[{"_1":2,"_1089":-5,"_1090":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_1084":1085,"_1086":1087,"_1088":-5},"setlist",{"_19":20,"_1006":1030,"_1033":1034,"_158":1080},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":38,"_39":40,"_41":42,"_43":36,"_44":36,"_45":36,"_46":-5,"_47":48,"_1006":1007,"_1027":1008,"_1028":1029},"id","519d108f-7d8e-41b6-b2a2-9cb3dea672cd","slug","1998-02-26-blue-terrapin-elizabethtown-pa","date","1998-02-26","notes","Soundcheck: Little Shimmy In A Conga Line > Rainbow Song, I-Man","legacyId",180,"createdAt",["D",1582388392200],"updatedAt",["D",1755874645066],"likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/1998/02/26","averageRating",4,"ratingsCount",1,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[49,160,253,345,412,486,545,618,684,747,816,881,945],{"_21":50,"_51":22,"_52":53,"_54":55,"_56":57,"_58":-5,"_31":59,"_33":60,"_35":36,"_23":61,"_62":-5,"_63":64,"_65":66,"_67":68,"_39":36,"_41":36,"_46":-5,"_69":70,"_158":159},"1ad8382b-0360-482c-9572-0d4a0d18f5f5","showId","songId","84dc2ec0-e394-4100-97a9-4fa8c5a3ed6a","set","S2","position",5,"segue",["D",1582388818739],["D",1582388818739],"1998-02-26-straight-no-chaser","note","allTimer",false,"previousTrackId","e4a2dd1e-399b-48ea-b52f-d80fd7b12a8d","nextTrackId","deb8ccd4-f351-4559-89b0-2f2c0b6b7d29","song",{"_21":53,"_71":72,"_23":73,"_31":74,"_33":75,"_76":77,"_78":77,"_27":77,"_79":80,"_29":81,"_82":83,"_84":85,"_86":87,"_88":-5,"_89":-5,"_90":91,"_92":93,"_94":95,"_96":97,"_106":107,"_153":154,"_155":156,"_157":-5,"_46":72},"title","Straight, No Chaser","straight-no-chaser",["D",1582386623147],["D",1756174205542],"lyrics","","tabs","legacyAbbr","snc",171,"cover",true,"authorId","5722f488-60d2-416d-a5e3-50910aa608ec","legacyAuthor","Thelonious Monk","history","featuredLyric","timesPlayed",19,"dateLastPlayed",["D",1015459200000],"dateFirstPlayed",["D",868924800000],"yearlyPlayData",{"_98":99,"_100":101,"_102":103,"_104":42,"_105":42},"1997",8,"1998",7,"1999",2,"2001","2002","longestGapsData",{"_108":109,"_115":116,"_119":120,"_123":124,"_127":128,"_132":133,"_137":138,"_141":142,"_145":146,"_149":150},"2",{"_25":110,"_111":112,"_113":114},"1997-09-10","previous","1997-07-26","delta_days",46,"3",{"_25":117,"_111":110,"_113":118},"1997-10-13",33,"8",{"_25":26,"_111":121,"_113":122},"1997-11-30",88,"9",{"_25":125,"_111":26,"_113":126},"1998-06-04",98,"12",{"_25":129,"_111":130,"_113":131},"1998-07-08","1998-06-12",26,"14",{"_25":134,"_111":135,"_113":136},"1998-10-22","1998-07-31",83,"15",{"_25":139,"_111":134,"_113":140},"1999-02-27",128,"16",{"_25":143,"_111":139,"_113":144},"1999-12-31",307,"17",{"_25":147,"_111":143,"_113":148},"2001-09-30",639,"18",{"_25":151,"_111":147,"_113":152},"2002-03-07",158,"mostCommonYear",1997,"leastCommonYear",2001,"guitarTabsUrl","annotations",[],{"_21":68,"_51":22,"_52":161,"_54":55,"_56":162,"_58":-5,"_31":163,"_33":164,"_35":36,"_23":165,"_62":-5,"_63":64,"_65":50,"_67":166,"_39":36,"_41":36,"_46":-5,"_69":167,"_158":252},"2d5b75b8-339a-4af1-b136-dc6857d0bc54",6,["D",1582388818776],["D",1582388818776],"1998-02-26-barfly","522eeb7c-a181-4fb3-886c-8ab2554ee2c7",{"_21":161,"_71":168,"_23":169,"_31":170,"_33":171,"_76":172,"_78":77,"_27":77,"_79":169,"_29":173,"_82":64,"_84":174,"_86":175,"_88":176,"_89":177,"_90":178,"_92":179,"_94":180,"_96":181,"_106":202,"_153":249,"_155":250,"_157":251,"_46":168},"Barfly","barfly",["D",1582386622697],["D",1756174175596],"

Well, I've been kicked and beaten,
It don't bother me no more.
Don't offer me no pillows,
When I'm just fine here on the floor

I've so many wounds
That I hope they'll never mend
But I can raise my glass up
For a beer with all my friends

'Cause I'm the Barfly, I like to drink, that's what I do

All these women in the world...
Why did I leave mine when times were so rough
All these women in the world...
Why did I leave mine when times were so rough
But when you left me baby, you left me needing more than enough

(Alternate Second Verse:
There's a curly girl from Jersey
she's sittin' on my right
Showin me her cleavage
Which she so sweetly wraps up tight
I snatch another whiskey
Just to improve the view
don't listen to the truth I'm tellin her, none of its directed at you,
'Cause I'm the Barfly, I like to drink, that's what I do)

Well the ocean's my home
I'm living on the liferaft alone

Well the ocean's my home
I'm living on the liferaft alone

Now they call me flat stir crazy
But I'm just sittin here at the bar flat on my throne

Well I've been kicked and beaten
It don't bother me no more.
Don't offer me no pillows,
When I'm just fine here on the floor

I've so many wounds
That I hope they'll never mend
But I can raise my glass up
For a beer with all my friends

'Cause I'm the Barfly, I like to drink, that's what I do

",15,"4338604b-38e0-432c-855b-bcd9091d4409","Braff, Gutwillig","

A sure-to-please rowdy blues song about drinkin’, Barfly was a staple of the band’s frat party days and earliest tours. It made its way into the stylistic hodgepodge that was the band’s first studio album, Encephalous Crime, where it is the final studio track. Barfly follows a very predictable format from which it rarely deviates: verse, chorus, verse, chorus, keyboard solo, bridge, guitar solo, verse, chorus.

