
(main riff)
E
B
G 12 12 12 12 12 (play 3
D 9 10 12 12 9 times)A
E

then...

E
B
G 12 14(s)16 14 14 12 14
D 10 12 14
A
E

E
B 13
G 16 16 14 12 14 12 14
D 14 12 14 14 14......
A
E

E
B
G 12 12 10 10 9(h)10 9
D 9 10 12 9 10 12 9 10 12 10 10
A
E","story",183,"So if I settle back and chill,\nWill I see far enough to feel the angel's dream? I thought it was the story of the world",201,"2025-07-04T00:00:00.000Z","2000-03-11T00:00:00.000Z",{"_99":106,"_101":215,"_103":216,"_105":98,"_107":42,"_108":40,"_109":217,"_110":218,"_112":113,"_114":98,"_116":113,"_118":117,"_119":121,"_120":117,"_122":42,"_123":40,"_124":134,"_125":117,"_126":121,"_128":121,"_129":40,"_130":134,"_131":117,"_132":115,"_133":121,"_135":127},18,20,9,11,{"_220":221,"_225":226,"_230":231,"_235":236,"_138":240,"_244":245,"_155":248,"_251":252,"_256":257,"_261":262},"83",{"_25":222,"_141":223,"_143":224},"2006-11-10","2006-06-08",155,"86",{"_25":227,"_141":228,"_143":229},"2007-06-09","2006-12-06",185,"132",{"_25":232,"_141":233,"_143":234},"2012-07-05","2011-08-27",313,"134",{"_25":237,"_141":238,"_143":239},"2012-12-17","2012-07-14",156,{"_25":241,"_141":242,"_143":243},"2016-02-06","2015-09-06",153,"164",{"_25":246,"_141":247,"_143":243},"2018-09-21","2018-04-21",{"_25":172,"_141":249,"_143":250},"2019-05-24",182,"171",{"_25":253,"_141":254,"_143":255},"2020-10-19","2020-01-04",289,"197",{"_25":258,"_141":259,"_143":260},"2024-11-13","2024-03-15",243,"200",{"_25":263,"_141":264,"_143":265},"2025-07-04","2025-01-21",164,2025,"http://sickbarberlicks.weebly.com/story-of-the-world.html",[],{"_21":201,"_51":22,"_52":270,"_54":55,"_56":121,"_58":-5,"_31":271,"_33":271,"_35":36,"_23":272,"_61":-5,"_62":63,"_64":196,"_65":273,"_39":36,"_41":36,"_46":-5,"_67":274,"_193":347},"3f5505cc-906e-47b4-9e19-6a43c7e82540","2020-02-22T16:34:54.686Z","2003-07-05-aceetobee","4cfbcb10-cc7e-4150-b12e-c41670cf0763",{"_21":270,"_69":275,"_23":276,"_31":277,"_33":278,"_74":279,"_76":280,"_27":28,"_78":281,"_29":127,"_81":63,"_82":83,"_84":85,"_86":282,"_88":283,"_89":284,"_91":285,"_93":286,"_95":287,"_136":295,"_187":344,"_189":345,"_191":346,"_46":275},"Aceetobee","aceetobee","2020-02-22T15:50:22.697Z","2025-08-26T02:09:33.437Z","

