[{"_1":2,"_915":-5,"_916":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_911":912,"_913":-5,"_914":-5},"setlist",{"_19":20,"_740":765,"_766":767,"_197":909},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":-5,"_38":36,"_39":36,"_40":36,"_41":36,"_42":36,"_43":-5,"_44":45,"_740":741,"_762":742,"_763":764},"id","4a2b3200-b33e-40e6-9026-ba38754993f6","slug","1996-12-27-new-music-cafe-new-york-ny","date","1996-12-27","notes","","legacyId",27,"createdAt","2020-02-22T16:19:52.200Z","updatedAt","2020-02-23T00:37:15.131Z","likesCount",0,"relistenUrl","averageRating","ratingsCount","showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[46,199,281,352,418,487,556,622,675],{"_21":47,"_48":22,"_49":50,"_51":52,"_53":54,"_55":56,"_31":57,"_33":57,"_35":36,"_23":58,"_59":-5,"_60":61,"_62":-5,"_63":64,"_38":36,"_39":36,"_43":-5,"_65":66,"_197":198},"fb4fd53a-ea42-4f15-bae1-3882718d8cc5","showId","songId","1b2cdf23-a0c7-4663-8890-d804000441ea","set","S1","position",1,"segue",">","2020-02-22T16:25:42.256Z","1996-12-27-bernstein-and-chasnoff","note","allTimer",false,"previousTrackId","nextTrackId","f64ac0a6-c656-48fd-9db6-f5cc5144f5f5","song",{"_21":50,"_67":68,"_23":69,"_31":70,"_33":71,"_72":73,"_74":75,"_27":28,"_76":77,"_29":78,"_79":61,"_80":81,"_82":83,"_84":85,"_86":87,"_88":89,"_90":91,"_92":93,"_94":95,"_138":139,"_191":192,"_193":194,"_195":196,"_43":68},"title","Bernstein and Chasnoff","bernstein-and-chasnoff","2020-02-22T15:50:22.697Z","2025-08-26T02:09:36.096Z","lyrics","

Oh Bernstein and Chasnoff,
Where do you get off,
Thinking you're only two of twenty.

Oh Andy and Larry,
You're so damn hairy,
Why don't you go and take a bath?

(Because..)
You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

Klopstein and Cabot,
We just won't have it,
We know exactly who you are.

Tariq and Shep Williams,
The pages they will fill 'em
Well, phony names will only go so far.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

You're getting sued.
Bummer, dude.
But you just don't know when it'll happen.

You're getting sued.
Bummer, dude.
But the time's just not right for that action.

","tabs","transcribed by Rich Steele

(main riff)

C > A > D > G

(chords over the chorus)

C > Bb > G > C > F
C > Bb > G > C > Bb > F > G

(ending riff)

E 15 12 12 12(h)13 12 12 17 17 14 14 14(h)15 14 14
B 13 13 15 15
G 12 14
D
A
E","legacyAbbr","bandc",14,"cover","authorId","e2397ce3-857e-425f-925e-1cb30de780d7","legacyAuthor","Marc Brownstein","history","

Larry Chasnoff, Marc, and a mutual friend of ours, Keith Koslov, all spent their summers growing up together in upstate NY at a place called Schroon Lake. \r

I went to high school with Keith and knew Marc as his annoying prep school friend, way too soft for us public school Brooklyn thugs. Then a bunch of us went to see Phish in Sugarbush in 95, and Marc started telling about this band he was in, and I started telling him about this idea I had for a book. \r

Walking around the lots a kid from Penn recognized Marc from his band and got all excited. I thought to myself, "hmmm, if the book thing doesn't work out, maybe I can ride Brownstein's coattails a little." \r

A few months later, as the Biscuits toiled in relative obscurity, we came out with the first Pharmer's Almanac. Only about 6 people worked on it, but we wanted to make it look more like a community project, so we put a lot of fake names in the staff box. It was a mix of names of people from Schoon Lake (Nick Weiss) and completely absurd names like Harvey Klopstein, Tariq Ali and Shep Williams. \r

When Marc and Keith saw the book a few months later, they thought the fake names were hysterical. While I wasn't there, I assume they spent the next few hours making fun of Chasnoff and I on every possible level. And at some point Keith pulled out a guitar. The rest was history. \r

So that's where the song came from. ("Klopstein and Cabot/ we just won't have it/we know exactly who you are/Tariq and Shep Williams/ pages we'll fill'em/ but phony names will only go so far.) \r

I was all excited that I had a song with my name in it until people started coming up to me and asking "Hey, why did you get sued by Phish?" \r

I want to state, for the record, that we never were sued by Phish, never threatened to be sued by Phish, and never had any legal issues with Phish regarding the Almanac. Every interaction we've had with management has been positive. \r

We caught a lot of grief in the early years from about a dozen people on rec.music.Phish (I know, what a shocker, someone getting grief on an Internet discussion group) but we never got the same from management. \r

I'm not actually sure where the "You're getting sued/bummer dude" line came from, but I think it had to do with the fake names or maybe some of the flack we were getting on the Internet. \r

The Almanac ended up selling about 70,000 copies, but at some point I got tired of going to Phish shows and decided it was a lot more fun to see the Disco Biscuits. \r

~Andy Bernstein\r

Although its lyrics were never cerebral, Bernstein & Chasnoff connects the band to greater jamband lore. Musically the song is not much more complicated: There are two verses, each followed by a chorus, a bridge and chorus, a jam section, and a triumphant ending. At various points in its history, the ending has contained a bonus section (referred to as “Smell The Funk” only after it had been shelved).\r