Barfly was played 40 times in 1998, more than any other year. It was in 1998 that Barfly was jammed out for the first (and only) time. On 6/4/98 an unfinished Barfly segued into a drum solo ended the show, and 6/5/98 opened with a long intro jam into Barfly (supposedly intended to complete the night prior, although it, too, is unfinished) jammed into the ending of Run Like Hell. Besides being the only jammed out Barfly, it also marked the first time the Biscuits finished a song from an earlier show.

Barfly became steadily more rare beginning in 1999. After appearing semi-regularly in the winter and spring tours, it was played only twice in the fall before being shelved for nearly a year between October 1999 and 2000 for a gap of 32 shows (what was then a significant absence). It was played four times in 2000 and then eight each in 2001 and 2002 (although this represented a decline in frequency). From 2003 to the end of Sammy’s tenure in 2005, Barfly was even more scarce.

Allen’s arrival brought with it a brief resurrection of Barfly, which was played four times in three months in the earlier part of the year. However, it was only played once in the fall, after which it went from rarity to holographic status. It was played only once in 2007, after a gap of 75 shows, after which it sat on the shelf for two and a half years or 197 shows (its longest absence) when it was played at the Bisco Power Mission on 3/21/10 with Sammy on guitar.

It was played only a handful of times in the setbreak era: twice in 2013, once in 2014, once in 2018 and once in 2019. It’s performance on 4/27/19 is perhaps the most interesting part of a sub-par show; it provides the landing pad to the second set segment, making it the first Barfly to be jammed into (in fact, played in any way besides standalone) since 4/3/02.

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Well I'm lost without I-Man
Without my gun in my hand
My ladybug don't understand how I've tried

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
All love aside, I'm denied a second time

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

Now I'm only doing what I can
When everyday I kiss her hand
My ladybug sent her new man to his demise

Now it's aglow inside her eyes
Like a summer sunset on the tides
My ladybug, believes inside, she's got her man

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

","Transcribed by Rob Gibbs
Middle section transcribed by Evan Leon

These are chords that differ from basic major/minor formations that
everyone knows

D/F# A(II) B7 Bm7
e--------2--------------0---------------------2-----
b--------3--------------5---------------------3-----
g--------2--------------6-----------2---------2-----
d--------0--------------7-----------1---------4-----
a--------0--------------0-----------2---------2-----
E--------2------------------------------------2-----

Listen to CD for strum patterns and timing - too lengthy to try and
transcribe everything

Intro: E G D/F#

E G D/F#
Well I'm lost without I-----Man
E G D/F#
Without my gun in my hand
E C A D E G D/F#
My lady bug don't understand how I've tried

(Chords are same for all verses as above)

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
On the other side, undenied a second time

Chorus: A A(II) D G
A A(II) D G A A(II)
Old brick walls, I'm breakin through
D G A A(II)
I got my gun in my hand
D G A A(II)
I-Man's out and on the loose
D G A A(II)
Now that it's time to take my stand

Bm7 A B7 E (this E is actually the first chord
in the verse progression)

E G D/F#
I'm only doing what I can
And everyday I kiss her hand
My ladybug sent her new man to his demise

That winter glow inside her eyes
Like a summer sunset on the tide
My ladybug, when he's inside, she's got her man

Old brick walls, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

MIDDLE SECTION

(7/9 means slide from fret 7 to 9, 12p10 means pull-off 12 to 10,
10h12 means hammer-on 10 to 12)

e 5 5 9 9 7 7 5 5 5
b 5 5 5 5 8 8
g 6 6 6 6 6 6 6 6 6 6
d 7 7 7 7 7 7 7 7 7 7
a(0) (0) (0) (0)

e 5 5 5 5 5 5 3 3 1 7 5 3 1 5 5 7/9
b 8 5 5 5 5 5 3 3 1 3 3 3 1 5
g 6 6 6 6 6 4 4 2 4 4 4 2 6 6
d 7 7 7 7 7 7 7 5 5 3 5 5 5 3 7 7

Repeat that whole section once, then:

*
e 9h10h12 12 12p10p9 10 10p9p7 8 8p7p5 9 9 9
b 12 10 5
g
d

Then repeat that line up to the *, and add at the end:

e
b 5
g 6 6 6
d 7 7 7

Repeat this entire section, then this goes right into the jam.","iman",86,"Jon Gutwillig","

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Whimsical, a pen in motion, thoughts roll in my mind,
scamper by so quickly now an agile word would find,
well I tried to grasp an angel, saw her wings, and watched her fly
reality for mingling dreams to scurry back and get in line.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

A gallery, a pen in motion, a delightful line instead,
it's chivalry outranks commotion on the roads most common tread,
and on those boots, the clicking heels, the dreams, the angel starts to fly,
to masquerade the world's parade for only seconds at a time.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
And they missed the perfume.

In a native centered world, one picks the fruit right off the trees,
on a wild blue island in the deep blue seas,
beyond a paleocentric world with all our people shaped in threes,
the only way I get around is some mild insanity.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
and they missed the perfume.

