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House Dog, Party Favor.
Well-to-do on the bone you savor.
a local invitational, a roaring hello,
Mind's racing but you just don't know.
What to do, How to stop it.
When the seeds that you sow are all microscopic.
And your tailor made suit, yo the man's best friend.
And the city boy's out of his mind again.

House call, do yourself a favor.
Take a big bite of the fruit of your labor.
When you might be dreaming, go back in time.
To chariots, wizardry and regicide.
Where the warriors and the armor have a different name,
And the church and the paupers play the same old game.
So you try to break the rules that you just can't bend,
and the city boy's out of his mind again.

Yeah, oh yeah, oh yeah.
City boy's out of his mind again.
Oh yeah, oh yeah.
City boy's out of his mind again.

Sanitarium, and doing alright.
Three square meals and a bed for the night.
And you might be busted on the daily grind,
You got nurse Belinda and a porcupine.
So howling granny howl, and give'm a hoot,
and little nurse Belinda's licking off your boot
And you might even think that you like to pretend,
That its the city boy whose out of his mind again.

Yeah, oh yeah, oh yeah.
City boy's out of his mind again.
Oh yeah, oh yeah.
City boy's out of his mind again.

","tabs","Transcription by Rich Steele

~~House Dog Party Favor

Intro (in D)

(play this twice)
E 10
B 12 12 12 12 10 12 12 10 10 12 12 10 10
G
D
A
E

E
B
G 12 11 9(h)11 9
D 12 11 9(h)11 9 7~ 7 7 9
A
E

E
B
G
D 5 5 5 4 4 4 2 2 2
A
E

E
B
G
D 2 2 2 2 2 2 2(sl)4
A 2(h)4 2(h)4 2(h)4 2
E

E
B
G 4 4 4(p)2 7 7 7(p)5
D 4 4 4(p)2 7(p)5
A 2(h)5
E

E
B 7 7 7(p)5 8 8 8(p)7
G 7 7 7(p)5 9(p)7
D 5(h)7
A
E

E 8 8 7 7 7(h)8
B 8 8 8(p)7 10 10 10(p)8
G 7(h)9
D
A
E

E 10 10 10 10 9 10 10 9 10 12(sl)14
B
G (play this 3 times)
D
A
E

E 10 10 9 10
B
G 4(p)2
D 4 2
A 4 4(p)2 2
E

E
B
G 4 4 4 4 2 4
D 2 4 5
A
E (play 3 times)

E 5 5 5 7 8
B 5 5 5 6 8
G 5 7 5 5 7 9
D 5(h)7 9 7
A
E

(play this next section 3 times)
--------------------------------------------
E 9 10 12 12 12 10 12 12 10 12 15
B
G

E 12 12 12 12 12 10 9 10
B
G

E 12 12 10 12 12 10 12 15 12 12 12 12 12
B
G

E
B
G
D 4 4
A
E 2~ 2 2

------------------------------------------

E |
B | (play 3 times)
G |
D | 9 9 9 9 7 9
A | 7 9 10
E 5(h)7 |

Verse riffs

Dm
E
B
G 10
D 7(p)5 5 7 5 7 (sl) 10
A 5
E

Em
E
B
G 12
D 9(p)7 7 9 7 9 (sl) 12
A 7
E

(goes back to the Dm riff a couple of times, then into this)

E
B
G
D 7(p)5 5 7 5
A 5 7 5
E

(which leads into the oh yeah... oh yeah.. chorus.)

E
B
G 5 6
D 7(p)5 5 7 5 5
A 7(p)5 5 7(p)5 5
E 5 5

E
B
G 10
D 7(p)5 5 7 5 7 (sl) 10
A 5
E

E
B
G
D 7(p)5 5 7 5
A 5 7 5
E

(after the 2nd chorus, they lead into this...)

E
B 10 10 10 12 10 10 10 10 12 10 9(h)10(p)9
G

E
B 7~ 7 7 7(h)8 7 7 7 8 7
G 9 7

(after playing that 4 times, lead right into
this...)

(play twice)
E
B 8 7
G 7(h)9(p)7(h)9 7 9 9 7
D 5 7
A
E

E
B
G
D 4(h)5 7 9 7 4 4
A 5
E

Now the next section after this before the jam starts i'm still not 100%
sure on.
i'll add it as soon as i work out all the kinks.)

Jam goes over a A > G.

then jon comes in with this riff, which is first
played 4 times before the ascending 10 count starts.

E 12 10 9 9 9 9 9 9 10 9(h)10 10 10 10(p)9
B 9
G 9

E 9 9 9 12 9 12
B 10 10
G

so basically you loop this riff 4 times, and
the ascending part is just the last 3 notes repeating up to 10.

\\r","legacyAbbr","housedog",82,"cover",false,"authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","featuredLyric","City boy’s out of his mind again ","timesPlayed",197,"dateLastPlayed","2025-06-19T00:00:00.000Z","dateFirstPlayed","1999-08-11T00:00:00.000Z","yearlyPlayData",{"_100":101,"_102":103,"_104":105,"_106":107,"_108":109,"_110":111,"_112":113,"_114":115,"_116":117,"_118":113,"_119":120,"_121":122,"_123":124,"_125":126,"_127":113,"_128":113,"_129":113,"_130":113,"_131":113,"_132":117,"_133":126,"_134":111,"_135":113,"_136":126,"_137":124,"_138":124,"_139":111},"1999",19,"2000",16,"2001",20,"2002",23,"2003",13,"2004",2,"2005",4,"2006",10,"2007",7,"2008","2009",12,"2010",8,"2011",5,"2012",3,"2013","2014","2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_142":143,"_149":150,"_154":155,"_159":160,"_164":165,"_169":170,"_174":175,"_179":180,"_184":185,"_188":189},"93",{"_25":144,"_145":146,"_147":148},"2005-03-20","previous","2004-05-08","delta_days",316,"95",{"_25":151,"_145":152,"_147":153},"2005-11-18","2005-04-26",206,"118",{"_25":156,"_145":157,"_147":158},"2009-01-17","2008-07-19",182,"121",{"_25":161,"_145":162,"_147":163},"2009-09-11","2009-02-03",220,"143",{"_25":166,"_145":167,"_147":168},"2012-07-06","2011-12-28",191,"147",{"_25":171,"_145":172,"_147":173},"2013-07-12","2013-01-24",169,"174",{"_25":176,"_145":177,"_147":178},"2019-11-15","2019-04-27",202,"177",{"_25":181,"_145":182,"_147":183},"2020-10-23","2020-01-03",294,"178",{"_25":186,"_145":181,"_147":187},"2021-04-24",183,"183",{"_25":190,"_145":191,"_147":192},"2022-10-03","2022-03-31",186,"mostCommonYear",2002,"leastCommonYear",2004,"guitarTabsUrl","http://sickbarberlicks.weebly.com/house-dog-party-favor.html","annotations",[],{"_21":202,"_52":22,"_53":203,"_55":204,"_57":58,"_59":28,"_31":205,"_33":206,"_35":36,"_23":207,"_63":-5,"_64":65,"_66":-5,"_67":208,"_39":36,"_41":36,"_47":-5,"_69":209,"_199":278},"c9e5bf6c-a74f-4766-a25d-7baa1850d972","e678065d-e9e8-47c7-960e-a9f2679bc210","S2","2020-02-22T16:29:42.526Z","2020-04-23T14:52:28.456Z","1999-10-07-magellan","5c1354dd-082a-4013-848b-355a4a25ba01",{"_21":203,"_71":210,"_23":211,"_31":212,"_33":213,"_76":214,"_78":215,"_27":28,"_80":211,"_29":216,"_83":84,"_85":86,"_87":88,"_89":-5,"_90":217,"_92":218,"_94":219,"_96":220,"_98":221,"_140":227,"_193":275,"_195":276,"_197":277,"_47":210},"Magellan","magellan","2020-02-22T15:50:23.989Z","2025-08-26T02:09:52.113Z","
The waves make mountains, I've sailed with ease,
As wind gathers firmly in my canopy.
We dive through the mist to the autumn sun,
My vessel and its crew of twenty one, and we fly.