For its first year, B&C did not contain any jamming of note (refer to 1/30/97 for some truly bizarre sound effects in the pre-Trancefusion era). Trancefusion era versions of 97 (of which 11/17 and 11/18 are extant) do little to suggest the song’s eventual heavy hitter potential. Beginning early in 1998, the song became a vehicle for some of the band’s most interesting early experimentations. 2/26/98 is of particular note, a 25-minute version that contains elements of what would make the song great. Even more significant is 3/21/98, the “Techno B&C,” and what is considered to be the first “Perfume version” of any song. The song remained strong, if slightly less noteworthy, for the remainder of 1998. Already its M.O. was becoming pretty clearly established—the song would regularly depart from blissful type one territory for spacey, sinister territory, and was the earliest example of this style of exploratory jamming.\r

One of the first jams of 1999 was a B&C jam, in the early morning hours of January 1. This B&C > Nughuffer was likely the greatest example of pure Trancefusion yet played at the time. The song stayed strong through 1999 (a high water mark for both the band and the song), with standout versions played on 4/24, 4/30, 5/5, and 9/11 of that year. In particular, the latter two are frequently cited as the strongest versions of the song.\r

The band took a hiatus from B&C during its author’s departure from the band, but it returned with a vengeance at Camp Bisco, split-up dyslexically over 8/25/00 and 8/26/00. Despite the fewer shows played in 2000, there is no shortage of strong B&Cs from the fall tour. Of these 10/27 is thoroughly unique, and a sleeper choice for best ever, while 12/28/00 is more reminiscent of the classic 1999 style B&C.\r

After 2000, B&C faded a bit into the background, although some standout versions do exist from this era. 4/24/01 received some attention for its inclusion in Steele’s Picks, 9/6/01 contains some fantastic fall 2001 jamming and one of the early Sound 1s, and 10/5/02 is remarkably strong (of course, as is everything from that show). 11/29/03 is a lesser-known but very interesting version, which may be the first to be jammed out of the bridge rather than the main jam section.\r

B&C was played just thrice in 04 and once in 05 before Allen joined the band. After a few versions in the winter and spring shows, it was absent for nearly the whole of 06, from 4/26 until 12/29. The 12/29 version is a much-loved mashup with Joy to the World, and features the return of the Smell the Funk section, shelved in January 1999 and busted out only once on 5/5/01. It would be played on every 07 version and then shelved again indefinitely.\r

2007 would be B&C’s second golden era, as nearly every version from that year is excellent and highly regarded. After the fairly standard Jam Cruise version, it was split three ways for the first time at the legendary Starland Ballroom run on 2/17, which featured numerous debuts, Allen first-timers, and bustouts. While it didn’t surface over the spring tour, the standalone version that opened Camp Bisco VI is probably the strongest standalone with Allen. In the fall tour, 10/16 is a particularly strong version (flying slightly under the radar due to a lack of available soundboard) and 11/1 contains the first jam into the beginning of the song with Allen, and since 4/4/02.\r

B&C was only played twice in 08, although 4/19/08’s monster inverted version (first inversion with Allen and first since 7/23/03) is a must-hear. After a single performance each in the winter tour and spring tour of 09, B&C was played six times in the four months from 10/3/09 to 1/28/10. Each of those 6 versions is inverted. In the post-wristgate era, B&C rarely produces a memorable jam, with two glaring exceptions: the stellar and spacey 2/3/17 B&C > Voices > B&C, and the monster dyslexic beginning that opened the second set of 10/19/20.\r

","featuredLyric","You’re getting sued. Bummer Dude","timesPlayed",240,"dateLastPlayed","2025-06-22T00:00:00.000Z","dateFirstPlayed","1996-07-04T00:00:00.000Z","yearlyPlayData",{"_96":97,"_98":99,"_100":101,"_102":103,"_104":105,"_106":107,"_108":107,"_109":110,"_111":112,"_113":54,"_114":115,"_116":105,"_117":118,"_119":120,"_121":110,"_122":118,"_123":112,"_124":118,"_125":126,"_127":54,"_128":112,"_129":112,"_130":112,"_131":118,"_132":54,"_133":118,"_134":54,"_135":110,"_136":118,"_137":112},"1996",9,"1997",47,"1998",32,"1999",36,"2000",8,"2001",16,"2002","2003",6,"2004",3,"2005","2006",4,"2007","2008",2,"2009",7,"2010","2011","2012","2013","2014",5,"2015","2016","2017","2018","2019","2020","2021","2022","2023","2024","2025","longestGapsData",{"_140":141,"_147":148,"_152":153,"_157":158,"_162":163,"_167":168,"_172":173,"_177":178,"_181":182,"_186":187},"124",{"_25":142,"_143":144,"_145":146},"2000-08-25","previous","1999-10-29","delta_days",301,"174",{"_25":149,"_143":150,"_145":151},"2006-02-25","2005-03-24",338,"177",{"_25":154,"_143":155,"_145":156},"2006-12-29","2006-04-26",247,"187",{"_25":159,"_143":160,"_145":161},"2008-12-27","2008-04-19",252,"203",{"_25":164,"_143":165,"_145":166},"2012-07-14","2011-04-15",456,"214",{"_25":169,"_143":170,"_145":171},"2016-03-26","2015-02-21",399,"224",{"_25":174,"_143":175,"_145":176},"2019-11-14","2019-01-31",287,"225",{"_25":179,"_143":174,"_145":180},"2020-10-19",340,"228",{"_25":183,"_143":184,"_145":185},"2022-11-11","2021-10-28",379,"237",{"_25":188,"_143":189,"_145":190},"2025-01-25","2024-02-09",351,"mostCommonYear",1997,"leastCommonYear",2005,"guitarTabsUrl","http://sickbarberlicks.weebly.com/bernstein-and-chasnoff.html","annotations",[],{"_21":200,"_48":22,"_49":201,"_51":52,"_53":112,"_55":-5,"_31":202,"_33":202,"_35":36,"_23":203,"_59":-5,"_60":61,"_62":64,"_63":204,"_38":36,"_39":36,"_43":-5,"_65":205,"_197":274},"a88fcc49-332f-4018-94f4-21f197702d43","aff62144-b337-4343-999f-eae3294074af","2020-02-22T16:25:42.356Z","1996-12-27-mr-don","3a68771d-f9a7-43c2-ab6c-ea2fdf6b2ddb",{"_21":201,"_67":206,"_23":207,"_31":208,"_33":209,"_72":210,"_74":211,"_27":28,"_76":212,"_29":213,"_79":61,"_80":214,"_82":215,"_84":-5,"_86":216,"_88":217,"_90":218,"_92":219,"_94":220,"_138":227,"_191":192,"_193":194,"_195":273,"_43":206},"Mr. Don","mr-don","2020-02-22T15:50:23.009Z","2025-08-26T02:09:54.110Z","