","

transcribed by Rich Steele
after intro, the chord they hit is a F# major played
on the 2nd fret.
They keep hitting this until you get to the next part, which is the part
during the verse too.

the way barber plays this kinda has this shuffle feel to it. the chords dont really sustain at all. for best
results don't press down all the way on the strings
to keep it from sounding too loud, avoiding the heavy
pick attack sound.

Am Am G G
E 5 5 3 3
B 5 5 10 10 10 10 12 12 3 3
G 5 5 9 9 9 9 12 12 4 4
D 7 7 10 10 10 10 12 12 5 5
A 7 7 10 10 5 5
E 3 3

(verses)
(start the part above with the first line of each verse with the Am, and
hit the G with the last word of each line.)

(#1)
Whimsical, a pen in motion, thoughts roll off my mind.
Scamper by so quickly, now a agile word would find.
Tried to grasp an angel, saw her wings and watched her fly.
Reality from mingling dreams, to scurry back and get in line.

(Chorus)

Am G Am D Bm
E 5 5 5 3 5 7 7 7 7
B 5 5 5 3 5 7 7 7 7 7 7 7 7
G 5 5 5 4 5 7 7 7 7 7 7 7 7
D 7 7 7 5 7 7 7 7 7 9 9 9 9
A 7 7 7 5 7 5 5 5 5 9 9 9 9
E 5 5 5 3 5 7 7 7 7

F F# G
E 1 1 1 1 2 3
B 1 1 1 1 2 3
G 2 2 2 2 3 4
D 3 3 3 3 4 5
A 3 3 3 3 4 5
E 1 1 1 1 2 3

We ordered out for Mindless Dribble
Overused half-wit, ishkabible.
Corner store junkies giving advice.
We ordered out for paradise.

(applebutter toast part)

E 7
B 4 4 4 7 4 7 5 5(p)4
G 4 4 4 4 6 4 4 4 4 6 4 4 4 4 6 6 4 4 4 4 6(p)4
D
A
E

Applebutter toast is nice.
Envisioned on a third wing, twice.
My fine breaded friend, was denied by the vice
and they missed the perfume.

","dribble",47,"

Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.

The first debut of 1998, Mindless Dribble signalled an important shift in the band’s style and songwriting maturity. It’s challenging lyrics and aggressive style placed it in contrast to the faux-hippie neo-psychedelia of 97-95.

The first few performances of Dribble were completely free of improv, but within a little more than a month the band was beginning to carve out the song’s nascent jam section. There is a tremendous observable growth throughout the year, with at least one must-hear version, 12/30/98 (also noteworthy as the first "happy" Dribble). Other noteworthy early versions include 4/18/98 and 5/2/98.

The song became a major jam vehicle in 1999, the year where most of the strongest versions can be found. The jam section remained fairly standard throughout the year, with a few notable deviations, e.g. the demented, primal 10/28/99 and the fairly blissful 12/30/99 (another "happy" Dribble). The song remained strong through 2000, with noteworthy versions including 10/31/00 (the longest version to date) and 10/6/00, in which the chord progression that eventually gave rise to The Big Happy, Highwire, and I Remember When was debuted.

Dribble remained a strong selection in 2001, with the split-up "happy" Dribble from 3/31/01 widely regarded as one of the best. The song also underwent some important developments in this year. On 4/20/01 (fittingly) the “dub” version of Mindless Dribble was debuted, a part of the larger trend of dubbed versions of Biscuits songs that swept up both I-Man and Floodlights during April 2001. Later in the year, the song became the vehicle for the composed jam that would eventually become known as Strobelights and Martinis. Beginning on 9/1/01, and continuing through the month, every Dribble (with the exception of 9/21/01) would bear the hallmarks of this jam. The section was briefly reprised again in April 2003 and occasionally after Strobelights was debuted as its own song.

Although Dribble remained a staple of the catalog, its appearance grew less frequent in 2.0. It was never shelved, and was often split up to keep it interesting. When not split up, Dribble often fell into predictable patterns that made it less interesting than it had been in the 1.0 era (though exceptions to this rule exist--most notably the Red Rocks Dribble of 5/29/10).

Dribble continued to be a common presence throughout the setbreak era, being played, on average, around once every five or six shows (the striking exception to this is in 2018, when, excluding the dub version from Camp Bisco, Dribble was only played once the entire year). The song had a major renaissance during the "Setbreak is Over" tour of fall 2019. 11/16/19 and 11/17/19 each feature half of a strong split version, and arguably the strongest full version played with Allen took place on 12/13/19.

","Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.",["D",1755907200000],["D",887846400000],{"_100":433,"_102":384,"_188":185,"_104":434,"_105":435,"_189":185,"_190":101,"_191":40,"_192":284,"_193":185,"_280":436,"_282":277,"_194":99,"_285":57,"_286":40,"_195":40,"_196":162,"_287":57,"_288":57,"_289":162,"_197":103,"_198":57,"_290":103,"_291":162,"_199":40,"_200":99,"_201":281,"_292":101},50,17,24,9,{"_438":439,"_442":443,"_447":448,"_449":450,"_454":455,"_459":460,"_463":464,"_468":469,"_473":474,"_478":479},"159",{"_25":440,"_111":211,"_113":441},"2004-11-26",182,"211",{"_25":444,"_111":445,"_113":446},"2010-05-29","2009-11-22",188,"224",{"_25":321,"_111":316,"_113":446},"229",{"_25":451,"_111":452,"_113":453},"2013-07-13","2013-01-24",170,"254",{"_25":456,"_111":457,"_113":458},"2018-07-14","2017-12-31",195,"255",{"_25":461,"_111":456,"_113":462},"2018-12-30",169,"257",{"_25":465,"_111":466,"_113":467},"2019-11-16","2019-05-23",177,"261",{"_25":470,"_111":471,"_113":472},"2020-10-17","2019-12-31",291,"263",{"_25":475,"_111":476,"_113":477},"2021-04-23","2020-10-30",175,"270",{"_25":480,"_111":481,"_113":482},"2022-09-08","2022-03-11",181,2018,"https://sick-barber-licks.weebly.com/mindless-dribble.html",[],{"_21":418,"_51":22,"_52":487,"_54":348,"_56":103,"_58":-5,"_31":488,"_33":489,"_35":36,"_23":490,"_62":-5,"_63":64,"_65":413,"_67":352,"_39":36,"_41":36,"_46":-5,"_69":491,"_158":544},"3e89f84b-a209-4636-b869-946217713bd3",["D",1582388817993],["D",1582388817993],"1998-02-26-my-lady-survives",{"_21":487,"_71":492,"_23":493,"_31":494,"_33":495,"_76":77,"_78":77,"_27":77,"_79":496,"_29":497,"_82":64,"_84":174,"_86":77,"_88":498,"_89":-5,"_90":499,"_92":500,"_94":501,"_96":502,"_106":503,"_153":154,"_155":542,"_157":543,"_46":492},"My Lady Survives","my-lady-survives",["D",1582386623989],["D",1756174194459],"mylady",416,"