Through burgundy smoke and a fear of home,
Alas, my final mission to the great unknown.
As my thoughts betray me in flashes so bold,
I'm reminded of home where the coast shines like gold.

darkness, thunderstorm, a ship going down,
the crashing of rain and its deafening sound.
as the crew ties the sails blown aside by the wind,
crashing from the waves come tumbling in and we fly.

Rolling like a cobra, one life to spend,
drifting through the heavens where the oceans they end.
and there's no longer the sea no longer the sun,
my ship and the waves have all swirled into one.

And i'm off past the vision, the line of the light,
Where oceans turn waterfalls, daytime turns night.
And no people return, no stories to tell,
And i watched through the door for the toll of the bell.

And we fly...

One with the raging wind,
Alive on the highest tides,
My ship at sail can climb a mountain,
Ride it to the sky.

Whoa...oh, he'll navigate!

Earlier up this morning, as I sit upon the bow,
In the distance, my homeland, but I just don't know how.
Years along the sea, and I thought I'd find the sun.
Once around the world, and now I think I'm done.
","transcribed by Rich Steele

intro--
E 0
B 1 0 1 1
G 2 2 2
D 2 2 0 0
A 0 (sweep 3 2 0
E down)

(after about 4 of the above, do this)

F Am
E 0 0 0 0 1 1 5
B 1 1 1 1 1 1 5 (strum 4
G 2 2 2 2 2 2 5 times)
D 2 3 3 2
A 0 3 3 0
E 1 1

(main verse riff, which just repeats throughout the verses)

Am Am G Am
Well the waves makes mountains, life sails with
E
B 1 10 8 10
G 2 9 7 9
D 2 10 9 10
A 0
E

C Fmaj7
ease. as the wind gathers firmly in my canopy.
E 5
B 8 5
G 9 5 (gently
D 10 3 strum)
A
E

The Magellan \\\"and we fly...\\\" chord.

E 0
B 4
G 2
D 3
A 3
E

(at the end of each verse, hit a open E major. after the end of the 2nd
verse, hit the E and go into this next part)

D E G A E A D
E
B 3 5 3 5 5 5 5 5 5 5 5 5 5 5 3
G 2 4 4 6 6 6 6 6 6 6 6 6 4 6 2
D 4 6 5 7 7 7 7 7 7 7 7 7 6 7 4
A 7 7 7 7 7 7 7 7 7
E

G D G E
E
B 3 3 3 3 3 3 3 3 3 3 3 5
G 4 4 4 4 4 4 4 4 4 2 4 4
D 5 5 5 5 5 5 5 5 5 4 5 6
A 5 5 5 5 5 5 5 5 5
E

E
B 7 7 5 5 5 5 3 3 3 3 3 3~ 3 3
G 6 6 6 6 6 6 5 5 5 5 5 4~ 4 4
D 7 7 6 6 6 6 5 5 5 5 5 5~ 5 5
A
E

(repeat)

(Then, go back and play the beginning intro riff 3 times, then go into
this next part)

Am F#m Am
E 0 2 0
B 1 0 1 3 2 2 2 2 1
G 2 2 2 2 2 2 2 2
D 2 4 4 2
A 0 0
E
F#m G
E 2 3 3
B 0 1 3 2 2 2 2 3 3 3 3 3
G 2 2 2 2 4 4 4 4 4
D 4 4 5 5
A
E

F#m G
E 2 2 3 3
B 2 2 2 2 2 3 3 3 3 3
G 2 2 2 2 2 4 4 4 4 4
D 4 4 5 5
A
E

F#m F
E 2 1
B 2 1
G 2 2
D 4 3
A
E

(then you do these like vamp/arpeggio sort of things on a open E and a F
on the 1st fret in this order: E > F > E > F)

(then comes the last part of this section)

C Bm Bb Asus2
E 0 2 3
B 1 1 1 0 1 3 3 0
G 0 0 0 0 0 0 4 3 2
D 2 2 2 2 2 4 1 2
A 3 0
E

(then, gently strum that Asus2 chord a few times, then do this)
F Am
E 1 1 1 1 5 5 5 5
B 1 1 1 1 5 5 5 5
G 2 2 2 2 5 5 5 5
D 3 3 3 3 2 2 2 2
A 3 3 3 3 0 0 0 0
E 1 1 1 1

(then play that same chord progression that goes with the verses, but
faster and with more authority)

(after that part os finished, hit a open E major and the main E riff
below is played 4 times. There is no set amount of beats for when you
play the riff. Its freetime I suppose...)

main E riff--
E 4 7 4
B 5 5 5 4 5 7 9 (play some sort
G 4 4 9 of E chord or note)
D 9
A
E

Then, after the above riff was played 4 times, go right in this next
part, which is the riff from above, but with more notes added to it.

(sec. 1)
E 4 7 4
B 5 5 5 4 5 7 7 7(p)5 7 7(sl)8 10(p)8
G 4 4
D
A
E

E
B 10(p)8 8 7 8(p)7 4~~
G
D
A
E

(sec. 2)
E 7~ 9 9 9(p)7 7 9(sl)10 10(p)8(p)7
B 7 9 9
G
D
A
E

E 7(8)-(trills) 8~~ 10(p)8 10(p)8 8~~ 7 8(p)7
B 9~
G
D
A
E

(Sec. 3)
E 16 19 16
B 17 17 17 16 17 19
G 16 16
D
A
E

E
B 19(p)17 17 17 19 19(s)20 22(p)20 22(p)20 20
G
D
A
E

E
B 19 20(p)19 16~~
G
D
A
E

(final chorus)
play a D > E > G and then go into......

One with the raging winds, alive on the highest tide

A Ao
E
B 5 5
G 6 4
D 7 7
A 7 7
E

My ship at sail, could climb a mountain.

D
E
B 7
G 7
D 7
A 5
E

Ride it to the sky..

