[{"_1":2,"_946":-5,"_947":-5},"loaderData",{"_3":4,"_15":16},"root",{"_5":6},"env",{"_7":8,"_9":10,"_11":12,"_13":14},"SUPABASE_URL","https://lgczyfvrisdlknvfuemk.supabase.co","SUPABASE_ANON_KEY","eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpc3MiOiJzdXBhYmFzZSIsInJlZiI6ImxnY3p5ZnZyaXNkbGtudmZ1ZW1rIiwicm9sZSI6ImFub24iLCJpYXQiOjE3NDAzMjk1MTgsImV4cCI6MjA1NTkwNTUxOH0.Dw5AAkoPtmOObmlAgw8gXJzUDXqH39yJogIReGkK27U","SUPABASE_STORAGE_URL","https://lgczyfvrisdlknvfuemk.supabase.co/storage/v1","BASE_URL","https://discobiscuits.net","routes/shows/$slug",{"_17":18,"_942":943,"_944":-5,"_945":-5},"setlist",{"_19":20,"_854":882,"_885":886,"_188":935},"show",{"_21":22,"_23":24,"_25":26,"_27":28,"_29":30,"_31":32,"_33":34,"_35":36,"_37":-5,"_38":39,"_40":41,"_42":36,"_43":36,"_44":36,"_45":-5,"_46":47,"_854":855,"_879":856,"_880":881},"id","e9f03ddb-1884-46e0-885c-9f5404292b34","slug","2010-04-23-the-f-m-kirby-center-wilkes-barre-pa","date","2010-04-23","notes","Entire show with Tom Hamilton and Chris Michetti on guitar and Jon on MIDI.","legacyId",1259,"createdAt",["D",1582388392200],"updatedAt",["D",1755874645066],"likesCount",0,"relistenUrl","averageRating",3.125,"ratingsCount",8,"showPhotosCount","showYoutubesCount","reviewsCount","searchText","tracks",[48,190,262,349,423,447,470,540,577,608,677,740,805],{"_21":49,"_50":22,"_51":52,"_53":54,"_55":56,"_57":-5,"_31":58,"_33":59,"_35":36,"_23":60,"_61":-5,"_62":63,"_64":-5,"_65":66,"_38":36,"_40":36,"_45":-5,"_67":68,"_188":189},"35f5df70-39d8-4cf4-9714-5142e0fcc9ff","showId","songId","d90fb6b4-270f-4307-9cd8-c21fa23b2c18","set","S1","position",1,"segue",["D",1582389724898],["D",1582389724898],"2010-04-23-humuhumunukunukuapua-a","note","allTimer",false,"previousTrackId","nextTrackId","64731c28-3603-4928-ab1b-d258ede24764","song",{"_21":52,"_69":70,"_23":71,"_31":72,"_33":73,"_74":75,"_76":77,"_27":77,"_78":79,"_29":80,"_81":63,"_82":83,"_84":85,"_86":-5,"_87":-5,"_88":89,"_90":91,"_92":93,"_94":95,"_129":130,"_182":183,"_184":185,"_186":187,"_45":70},"title","Humuhumunukunukuapua'a","humuhumunukunukuapua-a",["D",1582386623009],["D",1756174186865],"lyrics","

A bird is flying over with a message for his love.
The life they lead will grow indeed.
But no bird is a dove.
He sat her down and told her, what was on his mind that day.
Flying south was good enough.
In fact he'd like to stay.

Paradise was waiting and he knew they had to go.
He'd hope that she come with him.
And he'd hope they take it slow.
In a flash they packed a bag, and left their home behind.
They spread their wings and caught a breeze,
And set out for the islands.

Humuhumunukunukuapua'a in front of me,
And you can see that I believe
That I have set us free.

Two birds are flying over, with the ocean down below.
Another world beneath them
Was a world she'd like to show.
When they arrived he noticed other birds were diving fast.
He made a note and flapped his wings
And other birds they passed.

