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Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","tabs","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","legacyAbbr","astro",10,"cover","authorId","4338604b-38e0-432c-855b-bcd9091d4409","legacyAuthor","Jon Gutwillig","history","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

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How many fuzzies are you?

Sensors overloaded, this is what they warn you about

Space is exploded, pretty sure i got us into it now

Wanna take control, I think i see the future

Ripple in your soul, i think i see the future

How many fuzzies are you?

Everybody plays a role, like spacedust i’m into it now

Thinkin it’s a door or, thinkin it’s a portal to a different realm

Wanna take control, I think i see the future

Ripple in your soul, think i see the future

Pretty sure i got us into it now, I think i see the future

How many fuzzies are you?

How Many?

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Ancient distant melody, purveyor of fine rhyme
Peering out across the crowd, With Beats and ninja tune
lightning in a bottle and a snap shot of the room.
Catch your breath and look around to see if time has slowed
A stranger in a distant land along a mountain road
Geodesic Lantern Forest and a hidden sushi bar
When I look down from the sky and fly --- like a shooting star

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly)

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly)

JAM

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly)

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly)

Walking through a cloud and hands are warming on a drink
Ancient symbols on a rusty sign and sneakers in the sink
Angels dancing on the field, and pop stars on the rise
Through the darkness of the forest takes you to the other side and the red light tent is blowing up, and tempting for a while but your bed would tempt you more than tents could jet your lag in style. The hints of fate that met you in a book that lonely night said the Prince would wait for you to live your everlasting life...

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly)

Naeba little beauty won't you let me feel your soul
Naeba little beauty won't you lend your name to rock and roll
Naeba little Beauty won't you let me climb your peak
Naeba little beauty won't you lift me from my dreams (To lift me off my feet and let me fly) ",389,"e2397ce3-857e-425f-925e-1cb30de780d7","Marc Brownstein",37,["D",1738627200000],["D",1258761600000],{"_114":108,"_116":302,"_117":56,"_124":56,"_126":119,"_127":56,"_129":56,"_131":132,"_133":119,"_134":132,"_136":56,"_137":56},9,{"_304":305,"_309":310,"_313":314,"_318":319,"_322":323,"_326":327,"_328":329,"_333":334,"_259":338,"_342":343},"13",{"_25":306,"_143":307,"_145":308},"2011-12-27","2010-09-09",474,"14",{"_25":311,"_143":306,"_145":312},"2017-11-16",2151,"17",{"_25":315,"_143":316,"_145":317},"2018-12-29","2018-05-19",224,"18",{"_25":320,"_143":315,"_145":321},"2019-04-27",119,"19",{"_25":324,"_143":320,"_145":325},"2020-10-31",553,"20",{"_25":189,"_143":324,"_145":151},"27",{"_25":330,"_143":331,"_145":332},"2022-08-26","2022-03-04",175,"29",{"_25":335,"_143":336,"_145":337},"2023-01-19","2022-09-10",131,{"_25":339,"_143":340,"_145":341},"2024-03-13","2023-10-27",138,"36",{"_25":344,"_143":339,"_145":345},"2025-02-04",328,2010,2011,"http://sickbarberlicks.weebly.com/naeba.html",[350],{"_21":351,"_202":217,"_203":352,"_30":353,"_32":354},"cf47bbc7-e465-4492-9e26-b28985ffed23","inverted",["D",1718155624164],["D",1718155624164],{"_21":356,"_50":22,"_51":357,"_53":358,"_55":119,"_57":58,"_30":359,"_32":360,"_34":35,"_23":361,"_62":28,"_63":64,"_65":362,"_66":363,"_37":364,"_39":69,"_44":365,"_71":366,"_198":414},"9042a935-6ffc-4c60-a768-546830751e3b","31b5cdef-933b-4671-908b-978c0ea516f9","S1",["D",1683417718366],["D",1763005959940],"2023-05-05-shocked-s1-3","d55bc7ac-4a69-4894-9d5b-76c9e8e815bf","a4e5fb64-d7e4-45f7-a0b2-eec2cf9a71f4",4.5,"Shocked S1 segue > Once The Fiddler Paid M1",{"_21":357,"_73":367,"_23":368,"_30":369,"_32":370,"_78":371,"_80":28,"_27":28,"_82":-5,"_29":-5,"_85":64,"_86":372,"_88":-5,"_90":28,"_92":373,"_94":374,"_96":375,"_98":376,"_100":377,"_138":378,"_192":278,"_194":413,"_196":28,"_44":367},"Shocked","shocked",["D",1661605365907],["D",1756174202858],"

Rollin through outer space with my brothers

Shocked! We’re getting shocked!