D E G A
E
B 3 5 3 5
G 2 4 4 6
D 4 6 5 7
A 5 7
E

Slow ending riff

E 0
B 2 2 0 0 0
G 2 2 2 0 0 0 2 2
D 2 2 2 2 2 2
A 0 0 2 4 4
E 5 5
",375,"Once around the world and now I think I’m done",222,"2025-06-28T00:00:00.000Z","1998-04-22T00:00:00.000Z",{"_222":223,"_100":224,"_102":44,"_104":225,"_106":226,"_108":115,"_110":124,"_112":111,"_114":122,"_116":122,"_118":124,"_119":42,"_121":58,"_123":58,"_125":126,"_127":126,"_128":126,"_129":126,"_130":111,"_131":124,"_132":111,"_133":126,"_134":111,"_135":126,"_136":58,"_137":111,"_138":126,"_139":58},"1998",51,46,18,14,{"_228":229,"_233":234,"_238":239,"_242":243,"_246":247,"_251":252,"_256":257,"_261":262,"_266":267,"_271":272},"155",{"_25":230,"_145":231,"_147":232},"2005-07-23","2004-12-31",204,"184",{"_25":235,"_145":236,"_147":237},"2010-05-29","2009-09-25",246,"185",{"_25":240,"_145":235,"_147":241},"2011-04-15",321,"186",{"_25":244,"_145":240,"_147":245},"2012-01-27",287,"197",{"_25":248,"_145":249,"_147":250},"2015-12-05","2015-04-17",232,"199",{"_25":253,"_145":254,"_147":255},"2016-09-10","2016-02-05",218,"211",{"_25":258,"_145":259,"_147":260},"2020-10-29","2020-01-02",301,"215",{"_25":263,"_145":264,"_147":265},"2022-12-31","2021-11-27",399,"218",{"_25":268,"_145":269,"_147":270},"2024-03-14","2023-07-18",240,"221",{"_25":273,"_145":274,"_147":255},"2025-06-28","2024-11-22",1998,2010,"http://sickbarberlicks.weebly.com/magellan.html",[],{"_21":280,"_52":22,"_53":281,"_55":204,"_57":113,"_59":282,"_31":283,"_33":284,"_35":36,"_23":285,"_63":-5,"_64":84,"_66":286,"_67":287,"_39":36,"_41":36,"_47":-5,"_69":288,"_199":357},"43406603-623b-495e-9fad-a99319d4fdf4","0b0de750-103b-4c7c-90ba-f07ed542f084",">","2020-02-22T16:29:42.722Z","2020-04-23T14:42:50.200Z","1999-10-07-m-e-m-p-h-i-s","3f8dfb7c-b452-4e8f-8a68-337e85c0c106","608f41a8-79f8-4bfb-8ed4-d3829273ccf9",{"_21":281,"_71":289,"_23":290,"_31":74,"_33":291,"_76":292,"_78":293,"_27":28,"_80":294,"_29":295,"_83":84,"_85":296,"_87":297,"_89":-5,"_90":298,"_92":299,"_94":300,"_96":301,"_98":302,"_140":309,"_193":275,"_195":355,"_197":356,"_47":289},"M.E.M.P.H.I.S.","m-e-m-p-h-i-s","2025-08-26T02:09:52.972Z","
Well I just took a left on 57 South.
With a stogie in my hand and a lighter in my mouth.
There's a transient in the backseat and my dog is riding 'gun.
We're making easy money and we're always on the run.

When you're pimping ho's in style, there's just one place to be.
It's nestled in the corner of southwestern Tennessee.
My dog who knew the King he told me just the other day.
The only one from Memphis is the Presley's Adelay.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.

Adelay is in the backseat and the money's in the tank.
The cops are right behind us on a beeline from the bank.
With the pedal to the floor we pass the border and we're free.
And fading in the rearview is Memphis, Tennessee.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.\\r
","Transcribed by Rich Steele
~~Memphis

(intro/main riff)

E
B 3
G 1 1 1 0(h)1 1 1
D 2 2 2 2 2 2
A 2 2 2 2 2 2
E 0 0 0 0 0 0

The chords for the verses go like this:
( main riff )
Well I just took a left on 57 south.
(play riff below after the end of each line of the verse)

(D) (C#) (D,C#)
E-
B- 3 3 2 2 3 2
G- 2 2 1 1 2 1
D- 4 4 3 3 4 3
A-
E-

B A
Makin easy money pimpin ho's in style.

This is a easy song. figure out the rest. Its all the same chord
progressions. :)

Another riff later in the song:

E
B
G
D 2 5 2 2
A 2 5 5(h)7 7 2 2 5
E 0 5(h)7 5(h)7 0 0 5(h)7

E
B
G
D
A 5 (repeat)
E 5(h)7 7 3~

\\r","memphis",118,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","Making Easy Money Pimping Hoes In Style...",313,"2025-07-02T00:00:00.000Z","1997-11-20T00:00:00.000Z",{"_303":115,"_222":304,"_100":305,"_102":44,"_104":306,"_106":306,"_108":109,"_110":42,"_112":126,"_114":226,"_116":307,"_118":226,"_119":308,"_121":115,"_123":113,"_125":113,"_127":126,"_128":124,"_129":113,"_130":113,"_131":124,"_132":113,"_133":113,"_134":58,"_135":124,"_136":111,"_137":124,"_138":113,"_139":126},"1997",57,40,24,9,21,{"_310":311,"_315":316,"_320":321,"_322":323,"_327":328,"_331":332,"_336":337,"_341":342,"_345":346,"_350":351},"107",{"_25":312,"_145":313,"_147":314},"2000-08-18","1999-12-31",231,"187",{"_25":317,"_145":318,"_147":319},"2005-12-31","2005-05-28",217,"260",{"_25":166,"_145":167,"_147":168},"265",{"_25":324,"_145":325,"_147":326},"2013-07-13","2013-01-26",168,"266",{"_25":329,"_145":324,"_147":330},"2013-12-31",171,"268",{"_25":333,"_145":334,"_147":335},"2014-07-31","2014-01-24",188,"290",{"_25":338,"_145":339,"_147":340},"2019-07-20","2019-01-25",176,"293",{"_25":181,"_145":343,"_147":344},"2019-12-30",298,"300",{"_25":347,"_145":348,"_147":349},"2022-08-14","2022-03-04",163,"306",{"_25":352,"_145":353,"_147":354},"2024-02-06","2023-07-20",201,2020,"https://sick-barber-licks.weebly.com/memphis.html",[],{"_21":359,"_52":22,"_53":360,"_55":56,"_57":126,"_59":282,"_31":361,"_33":361,"_35":36,"_23":362,"_63":-5,"_64":84,"_66":68,"_67":363,"_39":36,"_41":36,"_47":-5,"_69":364,"_199":419},"6514ddcc-865a-4bdc-85c4-8999c28fa060","3f67b2bf-aa2b-4eb5-9c2b-608717bdd851","2020-02-22T16:29:42.330Z","1999-10-07-the-very-moon","11dac4a0-2214-491f-8fbc-b248ab2563c7",{"_21":360,"_71":365,"_23":366,"_31":74,"_33":367,"_76":368,"_78":369,"_27":28,"_80":370,"_29":371,"_83":84,"_85":86,"_87":88,"_89":-5,"_90":372,"_92":354,"_94":373,"_96":374,"_98":375,"_140":378,"_193":416,"_195":417,"_197":418,"_47":365},"The Very Moon","the-very-moon","2025-08-26T02:10:08.731Z","
Manilla was a crude machine who'd taken his fair share
He gobbled up the world he owned as petals paved his stairs
Manilla thanked the very moon for money and his life
He triffled nothing miniscule including one, his wife

Leora, his arranged wife, did not need his greed
She asked that stars, the very moon, to one day cross the sea
Manilla gazed an empty stare nothing there could grow
She cherished dreams of flying high and leaving him below

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching

Manilla wanted worldly things and everything he'd have
He built castles, moats, battleships and troops in iron clad
Manilla heard Mulberry's name under the very moon
His troops went running the next day to find the air balloon.

Leora, his arranged wife, cooked the men a feast
And cleaned herself up solemnly before she faced the beast
That night she asked the very moon was this her fate to be
At lunch she met the flying man whose airships crossed the sea

Leora stands on her head
Doin' the two step on her hands
As her eyes move round the room
To catch somone watching

Leora stands on her head
Doin' the two step on her hands
Underneath the very moon each one was watching
","transcribed by Bill

Just figured this one out yesterday....too fun not to share. The only
parts I'm still a little shaky on are The Riff from the intro and the
chords under the chorus....but both are reasonable approximations.

FWIW, all the HAB tunes I've tabbed are from the 12/31/98 version, since
those performances are pretty grounded and manageable. Things evolve over
time, so YMMV.

Intro:

C jam

Brownstein defines the chord like so:
d-------2-5--
a----3-3-----

(repeat a lotta buncha times....jam.....)

Magner's playing arpeggios than can be approximated on guitar like so:
e----0----1--3--1-1------
b-----1-0--1--1----1-1---
g------0----0--0----0----

Or something...listen to it and you'll hear what I mean.

