[{"_1":2,"_938":-5,"_939":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_933":934,"_935":936,"_937":-5},"setlist",{"_19":20,"_854":879,"_882":883,"_193":929},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":38,"_39":40,"_41":42,"_43":44,"_45":36,"_46":36,"_47":-5,"_48":49,"_854":855,"_876":856,"_877":878},"id","6353842e-91dc-4bbf-94b1-fb0a239d2161","slug","1999-03-20-rathskeller-student-union-university-of-wisconsin-madison-wi","date","1999-03-20","notes","","legacyId",361,"createdAt",["D",1582388392200],"updatedAt",["D",1755874645066],"likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/1999/03/20","averageRating",4.5,"ratingsCount",3,"showPhotosCount",1,"showYoutubesCount","reviewsCount","searchText","tracks",[50,195,279,358,426,494,560,624,647,677,736,794],{"_21":51,"_52":22,"_53":54,"_55":56,"_57":44,"_58":-5,"_31":59,"_33":60,"_35":36,"_23":61,"_62":-5,"_63":64,"_65":-5,"_66":-5,"_39":36,"_41":36,"_47":-5,"_67":68,"_193":194},"49b237c2-619b-45a1-a548-9b67b8b34233","showId","songId","1d813e1f-f852-48c6-9f91-043541454f86","set","E1","position","segue",["D",1582388928610],["D",1582388928610],"1999-03-20-little-shimmy-in-a-conga-line","note","allTimer",false,"previousTrackId","nextTrackId","song",{"_21":54,"_69":70,"_23":71,"_31":72,"_33":73,"_74":75,"_76":77,"_27":28,"_78":79,"_29":80,"_81":64,"_82":83,"_84":85,"_86":-5,"_87":88,"_89":90,"_91":92,"_93":94,"_95":96,"_136":137,"_187":188,"_189":190,"_191":192,"_47":70},"title","Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line",["D",1582386623147],["D",1756174191371],"lyrics","

Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","tabs","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","legacyAbbr","shimmy",165,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","featuredLyric","And you wonder why I sleep through my alarm","timesPlayed",289,"dateLastPlayed",["D",1755993600000],"dateFirstPlayed",["D",888451200000],"yearlyPlayData",{"_97":98,"_99":100,"_101":102,"_103":104,"_105":106,"_107":108,"_109":110,"_111":42,"_112":108,"_113":110,"_114":115,"_116":108,"_117":108,"_118":42,"_119":115,"_120":110,"_121":122,"_123":42,"_124":110,"_125":42,"_126":115,"_127":110,"_128":44,"_129":122,"_130":131,"_132":133,"_134":131,"_135":102},"1998",62,"1999",41,"2000",9,"2001",23,"2002",21,"2003",10,"2004",5,"2005","2006","2007","2008",4,"2009","2010","2011","2012","2013","2014",7,"2015","2016","2017","2018","2019","2020","2021","2022",6,"2023",8,"2024","2025","longestGapsData",{"_138":139,"_145":146,"_150":151,"_155":156,"_159":160,"_163":164,"_168":169,"_173":174,"_178":179,"_183":184},"172",{"_25":140,"_141":142,"_143":144},"2005-09-13","previous","2005-03-26","delta_days",171,"192",{"_25":147,"_141":148,"_143":149},"2008-12-27","2008-04-19",252,"214",{"_25":152,"_141":153,"_143":154},"2011-07-09","2011-01-14",176,"215",{"_25":157,"_141":152,"_143":158},"2011-12-31",175,"216",{"_25":161,"_141":157,"_143":162},"2012-10-05",279,"234",{"_25":165,"_141":166,"_143":167},"2015-10-29","2015-04-25",187,"245",{"_25":170,"_141":171,"_143":172},"2018-11-01","2018-04-19",196,"248",{"_25":175,"_141":176,"_143":177},"2019-07-19","2019-02-02",167,"252",{"_25":180,"_141":181,"_143":182},"2020-10-25","2019-12-30",300,"253",{"_25":185,"_141":180,"_143":186},"2021-04-20",177,"mostCommonYear",1998,"leastCommonYear",2020,"guitarTabsUrl","http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html","annotations",[],{"_21":196,"_52":22,"_53":197,"_55":198,"_57":199,"_58":200,"_31":201,"_33":202,"_35":36,"_23":203,"_62":-5,"_63":64,"_65":204,"_66":205,"_39":36,"_41":36,"_47":-5,"_67":206,"_193":278},"62e67b8d-84d4-449c-b8a9-56f0288a6558","1b2cdf23-a0c7-4663-8890-d804000441ea","S1",2,">",["D",1582388928170],["D",1582388928170],"1999-03-20-bernstein-and-chasnoff","ad7b4743-9992-4b07-be80-a5b7875086fd","f55a65b8-4244-4f16-a7cd-c9bdb565ba62",{"_21":197,"_69":207,"_23":208,"_31":209,"_33":210,"_74":211,"_76":212,"_27":28,"_78":213,"_29":214,"_81":64,"_82":215,"_84":216,"_86":217,"_87":218,"_89":219,"_91":220,"_93":221,"_95":222,"_136":229,"_187":275,"_189":276,"_191":277,"_47":207},"Bernstein and Chasnoff","bernstein-and-chasnoff",["D",1582386622697],["D",1756174176096],"

Oh Bernstein and Chasnoff,
Where do you get off,
Thinking you're only two of twenty.

Oh Andy and Larry,
You're so damn hairy,
Why don't you go and take a bath?

(Because..)
You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

Klopstein and Cabot,
We just won't have it,
We know exactly who you are.

