[{"_1":2,"_713":-5,"_714":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_708":709,"_710":711,"_712":-5},"setlist",{"_19":20,"_638":662,"_665":666,"_157":695},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":-5,"_30":31,"_32":33,"_34":35,"_36":37,"_38":39,"_40":41,"_42":35,"_43":35,"_44":35,"_45":46,"_47":48,"_638":639,"_659":640,"_660":661},"id","72acaf31-6175-4cd3-a4c1-4981d055d078","slug","2023-12-02-miami-beach-bandshell-miami-beach-fl","date","2023-12-02","notes","North Beach Music Festival ","legacyId","createdAt",["D",1701554179610],"updatedAt",["D",1763857691047],"likesCount",0,"relistenUrl","https://relisten.net/disco-biscuits/2023/12/02","averageRating",2.886363636363636,"ratingsCount",22,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","2023-12-02 12/02/23 12/02/2023 December 02, 2023 Miami Beach Bandshell Miami Beach FL United States Spaga's Last Stand > Tricycle Tricycle > Spaga's Last Stand Spaga's Last Stand Mindless Dribble > Who's in Charge Who's in Charge > Confrontation Confrontation > Tribulations Tribulations > Spacebirdmatingcall Spacebirdmatingcall","tracks",[49,166,277,361,443,502,553,614],{"_21":50,"_51":22,"_52":53,"_54":55,"_56":57,"_58":59,"_30":60,"_32":61,"_34":35,"_23":62,"_63":64,"_65":66,"_67":68,"_69":70,"_38":71,"_40":72,"_45":73,"_74":75,"_157":158},"78c47603-6476-49e1-b5e9-bbfd30d84cfe","showId","songId","b9756d72-a15f-43c2-907a-5170f6bb7770","set","S1","position",5,"segue",">",["D",1701572375362],["D",1763005959940],"2023-12-02-who-s-in-charge-s1-5","note","","allTimer",false,"previousTrackId","85276766-631d-4600-ae5a-2a58b326fb3c","nextTrackId","96245be6-22ae-436e-bfe9-c7c44dc0f233",4.333333333333333,3,"Who's in Charge S1 segue > Mindless Dribble Confrontation with ‘Relax’ (Frankie Goes To Hollywood) tease","song",{"_21":53,"_76":77,"_23":78,"_30":79,"_32":80,"_81":82,"_83":64,"_27":64,"_84":-5,"_29":-5,"_85":66,"_86":87,"_88":-5,"_89":64,"_90":64,"_91":92,"_93":94,"_95":96,"_97":98,"_106":107,"_152":153,"_154":155,"_156":64,"_45":77},"title","Who's in Charge","who-s-in-charge",["D",1654914294620],["D",1756174212798],"lyrics","