This early composition eventually became the ending section of Haleakala Crater

",61,["D",1325289600000],["D",851644800000],{"_184":42,"_98":187,"_100":434,"_285":103},{"_504":505,"_509":510,"_374":513,"_393":515,"_517":518,"_521":522,"_525":526,"_529":530,"_533":534,"_538":539},"1",{"_25":506,"_111":507,"_113":508},"1997-01-17","1996-12-27",21,"6",{"_25":511,"_111":512,"_113":278},"1997-03-20","1997-02-28",{"_25":514,"_111":383,"_113":508},"1997-04-19",{"_25":392,"_111":112,"_113":516},43,"39",{"_25":121,"_111":519,"_113":520},"1997-11-08",22,"50",{"_25":523,"_111":26,"_113":524},"1998-04-19",52,"51",{"_25":527,"_111":523,"_113":528},"1998-06-25",67,"53",{"_25":531,"_111":532,"_113":508},"1998-07-23","1998-07-02","58",{"_25":535,"_111":536,"_113":537},"1998-10-31","1998-08-28",64,"59",{"_25":540,"_111":535,"_113":541},"2011-12-28",4806,1996,"http://sickbarberlicks.weebly.com/my-lady-survives.html",[],{"_21":352,"_51":22,"_52":546,"_54":348,"_56":183,"_58":-5,"_31":547,"_33":548,"_35":36,"_23":549,"_62":-5,"_63":64,"_65":418,"_67":346,"_39":36,"_41":36,"_46":-5,"_69":550,"_158":617},"1b2cdf23-a0c7-4663-8890-d804000441ea",["D",1582388818019],["D",1582388818019],"1998-02-26-bernstein-and-chasnoff",{"_21":546,"_71":551,"_23":552,"_31":553,"_33":554,"_76":555,"_78":556,"_27":77,"_79":557,"_29":558,"_82":64,"_84":559,"_86":560,"_88":561,"_89":562,"_90":563,"_92":564,"_94":565,"_96":566,"_106":567,"_153":154,"_155":615,"_157":616,"_46":551},"Bernstein and Chasnoff","bernstein-and-chasnoff",["D",1582386622697],["D",1756174176096],"

Oh Bernstein and Chasnoff,
Where do you get off,
Thinking you're only two of twenty.

Oh Andy and Larry,
You're so damn hairy,
Why don't you go and take a bath?

(Because..)
You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

Klopstein and Cabot,
We just won't have it,
We know exactly who you are.

Tariq and Shep Williams,
The pages they will fill 'em
Well, phony names will only go so far.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

","transcribed by Rich Steele

(main riff)

C > A > D > G

(chords over the chorus)

C > Bb > G > C > F
C > Bb > G > C > Bb > F > G

(ending riff)

E 15 12 12 12(h)13 12 12 17 17 14 14 14(h)15 14 14
B 13 13 15 15
G 12 14
D
A
E","bandc",14,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein","

Larry Chasnoff, Marc, and a mutual friend of ours, Keith Koslov, all spent their summers growing up together in upstate NY at a place called Schroon Lake. \r

I went to high school with Keith and knew Marc as his annoying prep school friend, way too soft for us public school Brooklyn thugs. Then a bunch of us went to see Phish in Sugarbush in 95, and Marc started telling about this band he was in, and I started telling him about this idea I had for a book. \r

Walking around the lots a kid from Penn recognized Marc from his band and got all excited. I thought to myself, "hmmm, if the book thing doesn't work out, maybe I can ride Brownstein's coattails a little." \r

A few months later, as the Biscuits toiled in relative obscurity, we came out with the first Pharmer's Almanac. Only about 6 people worked on it, but we wanted to make it look more like a community project, so we put a lot of fake names in the staff box. It was a mix of names of people from Schoon Lake (Nick Weiss) and completely absurd names like Harvey Klopstein, Tariq Ali and Shep Williams. \r

When Marc and Keith saw the book a few months later, they thought the fake names were hysterical. While I wasn't there, I assume they spent the next few hours making fun of Chasnoff and I on every possible level. And at some point Keith pulled out a guitar. The rest was history. \r

So that's where the song came from. ("Klopstein and Cabot/ we just won't have it/we know exactly who you are/Tariq and Shep Williams/ pages we'll fill'em/ but phony names will only go so far.) \r

I was all excited that I had a song with my name in it until people started coming up to me and asking "Hey, why did you get sued by Phish?" \r

I want to state, for the record, that we never were sued by Phish, never threatened to be sued by Phish, and never had any legal issues with Phish regarding the Almanac. Every interaction we've had with management has been positive. \r

We caught a lot of grief in the early years from about a dozen people on rec.music.Phish (I know, what a shocker, someone getting grief on an Internet discussion group) but we never got the same from management. \r