Intro melody 1 (I know Barber plays these in a different position, but
whatever):
C * F
e-------0--3--7--8--8s5---0--3--1-----
b----1--------------------------------
g----------0--4--5--5s2------0--------
d-------2-----------------2-----3-----
a----3--------------------------------

F piano arpeggio is like this:

e----1-----3----5----3-3------
b-----1-1---1----1------1-1--- (x 2)
g------2-----2----2------2----

Then repeat Melody 1, except from the * on play:

C Dm
e----8s5---0-----------
b--------------3-------
g----5s2---------------
d----------2---0-------

Dm arpeggio (again, all of these are just to give you an idea of what's
going on- listen to it, you'll hear what I mean):

e----------0----1----0-------
b----3------3----3----3-3---- (x 2)
g-----2-2----2----2----2-----
d------0---------------------

Melody 1 again, from the * on play
G
e----10--12--13-15--17--19-----
b------------------------------
g----7---9---10-12--14--15-----

G arpeggio:

e-------------------1s3-1---------
b----0----1----3---------3-1-3----
g-----0----0----0----------------- (x 2)
d------0----0----0----------------

Intro melody 2:
G C
e----19---15---17---17-15-17-15-13---13-13--10--8----
b----------------------------------------------------
g----15---12---14---14-12-14-12-10---10-10--7---5----

C arpeggio (Barber actually plays this one):
e-------------------3s5---------
b---------3----5-------6-3-5----
g----5-----5----5--------------- (x 4)
d-----5-----5----5--------------
a------3------------------------

The Riff (best I can figure it):
e-----------------------13------15s17----------12-12----------
b----13--13-15s17-13--13--13--13-------15-15--------13-13----- (x 4)
g------12-----------12------12--------------------------------

Intro melody 3:
e----19--17--15--13--12-13-12----12-13------------
b----------------------------14-------15------------
g-----------------------------------------14-14----

(and Brownstein adds:)
a----2-------
E-----3-3----

(x 4, and then the last time add this transition lick into the verse):
F D/F# G
e----------------------------------
b----12-12h13-12--12-13-13-14----15
g---------------14-----------------

C/G A5 Bb5 A5 C C (x 4)

(the 5's indicate power chords- no thirds)

A5 Bb5 A5 Bb5 A5 G G (x 3)

A5 Bb5 A5 Bb5 A5 G G7

C/G A5 Bb5 A5 C C

C F Em Dm
Manila was a cruel machine, he'd taken his fair share
C F Em Dm
He gobbled up the world he owned, petals paved his stairs
C F Em Dm
Manila thanked the very moon for money and his life
C F Em Dm
He trifled nothing miniscule, including one, his wife
F Em Dm G
Leora, his arranged wife, did not need his greed
F Em Dm G
She asked the stars and very moon to one day cross the sea
F Em Dm G
Manila's gaze a vacant stare, nothing there could grow
F Em Dm G
She cherished dreams of flying high and leaving him below

G7

C G Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
As her eyes go round the room to catch someone watching
C Dm Em F C
Leora stands on her head, doing the two-step on her hands
F Em G C G7
Underneath the very moon that each one was watching

C/G A5 Bb5 A5 C C

2d verse and chorus same as first

Then the melody referred to by some as the Don Cote lick:
*
e--------------------------------------------------------------------
b--------8-8-6-5---------5----------------5---5h6-5---5-8-8-----8----
g----5--5---------7-7-7-7-7-5-5--7--7-7--7---7-----7---------7-7-7---

(x 4) The fourth time it stops at the * and they hit these chords:

C C G Am G D Am D

Jam riff:

d-----------------------------------------------2-2---------------
a-------2-4-5-4-2-----2-4-5-4-2h4p2------2-4-5-4------2-4-5-4-2---
E----3-----------5p3-----------------0-0--------------------------","moon",122,"Leora stands on her head\nDoin' the two step on her hands\nUnderneath the very moon each one was watching","2025-06-25T00:00:00.000Z","1998-12-09T00:00:00.000Z",{"_222":126,"_100":376,"_102":44,"_104":377,"_106":105,"_108":120,"_110":124,"_112":126,"_114":122,"_116":307,"_118":124,"_119":377,"_121":124,"_123":124,"_125":58,"_127":58,"_128":113,"_129":113,"_130":111,"_131":113,"_132":126,"_133":111,"_134":58,"_135":126,"_136":58,"_137":126,"_138":113,"_139":111},50,15,{"_379":380,"_384":385,"_388":389,"_390":391,"_174":393,"_238":396,"_315":398,"_402":403,"_407":408,"_411":412},"139",{"_25":381,"_145":382,"_147":383},"2008-12-12","2008-04-22",234,"166",{"_25":386,"_145":167,"_147":387},"2012-07-07",192,"167",{"_25":172,"_145":386,"_147":354},"168",{"_25":334,"_145":172,"_147":392},365,{"_25":394,"_145":395,"_147":335},"2015-10-30","2015-04-25",{"_25":338,"_145":397,"_147":354},"2018-12-31",{"_25":399,"_145":400,"_147":401},"2020-10-25","2019-12-12",318,"191",{"_25":404,"_145":405,"_147":406},"2022-09-10","2021-11-26",288,"192",{"_25":409,"_145":404,"_147":410},"2023-06-08",271,"196",{"_25":413,"_145":414,"_147":415},"2024-08-28","2024-01-26",215,1999,2012,"http://sickbarberlicks.weebly.com/the-very-moon.html",[],{"_21":208,"_52":22,"_53":421,"_55":204,"_57":111,"_59":-5,"_31":422,"_33":422,"_35":36,"_23":423,"_63":-5,"_64":84,"_66":202,"_67":286,"_39":36,"_41":36,"_47":-5,"_69":424,"_199":482},"1d813e1f-f852-48c6-9f91-043541454f86","2020-02-22T16:29:42.596Z","1999-10-07-little-shimmy-in-a-conga-line",{"_21":421,"_71":425,"_23":426,"_31":427,"_33":428,"_76":429,"_78":430,"_27":28,"_80":431,"_29":432,"_83":84,"_85":86,"_87":88,"_89":-5,"_90":433,"_92":434,"_94":435,"_96":436,"_98":437,"_140":440,"_193":275,"_195":355,"_197":481,"_47":425},"Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line","2020-02-22T15:50:23.147Z","2025-08-26T02:09:51.371Z","
Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.
","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","shimmy",165,"And you wonder why I sleep through my alarm",289,"2025-08-24T00:00:00.000Z","1998-02-26T00:00:00.000Z",{"_222":438,"_100":439,"_102":307,"_104":107,"_106":308,"_108":115,"_110":124,"_112":126,"_114":115,"_116":124,"_118":113,"_119":115,"_121":115,"_123":126,"_125":113,"_127":124,"_128":117,"_129":126,"_130":124,"_131":126,"_132":113,"_133":124,"_134":58,"_135":117,"_136":42,"_137":122,"_138":42,"_139":307},62,41,{"_441":442,"_407":445,"_449":450,"_261":453,"_456":457,"_460":461,"_464":465,"_469":470,"_474":475,"_477":478},"172",{"_25":443,"_145":444,"_147":330},"2005-09-13","2005-03-26",{"_25":446,"_145":447,"_147":448},"2008-12-27","2008-04-19",252,"214",{"_25":451,"_145":452,"_147":340},"2011-07-09","2011-01-14",{"_25":454,"_145":451,"_147":455},"2011-12-31",175,"216",{"_25":458,"_145":454,"_147":459},"2012-10-05",279,"234",{"_25":462,"_145":395,"_147":463},"2015-10-29",187,"245",{"_25":466,"_145":467,"_147":468},"2018-11-01","2018-04-19",196,"248",{"_25":471,"_145":472,"_147":473},"2019-07-19","2019-02-02",167,"252",{"_25":399,"_145":343,"_147":476},300,"253",{"_25":479,"_145":399,"_147":480},"2021-04-20",177,"http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html",[],{"_21":68,"_52":22,"_53":484,"_55":56,"_57":111,"_59":-5,"_31":485,"_33":485,"_35":36,"_23":486,"_63":-5,"_64":84,"_66":51,"_67":359,"_39":36,"_41":36,"_47":-5,"_69":487,"_199":542},"6e4489b7-f9f8-4cd3-a047-119db629cb18","2020-02-22T16:29:42.276Z","1999-10-07-chemical-warfare-brigade",{"_21":484,"_71":488,"_23":489,"_31":490,"_33":491,"_76":492,"_78":28,"_27":28,"_80":493,"_29":439,"_83":84,"_85":296,"_87":297,"_89":-5,"_90":-5,"_92":494,"_94":495,"_96":496,"_98":497,"_140":498,"_193":416,"_195":540,"_197":541,"_47":488},"Chemical Warfare Brigade","chemical-warfare-brigade","2020-02-22T15:50:22.856Z","2025-08-26T02:09:38.216Z","I just took out two men,
Because they knew too much.
Body count's up to ten,
I never planned as such.