He wondered why they're diving in an ordinary bay.
But he knew this wasn't diving in an ordinary way.
He took a breath and dipped his nose and headed for the sea.
What he did not know was that this dive would set him free.

Humuhumunukunukuapua'a in front of me,
And you can see that I believe
That I have set us free.

","tabs","","legacyAbbr","humu",83,"cover","authorId","2c0efbda-2ac6-4789-95a4-de69013a617b","legacyAuthor","Marc Brownstein","history","featuredLyric","timesPlayed",92,"dateLastPlayed",["D",1737244800000],"dateFirstPlayed",["D",967248000000],"yearlyPlayData",{"_96":97,"_98":99,"_100":101,"_102":97,"_103":104,"_105":56,"_106":41,"_107":104,"_108":56,"_109":104,"_110":104,"_111":112,"_113":56,"_114":112,"_115":116,"_117":116,"_118":112,"_119":116,"_120":112,"_121":122,"_123":56,"_124":116,"_125":56,"_126":122,"_127":56,"_128":56},"2000",7,"2001",6,"2002",9,"2003","2004",5,"2005","2006","2007","2008","2009","2010","2011",2,"2012","2013","2014",3,"2015","2016","2017","2018","2019",4,"2020","2021","2022","2023","2024","2025","longestGapsData",{"_131":132,"_138":139,"_143":144,"_148":149,"_152":153,"_157":158,"_162":163,"_167":168,"_172":173,"_177":178},"35",{"_25":133,"_134":135,"_136":137},"2006-03-09","previous","2005-03-24","delta_days",350,"49",{"_25":140,"_134":141,"_136":142},"2009-04-23","2008-04-05",383,"60",{"_25":145,"_134":146,"_136":147},"2011-12-28","2011-04-15",257,"61",{"_25":150,"_134":145,"_136":151},"2012-10-06",283,"63",{"_25":154,"_134":155,"_136":156},"2013-12-18","2013-04-26",236,"73",{"_25":159,"_134":160,"_136":161},"2017-09-23","2017-02-03",232,"78",{"_25":164,"_134":165,"_136":166},"2019-10-05","2019-02-02",245,"81",{"_25":169,"_134":170,"_136":171},"2020-10-31","2019-12-28",308,"85",{"_25":174,"_134":175,"_136":176},"2022-08-14","2021-10-16",302,"91",{"_25":179,"_134":180,"_136":181},"2025-01-19","2024-04-05",289,"mostCommonYear",2002,"leastCommonYear",2005,"guitarTabsUrl","http://sickbarberlicks.weebly.com/humuhumunukunukuapuaa.html","annotations",[],{"_21":191,"_50":22,"_51":192,"_53":54,"_55":122,"_57":-5,"_31":193,"_33":194,"_35":36,"_23":195,"_61":-5,"_62":63,"_64":196,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":197,"_188":261},"5e59ad80-2898-443e-8dd8-d6c883f5e928","5598f6b4-5819-49d3-b20e-99cb80773dc8",["D",1582389725089],["D",1582389725089],"2010-04-23-on-time","404c4d82-86ee-4052-a00d-2480080f59b0",{"_21":192,"_69":198,"_23":199,"_31":200,"_33":201,"_74":202,"_76":77,"_27":77,"_78":203,"_29":204,"_81":63,"_82":205,"_84":77,"_86":-5,"_87":-5,"_88":206,"_90":207,"_92":208,"_94":209,"_129":211,"_182":258,"_184":259,"_186":260,"_45":198},"On Time","on-time",["D",1582386623989],["D",1756174196320],"

I know your natural circuitry is so exciting
Your mother board has got my cords wired hard I'm all distorted

You can download my feed at the speed of lightning
I promise you won't get no static, my system is automatic, girl
Been searching far and wide (Uh huh) looking for the right prototype (Uh huh)

Gonna program your device, upload the design from my key drive
Let's get get get it right, your system's online and on time

Your body baby, it's on time
It's automatically on time
You drive me crazy you're on time
Got static, no, on time