Tariq and Shep Williams,
The pages they will fill 'em
Well, phony names will only go so far.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

","transcribed by Rich Steele

(main riff)

C > A > D > G

(chords over the chorus)

C > Bb > G > C > F
C > Bb > G > C > Bb > F > G

(ending riff)

E 15 12 12 12(h)13 12 12 17 17 14 14 14(h)15 14 14
B 13 13 15 15
G 12 14
D
A
E","bandc",14,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Larry Chasnoff, Marc, and a mutual friend of ours, Keith Koslov, all spent their summers growing up together in upstate NY at a place called Schroon Lake. \r

I went to high school with Keith and knew Marc as his annoying prep school friend, way too soft for us public school Brooklyn thugs. Then a bunch of us went to see Phish in Sugarbush in 95, and Marc started telling about this band he was in, and I started telling him about this idea I had for a book. \r

Walking around the lots a kid from Penn recognized Marc from his band and got all excited. I thought to myself, "hmmm, if the book thing doesn't work out, maybe I can ride Brownstein's coattails a little." \r

A few months later, as the Biscuits toiled in relative obscurity, we came out with the first Pharmer's Almanac. Only about 6 people worked on it, but we wanted to make it look more like a community project, so we put a lot of fake names in the staff box. It was a mix of names of people from Schoon Lake (Nick Weiss) and completely absurd names like Harvey Klopstein, Tariq Ali and Shep Williams. \r

When Marc and Keith saw the book a few months later, they thought the fake names were hysterical. While I wasn't there, I assume they spent the next few hours making fun of Chasnoff and I on every possible level. And at some point Keith pulled out a guitar. The rest was history. \r

So that's where the song came from. ("Klopstein and Cabot/ we just won't have it/we know exactly who you are/Tariq and Shep Williams/ pages we'll fill'em/ but phony names will only go so far.) \r

I was all excited that I had a song with my name in it until people started coming up to me and asking "Hey, why did you get sued by Phish?" \r

I want to state, for the record, that we never were sued by Phish, never threatened to be sued by Phish, and never had any legal issues with Phish regarding the Almanac. Every interaction we've had with management has been positive. \r

We caught a lot of grief in the early years from about a dozen people on rec.music.Phish (I know, what a shocker, someone getting grief on an Internet discussion group) but we never got the same from management. \r

I'm not actually sure where the "You're getting sued/bummer dude" line came from, but I think it had to do with the fake names or maybe some of the flack we were getting on the Internet. \r

The Almanac ended up selling about 70,000 copies, but at some point I got tired of going to Phish shows and decided it was a lot more fun to see the Disco Biscuits. \r

~Andy Bernstein\r

Although its lyrics were never cerebral, Bernstein & Chasnoff connects the band to greater jamband lore. Musically the song is not much more complicated: There are two verses, each followed by a chorus, a bridge and chorus, a jam section, and a triumphant ending. At various points in its history, the ending has contained a bonus section (referred to as “Smell The Funk” only after it had been shelved).\r

For its first year, B&C did not contain any jamming of note (refer to 1/30/97 for some truly bizarre sound effects in the pre-Trancefusion era). Trancefusion era versions of 97 (of which 11/17 and 11/18 are extant) do little to suggest the song’s eventual heavy hitter potential. Beginning early in 1998, the song became a vehicle for some of the band’s most interesting early experimentations. 2/26/98 is of particular note, a 25-minute version that contains elements of what would make the song great. Even more significant is 3/21/98, the “Techno B&C,” and what is considered to be the first “Perfume version” of any song. The song remained strong, if slightly less noteworthy, for the remainder of 1998. Already its M.O. was becoming pretty clearly established—the song would regularly depart from blissful type one territory for spacey, sinister territory, and was the earliest example of this style of exploratory jamming.\r

One of the first jams of 1999 was a B&C jam, in the early morning hours of January 1. This B&C > Nughuffer was likely the greatest example of pure Trancefusion yet played at the time. The song stayed strong through 1999 (a high water mark for both the band and the song), with standout versions played on 4/24, 4/30, 5/5, and 9/11 of that year. In particular, the latter two are frequently cited as the strongest versions of the song.\r

The band took a hiatus from B&C during its author’s departure from the band, but it returned with a vengeance at Camp Bisco, split-up dyslexically over 8/25/00 and 8/26/00. Despite the fewer shows played in 2000, there is no shortage of strong B&Cs from the fall tour. Of these 10/27 is thoroughly unique, and a sleeper choice for best ever, while 12/28/00 is more reminiscent of the classic 1999 style B&C.\r

After 2000, B&C faded a bit into the background, although some standout versions do exist from this era. 4/24/01 received some attention for its inclusion in Steele’s Picks, 9/6/01 contains some fantastic fall 2001 jamming and one of the early Sound 1s, and 10/5/02 is remarkably strong (of course, as is everything from that show). 11/29/03 is a lesser-known but very interesting version, which may be the first to be jammed out of the bridge rather than the main jam section.\r

B&C was played just thrice in 04 and once in 05 before Allen joined the band. After a few versions in the winter and spring shows, it was absent for nearly the whole of 06, from 4/26 until 12/29. The 12/29 version is a much-loved mashup with Joy to the World, and features the return of the Smell the Funk section, shelved in January 1999 and busted out only once on 5/5/01. It would be played on every 07 version and then shelved again indefinitely.\r

2007 would be B&C’s second golden era, as nearly every version from that year is excellent and highly regarded. After the fairly standard Jam Cruise version, it was split three ways for the first time at the legendary Starland Ballroom run on 2/17, which featured numerous debuts, Allen first-timers, and bustouts. While it didn’t surface over the spring tour, the standalone version that opened Camp Bisco VI is probably the strongest standalone with Allen. In the fall tour, 10/16 is a particularly strong version (flying slightly under the radar due to a lack of available soundboard) and 11/1 contains the first jam into the beginning of the song with Allen, and since 4/4/02.\r

B&C was only played twice in 08, although 4/19/08’s monster inverted version (first inversion with Allen and first since 7/23/03) is a must-hear. After a single performance each in the winter tour and spring tour of 09, B&C was played six times in the four months from 10/3/09 to 1/28/10. Each of those 6 versions is inverted. In the post-wristgate era, B&C rarely produces a memorable jam, with two glaring exceptions: the stellar and spacey 2/3/17 B&C > Voices > B&C, and the monster dyslexic beginning that opened the second set of 10/19/20.\r