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,"2025-07-09T00:00:00.000Z","1995-11-09T00:00:00.000Z",{"_288":127,"_289":117,"_290":291,"_292":293,"_97":294,"_99":113,"_101":102,"_103":102,"_105":98,"_107":117,"_108":121,"_109":134,"_110":42,"_112":127,"_114":217,"_116":113,"_118":42,"_119":42,"_120":40,"_122":121,"_123":40,"_124":127,"_125":42,"_126":57,"_128":127,"_129":57,"_130":40,"_131":127,"_132":40,"_133":40,"_135":121},"1995","1996","1997",54,"1998",55,30,{"_296":297,"_301":302,"_306":307,"_311":312,"_316":317,"_321":322,"_326":327,"_330":331,"_335":336,"_339":340},"2",{"_25":298,"_141":299,"_143":300},"1996-08-14","1995-12-02",256,"226",{"_25":303,"_141":304,"_143":305},"2009-02-14","2008-06-06",253,"257",{"_25":308,"_141":309,"_143":310},"2013-12-18","2013-04-27",235,"267",{"_25":313,"_141":314,"_143":315},"2017-04-29","2016-07-16",287,"273",{"_25":318,"_141":319,"_143":320},"2018-12-09","2017-12-31",343,"275",{"_25":323,"_141":324,"_143":325},"2019-11-21","2019-01-26",299,"276",{"_25":328,"_141":323,"_143":329},"2020-10-18",332,"281",{"_25":332,"_141":333,"_143":334},"2022-12-29","2022-04-01",272,"282",{"_25":337,"_141":332,"_143":338},"2023-07-12",195,"285",{"_25":341,"_141":342,"_143":343},"2024-09-07","2023-12-01",281,1998,2018,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":273,"_51":22,"_52":349,"_54":55,"_56":117,"_58":-5,"_31":350,"_33":350,"_35":36,"_23":351,"_61":-5,"_62":63,"_64":201,"_65":352,"_39":36,"_41":36,"_46":-5,"_67":353,"_193":411},"7cc00989-c864-4104-9a07-af3d0801cc61","2020-02-22T16:34:54.759Z","2003-07-05-spy","31bbb2dc-9a1e-4e46-9d7a-1b7ca2f0c876",{"_21":349,"_69":354,"_23":355,"_31":356,"_33":357,"_74":358,"_76":28,"_27":359,"_78":355,"_29":360,"_81":63,"_82":361,"_84":362,"_86":-5,"_88":-5,"_89":363,"_91":364,"_93":365,"_95":366,"_136":367,"_187":408,"_189":409,"_191":410,"_46":354},"Spy","spy","2020-02-22T15:50:23.147Z","2025-08-26T02:10:04.861Z","The answer please, Will not occur to me
The secrets of our lives, Are there for all to see
The innocence of our lies, That come so naturally,
So how to get out of...
Livin' in the public eye?

She came to me last fall
I was drinking Joe and smoking Strikes
Now I moved out of the hall, but now Java, switched to lights
Time's a ticking, this charade
Hidin' clues left and right
Didn't know that masquerade, was hiding them all out of sight
So how to get out of...
Livin' as a private eye

When dreams escape reality
They never get where you need them to be
Distorted views of what we all see
How should we except the plea?
Forgiving as the days go by.
Forgiving as the days' goodbye.

Just like that I'm on the run
But my past out to play.
I'm still chasing the sun,
For yet another day.","Everyone originally thought the name of this song was 'Sly'.",168,"a827e021-ab19-4d94-9aa8-6097e0fba28b","Aron Magner",89,"2024-07-15T00:00:00.000Z","2001-03-31T00:00:00.000Z",{"_101":102,"_103":100,"_105":134,"_107":121,"_108":40,"_109":98,"_110":42,"_112":121,"_114":117,"_116":57,"_118":57,"_120":127,"_122":57,"_124":57,"_126":57,"_128":127,"_129":57,"_130":127,"_132":57,"_133":57},{"_368":369,"_373":374,"_378":379,"_383":384,"_386":387,"_390":391,"_220":393,"_395":396,"_399":400,"_404":405},"44",{"_25":370,"_141":371,"_143":372},"2005-11-19","2005-03-22",242,"77",{"_25":375,"_141":376,"_143":377},"2013-07-13","2011-01-16",909,"79",{"_25":380,"_141":381,"_143":382},"2014-12-29","2013-09-26",459,"80",{"_25":157,"_141":380,"_143":385},369,"81",{"_25":388,"_141":157,"_143":389},"2018-04-19",838,"82",{"_25":392,"_141":388,"_143":315},"2019-01-31",{"_25":323,"_141":392,"_143":394},294,"84",{"_25":397,"_141":323,"_143":398},"2020-10-25",339,"87",{"_25":401,"_141":402,"_143":403},"2023-02-03","2021-09-17",504,"88",{"_25":406,"_141":401,"_143":407},"2024-07-15",528,2001,2010,"http://sickbarberlicks.weebly.com/spy.html",[],{"_21":352,"_51":22,"_52":413,"_54":55,"_56":42,"_58":-5,"_31":414,"_33":414,"_35":36,"_23":415,"_61":-5,"_62":63,"_64":273,"_65":-5,"_39":36,"_41":36,"_46":-5,"_67":416,"_193":476},"747bebf1-ad9c-4e63-9aab-a8d518b33223","2020-02-22T16:34:54.810Z","2003-07-05-42",{"_21":413,"_69":417,"_23":417,"_31":418,"_33":419,"_74":420,"_76":28,"_27":28,"_78":421,"_29":422,"_81":63,"_82":423,"_84":424,"_86":425,"_88":426,"_89":181,"_91":427,"_93":428,"_95":429,"_136":432,"_187":473,"_189":474,"_191":475,"_46":417},"42","2020-02-22T15:50:22.856Z","2025-08-26T02:09:32.760Z","

vast consumption by the fog
seasaw sandy drifting log
level headed cosmonaut
creature living as he's sought

Souls are wrapped around each other.

cynicism in the wick
power down and candle lit
Eucalyptus burning bees
splendid moment, funny tree

Souls are wrapped around each other.