Your random access memory is minimizing

Your clipboard is over stored but my internet will explore it
Control alt delete bugs that are hiding
I promise you won't get no static, my system is automatic girl
Been searching far and wide (Uh huh) looking for the right prototype (Uh huh)

Gonna program your device, upload the design from my key drive
Let's get get get it right, your system's online and on time

Your body baby, it's on time
It's automatically on time
You drive me crazy you're on time
Got static, no, on time

","ontime",381,"e29db38d-5b63-4e2c-b5bc-8f4ed3fe1c64",53,["D",1672358400000],["D",1255132800000],{"_109":101,"_110":210,"_111":116,"_113":56,"_114":112,"_115":116,"_117":112,"_118":116,"_119":116,"_120":122,"_121":56,"_124":112,"_125":56},19,{"_212":213,"_217":218,"_222":223,"_226":227,"_231":232,"_236":237,"_240":241,"_245":246,"_248":249,"_253":254},"29",{"_25":214,"_134":215,"_136":216},"2011-07-09","2011-01-21",169,"31",{"_25":219,"_134":220,"_136":221},"2012-10-05","2011-08-12",420,"32",{"_25":224,"_134":219,"_136":225},"2013-08-31",330,"34",{"_25":228,"_134":229,"_136":230},"2014-06-13","2013-12-27",168,"39",{"_25":233,"_134":234,"_136":235},"2016-02-05","2015-09-06",152,"40",{"_25":238,"_134":233,"_136":239},"2016-10-27",265,"44",{"_25":242,"_134":243,"_136":244},"2017-09-22","2017-04-27",148,"45",{"_25":247,"_134":242,"_136":230},"2018-03-09","50",{"_25":250,"_134":251,"_136":252},"2021-04-23","2019-01-26",818,"52",{"_25":255,"_134":256,"_136":257},"2022-12-30","2021-07-16",532,2010,2012,"http://sickbarberlicks.weebly.com/on-time.html",[],{"_21":263,"_50":22,"_51":264,"_53":265,"_55":56,"_57":266,"_31":267,"_33":268,"_35":36,"_23":269,"_61":-5,"_62":63,"_64":-5,"_65":270,"_38":36,"_40":36,"_45":-5,"_67":271,"_188":341},"49efc8e7-fa88-4401-8ae2-482b04ac0e0c","1d813e1f-f852-48c6-9f91-043541454f86","S2",">",["D",1582389725169],["D",1582389725169],"2010-04-23-little-shimmy-in-a-conga-line","f466e951-2b90-4a5d-8b92-f4e0e9322d4e",{"_21":264,"_69":272,"_23":273,"_31":274,"_33":275,"_74":276,"_76":277,"_27":77,"_78":278,"_29":279,"_81":63,"_82":280,"_84":281,"_86":-5,"_87":282,"_88":181,"_90":283,"_92":284,"_94":285,"_129":293,"_182":338,"_184":339,"_186":340,"_45":272},"Little Shimmy In A Conga Line","little-shimmy-in-a-conga-line",["D",1582386623147],["D",1756174191371],"

Hey little baby, come back again.
Hey little baby, I miss your spin.
Get it moving, it'll be just fine.
But I don't sleep when you're not mine.

Hey little baby, just let it slide.
Let your little body roll side to side.
Get it moving, right in time.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, let's groove again.
'Cause watching you is making my head swim.
I'll dance to prove it, and I'm just fine.
Let's see Little Shimmy in a Conga Line.

Hey little baby, now the morning's here.
Gonna open my eyes, don't disappear.
Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
Hey little baby.

Another evening, vanished in your arms.
And you wonder why I sleep through my alarm.