Four hundred twenty fever blisters my brain

This ship can go faster but you'll go insane

Too amp’d to sense any trouble can't stay in the lanes

Will get ya noticed someday but today’s not that day yeah, yeah, yeah

We’re getting shocked!

Rollin through outer space with my brothers…Shocked!

Maybe it's play ya say what you wanna…Shocked!

Cracks in the windshield spider every which way

They seem to start nowhere then they shatter the pane

The pressure too much to take it’s better running away

The crystal resets the system realigns the display

Ever wonder why you've struggled playing over the line

It's undercover from your mother wasting all of your time

Shocked! We’re getting shocked!

Rollin through outer space with my brothers

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E
B
G 7~ 5 4 4 4
D 7 5 4 5(h)7 7 5 4 5 5 7 7 5
A 7 5 5
E

E
B
G 7~ 5 4 4
D 7 5 4 5(h)7 7 5 4 5 5 7 5 5
A 7 5 5 5
E

that's all for now....

----------------------------------------------------------------------------------

transcribed by Bill (mrparker@OWLNET.RICE.EDU)

I'm bored, so I figured I'd give all the bass players in the house a
little finger workout.....I've got some more of this tabbed, but it's
trapped on my crippled computer....might drop it at a later date.

It's the bass melody toward the beginning, which is a recurring theme on
all three instruments throughout. You can play it as is on guitar, but
it would definitely not be the ideal position. I leave it to you to
figure out what would be.

G
g---------------11-12-11-9-----------------------------------
d-----------9-12----------12-10-9-12-10--9---9---9-10-11-12----
a----10---12---------------------------12--12--12--------------
e------------------------------------------------------------

(repeat)

Em
g------------9-11-12-11-9------------------------------------------
d-----------9------------12-10-9-12-10-------------------9-10-11---
a---------10--------------------------10-12--10-12--10-12----------
e----12------------------------------------------------------------

D
g---------------11-12-11-9---------------------------------
d----12-------10----------12-10-9-12-10-9------------------
a-----------12---------------------------10---10---10------
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Who’s in charge of this place

We got something to play

Hear us out, take a moment

We wanna know, who’s calling the shots

We got the music, we got that sound

Time doesn't waste in this place

Time doesn't waste any time

Can't call your manager can't call police

Sing us a song make it rhyme

Who’s in charge of this place right here? x2

Waited awaited the day

Traveled the galaxy far far away

Searching for secrets, they so hard to find

We almost took too much time

Who's in charge of this place right here? x2

Who's in charge of this place right here? x4

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Digital Buddha's coming for you.
With a big old belly and a Fu Manchu.

Gone tomorrow, here today.

Cascade to the rhythms,
Open up your mind.
Cut loose from the furious snakes
Unwind.
Twister in the wind
As we sail through the skies.
Before you mass produce
And digitize.

Rewind to the days of forgotten lore
Take heed what the wise all had in store
Count this time
Nobody recognize
That we're all mass produced
and digitized

In the shadow of the digital buddha are the countless wise
To bring you inspiration that you cannot buy.
In the shadow of the digital buddha are the countless wise
To lift our generation to the highest high.