Praise the lord in Moscow
Budapest and Sausalito
Where lying in the sunshine might be the very best that we know
gab of what's in mind
the trading post of your libido,
'Cause Mr. Don's been ridiculin' cyclops Apathito

It seems that every day,
the kitchen has gone awry
Apathito's the first to point out
that the place is such a sty.
No matter to faith on the locks of their mind,
and if you don't got no action well you might not even try.

Mr. Don's all worried 'bout that cyclops Abelito
Himalayas in their minds,
Quaker Oats in their libidos
That genius, killing time yellin' at your alter ego
Excuses spinning lies;

all, to live that sunshine we know

","transcribed by Rich Steele

~~Mr Don
(intro/main riff)
E
B
G (trills)
D 1(h)3 3(p)1
A 3 1
E 1 1 1(h)4 1 1 1 1(h)4 1

F9 Eb Cm
E
B 8 8 4
G 8 8 5
D 7 8 5
A 8 6 3
E

verse chords
Ab > Db > G7 > C7

C7 riff played after the verse

E
B 5~ 6(p)5 5 6~ 8 10 11(p)10(p)8 8~ 8 11(sl)13 11~
G 10
D
A
E","mrdon",124,"4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","Excuses spinning lies, all to live that sunshine we know",233,"2025-07-11T00:00:00.000Z","1995-12-01T00:00:00.000Z",{"_221":118,"_96":222,"_98":223,"_100":224,"_102":225,"_104":105,"_106":226,"_108":226,"_109":110,"_111":115,"_113":54,"_114":126,"_116":105,"_117":112,"_119":226,"_121":97,"_122":118,"_123":118,"_124":54,"_125":115,"_127":126,"_128":112,"_129":112,"_130":126,"_131":118,"_132":54,"_133":126,"_134":115,"_135":115,"_136":118,"_137":112},"1995",21,37,17,30,12,{"_228":229,"_233":234,"_238":239,"_243":244,"_248":249,"_252":253,"_257":258,"_167":262,"_264":265,"_181":269},"150",{"_25":230,"_143":231,"_145":232},"2006-02-04","2005-03-26",315,"153",{"_25":235,"_143":236,"_145":237},"2006-11-09","2006-04-23",200,"166",{"_25":240,"_143":241,"_145":242},"2009-01-17","2008-04-17",275,"188",{"_25":245,"_143":246,"_145":247},"2011-12-26","2011-05-26",214,"189",{"_25":250,"_143":245,"_145":251},"2012-10-04",283,"192",{"_25":254,"_143":255,"_145":256},"2014-01-26","2013-04-25",276,"213",{"_25":259,"_143":260,"_145":261},"2019-11-21","2019-04-27",208,{"_25":263,"_143":259,"_145":151},"2020-10-24","222",{"_25":266,"_143":267,"_145":268},"2022-10-30","2022-04-08",205,{"_25":270,"_143":271,"_145":272},"2024-04-04","2023-08-10",238,"http://sickbarberlicks.weebly.com/mr-don.html",[275],{"_21":276,"_277":200,"_278":279,"_31":280,"_33":280},"4136832d-bbd4-4ef7-8959-b99751368241","trackId","desc","With 'Dance Of The Sugar Plum Fairies' (Tchaikovski) tease.","2020-02-22T16:25:42.378Z",{"_21":204,"_48":22,"_49":282,"_51":52,"_53":115,"_55":-5,"_31":283,"_33":283,"_35":36,"_23":284,"_59":-5,"_60":61,"_62":200,"_63":285,"_38":36,"_39":36,"_43":-5,"_65":286,"_197":351},"3f5505cc-906e-47b4-9e19-6a43c7e82540","2020-02-22T16:25:42.416Z","1996-12-27-aceetobee","f1b5431b-bab0-4a4c-89c7-8086948ba08d",{"_21":282,"_67":287,"_23":288,"_31":70,"_33":289,"_72":290,"_74":291,"_27":28,"_76":292,"_29":118,"_79":61,"_80":214,"_82":215,"_84":293,"_86":294,"_88":295,"_90":296,"_92":297,"_94":298,"_138":301,"_191":348,"_193":349,"_195":350,"_43":287},"Aceetobee","aceetobee","2025-08-26T02:09:33.437Z","

Well, everyone's talking 'bout what they know.
When tomorrow's where I want to go.
And everybody's talking 'bout who's their man.
As we're finding our way to the promise land.