","Transcribed by Nic Coker

intro: doubled by bass
(this can be played in an open position,
but its easier to get it crisp this way. im not
sure how barber actually plays it.)
e------------------------------------------------
b------------------------------------------------
g------------------------------------------------ play this 3x
d------------------------------------------------
a--0h2p0------------7 5h7--0h2p0------------7 5-- then--->
e--------3^ 0-7 7p5--------------3^ 0-7 7p5------

e--------------------------------------------------|
b--------------------------------------------------|
g--------------------------------------------------| Play the whole
d------------------------------5-------------------| thing twice
a--0h2p0------------7 5h7--5h7---7p5----7----------|
e--------3^ 0-7 7p5------------------7 7--5 5/(3)--| then--->

verse: play a funky variation of this 4x then start singin' over it

funkin' A:
e--5 5--8 8--7-5---5--------5 5--|
b--5 5--5 5--5-5---7p5h7p5--5 5--|
g--6 6--6 6--6-6---6--------6 6--|
d---------------------------7 7--|
a---------------------------x x--|
e---------------------------5 5--|

A
hey little baby, come back again
hey little baby, i miss yo' spin

D C
get it movin', it'll be just fine
A funkin' A x2 -->
But i dont sleep when your not mine

A
hey little baby just let it sliiiiiiiiiide
lettcha little body roll side to side

D C
get it movin', right in time
A
let's see a little shimmy in a conga line

THEN REPEAT ENTIRE INTRO 1x --->

funkin' A 4x-->

A
hey little baby, now the mornings here
gonna open my eyes, dont dissappear

D C
another evenin' vanished in your arms
A funkin 2x-->
and ya wonder why i sleep through my alarm

A
hey little baby, let's groove again
'cause watching you is making my head swim
D C
i'll dance to prove it, and I'm just fine
A
Let's see a little shimmy in a conga line--->composed jam","shimmy",165,"4338604b-38e0-432c-855b-bcd9091d4409","Jon Gutwillig","And you wonder why I sleep through my alarm",["D",1755993600000],["D",888451200000],{"_286":287,"_288":289,"_96":101,"_98":290,"_100":291,"_102":292,"_103":104,"_105":116,"_106":292,"_107":104,"_108":122,"_109":292,"_110":292,"_111":116,"_113":122,"_114":104,"_115":97,"_117":116,"_118":104,"_119":116,"_120":122,"_121":104,"_123":56,"_124":97,"_125":99,"_126":41,"_127":99,"_128":101},"1998",62,"1999",41,23,21,10,{"_294":295,"_299":300,"_304":305,"_308":309,"_312":313,"_315":316,"_320":321,"_325":326,"_329":330,"_334":335},"172",{"_25":296,"_134":297,"_136":298},"2005-09-13","2005-03-26",171,"192",{"_25":301,"_134":302,"_136":303},"2008-12-27","2008-04-19",252,"214",{"_25":214,"_134":306,"_136":307},"2011-01-14",176,"215",{"_25":310,"_134":214,"_136":311},"2011-12-31",175,"216",{"_25":219,"_134":310,"_136":314},279,"234",{"_25":317,"_134":318,"_136":319},"2015-10-29","2015-04-25",187,"245",{"_25":322,"_134":323,"_136":324},"2018-11-01","2018-04-19",196,"248",{"_25":327,"_134":165,"_136":328},"2019-07-19",167,"252",{"_25":331,"_134":332,"_136":333},"2020-10-25","2019-12-30",300,"253",{"_25":336,"_134":331,"_136":337},"2021-04-20",177,1998,2020,"http://sickbarberlicks.weebly.com/little-shimmy-in-a-conga-line.html",[342],{"_21":343,"_344":263,"_345":346,"_31":347,"_33":348},"cc9b6b8a-5bd4-43fa-9066-15385cfef5d0","trackId","desc","with ‘Lunar Pursuit’ fake-out",["D",1721081514609],["D",1721081514609],{"_21":270,"_50":22,"_51":350,"_53":265,"_55":112,"_57":266,"_31":351,"_33":352,"_35":36,"_23":353,"_61":-5,"_62":63,"_64":263,"_65":354,"_38":36,"_40":36,"_45":-5,"_67":355,"_188":422},"8f1613ff-9002-4e03-853d-04c7e84a8b9b",["D",1582389725256],["D",1582389725256],"2010-04-23-astronaut","b941f936-ff42-4a18-a75c-525da88753c2",{"_21":350,"_69":356,"_23":357,"_31":358,"_33":359,"_74":360,"_76":361,"_27":77,"_78":362,"_29":292,"_81":63,"_82":280,"_84":281,"_86":363,"_87":364,"_88":365,"_90":366,"_92":367,"_94":368,"_129":374,"_182":183,"_184":339,"_186":421,"_45":356},"Astronaut","astronaut",["D",1582386622697],["D",1756174175129],"