Who’s in charge of this place

We got something to play

Hear us out, take a moment

We wanna know, who’s calling the shots

We got the music, we got that sound

Time doesn't waste in this place

Time doesn't waste any time

Can't call your manager can't call police

Sing us a song make it rhyme

Who’s in charge of this place right here? x2

Waited awaited the day

Traveled the galaxy far far away

Searching for secrets, they so hard to find

We almost took too much time

Who's in charge of this place right here? x2

Who's in charge of this place right here? x4

","tabs","legacyAbbr","cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","history","featuredLyric","timesPlayed",44,"dateLastPlayed",["D",1752105600000],"dateFirstPlayed",["D",1654819200000],"yearlyPlayData",{"_99":100,"_101":102,"_103":104,"_105":57},"2022",14,"2023",15,"2024",10,"2025","longestGapsData",{"_108":109,"_114":115,"_118":119,"_122":123,"_127":128,"_131":132,"_135":136,"_139":140,"_144":145,"_148":149},"5",{"_25":110,"_111":112,"_113":92},"2022-08-14","previous","2022-07-01","delta_days","29",{"_25":116,"_111":26,"_113":117},"2024-01-27",56,"30",{"_25":120,"_111":116,"_113":121},"2024-03-10",43,"34",{"_25":124,"_111":125,"_113":126},"2024-05-26","2024-04-11",45,"35",{"_25":129,"_111":124,"_113":130},"2024-07-13",48,"36",{"_25":133,"_111":129,"_113":134},"2024-09-05",54,"37",{"_25":137,"_111":133,"_113":138},"2024-10-30",55,"39",{"_25":141,"_111":142,"_113":143},"2025-01-23","2024-11-17",67,"40",{"_25":146,"_111":141,"_113":147},"2025-03-14",50,"41",{"_25":150,"_111":146,"_113":151},"2025-06-06",84,"mostCommonYear",2023,"leastCommonYear",2025,"guitarTabsUrl","annotations",[159],{"_21":160,"_161":50,"_162":163,"_30":164,"_32":165},"53afc8f9-2afa-4a52-bc82-bd751eef19a0","trackId","desc","with ‘Relax’ (Frankie Goes To Hollywood) tease",["D",1718156563784],["D",1718156563784],{"_21":167,"_51":22,"_52":168,"_54":55,"_56":169,"_58":64,"_30":170,"_32":171,"_34":35,"_23":172,"_63":64,"_65":66,"_67":173,"_69":-5,"_38":174,"_40":72,"_45":175,"_74":176,"_157":276},"5b0ddaf0-eb95-4876-b02e-11e8f93ce295","def00c7f-c69f-42a2-ab12-15acecad87e4",8,["D",1701575304005],["D",1763005959940],"2023-12-02-spacebirdmatingcall-s1-8","abede530-3307-453d-87b3-4ed0abe96ab1",2.5,"Spacebirdmatingcall S1 closer segue Tribulations",{"_21":168,"_76":177,"_23":178,"_30":179,"_32":180,"_81":181,"_83":182,"_27":64,"_84":183,"_29":184,"_85":66,"_86":185,"_88":186,"_89":-5,"_90":187,"_91":188,"_93":189,"_95":190,"_97":191,"_106":224,"_152":273,"_154":274,"_156":275,"_45":177},"Spacebirdmatingcall","spacebirdmatingcall",["D",1582386623147],["D",1756174204226],"

Now i'm at ease deflating on a whim,
and I found peace in the waiting room,

And in my sleep I heard a maiden call.
so tell me please where you wanna be now.

All while your dreams are fading like the sea,
now I'm at ease deflating on a whim,
and I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And i found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

All while your dreams are fading like the sea,
and in my sleep I heard a mating bird call,
So tell me please where you wanna be,
Now I found peace on the waiting room floor.

Now I'm at ease deflating on a whim,
And I found peace on the waiting room floor,
and In my sleep, I heard a mating bird call.