Many more people will die,
If this story's not told,
But it may be too late.

When it's over I won't be around,
See the trees as they fall to the ground.
You could say that I warned you of this in the past,
And you hide in the shadows they cast.

I remember the time,
When I first met Lai.
I thought I had it made
The Chemical Warfare Brigade.

And then it happened again,
As it is with everything,
Too much was never enough.
It made us feel strong.

And Amos told me how,
He thought we could triple our buck.
We had to resort to Plan B,
'Cause our first plan had run out of luck.

When it's over I won't be around,
See the trees as they fall to the ground.
You could say that I warned you of this in the past,
And you hide in the shadows they cast.

Oh, the Chemical War Brigade,
Three men tall, expecting it all
Oh, the Chemical War Brigade,
This is there for our future.
(Marc: Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of)
Oh, the Chemical War Brigade,
Three men tall, expecting it all
Oh, the Chemical War Brigade,
This is there for our future.

Oh, the Chemical War Brigade,
Three men tall, expecting it all
Oh, the Chemical War Brigade,
This is there for our future.
(Marc: Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of)
Oh, the Chemical War Brigade,
Three men tall, expecting it all
Oh, the Chemical War Brigade,
This is there for our future.

Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of
Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of
Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of
Nowhere to run, nowhere to hide,
Backs on the wall, there's only one way out of
Here...

There's only one way out of here.
There's only one way out of here.","cwb",63,"2022-03-31T00:00:00.000Z","1999-08-21T00:00:00.000Z",{"_100":120,"_102":42,"_104":124,"_106":44,"_108":42,"_112":111,"_114":124,"_116":113,"_118":58,"_119":124,"_121":58,"_123":58,"_125":58,"_127":58,"_130":58,"_136":58},{"_499":500,"_504":505,"_509":510,"_514":515,"_518":519,"_523":524,"_527":528,"_531":532,"_533":534,"_537":538},"12",{"_25":501,"_145":502,"_147":503},"2000-10-11","1999-10-28",349,"22",{"_25":506,"_145":507,"_147":508},"2001-12-05","2001-04-26",223,"40",{"_25":511,"_145":512,"_147":513},"2005-05-27","2003-11-28",546,"42",{"_25":516,"_145":151,"_147":517},"2006-08-26",281,"52",{"_25":520,"_145":521,"_147":522},"2009-02-14","2008-06-05",254,"58",{"_25":451,"_145":525,"_147":526},"2010-01-28",527,"59",{"_25":529,"_145":451,"_147":530},"2012-10-04",453,"60",{"_25":329,"_145":529,"_147":530},"61",{"_25":535,"_145":329,"_147":536},"2016-02-04",765,"62",{"_25":191,"_145":535,"_147":539},2247,2008,"http://sickbarberlicks.weebly.com/chemical-warfare-brigade.html",[],{"_21":363,"_52":22,"_53":544,"_55":56,"_57":113,"_59":282,"_31":545,"_33":545,"_35":36,"_23":546,"_63":-5,"_64":84,"_66":359,"_67":547,"_39":36,"_41":36,"_47":-5,"_69":548,"_199":605},"d63c2607-6664-4e7f-9235-c042c03c92fa","2020-02-22T16:29:42.395Z","1999-10-07-mindless-dribble","06fe2998-2887-47cf-b7ef-237b2fe582a8",{"_21":544,"_71":549,"_23":550,"_31":490,"_33":551,"_76":552,"_78":553,"_27":28,"_80":554,"_29":555,"_83":84,"_85":86,"_87":88,"_89":556,"_90":557,"_92":344,"_94":558,"_96":559,"_98":560,"_140":563,"_193":275,"_195":603,"_197":604,"_47":549},"Mindless Dribble","mindless-dribble","2025-08-26T02:09:53.167Z","
Whimsical, a pen in motion, thoughts roll in my mind,
scamper by so quickly now an agile word would find,
well I tried to grasp an angel, saw her wings, and watched her fly
reality for mingling dreams to scurry back and get in line.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

A gallery, a pen in motion, a delightful line instead,
it's chivalry outranks commotion on the roads most common tread,
and on those boots, the clicking heels, the dreams, the angel starts to fly,
to masquerade the world's parade for only seconds at a time.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
And they missed the perfume.

In a native centered world, one picks the fruit right off the trees,
on a wild blue island in the deep blue seas,
beyond a paleocentric world with all our people shaped in threes,
the only way I get around is some mild insanity.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
and they missed the perfume.
","
transcribed by Rich Steele
after intro, the chord they hit is a F# major played
on the 2nd fret.
They keep hitting this until you get to the next part, which is the part
during the verse too.

the way barber plays this kinda has this shuffle feel to it. the chords dont really sustain at all. for best
results don't press down all the way on the strings
to keep it from sounding too loud, avoiding the heavy
pick attack sound.

Am Am G G
E 5 5 3 3
B 5 5 10 10 10 10 12 12 3 3
G 5 5 9 9 9 9 12 12 4 4
D 7 7 10 10 10 10 12 12 5 5
A 7 7 10 10 5 5
E 3 3

(verses)
(start the part above with the first line of each verse with the Am, and
hit the G with the last word of each line.)

(#1)
Whimsical, a pen in motion, thoughts roll off my mind.
Scamper by so quickly, now a agile word would find.
Tried to grasp an angel, saw her wings and watched her fly.
Reality from mingling dreams, to scurry back and get in line.

(Chorus)

Am G Am D Bm
E 5 5 5 3 5 7 7 7 7
B 5 5 5 3 5 7 7 7 7 7 7 7 7
G 5 5 5 4 5 7 7 7 7 7 7 7 7
D 7 7 7 5 7 7 7 7 7 9 9 9 9
A 7 7 7 5 7 5 5 5 5 9 9 9 9
E 5 5 5 3 5 7 7 7 7

F F# G
E 1 1 1 1 2 3
B 1 1 1 1 2 3
G 2 2 2 2 3 4
D 3 3 3 3 4 5
A 3 3 3 3 4 5
E 1 1 1 1 2 3

We ordered out for Mindless Dribble
Overused half-wit, ishkabible.
Corner store junkies giving advice.
We ordered out for paradise.