Monarch mission, on the vine.
Kinetic vision intertwined.
Crystal dripping, icicle.
Aquifer is running full.

Souls are wrapped around each other.

Red cliff flux capacitor.
Little trouble finding her.
Royal pepper, tidal wave.
Restless fellow, yearning rave.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Or remember it and follow through?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

Mysticism in my thoughts.
But further now than astronauts.
Dictionary, silent speak.
Maybe in the middle week.

Souls are wrapped around each other.

Reside beneath the covered bridge.
With subtle precious words again
Ray of light break through the roof,
Right on time and bring the truth.

Nighttime frozen in parking lots
Backside winter and I forgot
Early morning china bowls
Silent shell in control

No three color basketball
Mother painting on the wall
Bedtime story, lesson learned
Lifetime mission overturned.

Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)
Souls are wrapped around each other.
(Souls are wrapped around me.)

Does the sun revolve around the earth?
Does reflection make the water blue?
Should I forget the dream I had last night?
Will I ever know just what to do?

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

I ask that question to myself,
I don't know what to do.
Chin is rested in my hands,
I feel like I'm on 42.

","fortytwo",66,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Inarguably one of the longest songs in the Biscuits catalog, 42 features repetitive trancey guitar riffs and catchy synth hooks, cryptic lyrics, and the potential for a powerful peak that, at times, would cause even the most seasoned vets to incorrectly call Run Like Hell. 42 alienated some fans at first with its lengthy verses and slow pre-choruses, and at its first performance, 4/3/03, the only jam was a short and very type one solo. The band did not waste any time fleshing out 42, however: it was segued into the first performance and split up by its fifth, 4/16/03--into Run Like Hell, unsurprisingly. By 4/26/03, which featured a standalone 42, the song had a reliable jam section. It was inverted for the first time on 7/26/03, a show which features numerous other setlist innovations such as the second inverted Aceetobee, the first three-part Buddha, and the first split unfinished Shimmy.

The band continued to flesh out 42 for the remainder of Sammy’s tenure, but it wasn’t until Allen joined the band that the song’s full potential as trance juggernaut was realized. It was played twice over New Year’s Run 2005, and nineteen times in 2006 (the most times played after 2003). The song quickly became a centerpiece of the band’s spacey psychedelic sound of 06-07. Important versions include 5/4/06 (mainly for the jam into it but a solid full version as well), 11/22/06, and 6/9/07.

If the song fared well in the early era of 2.0, it was perhaps at its peak in the high-energy later years of 2.0, late 08-early 10. Numerous high-energy, exploratory versions abound from this era, such as 12/27/08, 2/15/09, 4/18/09 (widely regarded as the best standalone version), and 6/6/09.

42 remained a staple of the band's catalog through the setbreak years, with a brief renaissance in 2017-2018. 6/1/17 is a powerful 2009-esque version, while 10/20/18 and 12/29/18 recall more experimental early versions.

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And you got, you got I,
And I got, I got you.
And you got, you got I,
And now we both have two.

","

Transcribed by Rich Steele

main riff

E
B
G
D 5(h)7 9 7 5 7
A 7
E

main progression
E E D F# F# E G G F# D# D# D# E
E
B 9 9 7 11 11 9 12 12 11
G 9 9 7 11 11 9 12 12 11 20 20 20 21
D 9 9 7 11 11 9 12 12 11
A 7 7 5 9 9 7 10 10 9 18 18 18 19
E

chords over the \\"youuuuu gotttt IIII gottttt youuuu\\" part is C > A > E > C > main riff

keyboard riff transcribed by Ben Conarck

E - 17~~ 13(h)14 17 16 15 13
B - then.. 17~~ 13(h)14 17 16 15 13
G -
D -
A -
E -

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July 05, 2003