","You’re getting sued. Bummer Dude",240,["D",1750550400000],["D",836438400000],{"_223":102,"_224":225,"_97":226,"_99":227,"_101":133,"_103":228,"_105":228,"_107":131,"_109":42,"_111":44,"_112":115,"_113":133,"_114":199,"_116":122,"_117":131,"_118":199,"_119":42,"_120":199,"_121":110,"_123":44,"_124":42,"_125":42,"_126":42,"_127":199,"_128":44,"_129":199,"_130":44,"_132":131,"_134":199,"_135":42},"1996","1997",47,32,36,16,{"_230":231,"_235":236,"_240":241,"_245":246,"_247":248,"_150":252,"_256":257,"_261":262,"_265":266,"_270":271},"124",{"_25":232,"_141":233,"_143":234},"2000-08-25","1999-10-29",301,"174",{"_25":237,"_141":238,"_143":239},"2006-02-25","2005-03-24",338,"177",{"_25":242,"_141":243,"_143":244},"2006-12-29","2006-04-26",247,"187",{"_25":147,"_141":148,"_143":149},"203",{"_25":249,"_141":250,"_143":251},"2012-07-14","2011-04-15",456,{"_25":253,"_141":254,"_143":255},"2016-03-26","2015-02-21",399,"224",{"_25":258,"_141":259,"_143":260},"2019-11-14","2019-01-31",287,"225",{"_25":263,"_141":258,"_143":264},"2020-10-19",340,"228",{"_25":267,"_141":268,"_143":269},"2022-11-11","2021-10-28",379,"237",{"_25":272,"_141":273,"_143":274},"2025-01-25","2024-02-09",351,1997,2005,"http://sickbarberlicks.weebly.com/bernstein-and-chasnoff.html",[],{"_21":205,"_52":22,"_53":280,"_55":198,"_57":42,"_58":200,"_31":281,"_33":282,"_35":36,"_23":283,"_62":-5,"_63":64,"_65":196,"_66":284,"_39":36,"_41":36,"_47":-5,"_67":285,"_193":357},"ae28b23e-e42b-4d61-9948-0f53e0c981b2",["D",1582388928229],["D",1582388928229],"1999-03-20-i-man","954cf8ee-2657-4a81-a01c-95504bbe4438",{"_21":280,"_69":286,"_23":287,"_31":288,"_33":289,"_74":290,"_76":291,"_27":28,"_78":292,"_29":293,"_81":64,"_82":83,"_84":85,"_86":294,"_87":295,"_89":296,"_91":297,"_93":298,"_95":299,"_136":307,"_187":188,"_189":190,"_191":356,"_47":286},"I-Man","i-man",["D",1582386623009],["D",1756174187369],"

Well I'm lost without I-Man
Without my gun in my hand
My ladybug don't understand how I've tried

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
All love aside, I'm denied a second time

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

Now I'm only doing what I can
When everyday I kiss her hand
My ladybug sent her new man to his demise

Now it's aglow inside her eyes
Like a summer sunset on the tides
My ladybug, believes inside, she's got her man

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

","Transcribed by Rob Gibbs
Middle section transcribed by Evan Leon

These are chords that differ from basic major/minor formations that
everyone knows

D/F# A(II) B7 Bm7
e--------2--------------0---------------------2-----
b--------3--------------5---------------------3-----
g--------2--------------6-----------2---------2-----
d--------0--------------7-----------1---------4-----
a--------0--------------0-----------2---------2-----
E--------2------------------------------------2-----

Listen to CD for strum patterns and timing - too lengthy to try and
transcribe everything

Intro: E G D/F#

E G D/F#
Well I'm lost without I-----Man
E G D/F#
Without my gun in my hand
E C A D E G D/F#
My lady bug don't understand how I've tried

(Chords are same for all verses as above)

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
On the other side, undenied a second time

Chorus: A A(II) D G
A A(II) D G A A(II)
Old brick walls, I'm breakin through
D G A A(II)
I got my gun in my hand
D G A A(II)
I-Man's out and on the loose
D G A A(II)
Now that it's time to take my stand

Bm7 A B7 E (this E is actually the first chord
in the verse progression)

E G D/F#
I'm only doing what I can
And everyday I kiss her hand
My ladybug sent her new man to his demise

That winter glow inside her eyes
Like a summer sunset on the tide
My ladybug, when he's inside, she's got her man

Old brick walls, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

MIDDLE SECTION

(7/9 means slide from fret 7 to 9, 12p10 means pull-off 12 to 10,
10h12 means hammer-on 10 to 12)

e 5 5 9 9 7 7 5 5 5
b 5 5 5 5 8 8
g 6 6 6 6 6 6 6 6 6 6
d 7 7 7 7 7 7 7 7 7 7
a(0) (0) (0) (0)

e 5 5 5 5 5 5 3 3 1 7 5 3 1 5 5 7/9
b 8 5 5 5 5 5 3 3 1 3 3 3 1 5
g 6 6 6 6 6 4 4 2 4 4 4 2 6 6
d 7 7 7 7 7 7 7 5 5 3 5 5 5 3 7 7

Repeat that whole section once, then:

*
e 9h10h12 12 12p10p9 10 10p9p7 8 8p7p5 9 9 9
b 12 10 5
g
d

Then repeat that line up to the *, and add at the end:

e
b 5
g 6 6 6
d 7 7 7

Repeat this entire section, then this goes right into the jam.","iman",86,"

