[{"_1":2,"_547":-5,"_548":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_542":543,"_544":545,"_546":-5},"setlist",{"_19":20,"_492":517,"_520":521,"_199":541},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":38,"_39":40,"_41":42,"_43":36,"_44":36,"_45":36,"_46":-5,"_47":48,"_492":493,"_514":494,"_515":516},"id","9dfe39b9-d4dd-485b-a317-55d5caa420cd","slug","1998-05-08-deer-park-tavern-newark-de","date","1998-05-08","notes","","legacyId",218,"createdAt",["D",1582388392200],"updatedAt",["D",1755874645066],"likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/1998/05/08","averageRating",4,"ratingsCount",2,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[49,201,275,354,423],{"_21":50,"_51":22,"_52":53,"_54":55,"_56":57,"_58":59,"_31":60,"_33":61,"_35":36,"_23":62,"_63":-5,"_64":65,"_66":-5,"_67":68,"_39":36,"_41":36,"_46":-5,"_69":70,"_199":200},"42c37711-842d-4769-85f8-9e12158c1901","showId","songId","0b0de750-103b-4c7c-90ba-f07ed542f084","set","S1","position",1,"segue",">",["D",1582388840454],["D",1582388840454],"1998-05-08-m-e-m-p-h-i-s","note","allTimer",false,"previousTrackId","nextTrackId","8e231f03-dda6-4402-ace6-e4af290306b1","song",{"_21":53,"_71":72,"_23":73,"_31":74,"_33":75,"_76":77,"_78":79,"_27":28,"_80":81,"_29":82,"_83":65,"_84":85,"_86":87,"_88":-5,"_89":90,"_91":92,"_93":94,"_95":96,"_97":98,"_140":141,"_193":194,"_195":196,"_197":198,"_46":72},"title","M.E.M.P.H.I.S.","m-e-m-p-h-i-s",["D",1582386623009],["D",1756174192972],"lyrics","

Well I just took a left on 57 South.
With a stogie in my hand and a lighter in my mouth.
There's a transient in the backseat and my dog is riding 'gun.
We're making easy money and we're always on the run.

When you're pimping ho's in style, there's just one place to be.
It's nestled in the corner of southwestern Tennessee.
My dog who knew the King he told me just the other day.
The only one from Memphis is the Presley's Adelay.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.

Adelay is in the backseat and the money's in the tank.
The cops are right behind us on a beeline from the bank.
With the pedal to the floor we pass the border and we're free.
And fading in the rearview is Memphis, Tennessee.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.\\r

","tabs","Transcribed by Rich Steele
~~Memphis

(intro/main riff)

E
B 3
G 1 1 1 0(h)1 1 1
D 2 2 2 2 2 2
A 2 2 2 2 2 2
E 0 0 0 0 0 0

The chords for the verses go like this:
( main riff )
Well I just took a left on 57 south.
(play riff below after the end of each line of the verse)

(D) (C#) (D,C#)
E-
B- 3 3 2 2 3 2
G- 2 2 1 1 2 1
D- 4 4 3 3 4 3
A-
E-

B A
Makin easy money pimpin ho's in style.

This is a easy song. figure out the rest. Its all the same chord
progressions. :)

Another riff later in the song:

E
B
G
D 2 5 2 2
A 2 5 5(h)7 7 2 2 5
E 0 5(h)7 5(h)7 0 0 5(h)7

E
B
G
D
A 5 (repeat)
E 5(h)7 7 3~

\\r","legacyAbbr","memphis",118,"cover","authorId","e2397ce3-857e-425f-925e-1cb30de780d7","legacyAuthor","Marc Brownstein","history","featuredLyric","Making Easy Money Pimping Hoes In Style...","timesPlayed",313,"dateLastPlayed",["D",1751414400000],"dateFirstPlayed",["D",879984000000],"yearlyPlayData",{"_99":100,"_101":102,"_103":104,"_105":106,"_107":108,"_109":108,"_110":111,"_112":113,"_114":115,"_116":117,"_118":119,"_120":117,"_121":122,"_123":100,"_124":40,"_125":40,"_126":115,"_127":128,"_129":40,"_130":40,"_131":128,"_132":40,"_133":40,"_134":57,"_135":128,"_136":42,"_137":128,"_138":40,"_139":115},"1997",10,"1998",57,"1999",40,"2000",11,"2001",24,"2002","2003",13,"2004",6,"2005",3,"2006",14,"2007",9,"2008","2009",21,"2010","2011","2012","2013","2014",5,"2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_142":143,"_149":150,"_154":155,"_159":160,"_164":165,"_168":169,"_173":174,"_178":179,"_183":184,"_188":189},"107",{"_25":144,"_145":146,"_147":148},"2000-08-18","previous","1999-12-31","delta_days",231,"187",{"_25":151,"_145":152,"_147":153},"2005-12-31","2005-05-28",217,"260",{"_25":156,"_145":157,"_147":158},"2012-07-06","2011-12-28",191,"265",{"_25":161,"_145":162,"_147":163},"2013-07-13","2013-01-26",168,"266",{"_25":166,"_145":161,"_147":167},"2013-12-31",171,"268",{"_25":170,"_145":171,"_147":172},"2014-07-31","2014-01-24",188,"290",{"_25":175,"_145":176,"_147":177},"2019-07-20","2019-01-25",176,"293",{"_25":180,"_145":181,"_147":182},"2020-10-23","2019-12-30",298,"300",{"_25":185,"_145":186,"_147":187},"2022-08-14","2022-03-04",163,"306",{"_25":190,"_145":191,"_147":192},"2024-02-06","2023-07-20",201,"mostCommonYear",1998,"leastCommonYear",2020,"guitarTabsUrl","https://sick-barber-licks.weebly.com/memphis.html","annotations",[],{"_21":68,"_51":22,"_52":202,"_54":55,"_56":42,"_58":59,"_31":203,"_33":204,"_35":36,"_23":205,"_63":-5,"_64":65,"_66":50,"_67":206,"_39":36,"_41":36,"_46":-5,"_69":207,"_199":274},"226f80c9-441d-4360-b9c2-826bc88b9a51",["D",1582388840504],["D",1582388840504],"1998-05-08-shem-rah-boo","b2589663-fccc-4b01-8093-70cd10a71f92",{"_21":202,"_71":208,"_23":209,"_31":210,"_33":211,"_76":212,"_78":213,"_27":28,"_80":214,"_29":215,"_83":65,"_84":85,"_86":216,"_88":-5,"_89":217,"_91":218,"_93":219,"_95":220,"_97":221,"_140":227,"_193":194,"_195":272,"_197":273,"_46":208},"Shem-Rah Boo","shem-rah-boo",["D",1582386623147],["D",1756174202659],"

Shem-Rah Boo was on the run
But he didn't know how to get things done
But he always knew what he was longing to be
The star of his own biography

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your life?

In Hollywood, his mind was keen
When he married the very first girl he'd seen
But he dropped his mind, he stroked his wood
But klimpsch did do the best he could.

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

====================
Jon:
Klimpsch, you're the man of the hour,
Klimpsch, you're the man of the year,
Why don't you trust the woman that took you there?
Brownie:
The man of the hour,
The man of the year,
Why don't you trust the woman that took you there?
Magner:
The man of the hour
The man of the year
Why don't you trust the woman that took you there?
====================

Klimpsch, why you always talkin' 'bout your life?
Klimpsch, why did you emancipate your wife?
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why'd you have to cut it with the....
Klimpsch, why did you emancipate your...
Klimpsch, why you always talkin' 'bout your...
Klimpsch, why you always talkin' 'bout your life?

","(main riff)

E
B
G 12 12 12 12 12(sl)11(sl)12(sl)11(sl)12
D X X X X X
A 10 10 10 10 10(sl) 9(sl)10(sl) 9(sl)10
E

E
B
G 12 12 12(sl)11 16 16 16 16 16
D X X X X X X X X
A 10 10 10(sl)9 14 14 14 14 14
E
E

(the 'Man of the hour' part)
(thanks to Pete Caffrey for this part)