But things just aren't as they seem to be,
And one day you're all locked up,
The next day you're free...

And it's dark outside.
All alone and it might slide by,
But now the king is gone,
And here we are Zex Sea,
In Aceetobee.

","

transcribed by Rich Steele

(intro/main riff)

E 8 5 8 5 7
B 5 5 5 5 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 7 7 7 7 5 5 > 7
A
E (use palm mutes in between chords)

(play similar riff over the 'well things just aren't as they seemed to
be', but using a D7 chord voicing instead)

E
B 5 7 5 5 7 5 5 5 5 > 7
G 5 5 5 5 5 5 5 5 5 > 7
D 5(sl)7 7 7 5 7 7 5 5 5 > 7
A
E

(riff after the Eb > Ebm buildup)
F#
E 2
B 6(sl)4 2
G 3(sl)5 3 3 2 2 2(h)3 3
D 5 3 4
A 5 4 4 4
E 2

E 2
B 2 4
G 3 3
D 4 5 (play 3 times,
A 4 6 then lead into
E 2 this riff over a Abm7 > C#)

E 4
B 4 6
G 4 6
D 4 6
A 6 4
E 4

then......

(the immortal ac2b riff :)

Eb F#
E
B 8~ 8 9 11 9 9(h)11(p)9(p)8 7~ 9 11 9 9(h)11(p)9 8~
G
D
A
E

this riff is played again during the ending jam, where jon does this
ascending type riff that follows that riff that goes something like this:

E
B 12 12 12 12 14 14 14 14(sl)16
G 11 11 11 11 (sl)13 13 13 13
D
A
E

(the end is jammed over a Eb > F# with that B > C# > Eb added at the end
of each phrase)

","actob","

Supposedly written after Barber told his convenience store boss to fuck off, Aceetobee was one of the earliest originals debuted by the Biscuits, alongside Barfly, Pat & Dex, and Basis. It features an intro, a verse section, a composed bridge, a vamp on the middle section with a descending riff, and a jam section built around a captivating, uplifting riff.

In the early trance-fusion era, the most interesting Aceetobee jams were intro jams segued into from other songs. One of the earliest Biscuits jams of note is 11/18/97 Vassillios > Aceetobee. These two were also paired together on 8/28/98 at the Wetlands to similarly great effect.

Aceetobee began to develop into a more full-fledged jam vehicle in 1999. 3/14/99 was the first Aceetobee to divert from the usual formula. Instead of a triumphant rock jam, the main jam was brooding and atmospheric until turning on a dime back into Aceetobee. 3/27/99 is another lauded version, mainly for the type two intro jam.

Spring 1999 saw some of the first significant developments in Aceetobee, notably the expansion of the hitherto underutilized “first jam” section. 4/10/99 (another contender for greatest) is the first version to be split in the first jam section, sandwiching the underutilized Smoothie King (and featuring another fantastic intro jam and soaring main jam). 4/24/99 is perhaps the first Aceetobee to feature a lengthy first jam, one that is, in fact, nearly as long as the second or “main” jam. After these developments, Aceetobee remained largely stagnant for the remainder of the year, but some standout versions include 9/20/99 and 9/28/99. Beyond these, Aceetobee was mainly of interest for the jams into the song rather than the jams in the song itself. For some excellent segues into Aceetobee, see 5/29/99, 9/15/99 and 10/9/99.

From 2000 to 2002, Aceetobee did not develop much. Despite this, there are plenty of standout versions from this era. Aceetobees in this era were consistent if fairly predictable, and fans of the song have a variety of solid versions to choose from. Some of these are 7/12/00 (played with Jordan Crisman on bass), 8/26/00, 11/10/00, 9/19/01 (a beautiful, spacey 27 minute version), 12/31/01, 8/13/02 (first inverted), 8/18/02 (actually goes type two in the main jam) and 10/5/02 (from the legendary Haymaker festival).

The second show of 03 featured a gorgeous, fleshed out Aceetobee, and it seems like every version played that year was an attempt to top the last. For this reason, just about every Aceetobee played in 03 is spectacular and worth hearing. The highlights are 4/4/03, 4/25/03, 9/29/03, and 11/29/03. Two additional highlights merit further discussion: 7/26/03, spectacular in its own right, is the second inverted version, and is inverted middle > end > beginning unlike the 02 version which is inverted end > beginning > middle. 10/23/03 is the first ever techno Aceetobee; it was played at a Perfume show, but the techno Aceetobee was played a few times at standard Biscuits shows.

In 2003, Aceetobee was played more frequently than any year since 1999. 2004-2005 Aceetobee was relegated to a more secondary role. 11/27/04 stands out as a stellar version for any era, and 8/27/05 sandwiches an inverted Nughuffer in a poignant moment in Sammy’s last show.

When Allen joined the band, Aceetobee became considerably rarer, and was played almost always as a standalone, and frequently as a set closer. It had a brief mini-renaissance beginning in July 2007. 7/8/07 features Aceetobee inside a Bazaar Escape sandwich (rare in itself), and 7/13/07 is an excellent version, with an Aceetobee > Pilin’ it Higher > Aceetobee sandwich stuck in the middle of a Crystal Ball palindrome. 10/16/07 features an excellent type two jam in the main section, and 11/4/07 Aceetobee > Great Abyss > Aceetobee is maybe the best version of the year.