","Over it goes, I'm breakin through\nI got my gun in my hand\nI-Man's out and on the loose\nNow that it's time to take my stand",372,["D",1751414400000],["D",861408000000],{"_224":300,"_97":301,"_99":302,"_101":303,"_103":304,"_105":228,"_107":122,"_109":42,"_111":115,"_112":228,"_113":305,"_114":108,"_116":104,"_117":306,"_118":122,"_119":122,"_120":115,"_121":131,"_123":115,"_124":115,"_125":122,"_126":110,"_127":131,"_128":44,"_129":133,"_130":122,"_132":306,"_134":108,"_135":110},48,56,39,12,20,11,13,{"_308":309,"_313":314,"_318":319,"_323":324,"_328":329,"_333":334,"_338":339,"_343":344,"_347":348,"_352":353},"200",{"_25":310,"_141":311,"_143":312},"2004-11-27","2004-05-07",204,"204",{"_25":315,"_141":316,"_143":317},"2005-12-31","2005-08-27",126,"240",{"_25":320,"_141":321,"_143":322},"2008-12-12","2008-07-19",146,"280",{"_25":325,"_141":326,"_143":327},"2011-07-02","2011-01-22",161,"284",{"_25":330,"_141":331,"_143":332},"2011-12-30","2011-08-27",125,"286",{"_25":335,"_141":336,"_143":337},"2012-07-05","2012-01-27",160,"293",{"_25":340,"_141":341,"_143":342},"2013-07-11","2013-01-26",166,"294",{"_25":345,"_141":340,"_143":346},"2013-12-16",158,"319",{"_25":349,"_141":350,"_143":351},"2018-09-21","2018-04-21",153,"328",{"_25":354,"_141":181,"_143":355},"2020-10-23",298,"https://sick-barber-licks.weebly.com/i-man.html",[],{"_21":359,"_52":22,"_53":360,"_55":361,"_57":44,"_58":200,"_31":362,"_33":363,"_35":36,"_23":364,"_62":-5,"_63":64,"_65":-5,"_66":365,"_39":36,"_41":36,"_47":-5,"_67":366,"_193":425},"a81df49b-ef3b-4069-b660-d99ab6250de6","a345a821-dd64-4665-9026-894abc360139","S2",["D",1582388928406],["D",1582388928406],"1999-03-20-morph-dusseldorf","0369ab50-6e69-46af-8083-80b364f0d8d0",{"_21":360,"_69":367,"_23":368,"_31":369,"_33":370,"_74":371,"_76":28,"_27":28,"_78":372,"_29":373,"_81":64,"_82":215,"_84":216,"_86":-5,"_87":374,"_89":375,"_91":376,"_93":377,"_95":378,"_136":383,"_187":188,"_189":276,"_191":424,"_47":367},"Morph Dusseldorf","morph-dusseldorf",["D",1582386623009],["D",1756174193850],"

Morph is who a boy you see, he's changing as we speak
from adavan to aleman in twenty-forms a week
A rock at three to feel still the wind at four to fly
POSTED BY BROWNSTEIN:
At TEN (tomorrow) we'll huff a mighty greer, cause troopers comin by.
ON UNCIVILIZED AREA:
At six he'll be in Texas, when Trooper's comin' by

All social situations, he handles like a dream
a chameleon in space and form, in color too it seems.
The ability to NOT BE SEEN, though you SEE him everywhere
POSTED BY BROWNSTEIN:
And Morph has said tomorrow, that you'll see him over there.
ON UNCIVILIZED AREA:
Morph in here tomorrow, and he'll be right over there.

Morph, Morph from dusseldorf, Changing all the time.
And if you stay the same one day, that night will be sublime
Morph, Morph from dusseldorf, no need to drink that wine,
Cause if you wish to break the date with your savvy concubine.

","morph",123,"Morph, Morph from dusseldorf, Changing all the time\nAnd if you stay the same one day, that night will be sublime",364,["D",1755993600000],["D",842486400000],{"_223":110,"_224":379,"_97":98,"_99":380,"_101":133,"_103":228,"_105":381,"_107":102,"_109":115,"_111":42,"_112":305,"_113":305,"_114":305,"_116":382,"_117":110,"_118":110,"_119":115,"_120":42,"_121":110,"_123":115,"_124":131,"_125":122,"_126":131,"_127":42,"_128":42,"_129":131,"_130":131,"_132":102,"_134":122,"_135":110},60,44,19,17,{"_384":385,"_261":388,"_392":393,"_397":398,"_333":402,"_405":406,"_338":409,"_411":412,"_415":416,"_419":420},"171",{"_25":232,"_141":386,"_143":387},"1999-12-31",238,{"_25":389,"_141":390,"_143":391},"2004-11-26","2004-05-08",202,"229",{"_25":394,"_141":395,"_143":396},"2005-12-29","2005-05-27",216,"262",{"_25":399,"_141":400,"_143":401},"2008-12-30","2008-07-26",157,{"_25":325,"_141":403,"_143":404},"2011-01-13",170,"292",{"_25":335,"_141":407,"_143":408},"2012-01-28",159,{"_25":410,"_141":335,"_143":158},"2012-12-27","298",{"_25":413,"_141":414,"_143":327},"2014-07-31","2014-02-20","326",{"_25":417,"_141":418,"_143":158},"2019-11-15","2019-05-24","329",{"_25":421,"_141":422,"_143":423},"2020-10-18","2020-01-02",290,"https://sick-barber-licks.weebly.com/morph-dusseldorf.html",[],{"_21":365,"_52":22,"_53":427,"_55":361,"_57":199,"_58":200,"_31":428,"_33":429,"_35":36,"_23":430,"_62":-5,"_63":64,"_65":359,"_66":431,"_39":36,"_41":36,"_47":-5,"_67":432,"_193":493},"2923ea2d-00c9-4867-b60a-efbb1d8adfa1",["D",1582388928442],["D",1582388928442],"1999-03-20-vassillios","db999c16-0eeb-4f2a-aac7-91d648608622",{"_21":427,"_69":433,"_23":434,"_31":435,"_33":436,"_74":437,"_76":438,"_27":28,"_78":439,"_29":440,"_81":64,"_82":83,"_84":85,"_86":-5,"_87":441,"_89":442,"_91":443,"_93":444,"_95":445,"_136":450,"_187":188,"_189":491,"_191":492,"_47":433},"Vassillios","vassillios",["D",1582386623818],["D",1756174211167],"

Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe

","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"Straight from the gutter",244,["D",1748995200000],["D",850521600000],{"_223":199,"_224":446,"_97":447,"_99":448,"_101":102,"_103":449,"_105":382,"_107":133,"_109":199,"_111":199,"_112":131,"_113":199,"_114":115,"_116":305,"_117":110,"_118":131,"_119":44,"_120":199,"_121":44,"_123":44,"_124":44,"_125":199,"_126":44,"_127":42,"_128":44,"_129":44,"_130":199,"_132":42,"_134":115,"_135":42},40,53,33,18,{"_451":452,"_456":457,"_459":460,"_464":465,"_256":468,"_261":472,"_474":475,"_478":479,"_483":484,"_270":487},"182",{"_25":453,"_141":454,"_143":455},"2005-03-25","2004-05-09",320,"218",{"_25":410,"_141":157,"_143":458},362,"220",{"_25":461,"_141":462,"_143":463},"2013-12-27","2013-01-27",334,"222",{"_25":466,"_141":414,"_143":467},"2015-07-18",513,{"_25":469,"_141":470,"_143":471},"2017-02-02","2016-02-05",363,{"_25":473,"_141":469,"_143":260},"2017-11-16","226",{"_25":476,"_141":473,"_143":477},"2018-12-12",391,"231",{"_25":480,"_141":481,"_143":482},"2021-04-02","2020-01-04",454,"232",{"_25":485,"_141":480,"_143":486},"2022-04-02",365,{"_25":488,"_141":489,"_143":490},"2024-07-05","2023-09-24",285,2012,"http://sickbarberlicks.weebly.com/vassillios.html",[],{"_21":431,"_52":22,"_53":495,"_55":361,"_57":42,"_58":-5,"_31":496,"_33":497,"_35":36,"_23":498,"_62":-5,"_63":64,"_65":365,"_66":499,"_39":36,"_41":36,"_47":-5,"_67":500,"_193":559},"e8df46b0-e528-4f95-843e-b5d18f94d63f",["D",1582388928481],["D",1582388928481],"1999-03-20-hot-air-balloon","dd178266-d444-4512-abcf-e0761c3969fb",{"_21":495,"_69":501,"_23":502,"_31":503,"_33":504,"_74":505,"_76":506,"_27":28,"_78":507,"_29":508,"_81":64,"_82":83,"_84":85,"_86":-5,"_87":-5,"_89":509,"_91":510,"_93":511,"_95":512,"_136":513,"_187":557,"_189":188,"_191":558,"_47":501},"Hot Air Balloon","hot-air-balloon",["D",1582386622856],["D",1756174186688],"In the light of the moon, too soon
In a hot air balloon, he crossed the sea
Once an airship tycoon, turned buffoon
Leaving his home marooned, attempted to flee
The life he's begun.

In the blink of an eye, he spies
The shore where he's fantasized, his baby to be
Turns his gaze to the skies, he cries
Just give me one more try, to chase down my dream
Before I am done.

Unsure from the day, she prays
Hoping their getaway, will still come to be
Watching stars ricochet, she strays
Beyond the alleyway, where no one can see
Not anyone.

In the blink of an eye, she spies
The spot in the foggy skies, she's been longing to see
Camoflaged by the tides, she hides
Where the water and wind collide, she's soon to be free
From what she's begun.

In a hot air balloon
Corrinado flies over the sea
for Leora today
And in one day
He went from his cell to the sky
At his last chance to fly","transcribed by Rich Steele

intro riff:
(each section repeats 8 times, before going back to the first)

E
B 7(h)8(p)7
G 9(p)7 6 6 6(h)7(p)6
D 9(p)7 7 7 7 7 7 7 7 7 7
A 9 9 9
E

E
B 9(h)10(p)9
G 11(p)9 8 8 8(h)9(p)8
D 11(p)9 9 9 9 9 9 9 9 9 9
A 11 11 11
E

E
B 11(h)12(p)11
G 13(p)11 10 10 10(h)11(p)10
D 13(p)11 11 11 11 11
A 13
E

E
B
G
D 11 11 11 11 11
A 13 13
E

(still working on the verses)

Chords for the ending chorus

A C# F# D A G E
E 5 2 5 3 0
B 5 6 2 7 5 3 0
G 6 6 3 7 6 4 1
D 7 6 4 7 7 5 2
A 7 4 4 5 7 5 2
E 5 2 5 3 0
In a hot air balloon corrinado flies over the sea for leora today

Bass tab:

transcribed by Bill (mrparker@OWLNET.RICE.EDU)

Once again, this tab is for bass, but the same melody is played on guitar
and piano. You can play it as written on guitar, but I'm sure it'd be the
wrong octave. If you really want to play it and can't find a good
position on the guitar, write me and I'll suggest somethin.

This is the theme to the ending instrumental thingee, _Flight of the Hot
Air Balloon,_ if you will.

(it starts with a vamp on

e----0-5-0-5-0-5-0-5-4-5-4-5-4-5-4-5, and so on. The notes in parentheses
are the between-lines vamp, those outside of parens are the melody itself)

g----------------------------------------------------------
d----------------------------------------------------------
a-----------------------------------4-4--------------------
e----(4-5-4-5-4-5-4-5)-4-5-7-7-4-0-7---(4-5-4-5-4-5-4-5)---

g----------------------------------------
d----------------------------------------
a----------------------------------------
e----4-5-7-7-4-0-7-5-5-------------------

(repeat whole thing)

g-----(2-2-2-2)--1-2-2-1-2-1-1--(1-1-1-1)----1----------
d----(4-4-4-4)--4-------2------(2-2-2-2)--2-4-4-2-0-2---
a-------------------------------------------------------
e-------------------------------------------------------

g-------------------------------------------------------
d----(0-2-0-2-0-2-0-2-0-2-0-2)--0-2-4-2-0-2--(2-2-2-2)--
a----------------------------------------4--(4-4-4-4)---
e-------------------------------------------------------

g-----------------------------------------------------------------
d-----2-0------------2-2-2-0------------2-2-2-0------------2-2----
a----4---4-2--2-4-2-4-------4-2--2-4-2-4-------4-2--2-4-2-4-------
e-----------------------------------------------------------------

g-----------------------------------------------------------------
d---------2-2-------2-2-------------------------------------------
a----4-2-4-----4-2-4-----4-2-4-2--2--2---2-0----------------0-----
e-------------------------------------------4-0--0--0--0-2-0------