","buddha",28,"Aron Magner","Gone tomorrow, here today ",["D",1755734400000],["D",1032998400000],{"_104":231,"_106":111,"_107":128,"_109":119,"_110":788,"_112":788,"_113":302,"_114":789,"_116":69,"_117":135,"_118":130,"_120":119,"_121":119,"_122":119,"_123":119,"_124":128,"_126":132,"_127":108,"_129":119,"_131":302,"_133":125,"_134":69,"_136":84,"_137":132},16,23,{"_256":791,"_795":796,"_799":800,"_803":804,"_807":808,"_811":812,"_167":816,"_450":820,"_824":825,"_828":829},{"_25":792,"_143":793,"_145":794},"2005-05-27","2004-12-27",151,"112",{"_25":797,"_143":798,"_145":628},"2011-04-16","2010-10-31","119",{"_25":801,"_143":306,"_145":802},"2012-07-14",200,"120",{"_25":805,"_143":801,"_145":806},"2012-12-26",165,"125",{"_25":809,"_143":631,"_145":810},"2014-09-26",243,"128",{"_25":813,"_143":814,"_145":815},"2015-10-30","2015-04-25",188,{"_25":817,"_143":818,"_145":819},"2016-06-02","2015-12-30",155,{"_25":821,"_143":822,"_145":823},"2017-04-29","2016-12-01",149,"146",{"_25":826,"_143":827,"_145":332},"2019-11-16","2019-05-25","149",{"_25":830,"_143":831,"_145":832},"2020-06-23","2020-01-03",172,"http://www.sickbarberlicks.net/digitalbuddha.html",[],{"_21":722,"_50":22,"_51":836,"_53":54,"_55":132,"_57":28,"_30":837,"_32":838,"_34":35,"_23":839,"_62":28,"_63":64,"_65":548,"_66":-5,"_37":421,"_39":69,"_44":840,"_71":841,"_198":862},"3b5b1191-b620-4b3f-a5e1-bbed9acb00bb",["D",1683418414607],["D",1763005959940],"2023-05-05-you-spin-me-round-like-a-record-s2-6","You Spin Me Round (Like a Record) S2 closer segue Lake Shore Drive",{"_21":836,"_73":842,"_23":843,"_30":844,"_32":845,"_78":28,"_80":28,"_27":28,"_82":-5,"_29":-5,"_85":607,"_86":846,"_88":-5,"_90":28,"_92":28,"_94":125,"_96":847,"_98":848,"_100":849,"_138":850,"_192":278,"_194":278,"_196":28,"_44":842},"You Spin Me Round (Like a Record)","you-spin-me-round-like-a-record",["D",1680324202146],["D",1756174213731],"ba995536-178d-4faf-af1b-90882d3013bf",["D",1695513600000],["D",1680220800000],{"_134":125},{"_851":852,"_379":853,"_683":855,"_560":858,"_383":860,"_508":861},"1",{"_25":26,"_143":388,"_145":389},{"_25":854,"_143":26,"_145":788},"2023-05-21",{"_25":856,"_143":857,"_145":231},"2023-06-08","2023-05-25",{"_25":859,"_143":856,"_145":298},"2023-07-15",{"_25":391,"_143":859,"_145":135},{"_25":752,"_143":391,"_145":262},[],{"_21":362,"_50":22,"_51":864,"_53":358,"_55":130,"_57":28,"_30":865,"_32":866,"_34":35,"_23":867,"_62":28,"_63":64,"_65":416,"_66":356,"_37":421,"_39":69,"_44":868,"_71":869,"_198":929},"393227db-46b0-42eb-a6e6-f5d91502e6b7",["D",1683414360165],["D",1763005959940],"2023-05-05-once-the-fiddler-paid-s1-2","Once The Fiddler Paid S1 segue The Overture Shocked",{"_21":864,"_73":870,"_23":871,"_30":872,"_32":873,"_78":874,"_80":875,"_27":28,"_82":876,"_29":392,"_85":64,"_86":87,"_88":89,"_90":-5,"_92":-5,"_94":877,"_96":878,"_98":879,"_100":880,"_138":882,"_192":486,"_194":927,"_196":928,"_44":870},"Once The Fiddler Paid","once-the-fiddler-paid",["D",1582386622856],["D",1756174195773],"Summer Sunny day, once the wind blew warm
and the light circled round the sun I saw like a crown
you could feel it in the air, like a not so distant storm
and the silent pause in the wind it seemed
left a magical sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew cold
and the world had seen a better day all around
my life was ripped away, my business torn & sold
and I found myself in this cell I live
with a clamouring sound

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below

Summer sunny day, once the wind blew thorns
and the world had seen a better day all around
you could feel it in the air, like a not so distant storm
and the days once lost but still recalled can be found

Once the fiddler paid, but once was not enough
was all who cornered his misfortune yelled
the fiddler took the blame, the crowd had called his bluff
when all was lost the verdict came to the silence of the crowd

But now she's gone & I vowed to miss her
days that we spent starry eyed run deep within my soul
And now she's gone & I can't dismiss her
nor can I forget the man who sent me down below","VERSION 1
Transcribed by Diechick@AOL.COM

Intro: E

Verse 1: E A7 (the rhythm and changes are easy to figure out)

1st Chorus: E B C#m E G# A B
E B C#m E G# A C#m

Verse 2: C#m C E G#
C#m C A B

2nd Chorus: E B C#m E G# A B X2
Bm

Chords under synth and guitar solo: D C#m Bm Bb } Repeated over and
over
D C E F# }

Outro Barber lick (approximate, probably inaccurate, and incomplete...help???
i'm doing this with an acoustic, so bear with me if it sounds like complete
crap on electric.)