I'm not actually sure where the "You're getting sued/bummer dude" line came from, but I think it had to do with the fake names or maybe some of the flack we were getting on the Internet. \r

The Almanac ended up selling about 70,000 copies, but at some point I got tired of going to Phish shows and decided it was a lot more fun to see the Disco Biscuits. \r

~Andy Bernstein\r

Although its lyrics were never cerebral, Bernstein & Chasnoff connects the band to greater jamband lore. Musically the song is not much more complicated: There are two verses, each followed by a chorus, a bridge and chorus, a jam section, and a triumphant ending. At various points in its history, the ending has contained a bonus section (referred to as “Smell The Funk” only after it had been shelved).\r

For its first year, B&C did not contain any jamming of note (refer to 1/30/97 for some truly bizarre sound effects in the pre-Trancefusion era). Trancefusion era versions of 97 (of which 11/17 and 11/18 are extant) do little to suggest the song’s eventual heavy hitter potential. Beginning early in 1998, the song became a vehicle for some of the band’s most interesting early experimentations. 2/26/98 is of particular note, a 25-minute version that contains elements of what would make the song great. Even more significant is 3/21/98, the “Techno B&C,” and what is considered to be the first “Perfume version” of any song. The song remained strong, if slightly less noteworthy, for the remainder of 1998. Already its M.O. was becoming pretty clearly established—the song would regularly depart from blissful type one territory for spacey, sinister territory, and was the earliest example of this style of exploratory jamming.\r

One of the first jams of 1999 was a B&C jam, in the early morning hours of January 1. This B&C > Nughuffer was likely the greatest example of pure Trancefusion yet played at the time. The song stayed strong through 1999 (a high water mark for both the band and the song), with standout versions played on 4/24, 4/30, 5/5, and 9/11 of that year. In particular, the latter two are frequently cited as the strongest versions of the song.\r

The band took a hiatus from B&C during its author’s departure from the band, but it returned with a vengeance at Camp Bisco, split-up dyslexically over 8/25/00 and 8/26/00. Despite the fewer shows played in 2000, there is no shortage of strong B&Cs from the fall tour. Of these 10/27 is thoroughly unique, and a sleeper choice for best ever, while 12/28/00 is more reminiscent of the classic 1999 style B&C.\r

After 2000, B&C faded a bit into the background, although some standout versions do exist from this era. 4/24/01 received some attention for its inclusion in Steele’s Picks, 9/6/01 contains some fantastic fall 2001 jamming and one of the early Sound 1s, and 10/5/02 is remarkably strong (of course, as is everything from that show). 11/29/03 is a lesser-known but very interesting version, which may be the first to be jammed out of the bridge rather than the main jam section.\r

B&C was played just thrice in 04 and once in 05 before Allen joined the band. After a few versions in the winter and spring shows, it was absent for nearly the whole of 06, from 4/26 until 12/29. The 12/29 version is a much-loved mashup with Joy to the World, and features the return of the Smell the Funk section, shelved in January 1999 and busted out only once on 5/5/01. It would be played on every 07 version and then shelved again indefinitely.\r

2007 would be B&C’s second golden era, as nearly every version from that year is excellent and highly regarded. After the fairly standard Jam Cruise version, it was split three ways for the first time at the legendary Starland Ballroom run on 2/17, which featured numerous debuts, Allen first-timers, and bustouts. While it didn’t surface over the spring tour, the standalone version that opened Camp Bisco VI is probably the strongest standalone with Allen. In the fall tour, 10/16 is a particularly strong version (flying slightly under the radar due to a lack of available soundboard) and 11/1 contains the first jam into the beginning of the song with Allen, and since 4/4/02.\r

B&C was only played twice in 08, although 4/19/08’s monster inverted version (first inversion with Allen and first since 7/23/03) is a must-hear. After a single performance each in the winter tour and spring tour of 09, B&C was played six times in the four months from 10/3/09 to 1/28/10. Each of those 6 versions is inverted. In the post-wristgate era, B&C rarely produces a memorable jam, with two glaring exceptions: the stellar and spacey 2/3/17 B&C > Voices > B&C, and the monster dyslexic beginning that opened the second set of 10/19/20.\r

","You’re getting sued. Bummer Dude",240,["D",1750550400000],["D",836438400000],{"_184":436,"_98":427,"_100":186,"_102":389,"_188":99,"_104":279,"_105":279,"_189":162,"_190":183,"_191":42,"_192":40,"_193":99,"_280":103,"_282":101,"_194":162,"_285":103,"_286":183,"_195":103,"_196":57,"_287":42,"_288":183,"_289":183,"_197":183,"_198":103,"_290":42,"_291":103,"_199":42,"_200":162,"_201":103,"_292":183},{"_568":569,"_573":574,"_577":578,"_582":583,"_587":588,"_592":593,"_447":597,"_601":602,"_605":606,"_610":611},"124",{"_25":570,"_111":571,"_113":572},"2000-08-25","1999-10-29",301,"174",{"_25":575,"_111":210,"_113":576},"2006-02-25",338,"177",{"_25":579,"_111":580,"_113":581},"2006-12-29","2006-04-26",247,"187",{"_25":584,"_111":585,"_113":586},"2008-12-27","2008-04-19",252,"203",{"_25":589,"_111":590,"_113":591},"2012-07-14","2011-04-15",456,"214",{"_25":594,"_111":595,"_113":596},"2016-03-26","2015-02-21",399,{"_25":598,"_111":599,"_113":600},"2019-11-14","2019-01-31",287,"225",{"_25":603,"_111":598,"_113":604},"2020-10-19",340,"228",{"_25":607,"_111":608,"_113":609},"2022-11-11","2021-10-28",379,"237",{"_25":612,"_111":613,"_113":614},"2025-01-25","2024-02-09",351,2005,"http://sickbarberlicks.weebly.com/bernstein-and-chasnoff.html",[],{"_21":353,"_51":22,"_52":619,"_54":348,"_56":57,"_58":-5,"_31":620,"_33":621,"_35":36,"_23":622,"_62":-5,"_63":64,"_65":346,"_67":623,"_39":36,"_41":36,"_46":-5,"_69":624,"_158":683},"aff62144-b337-4343-999f-eae3294074af",["D",1582388818085],["D",1582388818085],"1998-02-26-mr-don","66b01505-0996-475e-90ea-be52b10dea6b",{"_21":619,"_71":625,"_23":626,"_31":627,"_33":628,"_76":629,"_78":630,"_27":77,"_79":631,"_29":632,"_82":64,"_84":174,"_86":267,"_88":-5,"_89":633,"_90":634,"_92":635,"_94":636,"_96":637,"_106":638,"_153":154,"_155":615,"_157":682,"_46":625},"Mr. Don","mr-don",["D",1582386623009],["D",1756174194110],"