(repeat whole thing, doubled with guitar)

and then it goes:

g----9-7-6------------------------------------
d---------9--9--9---7-6-----------------------
a----------------------9-7--7--7--5-4---------
e------------------------------------7-5------

Guitar Tab:

transcribed by Evan Leon

e
b 10-9h10-9h10-9h10-9h10-9h10-9.....

e 9 9
b 9h10 12-12p10p9 12
g 9 9

repeat the first part, end the second time with

e
b 9h10 12-12p10p9 12 10 10
g 9

now do all that one more time.

e
b 10 10 10 10 9 10 10p9 10 9 9
g 11 11 11 11 11 11
d

e
g 9 9 9 9 9
b 9 9 9 9 9 11 11p9 11 11 11 11
d 12 12 12 12

e
g
b 9 11p9 9 9 9 9
d 12p11 9 9 9

e
g
b 9 9 9 (repeat this part 3x)
d 12 11 9 11h12p11p9

e
g
b 9 9
d 12p11p9 12p11p9

e
g
b
d 12p11p9 (repeat 8x)

e
g
b
d 7

That's the basic section, then it repeats in A, which will be tabbed out
soon.","hab",71,173,["D",1752278400000],["D",915062400000],{"_97":44,"_99":302,"_101":108,"_103":306,"_105":449,"_107":108,"_109":115,"_111":115,"_112":110,"_113":108,"_114":199,"_116":303,"_117":42,"_118":44,"_119":42,"_120":110,"_121":199,"_123":199,"_124":44,"_125":199,"_126":110,"_127":44,"_128":44,"_129":115,"_130":199,"_132":110,"_134":131,"_135":199},{"_514":515,"_519":520,"_524":525,"_528":529,"_531":532,"_536":537,"_541":542,"_545":546,"_550":551,"_552":553},"116",{"_25":516,"_141":517,"_143":518},"2009-01-25","2008-05-24",246,"128",{"_25":521,"_141":522,"_143":523},"2010-05-29","2009-09-18",253,"131",{"_25":526,"_141":527,"_143":458},"2011-12-27","2010-12-30","132",{"_25":161,"_141":526,"_143":530},283,"140",{"_25":533,"_141":534,"_143":535},"2014-09-12","2013-12-31",255,"143",{"_25":538,"_141":539,"_143":540},"2015-12-31","2015-04-24",251,"144",{"_25":543,"_141":538,"_143":544},"2016-10-28",302,"152",{"_25":547,"_141":548,"_143":549},"2019-11-22","2018-12-31",326,"153",{"_25":180,"_141":547,"_143":239},"160",{"_25":554,"_141":555,"_143":556},"2023-01-21","2022-04-08",288,1999,"http://sickbarberlicks.weebly.com/hot-air-balloon.html",[],{"_21":499,"_52":22,"_53":561,"_55":361,"_57":115,"_58":-5,"_31":562,"_33":563,"_35":36,"_23":564,"_62":-5,"_63":64,"_65":431,"_66":565,"_39":36,"_41":36,"_47":-5,"_67":566,"_193":623},"393227db-46b0-42eb-a6e6-f5d91502e6b7",["D",1582388928526],["D",1582388928526],"1999-03-20-once-the-fiddler-paid","e5d1f139-c112-4de6-a659-215d73525578",{"_21":561,"_69":567,"_23":568,"_31":569,"_33":570,"_74":571,"_76":572,"_27":28,"_78":573,"_29":379,"_81":64,"_82":83,"_84":85,"_86":-5,"_87":-5,"_89":332,"_91":574,"_93":575,"_95":576,"_136":579,"_187":557,"_189":276,"_191":622,"_47":567},"Once The Fiddler Paid","once-the-fiddler-paid",["D",1582386622856],["D",1756174195773],"Summer Sunny day, once the wind blew warm
and the light circled round the sun I saw like a crown
you could feel it in the air, like a not so distant storm
and the silent pause in the wind it seemed
left a magical sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew cold
and the world had seen a better day all around
my life was ripped away, my business torn & sold
and I found myself in this cell I live
with a clamouring sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew thorns
and the world had seen a better day all around
you could feel it in the air, like a not so distant storm
and the days once lost but still recalled can be found

Once the fiddler paid, but once was not enough
was all who cornered his misfortune yelled
the fiddler took the blame, the crowd had called his bluff
when all was lost the verdict came to the silence of the crowd

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below","VERSION 1
Transcribed by Diechick@AOL.COM

Intro: E

Verse 1: E A7 (the rhythm and changes are easy to figure out)

1st Chorus: E B C#m E G# A B
E B C#m E G# A C#m

Verse 2: C#m C E G#
C#m C A B

2nd Chorus: E B C#m E G# A B X2
Bm

Chords under synth and guitar solo: D C#m Bm Bb } Repeated over and
over
D C E F# }

Outro Barber lick (approximate, probably inaccurate, and incomplete...help???
i'm doing this with an acoustic, so bear with me if it sounds like complete
crap on electric.)

Slide up to that first D note from way down on the neck.
There may be a pull off on that 14--11... the slide to the 2nd 14 is a very
short one.
e------------------------------------------------------------------
b----------------------15--------15---14p12------------------------
g------------14--11-------/14-------------------11~----------11----
d----/12------------------------------------------------------12---
a------------------------------------------------------------------
E------------------------------------------------------------------

Repeat that, but cut out the last two quick notes. Then (and this is
extremely shaky and incomplete)

e---17--17--17---15--13------------10---12---(uhhh)--??--12--??---12/14----
b--------------------------------------------------------------------------
g------------------------------------/11-----------------------------------
d--------------------------------------------------------------------------
a--------------------------------------------------------------------------
E--------------------------------------------------------------------------

=====================

VERSION 2
Transcribed by Slobber Scenario

Once the Fiddler Paid (from the 12/31/98 version)

Intro:

E

bass riff:
g----------------------------
d---------0-2----0-2---0-2---
a--------2------2-----2------
e----0-----------------------

repeat a lotta times....piano trills on G#/A.......