Dance the dance all by yourself
One blink of an eye your someone else
To the moon you rise like a phoenix you said
So just sit still, we'll screw on your head.

Astronaut!
Astronaut!
Astronaut!
Astronaut!

She inked in a tattoo on her arm
Of us lined up for that hole in the sky
Pop quiz, Dolly didn't believe
Her plan, to nap through class is denied
And the questions that they asked, they didn't make sense
It'd be better if she stayed in bed instead
And she woke up sweetly batting her eyes
So smile as we unveil the surprise

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Suspended in the air
Don't you feel better
The words you didn't hear
Coming from friends

Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too
Astronaut
Astronaut
Take me too

Take your little fantasy
Mix it up ??? audacity
To make you throw your heart back in the wind

","Transcribed by Rich Steele

Intro C > Am

E
B 5 5 5
G 5 5 5
D 5 5 7 (repeat)
A 3 3 7
E

then..
G D C
E
B 12 12 12 10 10 10 8 8
G 12 12 12 11 11 11 9 9
D 12 12 12 12 12 12 10 10 (play this 3 times, then..)
A 10 10 10 12 12 12 10 10
E

Bm D A C
E 7 5 5 10
B 7 7 5 5 10
G 7 7 6 6 11
D 9 7 7 7 12
A 9 5 7 7 12
E 5 5 10

/////////////////////////////////////////
Transcribed by Cody Malak
Source: Bonnaroo 06 Late Night Performance and Live From Camp Bisco IV DVD

Intro (Brownstein plays C and A, however Barber hits these chord shapes):

G A
---x----x----
---8----5----
---x----6----
---5----7----
---x----0----
---x----x----

Verse

Play this 3x

G D C
------------------
----12---10---8---
----12---11---9---
----12---12---10--
----10------------
------------------

Then this

Bm D A C
---7----------------------
---7-----10---5---8-------
---7-----11---6---9-------
---9-----12---7---10------
--------------------------
--------------------------

This is a variation of the first part that Barber often plays while singing
(this follows the bassline a little more)

G D C
---------------------
---------------3--1--
---------------2--0--
---------------4--2--
-----5-3-5-3---5--3--
---3-----------------

Transition from verse into chorus

Bm D A C Bm D
---7-------------------7-------
---7-----10---5---8----7---10--
---7-----11---6---9----7---11--
---9-----12---7---10---9---12--
-------------------------------
-------------------------------

Chorus

ASTRO NAUT!
------------------
----7------6------
----7------6------
----7------6------
----5------4------
------------------

Transition from chorus back into verse

D C#maj A C
-------------------------
----7------6----5----8---
----7------6----6----9---
----7------6----7----10--
----5------4-------------
-------------------------

Transition from chorus into the start of the jam

D C#maj D C# B A B A G F# E
------------------------------------------------------
----7------6------------------------------------------
----7------6----7---6---4---2---4---2-----------------
----7------6----7---6---4---2---4---2---5---4---2-----
----5------4----5---4---2---0---2---0---5---4---2-----
----------------------------------------3---2---0-----

These are the basic notes, but feel free to add
the octave on the d string to give the note a fuller sound like
Barber often does.