After a strong 2007, Aceetobee was only played twice in 2008, 4/18/08 and 6/6/08. Both of these versions are very solid. It may have ran out of steam from being played so infrequently, as the 09 versions were generally not as strong as the ones from 07-08. 7/1/09 is probably the only standout version from this year, and there are many versions that are the weakest part of significant segments (4/23/09, 6/25/09, 10/4/09).

Aceetobee continued to play second fiddle to the major heavy hitters throughout the rest of 2.0 and the setbreak era. On 11/22/09, the song Catalyst developed out of an Aceetobee first jam. The Aceetobee > Catalyst > Aceetobee pairing further limited Aceetobee’s jam potential, and was played a total of five times besides the debut.

Besides the revisiting of the techno Aceetobee on 6/8/10, there were very few significant versions of the song between 2009 and 2017. In 2017 the song had another mini renaissance; it was played on average once every six shows, more frequently than any year since 2011. Each of these versions is worth hearing. 4/29/17 at the Capitol Theatre features a fantastic split Aceetobee with a drawn out intro jam segued from Papercut. Aceetobee was inverted for the third time ever on 5/28/17, and the middle was played at the Ogden on 6/1/17, completing this first and only split inversion of the song. The Aceetobee > Abyss > Aceetobee pairing was dusted off, to great success, on 9/21/17 at Irving Plaza, and Aceetobee was segued into from the Mario theme, and used to sandwich an excellent set of video game music, on 12/31/17 at the Playstation Theatre. Easily the best version of the year, and possibly the best version with Allen, was the techno Aceetobee played 11/17/17 at the Fillmore in Denver.

After this mini-renaissance, Aceetobee remained a once-or-twice-per-year rarity. The song rarely delivers show-defining highlights, but there are still occasional versions worth checking out: 9/16/23 is the strongest since 11/17/17, and 12/1/23 the first techno version since that date.

","One day you’re all locked up, the next day you’re free",292,"2025-07-09T00:00:00.000Z","1995-11-09T00:00:00.000Z",{"_221":118,"_96":126,"_98":299,"_100":300,"_102":225,"_104":105,"_106":224,"_108":224,"_109":78,"_111":126,"_113":115,"_114":120,"_116":110,"_117":118,"_119":97,"_121":105,"_122":110,"_123":110,"_124":112,"_125":115,"_127":112,"_128":118,"_129":110,"_130":54,"_131":118,"_132":54,"_133":112,"_134":118,"_135":112,"_136":112,"_137":115},54,55,{"_302":303,"_307":308,"_312":313,"_317":318,"_321":322,"_326":327,"_330":331,"_334":335,"_339":340,"_343":344},"2",{"_25":304,"_143":305,"_145":306},"1996-08-14","1995-12-02",256,"226",{"_25":309,"_143":310,"_145":311},"2009-02-14","2008-06-06",253,"257",{"_25":314,"_143":315,"_145":316},"2013-12-18","2013-04-27",235,"267",{"_25":319,"_143":320,"_145":176},"2017-04-29","2016-07-16","273",{"_25":323,"_143":324,"_145":325},"2018-12-09","2017-12-31",343,"275",{"_25":259,"_143":328,"_145":329},"2019-01-26",299,"276",{"_25":332,"_143":259,"_145":333},"2020-10-18",332,"281",{"_25":336,"_143":337,"_145":338},"2022-12-29","2022-04-01",272,"282",{"_25":341,"_143":336,"_145":342},"2023-07-12",195,"285",{"_25":345,"_143":346,"_145":347},"2024-09-07","2023-12-01",281,1998,2018,"http://sickbarberlicks.weebly.com/aceetobee.html",[],{"_21":285,"_48":22,"_49":353,"_51":52,"_53":126,"_55":-5,"_31":354,"_33":354,"_35":36,"_23":355,"_59":-5,"_60":61,"_62":204,"_63":356,"_38":36,"_39":36,"_43":-5,"_65":357,"_197":417},"3e89f84b-a209-4636-b869-946217713bd3","2020-02-22T16:25:42.468Z","1996-12-27-my-lady-survives","d80cb35d-86ae-4ea7-bb76-20e422d43807",{"_21":353,"_67":358,"_23":359,"_31":360,"_33":361,"_72":28,"_74":28,"_27":28,"_76":362,"_29":363,"_79":61,"_80":214,"_82":28,"_84":364,"_86":-5,"_88":365,"_90":366,"_92":367,"_94":368,"_138":370,"_191":192,"_193":415,"_195":416,"_43":358},"My Lady Survives","my-lady-survives","2020-02-22T15:50:23.989Z","2025-08-26T02:09:54.459Z","mylady",416,"