E A7
Summer sunny day, when the wind blew warm

E
And the light circled round the sun I saw like a crown

E A7
You could feel it in the air, like a not-so-distant storm

E
And the silent pause in the wind, it seemed, left a magical sound

E B C#m
But now she's gone and I vowed to miss her

E/G# E G#m A B
Days that we spent starry-eyed run deep within my soul

E B C#m
But now she's gone and I can't dismiss her

E/G# E G#m A C#m
Nor can I forget the man who sent me down below

C#m C
Summer sunny day, when the wind blew cold

E G#m
And the world had seen its better days all around

C#m C
My life was ripped away, my business torn and sold

A B
And I found myself in this cell I live with a clamoring sound

(second chorus same as first, except end on a B chord instead of C#m)

Bm

Keyboard/guitar solo:
D A Bm Bb D C E F#

(repeat until done)

End guitar solo lick (the chords change every two beats, if that helps):
D A Bm Bb D
e-------------------------------------------------17-17-17-15-14----
b---------15--15-14----14--------15--15-14--------------------------
g-------14--14-----14----14----14--14-----14------------------------
d----/12-------------15----15---------------15----------------------
a----------------------------14-------------------------------------

C E * F#
e-----------14-12----12-----12---------14----
b------12-15-----------15-12------15-12------
g----14--------------------------------------

(repeat times 4, and the last time, from the * on it's):
F#
e------12-14----
b----15---------

The F# chord holds, then

B

vamp on B for awhile pre-bass solo.

Bass solo:
B E7
g------------------------------------------------------------
d---------9-11-11s13---13-16-13--------12--14--12h14p12------
a----/9-11------------------------16-14----------------14----
E------------------------------------------------------------

A Bb0 B
g---------------------------------------------------------
d-----------9-9s11---11-14-11---------9---9-11-9-11s13----
a-------9-11--------------------9h11---11-----------------
E----/12--------------------------------------------------

E A7
g---------9-11-11s13---13-16-13--------12--14--12h14p12------
d----/9-11------------------------16-14----------------14----
a------------------------------------------------------------
Bbo B
g------------------12-14-12--15--12h15p12------------------12-14-16---
d-----------12-14-----------------------14----------12-14-------------
a----12h14-----------------------------------12h13--------------------

(t indicates a trill)

g----13------------
d------16-13t14----
a------------------

Second guitar solo:
E A7 E
(repeat until done)

End second guitar solo melody (the chorus vocal melody played on guitar) :
*
E B C#m E G#m A B
e----4-4-4---7-4----------4-----------4-4-4--4---------------
b------------------5-5h7---5-------5-7--------7b--7-5-5h7----
g-------------------4-------6---4-6------------------6-------
And gone vowed her days starry deep soul

repeat, and the second time from * play:
G#m A C#m
e----4-4--------------------
b----------7-5-8---8-7-5----
g-----------------------6---

C#m C
Summer sunny day, when the wind blew thorns

E G#m
And the world had seen its better days all around

C#m C
You could feel it in the air, like a not-so-distant storm

E E0
And the days once lost but still recalled can be found

C#m C
Once the fiddler paid, but once was not enough

E E0
Was all who cornered his misfortune yelled

C#m C
The fiddler took the blame, the crowd had called his bluff

A B
When all was lost the verdict came to the silence of the crowd

(third chorus same as second)

End:
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I admit it, I was guilty
But don't you believe it, that I was wrong

I never accepted my relocation
And I'm looking out past them four hours till dawn

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

The walls have deceived me
I imagined this all on my own
These spirits around me, clouds of dust looking for a new home

When they tap on my shoulder, tell me I got what I deserve
I throw my arms & destroy them
Cause on this day they will eat all their words

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

I can stop all the voices
and bang on the walls with my fists
But my only choice left
is the one I'd never dismiss

I hear the world through the echos
A song of life through the noise in the crowd
In this cell I've known plainly
That what I want is what is not allowed.

I've dreamed of this day since they locked away the key
A prisoner in chains will not make a madman of me
These voices insane are telling me tales from the stars
So I call on the reigns of forces drawn in from afar

","voices",200,"These voices insane are telling me tales from the stars\nSo I call on the reigns of forces drawn in from afar",214,["D",1755561600000],["D",908928000000],{"_97":102,"_99":695,"_101":305,"_103":382,"_105":228,"_107":305,"_109":131,"_111":199,"_112":108,"_113":133,"_114":115,"_116":228,"_117":131,"_118":110,"_119":42,"_120":44,"_121":42,"_123":199,"_124":199,"_125":110,"_126":110,"_127":42,"_128":44,"_129":110,"_130":44,"_132":122,"_134":131,"_135":115},45,{"_514":697,"_698":699,"_701":702,"_703":704,"_384":708,"_711":712,"_715":716,"_720":721,"_725":726,"_729":730},{"_25":140,"_141":238,"_143":509},"139",{"_25":700,"_141":321,"_143":689},"2009-02-04","166",{"_25":335,"_141":157,"_143":167},"170",{"_25":705,"_141":706,"_143":707},"2014-01-23","2013-04-25",273,{"_25":709,"_141":705,"_143":710},"2014-09-13",233,"173",{"_25":466,"_141":713,"_143":714},"2014-12-29",201,"176",{"_25":717,"_141":718,"_143":719},"2016-10-27","2016-04-21",189,"189",{"_25":722,"_141":723,"_143":724},"2019-12-12","2019-05-23",203,"190",{"_25":727,"_141":722,"_143":728},"2020-10-16",309,"196",{"_25":731,"_141":732,"_143":471},"2022-12-29","2021-12-31",2013,"http://sickbarberlicks.weebly.com/voices-insane.html",[],{"_21":651,"_52":22,"_53":737,"_55":198,"_57":110,"_58":-5,"_31":738,"_33":739,"_35":36,"_23":740,"_62":-5,"_63":64,"_65":284,"_66":-5,"_39":36,"_41":36,"_47":-5,"_67":741,"_193":793},"55d1a669-d60e-48de-80da-e6524976c0c9",["D",1582388928365],["D",1582388928365],"1999-03-20-little-betty-boop",{"_21":737,"_69":742,"_23":743,"_31":744,"_33":745,"_74":746,"_76":747,"_27":748,"_78":749,"_29":750,"_81":64,"_82":83,"_84":85,"_86":-5,"_87":751,"_89":710,"_91":752,"_93":753,"_95":754,"_136":757,"_187":188,"_189":276,"_191":792,"_47":742},"Little Betty Boop","little-betty-boop",["D",1582386622697],["D",1756174191042],"