Am C G F E
E 5 3 1 0
B 5 5 3 1 0
G 5 5 4 2 1
D 7 5 5 3 2
A 7 3 5 3 2
E 5 3 1 0

(listen to a tape to hear the chord changes)","shemrah",164,"Brownstein, Gutwillig","Klimpsch, why you always talkin' 'bout your life?",312,["D",1750118400000],["D",853459200000],{"_99":222,"_101":222,"_103":223,"_105":224,"_107":225,"_109":226,"_110":100,"_112":113,"_114":128,"_116":119,"_118":106,"_120":106,"_121":117,"_123":119,"_124":115,"_125":42,"_126":40,"_127":115,"_129":42,"_130":40,"_131":128,"_132":40,"_133":40,"_134":42,"_135":128,"_136":42,"_137":40,"_138":113,"_139":40},56,36,8,15,12,{"_228":229,"_233":234,"_237":238,"_241":242,"_246":247,"_251":252,"_173":256,"_260":261,"_263":264,"_268":269},"148",{"_25":230,"_145":231,"_147":232},"2000-08-19","1999-12-30",233,"261",{"_25":156,"_145":235,"_147":236},"2011-12-27",192,"262",{"_25":239,"_145":156,"_147":240},"2012-12-18",165,"269",{"_25":243,"_145":244,"_147":245},"2014-12-26","2014-06-14",195,"271",{"_25":248,"_145":249,"_147":250},"2015-12-04","2015-02-20",287,"287",{"_25":253,"_145":254,"_147":255},"2019-11-17","2019-05-24",177,{"_25":257,"_145":258,"_147":259},"2020-10-19","2020-01-03",290,"291",{"_25":262,"_145":257,"_147":240},"2021-04-02","297",{"_25":265,"_145":266,"_147":267},"2022-09-30","2022-03-31",183,"298",{"_25":270,"_145":265,"_147":271},"2023-03-30",181,2012,"https://sick-barber-licks.weebly.com/shem-rah-boo.html",[],{"_21":206,"_51":22,"_52":276,"_54":55,"_56":115,"_58":-5,"_31":277,"_33":278,"_35":36,"_23":279,"_63":-5,"_64":65,"_66":68,"_67":280,"_39":36,"_41":36,"_46":-5,"_69":281,"_199":353},"3f5505cc-906e-47b4-9e19-6a43c7e82540",["D",1582388840556],["D",1582388840556],"1998-05-08-aceetobee","875b1ecf-231d-4e35-8ee1-8180f6b95354",{"_21":276,"_71":282,"_23":283,"_31":284,"_33":285,"_76":286,"_78":287,"_27":28,"_80":288,"_29":42,"_83":65,"_84":289,"_86":290,"_88":291,"_89":292,"_91":293,"_93":294,"_95":295,"_97":296,"_140":304,"_193":194,"_195":351,"_197":352,"_46":282},"Aceetobee","aceetobee",["D",1582386622697],["D",1756174173437],"

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,["D",1752019200000],["D",815875200000],{"_297":42,"_298":128,"_99":299,"_101":300,"_103":301,"_105":224,"_107":302,"_109":302,"_110":117,"_112":128,"_114":40,"_116":303,"_118":113,"_120":42,"_121":119,"_123":224,"_124":113,"_125":113,"_126":115,"_127":40,"_129":115,"_130":42,"_131":113,"_132":57,"_133":42,"_134":57,"_135":115,"_136":42,"_137":115,"_138":115,"_139":40},"1995","1996",54,55,30,17,7,{"_305":306,"_310":311,"_315":316,"_320":321,"_324":325,"_329":330,"_334":335,"_338":339,"_343":344,"_346":347},"2",{"_25":307,"_145":308,"_147":309},"1996-08-14","1995-12-02",256,"226",{"_25":312,"_145":313,"_147":314},"2009-02-14","2008-06-06",253,"257",{"_25":317,"_145":318,"_147":319},"2013-12-18","2013-04-27",235,"267",{"_25":322,"_145":323,"_147":250},"2017-04-29","2016-07-16","273",{"_25":326,"_145":327,"_147":328},"2018-12-09","2017-12-31",343,"275",{"_25":331,"_145":332,"_147":333},"2019-11-21","2019-01-26",299,"276",{"_25":336,"_145":331,"_147":337},"2020-10-18",332,"281",{"_25":340,"_145":341,"_147":342},"2022-12-29","2022-04-01",272,"282",{"_25":345,"_145":340,"_147":245},"2023-07-12","285",{"_25":348,"_145":349,"_147":350},"2024-09-07","2023-12-01",281,2018,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":280,"_51":22,"_52":355,"_54":55,"_56":40,"_58":-5,"_31":356,"_33":357,"_35":36,"_23":358,"_63":-5,"_64":65,"_66":206,"_67":359,"_39":36,"_41":36,"_46":-5,"_69":360,"_199":422},"f98418ae-748e-4459-8a5c-2b5fefa4c81d",["D",1582388840621],["D",1582388840621],"1998-05-08-nughuffer","fd9577a0-dde9-4895-818d-16e94c115830",{"_21":355,"_71":361,"_23":362,"_31":363,"_33":364,"_76":365,"_78":366,"_27":28,"_80":367,"_29":368,"_83":65,"_84":85,"_86":87,"_88":-5,"_89":369,"_91":370,"_93":371,"_95":372,"_97":373,"_140":376,"_193":419,"_195":420,"_197":421,"_46":361},"Nughuffer","nughuffer",["D",1582386623147],["D",1756174195411],"

I want to go...