This early composition eventually became the ending section of Haleakala Crater

",61,"2011-12-31T00:00:00.000Z","1996-12-27T00:00:00.000Z",{"_96":54,"_98":369,"_100":224,"_122":118},41,{"_371":372,"_374":375,"_379":380,"_383":384,"_388":389,"_393":394,"_398":399,"_402":403,"_406":407,"_411":412},"1",{"_25":373,"_143":26,"_145":222},"1997-01-17","6",{"_25":376,"_143":377,"_145":378},"1997-03-20","1997-02-28",20,"11",{"_25":381,"_143":382,"_145":222},"1997-04-19","1997-03-29","25",{"_25":385,"_143":386,"_145":387},"1997-09-07","1997-07-26",43,"39",{"_25":390,"_143":391,"_145":392},"1997-11-30","1997-11-08",22,"50",{"_25":395,"_143":396,"_145":397},"1998-04-19","1998-02-26",52,"51",{"_25":400,"_143":395,"_145":401},"1998-06-25",67,"53",{"_25":404,"_143":405,"_145":222},"1998-07-23","1998-07-02","58",{"_25":408,"_143":409,"_145":410},"1998-10-31","1998-08-28",64,"59",{"_25":413,"_143":408,"_145":414},"2011-12-28",4806,1996,"http://sickbarberlicks.weebly.com/my-lady-survives.html",[],{"_21":356,"_48":22,"_49":419,"_51":52,"_53":110,"_55":-5,"_31":420,"_33":420,"_35":36,"_23":421,"_59":-5,"_60":61,"_62":285,"_63":422,"_38":36,"_39":36,"_43":-5,"_65":423,"_197":486},"26d20559-9ba5-4cb1-adb2-fc179f378254","2020-02-22T16:25:42.533Z","1996-12-27-down-to-the-bottom","a60bd724-bb8b-41e1-903f-9d8e12b14f4a",{"_21":419,"_67":424,"_23":425,"_31":426,"_33":427,"_72":428,"_74":28,"_27":28,"_76":429,"_29":430,"_79":61,"_80":214,"_82":215,"_84":-5,"_86":431,"_88":432,"_90":433,"_92":434,"_94":435,"_138":437,"_191":192,"_193":484,"_195":485,"_43":424},"Down To The Bottom","down-to-the-bottom","2020-02-22T15:50:22.856Z","2025-08-26T02:09:40.939Z","

It's a love, but its not.
Its a dove, when its shot
how you feel when you're on top,
and yet you know you're going to drop.

Once a great affection now gone bad
Shouldn't be the cause of why you're sad
Get it going it's just the same
You drop, and sift, and fly without wings without sky.

a wise man's little flaws,
a friendly cats sharpened claws,
the world of thought that makes you pause,
and think about your life's great cause

Once a great affection now gone bad
Shouldn't be the cause of why you're sad
Get it going it's just the same
You drop, and sift, and fly without wings without sky.

","dttb",49,"Get it going it's just the same\nYou drop, and sift, and fly without wings without sky",115,"2024-11-08T00:00:00.000Z","1995-04-01T00:00:00.000Z",{"_221":118,"_96":115,"_98":223,"_100":120,"_102":436,"_104":115,"_106":110,"_108":126,"_109":118,"_111":118,"_116":110,"_119":54,"_121":120,"_123":54,"_125":54,"_127":54,"_128":54,"_129":112,"_130":118,"_131":54,"_133":118,"_135":54,"_136":110},13,{"_438":439,"_443":444,"_448":449,"_452":453,"_457":458,"_462":463,"_466":467,"_470":471,"_475":476,"_479":480},"78",{"_25":440,"_143":441,"_145":442},"2003-07-25","2002-11-10",257,"81",{"_25":445,"_143":446,"_145":447},"2004-12-28","2004-01-08",355,"82",{"_25":450,"_143":445,"_145":451},"2007-02-15",779,"88",{"_25":454,"_143":455,"_145":456},"2009-12-31","2007-12-27",735,"96",{"_25":459,"_143":460,"_145":461},"2012-12-31","2010-12-29",733,"97",{"_25":464,"_143":459,"_145":465},"2014-09-26",634,"98",{"_25":468,"_143":464,"_145":469},"2015-12-05",435,"105",{"_25":472,"_143":473,"_145":474},"2019-12-13","2018-12-30",348,"106",{"_25":477,"_143":472,"_145":478},"2021-04-03",477,"108",{"_25":481,"_143":482,"_145":483},"2023-07-15","2021-11-21",601,2009,"http://sickbarberlicks.weebly.com/down-to-the-bottom.html",[],{"_21":488,"_48":22,"_49":489,"_51":52,"_53":105,"_55":-5,"_31":490,"_33":490,"_35":36,"_23":491,"_59":-5,"_60":61,"_62":422,"_63":492,"_38":36,"_39":36,"_43":-5,"_65":493,"_197":555},"8144db69-8b49-42db-83bd-60dbb5a52dae","005e9763-207b-415a-bdeb-23285942a2ac","2020-02-22T16:25:42.723Z","1996-12-27-rainbow-song","ba3f69ab-61e8-4c63-8112-473d06c73786",{"_21":489,"_67":494,"_23":495,"_31":496,"_33":497,"_72":498,"_74":499,"_27":28,"_76":500,"_29":501,"_79":61,"_80":81,"_82":83,"_84":502,"_86":503,"_88":504,"_90":505,"_92":506,"_94":507,"_138":509,"_191":192,"_193":553,"_195":554,"_43":494},"Rainbow Song","rainbow-song","2020-02-22T15:50:23.147Z","2025-08-26T02:09:58.994Z","

I'm floating here from red to blue,
The spectrum in between.
Shifting in from yellow,
Moving into green.

Where's the gold I'm looking for,
The cauldron black and hot.
The silver teacup overflows,
And shows me to the spot.

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Rainbow long and winding,
Seems to never end.
But perserverance pays its price,
In looking for my friend.

The dove I know will lend a hand,
The pure no longer white.
The purple face asphyxiates,
And pales from the fight.

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

Is there a pot of gold,
At the end of this sweet rainbow?
Shifting in from yellow,
Feeling rather mellow, and I'm...

I'm looking for my friend.
Will this rainbow ever (ever!)
Ever (ever!)
End?