","transcribed by Rich Steele

D > G > A > G > A

E
B 17~ 15 15 15 14 14 15 17 15 17 15 17 19 17 19
G 14 14 16 16 16
D
A
E

E
B 17 19 17 15 17 15 15 14~ 14 15 17 15 17 15
G 14 14 16
D
A
E

E
B 17 19 17 19 17 19 17 15 17 > D > G > A > G > A
G 16 16
D
A
E","spacebird",176,"e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64","The Disco Biscuits","Now I'm at ease deflating on a whim,\nAnd I found peace on the waiting room floor,\nand In my sleep, I heard a mating bird call",226,["D",1755820800000],["D",984787200000],{"_192":193,"_194":195,"_196":197,"_198":199,"_200":201,"_202":203,"_204":205,"_206":205,"_207":208,"_209":169,"_210":211,"_212":57,"_213":57,"_214":211,"_215":57,"_216":217,"_218":217,"_219":72,"_220":217,"_221":201,"_222":197,"_99":197,"_101":223,"_103":223,"_105":211},"2001",29,"2002",20,"2003",9,"2004",2,"2005",1,"2006",16,"2007",12,"2008","2009",19,"2010","2011",7,"2012","2013","2014","2015","2016",6,"2017","2018","2019","2020","2021",11,{"_225":226,"_230":231,"_234":235,"_239":240,"_244":245,"_249":250,"_254":255,"_259":260,"_264":265,"_269":270},"60",{"_25":227,"_111":228,"_113":229},"2005-03-20","2004-05-09",315,"61",{"_25":232,"_111":227,"_113":233},"2006-02-22",339,"100",{"_25":236,"_111":237,"_113":238},"2008-12-30","2008-07-19",164,"134",{"_25":241,"_111":242,"_113":243},"2011-12-31","2011-08-21",132,"136",{"_25":246,"_111":247,"_113":248},"2012-07-07","2012-01-29",160,"138",{"_25":251,"_111":252,"_113":253},"2012-12-18","2012-07-13",158,"141",{"_25":256,"_111":257,"_113":258},"2013-07-12","2013-01-25",168,"171",{"_25":261,"_111":262,"_113":263},"2018-11-24","2018-05-25",183,"178",{"_25":266,"_111":267,"_113":268},"2020-10-16","2019-12-31",290,"179",{"_25":271,"_111":266,"_113":272},"2021-03-26",161,2001,2005,"http://sickbarberlicks.weebly.com/spacebirdmatingcall.html",[],{"_21":68,"_51":22,"_52":278,"_54":55,"_56":279,"_58":59,"_30":280,"_32":281,"_34":35,"_23":282,"_63":64,"_65":66,"_67":283,"_69":50,"_38":284,"_40":72,"_45":285,"_74":286,"_157":360},"d63c2607-6664-4e7f-9235-c042c03c92fa",4,["D",1701570798869],["D",1763005959940],"2023-12-02-mindless-dribble-s1-4","b3fe8b2d-b6c2-4f65-b639-459f5cb1f834",4.166666666666667,"Mindless Dribble S1 segue > Spaga's Last Stand Who's in Charge",{"_21":278,"_76":287,"_23":288,"_30":289,"_32":290,"_81":291,"_83":292,"_27":64,"_84":293,"_29":294,"_85":66,"_86":87,"_88":295,"_89":296,"_90":297,"_91":298,"_93":299,"_95":300,"_97":301,"_106":309,"_152":357,"_154":358,"_156":359,"_45":287},"Mindless Dribble","mindless-dribble",["D",1582386622856],["D",1756174193167],"

Whimsical, a pen in motion, thoughts roll in my mind,
scamper by so quickly now an agile word would find,
well I tried to grasp an angel, saw her wings, and watched her fly
reality for mingling dreams to scurry back and get in line.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

A gallery, a pen in motion, a delightful line instead,
it's chivalry outranks commotion on the roads most common tread,
and on those boots, the clicking heels, the dreams, the angel starts to fly,
to masquerade the world's parade for only seconds at a time.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
And they missed the perfume.

In a native centered world, one picks the fruit right off the trees,
on a wild blue island in the deep blue seas,
beyond a paleocentric world with all our people shaped in threes,
the only way I get around is some mild insanity.

We ordered out for mindless dribble,
over used, half wit, ishkabibble,
corner store junkies giving advice
we ordered out for paradise.

Apple butter toast is nice,
envisioned on a third wind twice,
my fine breaded friend was denied by the vice,
and they missed the perfume.

","

transcribed by Rich Steele
after intro, the chord they hit is a F# major played
on the 2nd fret.
They keep hitting this until you get to the next part, which is the part
during the verse too.

the way barber plays this kinda has this shuffle feel to it. the chords dont really sustain at all. for best
results don't press down all the way on the strings
to keep it from sounding too loud, avoiding the heavy
pick attack sound.

Am Am G G
E 5 5 3 3
B 5 5 10 10 10 10 12 12 3 3
G 5 5 9 9 9 9 12 12 4 4
D 7 7 10 10 10 10 12 12 5 5
A 7 7 10 10 5 5
E 3 3

(verses)
(start the part above with the first line of each verse with the Am, and
hit the G with the last word of each line.)

(#1)
Whimsical, a pen in motion, thoughts roll off my mind.
Scamper by so quickly, now a agile word would find.
Tried to grasp an angel, saw her wings and watched her fly.
Reality from mingling dreams, to scurry back and get in line.