(MAIN JAM)
------------------------------
--12--10--12--10--12--10--12v-
------------------------------
------------------------------
------------------------------
------------------------------

--------------------------------------
--12--10--12--10--12--10--12--10--9v--
--------------------------------------
--------------------------------------
--------------------------------------
--------------------------------------

----------------------------------------
--12--10--12--10--12--10--12--12/14v----
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

----------------------------------------
--14--12--14--12--14--12--14v-----------
----------------------------------------
----------------------------------------
----------------------------------------
----------------------------------------

--------------------------12v--------------
--14--12--14--12--14--12--------14--12--14-
-------------------------------------------
-------------------------------------------
-------------------------------------------
-------------------------------------------

time to change keys
---------------------------------------------------
--14--12--14--12--14--12--14--14s15--15s17---------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

From this point you can either noodle around on the A-minor scale or
try something like this, just make sure and tremolo pick the notes
starting on the 18, this is the buildup that leads into the \\\"suspended in the air\\\"
part of the song.
---------------------------------------------------
-15-17--15-17--18--19--20--21----------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

chromatic jam (Barber plays this on one string a lot, but here's an easier way)
---------------------------------
-12-11-10-9----------------------
-------------12-11-10-9----------
---------------------------------
---------------------------------
---------------------------------

Throw some variation in, and when he is not playing the above he messes around here:
---12--12--10--12----12--12--10--9-----------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------
---------------------------------------------------

Here is a lot of the basic riffs Barber plays during the \\\"trancier\\\" part of the song.

E phrygian, if you want to play along with the bassline just play E-minor and F-major.
Barber plays these off a scale starting at the 12th fret, but i like to play them in this position.

E|----------------------------------------------------------------
B|----------------------------------------------------------------
G|-----------------7--------------------7--9-----------------7----
D|--9--9--9--7--9-----9--9--9--9--7--9--------9--9--9--7--9-----9-
A|----------------------------------------------------------------
E|----------------------------------------------------------------

main ending to riff one:
----------------------
----------------------
-7h9--7h9--7h9--7h9---
----------------------
----------------------
----------------------

sometimes:
----------------------
----------------------
-7h9--7h9-------------
-----------9--7-------
----------------10----
----------------------

rarely:
-----------------------------------
-----------------------------------
--7h9p7----------------------------
--------9--9--7------7--9----------
-----------------10--------7-------
-----------------------------------

2nd part of riff one:
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
----------------------------------------------------------------7h9--7h9-----
-7h9--9--7------7--9--7h9--9--7------7--9--7h9--9--7------7--9---------------
------------10-------------------10-------------------10---------------------
-----------------------------------------------------------------------------

riff one break:
----------------------
----------------------
--7h9--7-----7--9-----
---------9------------
----------------------
----------------------

ending:
-----------------------------
-----------------------8--10-
-7h9--7h9--7--9--------------
-----------------------------
-----------------------------
-----------------------------

riff two:
E|----------------10---------------
B|------------12-------------------
G|--9------9----------9------9-----
D|-----12----------------12--------
A|---------------------------------
E|---------------------------------

builds into main riff:
E|---------------------10------------------ (sometimes double picks the d)
B|-----------------12----------------------
G|--9--9--9--9--9----------9--9--9---------
D|----------------------------------12-----
A|-----------------------------------------
E|-----------------------------------------

main riff break:
E|-------------------------------------
B|-------------------------------------
G|--9--9--9--9--9------9---------------
D|-----------------12-----9--12--9-----
A|-------------------------------------
E|-------------------------------------

riff two variation (mixes in other two riffs with this until the ending):
E|-----------------12--10--10---------------
B|------------------------------------------
G|--9--9--9--9--9--------------9------9-----
D|--------------------------------12--------
A|------------------------------------------
E|------------------------------------------

riff two ending:
E|--12--10-10----
B|---------------
G|---------------
D|---------------
A|---------------
E|---------------

goes into:
------------------------
--9--9--9---7--9--9-----
------------------------
------------------------
------------------------
------------------------

mixes with keyboard-wah into:
E|--------------------------------------
B|--------------------------------------
G|--9-----------7-----------9-----------
D|-----9--9--9-----9--9--9-----9--9-----
A|--------------------------------------
E|--------------------------------------

slows into this riff:
E|-----------------12---------------------------------
B|----------------------------------------------------
G|-----7--9--7--9------9------9--9-----7-----7--9-----
D|--9---------------------12--------9-----9-----------
A|----------------------------------------------------
E|----------------------------------------------------

then hangs on:
E|---------------------------
B|---------------------------
G|--9----------7--------7--9-
D|-----9--9--9-----9--9------
A|---------------------------
E|---------------------------