","Transcribed by Eric Zeiler

(E5 and D#5 are just basic power chords: root and 5th)

Intro: Dm, F, C, Dm

Dm F C Dm
Floating here from red to blue, the spectrum in between
Shifting in from yellow, moving into green
Where's the gold I'm looking for, the cauldron black and hot
The silver teacup overflows and shows me to the spot

Chorus:
G D C Bb
Is there a pot of gold, at the end of the sweet rainbow
G Bb A Bb A Bb A Bb A Bb
Shifting in from yellow, feeling rather mellow and I...
G Bb F E5 D#5 E5 D#5 Dm
I'm looking for my friend, will the rainbow ever, ever, ever, ever end

Post-Chorus:
Dm, C, Dm, C (alternating between measures of 7 and 8)

Rainbow long and winding, seems to never end
But perseverance pays its price in looking for my friend
The door? I know will lend a hand, the pure no longer white
The purple face asphyxiates, and pales from the fight

Chorus
Guitar solo over the post-chorus chords
Synth solo over the verse chords
Chorus","rainbow",148,"

","I'm floating here from red to blue, the spectrum in between, shifting in from yellow, moving into green",83,"2025-07-10T00:00:00.000Z","1995-12-11T00:00:00.000Z",{"_221":54,"_96":78,"_98":222,"_100":508,"_102":115,"_106":54,"_108":112,"_109":118,"_111":54,"_116":126,"_117":118,"_119":54,"_121":54,"_123":54,"_125":54,"_127":54,"_128":112,"_129":54,"_132":54,"_133":54,"_135":126,"_136":54,"_137":54},11,{"_398":510,"_514":515,"_406":518,"_522":523,"_527":528,"_531":532,"_535":536,"_539":540,"_544":545,"_443":549},{"_25":511,"_143":512,"_145":513},"2001-04-21","1999-10-02",567,"52",{"_25":516,"_143":511,"_145":517},"2002-04-26",370,{"_25":519,"_143":520,"_145":521},"2007-02-17","2004-05-28",995,"65",{"_25":524,"_143":525,"_145":526},"2009-04-18","2008-03-22",392,"67",{"_25":250,"_143":529,"_145":530},"2010-02-18",959,"68",{"_25":533,"_143":250,"_145":534},"2014-02-21",505,"69",{"_25":537,"_143":533,"_145":538},"2015-04-15",418,"74",{"_25":541,"_143":542,"_145":543},"2020-10-23","2017-06-02",1239,"76",{"_25":546,"_143":547,"_145":548},"2023-01-18","2021-09-18",487,{"_25":550,"_143":551,"_145":552},"2024-09-11","2023-09-24",353,1995,"http://sickbarberlicks.weebly.com/rainbow-song.html",[],{"_21":492,"_48":22,"_49":557,"_51":52,"_53":97,"_55":-5,"_31":558,"_33":558,"_35":36,"_23":559,"_59":-5,"_60":61,"_62":488,"_63":-5,"_38":36,"_39":36,"_43":-5,"_65":560,"_197":621},"2923ea2d-00c9-4867-b60a-efbb1d8adfa1","2020-02-22T16:25:42.779Z","1996-12-27-vassillios",{"_21":557,"_67":561,"_23":562,"_31":563,"_33":564,"_72":565,"_74":566,"_27":28,"_76":567,"_29":568,"_79":61,"_80":214,"_82":215,"_84":-5,"_86":569,"_88":570,"_90":571,"_92":572,"_94":573,"_138":578,"_191":348,"_193":619,"_195":620,"_43":561},"Vassillios","vassillios","2020-02-22T15:50:23.818Z","2025-08-26T02:10:11.167Z","

Vassillios, neck beard
straight from the gutter
shaped like a cow
and milked like an udder

you know he's a freak 'cause he looks with his mother
Vassillios deadweight fish motherfucker

Vassillios, straight from the gutter
Vassillios, we love you like a brother
Vassillios, straight from the gutter
Vassillios, we love you like a ...

Vassillios, sweet cheeks
we love you like a brother
jolly old friend spreading mirth like no other.
A kind and simple beast, Vassillios, when I shudder..
To think it was you who left Candy in the gutter.

Swiftly sneaking
Vassillios is sleeping like a baby
Overzealous the bees are getting jealous
Vassillios, maybe

on the down low
underneath your hedgerow
something is startling

for farthing, darling
nothing more is marveling
Vassillios, maybe

","transcribed by Rich Steele

(intro)
E
B
G
D 5(h)7
A 9(p)7 7 5 7 7
E 5(h)7 7~

E
B
G
D 5(h)7
A 9(p)7 7 5 7
E 5(h)7

twice, then...

Bm A
E 7 5
B 7 5
G 7 6
D 9 7
A 9 7

then ride on a open E major, while hitting those Bm > A chords at the end
of each measure.

verse chords are Am > D > E > F#

(jon plays this quick fills in between chord changes that i haven't quite
figured out yet)

next, during what i guess is considered the chorus, jon plays something
like this.