(Chorus)

Am G Am D Bm
E 5 5 5 3 5 7 7 7 7
B 5 5 5 3 5 7 7 7 7 7 7 7 7
G 5 5 5 4 5 7 7 7 7 7 7 7 7
D 7 7 7 5 7 7 7 7 7 9 9 9 9
A 7 7 7 5 7 5 5 5 5 9 9 9 9
E 5 5 5 3 5 7 7 7 7

F F# G
E 1 1 1 1 2 3
B 1 1 1 1 2 3
G 2 2 2 2 3 4
D 3 3 3 3 4 5
A 3 3 3 3 4 5
E 1 1 1 1 2 3

We ordered out for Mindless Dribble
Overused half-wit, ishkabible.
Corner store junkies giving advice.
We ordered out for paradise.

(applebutter toast part)

E 7
B 4 4 4 7 4 7 5 5(p)4
G 4 4 4 4 6 4 4 4 4 6 4 4 4 4 6 6 4 4 4 4 6(p)4
D
A
E

Applebutter toast is nice.
Envisioned on a third wing, twice.
My fine breaded friend, was denied by the vice
and they missed the perfume.

","dribble",47,"Jon Gutwillig","

Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.

The first debut of 1998, Mindless Dribble signalled an important shift in the band’s style and songwriting maturity. It’s challenging lyrics and aggressive style placed it in contrast to the faux-hippie neo-psychedelia of 97-95.

The first few performances of Dribble were completely free of improv, but within a little more than a month the band was beginning to carve out the song’s nascent jam section. There is a tremendous observable growth throughout the year, with at least one must-hear version, 12/30/98 (also noteworthy as the first "happy" Dribble). Other noteworthy early versions include 4/18/98 and 5/2/98.

The song became a major jam vehicle in 1999, the year where most of the strongest versions can be found. The jam section remained fairly standard throughout the year, with a few notable deviations, e.g. the demented, primal 10/28/99 and the fairly blissful 12/30/99 (another "happy" Dribble). The song remained strong through 2000, with noteworthy versions including 10/31/00 (the longest version to date) and 10/6/00, in which the chord progression that eventually gave rise to The Big Happy, Highwire, and I Remember When was debuted.

Dribble remained a strong selection in 2001, with the split-up "happy" Dribble from 3/31/01 widely regarded as one of the best. The song also underwent some important developments in this year. On 4/20/01 (fittingly) the “dub” version of Mindless Dribble was debuted, a part of the larger trend of dubbed versions of Biscuits songs that swept up both I-Man and Floodlights during April 2001. Later in the year, the song became the vehicle for the composed jam that would eventually become known as Strobelights and Martinis. Beginning on 9/1/01, and continuing through the month, every Dribble (with the exception of 9/21/01) would bear the hallmarks of this jam. The section was briefly reprised again in April 2003 and occasionally after Strobelights was debuted as its own song.

Although Dribble remained a staple of the catalog, its appearance grew less frequent in 2.0. It was never shelved, and was often split up to keep it interesting. When not split up, Dribble often fell into predictable patterns that made it less interesting than it had been in the 1.0 era (though exceptions to this rule exist--most notably the Red Rocks Dribble of 5/29/10).

Dribble continued to be a common presence throughout the setbreak era, being played, on average, around once every five or six shows (the striking exception to this is in 2018, when, excluding the dub version from Camp Bisco, Dribble was only played once the entire year). The song had a major renaissance during the "Setbreak is Over" tour of fall 2019. 11/16/19 and 11/17/19 each feature half of a strong split version, and arguably the strongest full version played with Allen took place on 12/13/19.

