March 21, 1998

Begins as a patient atmospheric jam, with mostly clavinet and flute synths from Magner. Sammy picks up the tempo and Magner begins to incorporate electronic synths. An excellent mid-tempo trance jam develops; it’s very exploratory and Magner makes use of a wide variety of effects. The jam builds to a Magner-dominated crescendo around the eighteen minute mark before breaking down and segues into a techno version of Bernstein & Chasnoff.

The band enters the jam section very smoothly. There’s a readily apparent continuity between this jam and the composed section of the Techno B&C (the first ever “Perfume” version of a song), especially with Barber’s riff. The jam gradually breaks down and rebuilds along a catchy Barber groove. Around the 14 minute mark the jam breaks down again and rebuilds into a traditional B&C ending.