E 0
B 3 5 3 5 3 5 0
G 4 5 4 5 4 5 1
D 5 7 5 7 5 7 2
A 2
E 0
(play twice, then end with a Bm > A, before going into the next verse)

more to come soon, as i work out the middle section.\\r","vass",198,"Straight from the gutter",244,"2025-06-04T00:00:00.000Z","1996-12-14T00:00:00.000Z",{"_96":118,"_98":574,"_100":575,"_102":576,"_104":97,"_106":577,"_108":224,"_109":105,"_111":118,"_113":118,"_114":110,"_116":118,"_117":115,"_119":508,"_121":126,"_122":110,"_123":54,"_124":118,"_125":54,"_127":54,"_128":54,"_129":118,"_130":54,"_131":112,"_132":54,"_133":54,"_134":118,"_135":112,"_136":115,"_137":112},40,53,33,18,{"_579":580,"_584":585,"_589":590,"_264":594,"_172":598,"_177":602,"_307":604,"_607":608,"_612":613,"_186":616},"182",{"_25":581,"_143":582,"_145":583},"2005-03-25","2004-05-09",320,"218",{"_25":586,"_143":587,"_145":588},"2012-12-27","2011-12-31",362,"220",{"_25":591,"_143":592,"_145":593},"2013-12-27","2013-01-27",334,{"_25":595,"_143":596,"_145":597},"2015-07-18","2014-02-20",513,{"_25":599,"_143":600,"_145":601},"2017-02-02","2016-02-05",363,{"_25":603,"_143":599,"_145":176},"2017-11-16",{"_25":605,"_143":603,"_145":606},"2018-12-12",391,"231",{"_25":609,"_143":610,"_145":611},"2021-04-02","2020-01-04",454,"232",{"_25":614,"_143":609,"_145":615},"2022-04-02",365,{"_25":617,"_143":551,"_145":618},"2024-07-05",285,2012,"http://sickbarberlicks.weebly.com/vassillios.html",[],{"_21":64,"_48":22,"_49":623,"_51":52,"_53":118,"_55":56,"_31":624,"_33":624,"_35":36,"_23":625,"_59":-5,"_60":61,"_62":47,"_63":200,"_38":36,"_39":36,"_43":-5,"_65":626,"_197":674},"892570d0-334a-436b-993d-9ae399e4d053","2020-02-22T16:25:42.309Z","1996-12-27-dance-of-the-sugarplum-fairies",{"_21":623,"_67":627,"_23":628,"_31":563,"_33":629,"_72":28,"_74":28,"_27":28,"_76":630,"_29":631,"_79":632,"_80":633,"_82":634,"_84":-5,"_86":-5,"_88":225,"_90":635,"_92":367,"_94":636,"_138":637,"_191":192,"_193":415,"_195":-5,"_43":627},"Dance Of The Sugarplum Fairies","dance-of-the-sugarplum-fairies","2025-08-26T02:09:39.681Z","sugarplum",184,true,"a7b67347-168e-45ff-9b19-e9b399e831ac","Tschaikovsky","2024-12-30T00:00:00.000Z",{"_96":54,"_98":115,"_100":112,"_102":118,"_104":54,"_106":112,"_108":54,"_109":54,"_114":54,"_116":54,"_119":54,"_122":54,"_123":54,"_124":54,"_125":118,"_127":54,"_128":54,"_129":54,"_130":54,"_134":54,"_136":54},{"_638":639,"_642":643,"_645":646,"_649":650,"_653":654,"_657":658,"_383":660,"_663":664,"_667":668,"_671":672},"16",{"_25":154,"_143":640,"_145":641},"2003-08-16",1231,"17",{"_25":644,"_143":154,"_145":615},"2007-12-29","18",{"_25":647,"_143":644,"_145":648},"2009-12-26",728,"19",{"_25":651,"_143":647,"_145":652},"2011-12-27",731,"20",{"_25":655,"_143":651,"_145":656},"2012-12-29",368,"21",{"_25":659,"_143":655,"_145":615},"2013-12-29",{"_25":661,"_143":662,"_145":526},"2016-12-29","2015-12-03","27",{"_25":665,"_143":666,"_145":615},"2018-12-28","2017-12-28","28",{"_25":669,"_143":665,"_145":670},"2022-12-30",1463,"29",{"_25":673,"_143":669,"_145":652},"2024-12-30",[],{"_21":422,"_48":22,"_49":676,"_51":52,"_53":120,"_55":-5,"_31":677,"_33":677,"_35":36,"_23":678,"_59":-5,"_60":61,"_62":356,"_63":488,"_38":36,"_39":36,"_43":-5,"_65":679,"_197":739},"a345a821-dd64-4665-9026-894abc360139","2020-02-22T16:25:42.622Z","1996-12-27-morph-dusseldorf",{"_21":676,"_67":680,"_23":681,"_31":208,"_33":682,"_72":683,"_74":28,"_27":28,"_76":684,"_29":685,"_79":61,"_80":81,"_82":83,"_84":-5,"_86":686,"_88":687,"_90":688,"_92":689,"_94":690,"_138":695,"_191":348,"_193":194,"_195":738,"_43":680},"Morph Dusseldorf","morph-dusseldorf","2025-08-26T02:09:53.850Z","

Morph is who a boy you see, he's changing as we speak
from adavan to aleman in twenty-forms a week
A rock at three to feel still the wind at four to fly
POSTED BY BROWNSTEIN:
At TEN (tomorrow) we'll huff a mighty greer, cause troopers comin by.
ON UNCIVILIZED AREA:
At six he'll be in Texas, when Trooper's comin' by

All social situations, he handles like a dream
a chameleon in space and form, in color too it seems.
The ability to NOT BE SEEN, though you SEE him everywhere
POSTED BY BROWNSTEIN:
And Morph has said tomorrow, that you'll see him over there.
ON UNCIVILIZED AREA:
Morph in here tomorrow, and he'll be right over there.

Morph, Morph from dusseldorf, Changing all the time.
And if you stay the same one day, that night will be sublime
Morph, Morph from dusseldorf, no need to drink that wine,
Cause if you wish to break the date with your savvy concubine.

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