","Beyond a paleocentric world with all our people shaped in threes, The only way I get around is with some mild insanity.",298,["D",1755907200000],["D",887846400000],{"_302":147,"_303":304,"_305":223,"_192":306,"_194":307,"_196":223,"_198":211,"_200":279,"_202":308,"_204":223,"_206":197,"_207":205,"_209":169,"_210":57,"_212":279,"_213":279,"_214":217,"_215":57,"_216":57,"_218":217,"_219":199,"_220":57,"_221":199,"_222":217,"_99":279,"_101":169,"_103":104,"_105":211},"1998","1999",42,"2000",17,24,13,{"_310":311,"_315":316,"_320":321,"_324":325,"_329":330,"_334":335,"_338":339,"_343":344,"_347":348,"_352":353},"159",{"_25":312,"_111":313,"_113":314},"2004-11-26","2004-05-28",182,"211",{"_25":317,"_111":318,"_113":319},"2010-05-29","2009-11-22",188,"224",{"_25":322,"_111":323,"_113":319},"2012-07-05","2011-12-30","229",{"_25":326,"_111":327,"_113":328},"2013-07-13","2013-01-24",170,"254",{"_25":331,"_111":332,"_113":333},"2018-07-14","2017-12-31",195,"255",{"_25":336,"_111":331,"_113":337},"2018-12-30",169,"257",{"_25":340,"_111":341,"_113":342},"2019-11-16","2019-05-23",177,"261",{"_25":345,"_111":267,"_113":346},"2020-10-17",291,"263",{"_25":349,"_111":350,"_113":351},"2021-04-23","2020-10-30",175,"270",{"_25":354,"_111":355,"_113":356},"2022-09-08","2022-03-11",181,1998,2018,"https://sick-barber-licks.weebly.com/mindless-dribble.html",[],{"_21":70,"_51":22,"_52":362,"_54":55,"_56":217,"_58":59,"_30":363,"_32":364,"_34":35,"_23":365,"_63":64,"_65":66,"_67":50,"_69":173,"_38":366,"_40":72,"_45":367,"_74":368,"_157":432},"aba63063-b8b0-4d5a-9a64-b2baac695883",["D",1701573617007],["D",1763005959940],"2023-12-02-confrontation-s1-6",3.833333333333333,"Confrontation S1 segue > Who's in Charge Tribulations inverted with Adam Deitch on drums",{"_21":362,"_76":369,"_23":370,"_30":371,"_32":372,"_81":373,"_83":374,"_27":64,"_84":375,"_29":376,"_85":66,"_86":377,"_88":378,"_89":-5,"_90":379,"_91":380,"_93":381,"_95":382,"_97":383,"_106":385,"_152":273,"_154":430,"_156":431,"_45":369},"Confrontation","confrontation",["D",1582386622697],["D",1756174178864],"

I didn't mean no harm,
I know there's no alarm,
And now we've made our choice.

There is no turning back,
You've always had the knack,
To hear your inner voice.

But now you tune it out,
And then begin to shout,
Until your face turns red.

And Amos pleads his case,
And you remove his face,
From what was once his head.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

No time to reminisce,
But time is what you miss,
It seems you've got no chance.

A mask to hide your face,
And wings to win your race,
We've had a change of plans.

And in the thick of night,
With not a speck of light,
And with your fingers curled.

How did you kill your friend,
And have you reached the end,
Of your forsaken world.

And if you ever see me in my dreams.
And if you know that life was what it seems.
And now you wish that it was yesterday.
But that's the price you have to pay.

The confrontation was a necessary act.
We traded in our lives but took a million back.
And in the end, it seems I get what I deserve.
But for one moment's time, I wish I had the nerve.

","transcribed by Rich Steele

intro/main progression

(I found that the easiest way to learn the chord voicings is to finger pick it)

E
B 8 8 8 10 7 7 7 10 10 10 8 8 8 8
G 9 9 9 9 10 10 9 9 7 9
D 10 10 10 10 10 10 10 10 9 10
A 8
E

then...

C > G > A

A G
And if you ever see me in my dreams..

D > C > A

then..

E > G > F#m > A > C > Bm > E
and
E > G > F#m > A > main progression

Chorus

- E 5
- B 7 5
A > D with a - G 7 6 at the end of each line.
- D 7
- A
- E

that is only one way of playing the chorus part. basically you just need to make sure you're throwing in a F# note to a D note below it that resolves to a E note, which is part of the A major chord you go back into. So the whole thing is a A > D progression with a couple notes thrown in between.

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A science fiction, is playing out in the streets

The only weapon, i got with are my keys

No shiny armor or lazer guns protect me

Only my honor, and a case of mild insanity

Time to save the day

It's a superpower

Music is the way, if you want it to get freaky, play it louder

it's a superpower

Frozen conditions, the city's new affliction a freeze

We know our mission, made peace with our decision to leave

No reservations, no time for hesitation or plans

Our lone advantage, is blasting from the tips of our hands

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