Slide up to that first D note from way down on the neck.
There may be a pull off on that 14--11... the slide to the 2nd 14 is a very
short one.
e------------------------------------------------------------------
b----------------------15--------15---14p12------------------------
g------------14--11-------/14-------------------11~----------11----
d----/12------------------------------------------------------12---
a------------------------------------------------------------------
E------------------------------------------------------------------

Repeat that, but cut out the last two quick notes. Then (and this is
extremely shaky and incomplete)

e---17--17--17---15--13------------10---12---(uhhh)--??--12--??---12/14----
b--------------------------------------------------------------------------
g------------------------------------/11-----------------------------------
d--------------------------------------------------------------------------
a--------------------------------------------------------------------------
E--------------------------------------------------------------------------

=====================

VERSION 2
Transcribed by Slobber Scenario

Once the Fiddler Paid (from the 12/31/98 version)

Intro:

E

bass riff:
g----------------------------
d---------0-2----0-2---0-2---
a--------2------2-----2------
e----0-----------------------

repeat a lotta times....piano trills on G#/A.......

E A7
Summer sunny day, when the wind blew warm

E
And the light circled round the sun I saw like a crown

E A7
You could feel it in the air, like a not-so-distant storm

E
And the silent pause in the wind, it seemed, left a magical sound

E B C#m
But now she's gone and I vowed to miss her

E/G# E G#m A B
Days that we spent starry-eyed run deep within my soul

E B C#m
But now she's gone and I can't dismiss her

E/G# E G#m A C#m
Nor can I forget the man who sent me down below

C#m C
Summer sunny day, when the wind blew cold

E G#m
And the world had seen its better days all around

C#m C
My life was ripped away, my business torn and sold

A B
And I found myself in this cell I live with a clamoring sound

(second chorus same as first, except end on a B chord instead of C#m)

Bm

Keyboard/guitar solo:
D A Bm Bb D C E F#

(repeat until done)

End guitar solo lick (the chords change every two beats, if that helps):
D A Bm Bb D
e-------------------------------------------------17-17-17-15-14----
b---------15--15-14----14--------15--15-14--------------------------
g-------14--14-----14----14----14--14-----14------------------------
d----/12-------------15----15---------------15----------------------
a----------------------------14-------------------------------------

C E * F#
e-----------14-12----12-----12---------14----
b------12-15-----------15-12------15-12------
g----14--------------------------------------

(repeat times 4, and the last time, from the * on it's):
F#
e------12-14----
b----15---------

The F# chord holds, then

B

vamp on B for awhile pre-bass solo.

Bass solo:
B E7
g------------------------------------------------------------
d---------9-11-11s13---13-16-13--------12--14--12h14p12------
a----/9-11------------------------16-14----------------14----
E------------------------------------------------------------

A Bb0 B
g---------------------------------------------------------
d-----------9-9s11---11-14-11---------9---9-11-9-11s13----
a-------9-11--------------------9h11---11-----------------
E----/12--------------------------------------------------

E A7
g---------9-11-11s13---13-16-13--------12--14--12h14p12------
d----/9-11------------------------16-14----------------14----
a------------------------------------------------------------
Bbo B
g------------------12-14-12--15--12h15p12------------------12-14-16---
d-----------12-14-----------------------14----------12-14-------------
a----12h14-----------------------------------12h13--------------------

(t indicates a trill)

g----13------------
d------16-13t14----
a------------------

Second guitar solo:
E A7 E
(repeat until done)

End second guitar solo melody (the chorus vocal melody played on guitar) :
*
E B C#m E G#m A B
e----4-4-4---7-4----------4-----------4-4-4--4---------------
b------------------5-5h7---5-------5-7--------7b--7-5-5h7----
g-------------------4-------6---4-6------------------6-------
And gone vowed her days starry deep soul

repeat, and the second time from * play:
G#m A C#m
e----4-4--------------------
b----------7-5-8---8-7-5----
g-----------------------6---

C#m C
Summer sunny day, when the wind blew thorns

E G#m
And the world had seen its better days all around

C#m C
You could feel it in the air, like a not-so-distant storm

E E0
And the days once lost but still recalled can be found

C#m C
Once the fiddler paid, but once was not enough

E E0
Was all who cornered his misfortune yelled

C#m C
The fiddler took the blame, the crowd had called his bluff

A B
When all was lost the verdict came to the silence of the crowd

(third chorus same as second)

End:
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A science fiction, is playing out in the streets

The only weapon, i got with are my keys

No shiny armor or lazer guns protect me

Only my honor, and a case of mild insanity

Time to save the day

It's a superpower

Music is the way, if you want it to get freaky, play it louder

it's a superpower

Frozen conditions, the city's new affliction a freeze

We know our mission, made peace with our decision to leave

No reservations, no time for hesitation or plans

Our lone advantage, is blasting from the tips of our hands

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