Little betty boop's been thinking it over
Kicking it around the whole damn day
wants to view herself as a Casanova
Little betty boop has gone astray

The candlelight scene and still she's bored
cause her coochie can't stand her hand no more
and the rage the former lampshade queen
Finds her taste stuck in-between

Little betty boop's been thinking it over
Kicking it around the whole damn day
wants to view herself as a Casanova
Little betty boop has gone astray

She knew when she was little
Just what it signified
But now as she grows older
It seems to come alive
To stretch out all her wings
Why hold her self belittled
To close her eyes and dream
And drop her guard a little

Little betty boop's been thinking
Gone and straightened her messed up mind

Little betty boop's been thinking
She flipped herself to the other side

Little betty boop's been thinking
Gone and straightened her messed up mind

Little betty boop's been thinking
She flipped herself to the other side

Little betty boop's been thinking it over
Kicking it around the whole damn day
wants to view herself as a Casanova
Little betty boop has gone astray

","(intro and main riff)
E
B
G 11 10(p)8
D 10
A
E

(part that comes after
intro)???????????????
E
B
G 8 8
D 8 8 8 10 10 10 8 8 10 (then
A? 8 8(h)10 play
E main riff)

Little Betty boops been thinkin it over..
Cm D#
E 8
B 8 8
G 8 8
D 10 8
A 10 6
E 8
(play main riff in between lines)

Kickin it around the whole damn day..
Cm Bm
E 8 7
B 8 7
G 8 7
D 10 9
A 10 9
E 8 7","Was the first song to ever be inverted on 4/16/1999. ","boop",25,"Little betty boop's been thinking, \nGone and straightened her messed up mind\n",["D",1750809600000],["D",868060800000],{"_224":227,"_97":755,"_99":756,"_101":133,"_103":306,"_105":381,"_107":122,"_109":199,"_111":44,"_112":131,"_113":133,"_114":131,"_116":110,"_117":110,"_118":199,"_119":42,"_120":199,"_121":199,"_123":42,"_124":42,"_125":42,"_126":115,"_127":42,"_128":199,"_129":42,"_132":199,"_134":199,"_135":42},46,34,{"_758":759,"_701":763,"_245":765,"_769":770,"_771":772,"_313":774,"_464":778,"_474":780,"_265":784,"_788":789},"163",{"_25":760,"_141":761,"_143":762},"2004-05-28","2003-10-28",213,{"_25":764,"_141":395,"_143":707},"2006-02-24",{"_25":766,"_141":767,"_143":768},"2009-09-13","2009-01-29",227,"197",{"_25":157,"_141":153,"_143":274},"202",{"_25":773,"_141":706,"_143":244},"2013-12-28",{"_25":775,"_141":776,"_143":777},"2014-09-27","2014-01-25",245,{"_25":779,"_141":481,"_143":234},"2020-10-31",{"_25":781,"_141":782,"_143":783},"2023-02-02","2021-11-21",438,{"_25":785,"_141":786,"_143":787},"2024-04-04","2023-06-17",292,"230",{"_25":790,"_141":791,"_143":463},"2025-03-13","2024-04-13","http://sickbarberlicks.weebly.com/little-betty-boop.html",[],{"_21":565,"_52":22,"_53":795,"_55":361,"_57":110,"_58":200,"_31":796,"_33":797,"_35":36,"_23":798,"_62":-5,"_63":64,"_65":499,"_66":625,"_39":36,"_41":36,"_47":-5,"_67":799,"_193":853},"0b0de750-103b-4c7c-90ba-f07ed542f084",["D",1582388928558],["D",1582388928558],"1999-03-20-m-e-m-p-h-i-s",{"_21":795,"_69":800,"_23":801,"_31":802,"_33":803,"_74":804,"_76":805,"_27":28,"_78":806,"_29":807,"_81":64,"_82":215,"_84":216,"_86":-5,"_87":808,"_89":809,"_91":810,"_93":811,"_95":812,"_136":815,"_187":188,"_189":190,"_191":852,"_47":800},"M.E.M.P.H.I.S.","m-e-m-p-h-i-s",["D",1582386623009],["D",1756174192972],"

Well I just took a left on 57 South.
With a stogie in my hand and a lighter in my mouth.
There's a transient in the backseat and my dog is riding 'gun.
We're making easy money and we're always on the run.

When you're pimping ho's in style, there's just one place to be.
It's nestled in the corner of southwestern Tennessee.
My dog who knew the King he told me just the other day.
The only one from Memphis is the Presley's Adelay.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.

Adelay is in the backseat and the money's in the tank.
The cops are right behind us on a beeline from the bank.
With the pedal to the floor we pass the border and we're free.
And fading in the rearview is Memphis, Tennessee.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.\\r

","Transcribed by Rich Steele
~~Memphis

(intro/main riff)

E
B 3
G 1 1 1 0(h)1 1 1
D 2 2 2 2 2 2
A 2 2 2 2 2 2
E 0 0 0 0 0 0

The chords for the verses go like this:
( main riff )
Well I just took a left on 57 south.
(play riff below after the end of each line of the verse)

(D) (C#) (D,C#)
E-
B- 3 3 2 2 3 2
G- 2 2 1 1 2 1
D- 4 4 3 3 4 3
A-
E-

B A
Makin easy money pimpin ho's in style.

This is a easy song. figure out the rest. Its all the same chord
progressions. :)

Another riff later in the song:

E
B
G
D 2 5 2 2
A 2 5 5(h)7 7 2 2 5
E 0 5(h)7 5(h)7 0 0 5(h)7

E
B
G
D
A 5 (repeat)
E 5(h)7 7 3~

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March 20, 1999