(applebutter toast part)

E 7
B 4 4 4 7 4 7 5 5(p)4
G 4 4 4 4 6 4 4 4 4 6 4 4 4 4 6 6 4 4 4 4 6(p)4
D
A
E

Applebutter toast is nice.
Envisioned on a third wing, twice.
My fine breaded friend, was denied by the vice
and they missed the perfume.
","dribble",47,"
Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.
The first debut of 1998, Mindless Dribble signalled an important shift in the band’s style and songwriting maturity. It’s challenging lyrics and aggressive style placed it in contrast to the faux-hippie neo-psychedelia of 97-95.
The first few performances of Dribble were completely free of improv, but within a little more than a month the band was beginning to carve out the song’s nascent jam section. There is a tremendous observable growth throughout the year, with at least one must-hear version, 12/30/98 (also noteworthy as the first "happy" Dribble). Other noteworthy early versions include 4/18/98 and 5/2/98.
The song became a major jam vehicle in 1999, the year where most of the strongest versions can be found. The jam section remained fairly standard throughout the year, with a few notable deviations, e.g. the demented, primal 10/28/99 and the fairly blissful 12/30/99 (another "happy" Dribble). The song remained strong through 2000, with noteworthy versions including 10/31/00 (the longest version to date) and 10/6/00, in which the chord progression that eventually gave rise to The Big Happy, Highwire, and I Remember When was debuted.
Dribble remained a strong selection in 2001, with the split-up "happy" Dribble from 3/31/01 widely regarded as one of the best. The song also underwent some important developments in this year. On 4/20/01 (fittingly) the “dub” version of Mindless Dribble was debuted, a part of the larger trend of dubbed versions of Biscuits songs that swept up both I-Man and Floodlights during April 2001. Later in the year, the song became the vehicle for the composed jam that would eventually become known as Strobelights and Martinis. Beginning on 9/1/01, and continuing through the month, every Dribble (with the exception of 9/21/01) would bear the hallmarks of this jam. The section was briefly reprised again in April 2003 and occasionally after Strobelights was debuted as its own song.
Although Dribble remained a staple of the catalog, its appearance grew less frequent in 2.0. It was never shelved, and was often split up to keep it interesting. When not split up, Dribble often fell into predictable patterns that made it less interesting than it had been in the 1.0 era (though exceptions to this rule exist--most notably the Red Rocks Dribble of 5/29/10).
Dribble continued to be a common presence throughout the setbreak era, being played, on average, around once every five or six shows (the striking exception to this is in 2018, when, excluding the dub version from Camp Bisco, Dribble was only played once the entire year). The song had a major renaissance during the "Setbreak is Over" tour of fall 2019. 11/16/19 and 11/17/19 each feature half of a strong split version, and arguably the strongest full version played with Allen took place on 12/13/19.
","Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.","2025-08-23T00:00:00.000Z","1998-02-19T00:00:00.000Z",{"_222":376,"_100":561,"_102":44,"_104":562,"_106":306,"_108":44,"_110":117,"_112":113,"_114":109,"_116":44,"_118":307,"_119":120,"_121":122,"_123":124,"_125":113,"_127":113,"_128":42,"_129":124,"_130":124,"_131":42,"_132":111,"_133":124,"_134":111,"_135":42,"_136":113,"_137":122,"_138":115,"_139":117},42,17,{"_564":565,"_256":568,"_570":571,"_574":575,"_577":578,"_582":583,"_585":586,"_589":590,"_594":595,"_598":599},"159",{"_25":566,"_145":567,"_147":158},"2004-11-26","2004-05-28",{"_25":235,"_145":569,"_147":335},"2009-11-22","224",{"_25":572,"_145":573,"_147":335},"2012-07-05","2011-12-30","229",{"_25":324,"_145":172,"_147":576},170,"254",{"_25":579,"_145":580,"_147":581},"2018-07-14","2017-12-31",195,"255",{"_25":584,"_145":579,"_147":173},"2018-12-30","257",{"_25":587,"_145":588,"_147":480},"2019-11-16","2019-05-23","261",{"_25":591,"_145":592,"_147":593},"2020-10-17","2019-12-31",291,"263",{"_25":596,"_145":597,"_147":455},"2021-04-23","2020-10-30","270",{"_25":600,"_145":601,"_147":602},"2022-09-08","2022-03-11",181,2018,"https://sick-barber-licks.weebly.com/mindless-dribble.html",[606],{"_21":607,"_608":363,"_609":610,"_31":611,"_33":611},"586ef8ca-f30c-4b54-85a2-7c46876d2bd7","trackId","desc","completes 10/2 version","2023-04-06T02:52:08.673Z",{"_21":547,"_52":22,"_53":613,"_55":56,"_57":124,"_59":-5,"_31":614,"_33":614,"_35":36,"_23":615,"_63":-5,"_64":84,"_66":363,"_67":-5,"_39":36,"_41":36,"_47":-5,"_69":616,"_199":674},"f3b6eb30-5977-4ac9-9e4c-dc10683f922e","2020-02-22T16:29:42.464Z","1999-10-07-bazaar-escape",{"_21":613,"_71":617,"_23":618,"_31":619,"_33":620,"_76":621,"_78":28,"_27":28,"_80":622,"_29":225,"_83":84,"_85":86,"_87":88,"_89":623,"_90":624,"_92":625,"_94":626,"_96":627,"_98":628,"_140":630,"_193":416,"_195":672,"_197":673,"_47":617},"Bazaar Escape","bazaar-escape","2020-02-22T15:50:22.697Z","2025-08-26T02:09:35.818Z","
Corrinado slipped the chopping block
The onlookers in fear and shock
He bolted swiftly through the crowd
The women yelled and screamed aloud

Manilla's words rang through the air
'Kill that man or all Beware!'
Corrinado tookoff all for bust
Gone behind a cloud of dust

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Corrinado hides down an alley
As Manilla's troops begin to rally
He lays behind the street snake charmer
and slips out of his prison pajamas

The Matador, the bull can run
Corrinado sidestepped everyone
Takes off towards the end of town
Drawing troops from all around

He knows he's got but one way out
His only route without a doubt
be fastest to the mighty cliffs
and jump for his own benefit

Passed on tragedy Corrinado moves with ease
Eluding all authority with his own agility
Ducks down an alley to the center square bazaar
Soldiers yell, soldiers scream, don't let him get too far.