Praise the lord in Moscow
Budapest and Sausalito
Where lying in the sunshine might be the very best that we know
gab of what's in mind
the trading post of your libido,
'Cause Mr. Don's been ridiculin' cyclops Apathito

It seems that every day,
the kitchen has gone awry
Apathito's the first to point out
that the place is such a sty.
No matter to faith on the locks of their mind,
and if you don't got no action well you might not even try.

Mr. Don's all worried 'bout that cyclops Abelito
Himalayas in their minds,
Quaker Oats in their libidos
That genius, killing time yellin' at your alter ego
Excuses spinning lies;

all, to live that sunshine we know

","transcribed by Rich Steele

~~Mr Don
(intro/main riff)
E
B
G (trills)
D 1(h)3 3(p)1
A 3 1
E 1 1 1(h)4 1 1 1 1(h)4 1

F9 Eb Cm
E
B 8 8 4
G 8 8 5
D 7 8 5
A 8 6 3
E

verse chords
Ab > Db > G7 > C7

C7 riff played after the verse

E
B 5~ 6(p)5 5 6~ 8 10 11(p)10(p)8 8~ 8 11(sl)13 11~
G 10
D
A
E","mrdon",124,"Excuses spinning lies, all to live that sunshine we know",233,["D",1752192000000],["D",817776000000],{"_182":103,"_184":508,"_98":401,"_100":434,"_102":397,"_188":99,"_104":277,"_105":277,"_189":162,"_190":40,"_191":42,"_192":57,"_193":99,"_280":183,"_282":277,"_194":436,"_285":103,"_286":103,"_195":42,"_196":40,"_287":57,"_288":183,"_289":183,"_197":57,"_198":103,"_290":42,"_291":57,"_199":40,"_200":40,"_201":103,"_292":183},{"_639":640,"_644":645,"_649":650,"_654":655,"_659":660,"_663":664,"_667":668,"_592":671,"_673":674,"_605":678},"150",{"_25":641,"_111":642,"_113":643},"2006-02-04","2005-03-26",315,"153",{"_25":646,"_111":647,"_113":648},"2006-11-09","2006-04-23",200,"166",{"_25":651,"_111":652,"_113":653},"2009-01-17","2008-04-17",275,"188",{"_25":656,"_111":657,"_113":658},"2011-12-26","2011-05-26",214,"189",{"_25":661,"_111":656,"_113":662},"2012-10-04",283,"192",{"_25":665,"_111":224,"_113":666},"2014-01-26",276,"213",{"_25":669,"_111":238,"_113":670},"2019-11-21",208,{"_25":672,"_111":669,"_113":576},"2020-10-24","222",{"_25":675,"_111":676,"_113":677},"2022-10-30","2022-04-08",205,{"_25":679,"_111":680,"_113":681},"2024-04-04","2023-08-10",238,"http://sickbarberlicks.weebly.com/mr-don.html",[],{"_21":623,"_51":22,"_52":685,"_54":348,"_56":162,"_58":-5,"_31":686,"_33":687,"_35":36,"_23":688,"_62":-5,"_63":64,"_65":353,"_67":-5,"_39":36,"_41":36,"_46":-5,"_69":689,"_158":746},"029eca49-12a1-4e93-be0b-7e0bc9422e44",["D",1582388818154],["D",1582388818154],"1998-02-26-jamillia",{"_21":685,"_71":690,"_23":691,"_31":692,"_33":693,"_76":694,"_78":695,"_27":77,"_79":691,"_29":696,"_82":64,"_84":559,"_86":560,"_88":-5,"_89":-5,"_90":697,"_92":698,"_94":699,"_96":700,"_106":702,"_153":154,"_155":744,"_157":745,"_46":690},"Jamillia","jamillia",["D",1582386623009],["D",1756174188467],"Jamillia knew that from the start it wasn't going to work
the call you're waiting for but never comes drives me berserk
and little Jam slips around to shuffle near to Kirk
he smiles when he sees her and she returns the smirk

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya
but in the end you'll sleep in my bed

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya

the time it __________ and with it subtle pain
and dripping as the tears seemed the same as falling rain
a storming silent passion but cerebral not to tame
her entertaining what the masses want for all it's just the same

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya
but in the end you'll sleep in my bed

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya

it fades away too soon and in just a couple days
my _________ freely lifts up in all its many ways
for years pass, now I know I made a big mistake
your eyes can illustrate in one look a simple craze

but though we can't reconcile what is past
you know my deepest thoughts but in the shallow end you cast
and though my thoughts are with you in an ordinary frame
my mind's a dirty thing and will forget just the same

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya
but in the end you'll sleep in my bed

Jamillia I wanna feel ya up
and lift your skirt right over your head
other guys they wanna steal ya","Transcribed by Eric Zeiler (moedat@aol.com)