Tango and Bossanova,
I take my nughuffer everywhere I go,
When I go around the city.

Tango and Bossanova,
Life is hard, you cannot sit inside your house
And wallow in self-pity.

Oh, no, it's broken!

Nughuffer,
Lying in three pieces on the floor.

Twenty-five nughuffers,
Sitting on my bathroom floor..

Here we go, here we go, here we go, Jon The Barber!

"," ~~Nughuffer

(intro)

Bb B

B 3 4 4

G 3 4 4

D 3 4 4

A 1 2 2

E G

E 0 0 3 3

B 0 0 3 3

G 1 1 4 4

D 2 2 5 5

A 2 2 5 5

E 0 0 0 1 2 3 3

(insert riff that I haven't figured out yet after this :)

the (I want to goooooo...) riff:

B Bb

E 7(h)8(p)7 6(h)7(p)6

B 7 7 6 6

G 8 8 8 7 7 7

D 9 8

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Well I'm lost without I-Man
Without my gun in my hand
My ladybug don't understand how I've tried

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
All love aside, I'm denied a second time

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

Now I'm only doing what I can
When everyday I kiss her hand
My ladybug sent her new man to his demise

Now it's aglow inside her eyes
Like a summer sunset on the tides
My ladybug, believes inside, she's got her man

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

","Transcribed by Rob Gibbs
Middle section transcribed by Evan Leon

These are chords that differ from basic major/minor formations that
everyone knows

D/F# A(II) B7 Bm7
e--------2--------------0---------------------2-----
b--------3--------------5---------------------3-----
g--------2--------------6-----------2---------2-----
d--------0--------------7-----------1---------4-----
a--------0--------------0-----------2---------2-----
E--------2------------------------------------2-----

Listen to CD for strum patterns and timing - too lengthy to try and
transcribe everything

Intro: E G D/F#

E G D/F#
Well I'm lost without I-----Man
E G D/F#
Without my gun in my hand
E C A D E G D/F#
My lady bug don't understand how I've tried

(Chords are same for all verses as above)

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
On the other side, undenied a second time

Chorus: A A(II) D G
A A(II) D G A A(II)
Old brick walls, I'm breakin through
D G A A(II)
I got my gun in my hand
D G A A(II)
I-Man's out and on the loose
D G A A(II)
Now that it's time to take my stand

Bm7 A B7 E (this E is actually the first chord
in the verse progression)

E G D/F#
I'm only doing what I can
And everyday I kiss her hand
My ladybug sent her new man to his demise

That winter glow inside her eyes
Like a summer sunset on the tide
My ladybug, when he's inside, she's got her man

Old brick walls, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

MIDDLE SECTION

(7/9 means slide from fret 7 to 9, 12p10 means pull-off 12 to 10,
10h12 means hammer-on 10 to 12)

e 5 5 9 9 7 7 5 5 5
b 5 5 5 5 8 8
g 6 6 6 6 6 6 6 6 6 6
d 7 7 7 7 7 7 7 7 7 7
a(0) (0) (0) (0)

e 5 5 5 5 5 5 3 3 1 7 5 3 1 5 5 7/9
b 8 5 5 5 5 5 3 3 1 3 3 3 1 5
g 6 6 6 6 6 4 4 2 4 4 4 2 6 6
d 7 7 7 7 7 7 7 5 5 3 5 5 5 3 7 7

Repeat that whole section once, then:

*
e 9h10h12 12 12p10p9 10 10p9p7 8 8p7p5 9 9 9
b 12 10 5
g
d

Then repeat that line up to the *, and add at the end:

e
b 5
g 6 6 6
d 7 7 7

Repeat this entire section, then this goes right into the jam.","iman",86,"

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May 08, 1998