Carooning down the mountain top
A bouncing rock no will can stop
Their chasing our strong hero down
Who dodges trees with swift abounds
He spins the air like a carousel
While dodging shots adeptly till
His steps no longer make a sound
His feet are well above the ground
","bazaar","
The median debut of the Hot Air Balloon (The Overture, Fiddler, Voices and Mulberry’s debuted before, while The Very Moon, Eulogy, Waves and Hot Air Balloon debuted after), Bazaar is very arguably the technical high-water mark of the entire opera. The composition consists of a slow intro riff evocative of Middle Eastern styles of music, a faster instrumental section, a verse chorus combo, a very slow breakdown and bridge verse, a second faster instrumental section, a second verse and chorus, the same fast instrumental section from the intro, a third verse, and a closing riff reprising a section from Above the Waves. Due to its rigid and relatively complex composition, it is rarely played and even more rarely jammed. Over its history, the “jam section” in Bazaar Escape has moved multiple times.
\r
\r
The debut of Bazaar Escape, like the other Hot Air Balloon songs, occurred at the tail end of 1998, on 11/14 at Carnegie Mellon. The debut version was considerably more adventurous than most versions; it is jammed into out of an unfinished Boop. For the next few months, an intro jam was the most improv fans could expect from Bazaar Escape. It was more frequently either played as a standalone, or, on special occasions such as performances of the full Hot Air Balloon opera, segued into Mulberry’s Dream by way of a composed bridge lifted from Voices Insane.
\r
\r
Although it continued to be played primarily as a standalone in 1999, there were significant developments to the song. On 1/28/99, for the first time, Bazaar Escape was outro’d. The jam emerges from the Waves instrumental section and slowly evolves into an Aceetobee intro. Less than a month later, Bazaar Escape was outro’d a second time, this time prior to the Waves section. Unlike the first outro, this jam maintains the high energy level of the ending of Bazaar Escape and evolves into a type two vehicle.
\r
\r
For most of its history, any jamming on Bazaar Escape took the form of an outro or (more typically) an intro jam. It was split up twice in 1999. The first, 5/11/99, was part of a very scripted Hot Air Balloon opera show, and all the segues around the song were jamless (the song was split seamlessly in the middle of a verse). The second split version was performed as part of the very different “Spagopera” of 10/28/99; the segue out of Bazaar is jamless, but the jam back into the ending is spectacular. Here, the split in the song takes place in the slow bridge, preceding the “Corrinado hides down an alley” verse.
\r
\r
After a whopping 37 performances in 1999, Bazaar Escape became a rarity. Its first performance in 2000 was 6/27/00 with Jordan Crisman on bass. After this performance, it was played five times in the fall tour and once more over the New Year’s run. The most significant of these was 11/24/00 at the Trocadero, which was a jammed out extravaganza: it has a solid intro jam out of Shimmy and is split up, this time out of the fast instrumental section before the final verse. This would be the jam section in Bazaar for almost all future versions. Although the standard was always a jamelss standalone, Bazaar was jammed out on a few other memorable occasions in the latter half of Sammy’s tenure, including 4/4/01 (one of only two three-part versions) and 7/26/02 (the midpoint of the famous “almost palindrome” set).
\r
\r
Bazaar became increasingly rare in the final years of 1.0, played only 7 times from 03-05. Allen took his first stab at the song at Camp Bisco V, 8/25/06, segued out of the first inverted Spaga. This bold setlisting signaled that a more adventurous approach to Bazaar was to come, and almost none of the versions from 06-08 were true standalones. It was used as the landing pad to a massive Dribble outro on 11/2/06, as the meat of a palindrome (and out of a Moshi-Fameus jam no less) on 11/10/06, and, perhaps most memorably, as the three-part centerpiece to the massive second set from 12/31/06, complete with New Year’s countdown.
\r
\r
The golden age of Bazaar Escape continued into 07. Its first appearance was 5/17/07, which featured a gorgeous ambient outro jam into Robots. Other significant appearances over the summer include 7/8/07, in which it was used to sandwich the opening segment, and 7/19/07, the first and so-far-only inverted version. Almost every version from the fall tour was jammed out and split up, usually across multiple dates.
\r
\r
The first Bazaar of 08 is considered by many to be the definitive version. It is segued into from Rockafella, has a gorgeous psychedelic space jam in the usually very staid breakdown, and a fantastic main jam. Unlike many others from the era, it is not split. Bazaar was played ending-only two more times in 08 (and ever), 4/12/08 and 6/9/08, and a jamless standalone on 12/11/08 signaled the end of the golden age of Bazaar.
\r
\r
After 08, the jamless standalone Bazaar once again became the norm, and the song became once again a perennial rarity. It was last jammed out of on 4/26/13, last jammed into on 4/22/16, and has been relegated to a once-every-couple-of-years bustout.\r
","Soldiers yell, soldiers scream, don't let him get too far.",114,"2025-08-20T00:00:00.000Z","1998-11-14T00:00:00.000Z",{"_222":124,"_100":629,"_102":117,"_104":115,"_106":117,"_108":111,"_110":126,"_112":111,"_114":117,"_116":44,"_118":113,"_119":111,"_121":111,"_123":58,"_127":58,"_128":126,"_130":58,"_132":111,"_133":58,"_135":58,"_136":58,"_137":111,"_139":111},37,{"_631":632,"_635":636,"_640":641,"_645":646,"_650":651,"_654":655,"_310":657,"_660":661,"_663":664,"_667":668},"73",{"_25":633,"_145":443,"_147":634},"2006-08-25",346,"97",{"_25":637,"_145":638,"_147":639},"2010-08-25","2009-09-30",329,"100",{"_25":642,"_145":643,"_147":644},"2013-04-26","2011-05-27",700,"104",{"_25":647,"_145":648,"_147":649},"2016-04-22","2014-09-25",575,"105",{"_25":652,"_145":647,"_147":653},"2018-01-12",630,"106",{"_25":397,"_145":652,"_147":656},353,{"_25":658,"_145":397,"_147":659},"2019-12-28",362,"108",{"_25":662,"_145":658,"_147":530},"2021-03-25","109",{"_25":665,"_145":662,"_147":666},"2022-11-19",604,"112",{"_25":669,"_145":670,"_147":671},"2025-07-05","2023-06-14",752,2011,"http://sickbarberlicks.weebly.com/bazaar-escape.html",[],{"_21":287,"_52":22,"_53":676,"_55":204,"_57":124,"_59":-5,"_31":677,"_33":677,"_35":36,"_23":678,"_63":-5,"_64":84,"_66":280,"_67":-5,"_39":36,"_41":36,"_47":-5,"_69":679,"_199":733},"736cc697-d77f-407e-acd2-83daa4b002f0","2020-02-22T16:29:42.767Z","1999-10-07-little-lai",{"_21":676,"_71":680,"_23":681,"_31":74,"_33":682,"_76":683,"_78":684,"_27":28,"_80":685,"_29":686,"_83":84,"_85":296,"_87":297,"_89":687,"_90":-5,"_92":688,"_94":689,"_96":690,"_98":691,"_140":694,"_193":416,"_195":731,"_197":732,"_47":680},"Little Lai","little-lai","2025-08-26T02:09:51.192Z","I was born on the streets of New York City,
where growin' up was easy just the same.
I didn't know what I had,
And I didn't know what I was missing,
'Til I met Little Lai and he showed me the way.

Bert wouldn't tell me anything,
Even when I'd asked him everything.
Baby look inside,
For Little Lai you cannot hide,
And for a couple of days we'll take it all in stride.

Little Lai had a business proposition,
And he knew that I wouldn't say no.
He took me into the glow of the cabana,
And he asked all the ladies to go.
He used a key the kind I'd never seen,
And the box opened up in the light.
Lai assured me that the deal was good,
And that the ladies were the rest of the night.

Bert wouldn't tell me anything,
Even when I'd asked him everything.
Baby look inside,
For Little Lai you cannot hide,
And for a couple of days we'll take it all in stride.

Baby look inside,
For Little Lai you cannot hide,
And for a couple of days we'll take it all in stride.

Little Lai was on a path of self-destruction,
All the fun he had had was just a game.
He didn't know where he was,
And he didn't know where he was going,
Last I saw Little Lai he was boarding the train.

Bert wouldn't tell me anything,
Even when I'd asked him everything.
Baby look inside,
For Little Lai you cannot hide,
And for a couple of days we'll take it all in stride.","tabbed by Eric Zeiler (Moedat@aol.com)

Intro: C F Bb G

C F Bb G
I was born on the streets of New York City
C F Bb G
growin' up was easy just the sameC F
I didn't know what I had Bb G
and I didn't know what I was missing
C F Bb G
'til I met Little Lai and he showed me the way

chorus (a):D G C F F#
Bert! wouldn't tell me anything
D G C F F#
even when I'd asked him everythingG Cbaby look inside,
F Bb'cause Little Lai you cannot hide
D C G
and for a couple of days we'll take it all in stride

Verse (same as other):Little Lai had a business proposition
and he knew that I couldn't say nohe took me into the glow of the cabana
and he asked all the ladies to gohe used a key the kind I'd never seen
and the box opened up in the lightLai had shown me that the deal was good
and that the ladies were the rest of the night

[chorus (a) (same as other)]

jam (not sure about this part, have to work on it)

chorus (b):

G Cbaby look inside, F Bb
'cause Little Lai you cannot hide
D C G
and for a couple of days we'll take it all in stride

Little Lai was on a path of self-destruction
all the fun he had had was just a gamehe didn't know where he was
and he didn't know where he was going
as us all, Little Lai, he was born in the train

[chorus (a)][chorus (b)] x3

guitar tab by: nic coker ohmygord@hotmail.com
this also sounds quite nice acoustic/classical, have fun!

intro:
repeat (x4)
barber usually toys around with the end of this lick
e--------------------------------------------
b--3 4 5-------------------------------------
g--------5 5 5-----------3 32-------------
d-----------------3--3 5 3---------5 5-------
a--------------------------------------------
e--------------------------------------------

C F Bb G
i was born on the streets of new york city
growin' up was easy just the same
i didnt know what i had and i didnt know what i was missin'
till i met little lai and he showed me the way