Verse:C F (Bb Am G C)C F (Bb Eb D G)C F (Bb Am G C)C F (Bb Eb D C)

Chorus:F Bb Eb (G# G F#) (3x)F Bb Eb

Jam:C F G Em, Em Dm, Dm, C

You should be able to figure it out with this structure. ",91,133,["D",1468540800000],["D",857088000000],{"_98":701,"_100":114,"_102":436,"_188":42,"_104":101,"_105":436,"_189":42,"_193":103,"_282":103,"_194":183,"_286":42,"_195":42,"_287":42,"_288":42},49,{"_703":704,"_708":709,"_712":713,"_716":717,"_568":720,"_724":725,"_729":730,"_733":734,"_736":737,"_740":741},"104",{"_25":705,"_111":706,"_113":707},"2000-11-11","1999-10-01",407,"105",{"_25":710,"_111":705,"_113":711},"2001-04-25",165,"121",{"_25":714,"_111":715,"_113":604},"2003-09-30","2002-10-25","122",{"_25":718,"_111":714,"_113":719},"2007-10-31",1492,{"_25":721,"_111":722,"_113":723},"2009-01-30","2007-12-27",400,"126",{"_25":726,"_111":727,"_113":728},"2010-02-21","2009-03-04",354,"129",{"_25":661,"_111":731,"_113":732},"2010-09-10",755,"130",{"_25":451,"_111":661,"_113":735},282,"131",{"_25":738,"_111":451,"_113":739},"2015-09-05",784,"132",{"_25":742,"_111":738,"_113":743},"2016-07-15",314,2000,"http://sickbarberlicks.weebly.com/jamillia.html",[],{"_21":748,"_51":22,"_52":749,"_54":55,"_56":42,"_58":750,"_31":751,"_33":752,"_35":36,"_23":753,"_62":-5,"_63":64,"_65":-5,"_67":754,"_39":36,"_41":36,"_46":-5,"_69":755,"_158":815},"8ef421d3-4457-4730-85df-6fbfc49581fb","2923ea2d-00c9-4867-b60a-efbb1d8adfa1",">",["D",1582388818215],["D",1582388818215],"1998-02-26-vassillios","b3866c5f-da0b-42df-88be-dea31b2b4ee4",{"_21":749,"_71":756,"_23":757,"_31":758,"_33":759,"_76":760,"_78":761,"_27":77,"_79":762,"_29":763,"_82":64,"_84":174,"_86":267,"_88":-5,"_89":764,"_90":765,"_92":766,"_94":767,"_96":768,"_106":771,"_153":249,"_155":813,"_157":814,"_46":756},"Vassillios","vassillios",["D",1582386623818],["D",1756174211167],"

Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe

","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"Straight from the gutter",244,["D",1748995200000],["D",850521600000],{"_184":103,"_98":769,"_100":770,"_102":118,"_188":436,"_104":367,"_105":434,"_189":99,"_190":103,"_191":103,"_192":162,"_193":103,"_280":40,"_282":185,"_194":57,"_285":162,"_286":42,"_195":103,"_196":42,"_287":42,"_288":42,"_289":103,"_197":42,"_198":183,"_290":42,"_291":42,"_199":103,"_200":183,"_201":40,"_292":183},40,53,{"_772":773,"_777":778,"_782":783,"_673":787,"_447":791,"_601":795,"_797":798,"_801":802,"_806":807,"_610":809},"182",{"_25":774,"_111":775,"_113":776},"2005-03-25","2004-05-09",320,"218",{"_25":779,"_111":780,"_113":781},"2012-12-27","2011-12-31",362,"220",{"_25":784,"_111":785,"_113":786},"2013-12-27","2013-01-27",334,{"_25":788,"_111":789,"_113":790},"2015-07-18","2014-02-20",513,{"_25":792,"_111":793,"_113":794},"2017-02-02","2016-02-05",363,{"_25":796,"_111":792,"_113":600},"2017-11-16","226",{"_25":799,"_111":796,"_113":800},"2018-12-12",391,"231",{"_25":803,"_111":804,"_113":805},"2021-04-02","2020-01-04",454,"232",{"_25":808,"_111":803,"_113":230},"2022-04-02",{"_25":810,"_111":811,"_113":812},"2024-07-05","2023-09-24",285,2012,"http://sickbarberlicks.weebly.com/vassillios.html",[],{"_21":754,"_51":22,"_52":817,"_54":55,"_56":103,"_58":750,"_31":818,"_33":819,"_35":36,"_23":820,"_62":-5,"_63":64,"_65":748,"_67":821,"_39":36,"_41":36,"_46":-5,"_69":822,"_158":873},"1d813e1f-f852-48c6-9f91-043541454f86",["D",1582388818378],["D",1582388818378],"1998-02-26-little-shimmy-in-a-conga-line","631bde5f-78e5-4ef9-98dc-10ffdb37f19d",{"_21":817,"_71":823,"_23":824,"_31":825,"_33":826,"_76":827,"_78":828,"_27":77,"_79":829,"_29":711,"_82":64,"_84":174,"_86":267,"_88":-5,"_89":830,"_90":831,"_92":832,"_94":833,"_96":834,"_106":836,"_153":249,"_155":342,"_157":872,"_46":823},"Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line",["D",1582386623147],["D",1756174191371],"

Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","shimmy","And you wonder why I sleep through my alarm",289,["D",1755993600000],["D",888451200000],{"_100":835,"_102":187,"_188":436,"_104":283,"_105":508,"_189":281,"_190":57,"_191":183,"_192":281,"_193":57,"_280":40,"_282":281,"_194":281,"_285":183,"_286":40,"_195":57,"_196":101,"_287":183,"_288":57,"_289":183,"_197":40,"_198":57,"_290":42,"_291":101,"_199":162,"_200":99,"_201":162,"_292":436},62,{"_837":838,"_663":840,"_592":841,"_845":846,"_847":848,"_851":852,"_856":857,"_861":862,"_866":867,"_869":870},"172",{"_25":839,"_111":642,"_113":81},"2005-09-13",{"_25":584,"_111":585,"_113":586},{"_25":842,"_111":843,"_113":844},"2011-07-09","2011-01-14",176,"215",{"_25":780,"_111":842,"_113":477},"216",{"_25":849,"_111":780,"_113":850},"2012-10-05",279,"234",{"_25":853,"_111":854,"_113":855},"2015-10-29","2015-04-25",187,"245",{"_25":858,"_111":859,"_113":860},"2018-11-01","2018-04-19",196,"248",{"_25":863,"_111":864,"_113":865},"2019-07-19","2019-02-02",167,"252",{"_25":868,"_111":340,"_113":212},"2020-10-25","253",{"_25":871,"_111":868,"_113":467},"2021-04-20","http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html",[874],{"_21":875,"_876":754,"_877":878,"_31":879,"_33":880},"69b74bc7-f149-4b69-a742-9915198b11fb","trackId","desc","FTP (tDB Original)",["D",1708892797130],["D",1708892797130],{"_21":821,"_51":22,"_52":882,"_54":55,"_56":183,"_58":-5,"_31":883,"_33":884,"_35":36,"_23":885,"_62":-5,"_63":64,"_65":754,"_67":66,"_39":36,"_41":36,"_46":-5,"_69":886,"_158":944},"3f5505cc-906e-47b4-9e19-6a43c7e82540",["D",1582388818611],["D",1582388818611],"1998-02-26-aceetobee",{"_21":882,"_71":887,"_23":888,"_31":889,"_33":890,"_76":891,"_78":892,"_27":77,"_79":893,"_29":103,"_82":64,"_84":174,"_86":267,"_88":894,"_89":895,"_90":896,"_92":897,"_94":898,"_96":899,"_106":901,"_153":249,"_155":483,"_157":943,"_46":887},"Aceetobee","aceetobee",["D",1582386622697],["D",1756174173437],"

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,["D",1752019200000],["D",815875200000],{"_182":103,"_184":57,"_98":380,"_100":900,"_102":397,"_188":99,"_104":434,"_105":434,"_189":558,"_190":57,"_191":40,"_192":101,"_193":162,"_280":103,"_282":436,"_194":99,"_285":162,"_286":162,"_195":183,"_196":40,"_287":183,"_288":103,"_289":162,"_197":42,"_198":103,"_290":42,"_291":183,"_199":103,"_200":183,"_201":183,"_292":40},55,{"_108":902,"_797":906,"_463":910,"_914":915,"_918":919,"_922":923,"_926":927,"_930":931,"_935":936,"_938":939},{"_25":903,"_111":904,"_113":905},"1996-08-14","1995-12-02",256,{"_25":907,"_111":908,"_113":909},"2009-02-14","2008-06-06",253,{"_25":911,"_111":912,"_113":913},"2013-12-18","2013-04-27",235,"267",{"_25":916,"_111":917,"_113":600},"2017-04-29","2016-07-16","273",{"_25":920,"_111":457,"_113":921},"2018-12-09",343,"275",{"_25":669,"_111":924,"_113":925},"2019-01-26",299,"276",{"_25":928,"_111":669,"_113":929},"2020-10-18",332,"281",{"_25":932,"_111":933,"_113":934},"2022-12-29","2022-04-01",272,"282",{"_25":937,"_111":932,"_113":458},"2023-07-12","285",{"_25":940,"_111":941,"_113":942},"2024-09-07","2023-12-01",281,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":66,"_51":22,"_52":946,"_54":55,"_56":40,"_58":-5,"_31":947,"_33":948,"_35":36,"_23":949,"_62":-5,"_63":64,"_65":821,"_67":50,"_39":36,"_41":36,"_46":-5,"_69":950,"_158":1005},"26a472e6-a08d-475f-8a53-a5fd165fb300",["D",1582388818708],["D",1582388818708],"1998-02-26-wet",{"_21":946,"_71":951,"_23":952,"_31":953,"_33":954,"_76":955,"_78":956,"_27":77,"_79":952,"_29":957,"_82":64,"_84":559,"_86":560,"_88":-5,"_89":-5,"_90":958,"_92":959,"_94":960,"_96":961,"_106":963,"_153":249,"_155":1003,"_157":1004,"_46":951},"Wet","wet",["D",1582386623818],["D",1756174212079],"As if this happens every day.
You keep your cool then look away.
But in the darkness you can see.
I know you want to come with me...

As if the sky were always grey,
And will I ever breathe again?
And as the tears roll down your face,
And as our bodies fly through space.

But something tells you it's not right.
A shadow flickers in the light.
A spirit guides you from the sky.
And clouds obscure what pacifies...

As if the sky were always gray,
And will I ever breathe again?
And as the tears roll down your face,
And as our bodies fly through space.

And as I drift off into sleep,
I dream reality the key.
Because now I know you from the past.
Just how long can this feeling last?

As if the sky were always gray,
You look like someone I know,
Where did I meet you and where do we go?
And will I ever breathe again?
You look like someone I know,
Where did I meet you and where do we go?
And as the tears roll down your face,
You look like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space,
You feel like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space.

As if the sky were always gray,
You look like someone I know,
Where did I meet you and where do we go?
And will I ever breathe again?
You look like someone I know,
Where did I meet you and where do we go?
And as the tears roll down your face,
You look like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space,
You feel like someone I know,
Where did I meet you and where do we go?
And as our bodies fly through space.","Chorus

Gm > Eb > D > Gm > Bb > F > A > D
then..
Gm > Eb > D > Gm > Bb > F > E > 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