D G C F F#
Bert wouldn't tell me anything
Even when i asked him everythang F F#

G C F Bb
Baby look inside, little lai ya cannot hide
D C G Em REPEAT INTRO x2
for a couple-a-days we'll take it all in stride

C F B G
little lai had a business proposition and he knew that i couldnt say no
he took me in to the glow of tha cabana, and he asked all the ladies to go
he used a key, the kind ive never seen and the box opened up in the light
lai had shown me that the deal was good and the ladies for the rest of the night

D G C F F#
Bert wouldn't tell me anything
Even when i asked him everythang F F#

G C F Bb
Baby look inside, little lai ya cannot hide
D C G Em D(on the off beats)
for a couple-a-days we'll take it all in stride

(ahh yeah here come the goods)
Composed Section

section 1: (x2)
e---------------------------------------------------------------------
b---------------------------------------------------------------------
g------2 3 5-2 3---------2 3-5 2---------2 3------3 2----------------- REPEAT
d--3 5-------------2 3 5-----------2 3 5-----5--------5 3 2-----3-----
a--------------------------------5--------------------------5 4---5---
e---------------------------------------------------------------------
section 2: (x2)
e-------------------------------------------------------------->>
b-------------------------------------------------------------->>
g--------------------------2---------------2 3 2-----2--------->>
d--2 2 3 5 3 2 3-----3 3 5---5 3 5 2---5 5-------5 3---5 3 2 2->>
a----------------5--------------------------------------------->>
e-------------------------------------------------------------->>
section 2 continued:
e-------------------------------
b-------------------------------
g-------2 3 2-------------------
d--3 5--------5-3 5 3 2---23--- REPEAT section 2
a-----------------------5-----5-
e-------------------------------
section 3: (x2)
e--------------------------------------------------------------------------------------->>
b--------------------------------------------------------------------------------------->>
g-----------------------------------14--------------------14 15 14-------14------------->>
d--14 14 15 17 15 14 15----15 15 17----17 15 17 14--17 17----------17 15----17 15 14 14->>
a-----------------------17-------------------------------------------------------------->>
e--------------------------------------------------------------------------------------->>
section 3 continued:
e----------------------------------------
b----------------------------------------
g--------14 15 14------------------------
d--15 17----------17 15 17 15 14----15--- REPEAT section 3
a--------------------------------17----17
e----------------------------------------

THEN REPEAT SECTION 1 x2 end with power D chords on the down beat

then...

G C F Bb
Baby look inside, little lai ya cannot hide
D C G Em REPEAT INTRO x2
for a couple-a-days we'll take it all in stride

C F Bb G
little lai was on a path of self destruction
all the fun he'd had was just a game
he didn't know where he was and he didn't know where he was goin'
as us all little lai, he was born on the train

D G C F F#
Bert wouldn't tell me anything
Even when i asked him everythang F F#

G C F Bb
Baby look inside, little lai ya cannot hide
D C G Em REPEAT several times/end on G
for a couple-a-days we'll take it all in stride ","lai",100,"
Originally titled "Bert"
",173,"2025-06-27T00:00:00.000Z","1999-04-21T00:00:00.000Z",{"_100":692,"_102":307,"_104":693,"_106":107,"_108":115,"_110":124,"_112":58,"_114":122,"_116":122,"_118":124,"_119":307,"_121":42,"_125":113,"_127":113,"_128":126,"_129":111,"_131":126,"_132":58,"_133":111,"_135":126,"_136":58,"_137":126,"_138":111,"_139":126},36,22,{"_695":696,"_700":701,"_164":704,"_705":706,"_228":709,"_711":712,"_715":716,"_719":720,"_723":724,"_390":727},"36",{"_25":697,"_145":698,"_147":699},"2000-10-10","1999-12-30",285,"142",{"_25":244,"_145":702,"_147":703},"2010-09-02",512,{"_25":458,"_145":244,"_147":448},"154",{"_25":707,"_145":395,"_147":708},"2015-12-31",250,{"_25":710,"_145":707,"_147":703},"2017-05-26","158",{"_25":713,"_145":580,"_147":714},"2018-11-03",307,"160",{"_25":717,"_145":718,"_147":237},"2019-10-05","2019-02-01","161",{"_25":721,"_145":717,"_147":722},"2021-02-05",489,"164",{"_25":725,"_145":405,"_147":726},"2022-11-13",352,{"_25":728,"_145":729,"_147":730},"2024-07-14","2023-07-13",367,2005,"http://sickbarberlicks.weebly.com/little-lai.html",[],{"_21":286,"_52":22,"_53":735,"_55":204,"_57":126,"_59":28,"_31":736,"_33":737,"_35":36,"_23":738,"_63":-5,"_64":84,"_66":208,"_67":280,"_39":36,"_41":36,"_47":-5,"_69":739,"_199":794},"355043fc-f808-443b-b8b8-d20a473c1799","2020-02-22T16:29:42.650Z","2023-04-06T02:52:13.662Z","1999-10-07-jigsaw-earth",{"_21":735,"_71":740,"_23":741,"_31":74,"_33":742,"_76":743,"_78":744,"_27":28,"_80":745,"_29":746,"_83":84,"_85":86,"_87":88,"_89":-5,"_90":-5,"_92":747,"_94":748,"_96":749,"_98":750,"_140":752,"_193":791,"_195":792,"_197":793,"_47":740},"Jigsaw Earth","jigsaw-earth","2025-08-26T02:09:48.688Z","Once the patient breathes
You slide into the world
The womb you have to leave
To be a boy or girl

When the man steals your nature with his watch
All in time a bit of peace, in time the chaos stops
Yellin' but you just can't find the words
Gaia, still loves all the pieces, of her jigsaw earth

Gaia...

Jacob left in the dark of night, hopped into his car
Finding street-wise Sandibel , and a volunteer chauffeur
Didn't see no reason to take a third
Gaia still loves all the trees, home to all the birds

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

Jacob sat on empty, Sandibel got tied up
The volunteer put on her clothes and pilfered her make-up
Guaranteed to be back for them soon
Gaia makes and takes the rain how ever opportune

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.

I gathered myself, and rubbed my eyes, and wondered, did she know?
That I put glass and concrete beams as tall as trees can grow.
That I tear down the oldest statues, faces who've grown long
She may have known, may not have cared, continued with her song...

Gaia's jigsaw earth is free.
Early in the morning, rise and shine, and the world is callin'.
Gaia's actuality.
Sky, the ground, and a place to roam,
Circus in a bubble, a place called home.","tabbed by Rich Steele

intro/verse riff

E 9 8 6(h)7 6 6
B 9 9 7 7(h)9 9
G 10 10
D
A
E

then the quick little riff after the lick above is played 8 times.

E 14
B 12
G 11
D 13
A
E

then...

E 14 12 11 12 10 9 10 8 7 7
B 12 12 14 10 10 8 8 10 7 7
G 11 13 9 7 9
D 13 15 11 9
A
E

E 7 10 7 7 11
B 8 8 10 7 9
G 9 8
D 9
A
E

then it's the upward dubby strum on Abm

E 4
B 4
G 4
D 6
A 6
E 4

then...

Ebm Db Abm
E 6 4
B 7 6 4
G 8 6 4
D 8 6 6
A 6 4 6
E 4

quick in between riff

E
B
G 8 10 11 10 6 8
D
A
E

chorus - Ebm > C# > B > Ebm

the \\\"chase\\\" section

E
B 11
G 11 10 11 10 13 11 13 11
D 11 11 11 (play this twice)
A
E

E 11 13 11 11
B 11 11 13 10 11 12 13 11 11
G 11 10 11 10 10 11 12 13 11
D 11 11 11
A
E

E
B 9 10 7 9
G 9
D 7 6 7 6 9 7 6 7 6 (twice) 7 6 7 6 9 10
A 7 7 7 7 10
E

(still not 100% sure on the rest of that lick. will work on it and get it up along with the rest of the song very 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