E|-----------------------------------------
B|----------------7-8-7--------------------
G|----9-9-7---7-9---------7-9-9-7---7-9----
D|----------9-----------9---------9--------
A|-----------------------------------------
E|-----------------------------------------

This leads back into the main riff of the song, back into a chorus, and then an ending.","astro","

Astronaut was debuted at the unannounced Boom Boom Room show on 8/8/01, along with Coat. Instrumentally, this version does not differ much from modern versions, but the lyrics bear little resemblance to the finished song. The basic structure of the first half of the song is the same as modern versions, two intro riffs, verse-chorus-verse-chorus, a peak, and a bridge consisting of a simple descending/ascending riff. In the first version, the bridge (commonly known as the Suspended in the Air, or SITA, section) is followed by a third verse. The chorus is not repeated, and the song ends rather abruptly without a jam.

The second version of Astronaut is nearly three times as long as the first. It was played at the band’s final show at the Wetlands Preserve, on 9/2/01. It is a considerably tighter version, and the new lyrics are much closer to finalized (they would remain largely unchanged throughout the rest of the year). After the SITA section, the band plays the peak section again (although Barber doesn’t play the peak in this version, he does in others), then an extended jam that returns to the peak. The band attempts to return to a final chorus after the second peak, but there is considerable confusion and this second version is aborted.

Astronaut was arguably played a third time on 9/9/01, although this is almost never counted. As Spacebirdmatingcall ends, a definite SITA jam is used to segue into House Dog Party Favor. Although this isn’t counted as a performance of Astronaut, it is fairly significant as the first jamming on the SITA section. Astronaut was played another ten times in 2001. Of these, seven had outro jams, with the band dropping back into a SITA-esque jam immediately following the closing chords.

After its performance over the 2001 New Year’s run, Astronaut was not played again until 4/4/02, as the first part of the encore. Here the lyrics are roughly 99% identical to modern versions, and the main jam develops more organically out of the SITA section (the “peak section” that the band would play after SITA is dropped). This is arguably the first split Astronaut, but the Peter Gunn in the Astronaut jam is sometimes notated as a tease. The first split Astronaut otherwise was begun on 8/9/02 and was finished on 8/11/02, and the first (and for years only) inverted Astronaut was 10/23/02. The 2001 style Astronaut outro was played a couple times in Spring 02, but after 5/1/02 it was retired.

Throughout the Sammy years, Astronaut remained a fairly regular staple in the catalog. Its most common year was 2002 when it appeared on average once every five shows. Astronaut was known for mellow housey jams, although the Sammy years produced some monster versions. 10/5/02 is usually considered the best of this, and perhaps of any, era. 9/19/01 is a significantly exploratory early version, and 4/18/03 is excellent as well, spawning a passage of gorgeous blissco that evolves to a triumphant inverted Confrontation. 5/31/03 saw the return of the outro jam, though played differently (without the SITA section) than it was in 01-02, and 7/25/03 is a unique version that is split up between the first and second verse.

After 2003, Astronaut became less common, and was only played six more times with Sammy in 2004-2005. 10/1/04, though nothing special musically, is significant as the first to be split up in the SITA section. 3/25/05 features the first substitution of “Yo Girl You Crazy” for “Take Me Too” in the chorus, but 8/26/05 is probably the best from this era, especially for the excellent outro jam into Stone (significant as both the first modern Astronaut outro and the only real jam into Stone).

When Allen joined the band, Astronaut was given a fresh start, and was played considerably more frequently: from 2006-2009, Astronaut was played on average once every 5-6 shows, or about as frequently as it was played in 2002. The spacey electronic style of 06-07 Biscuits proved fertile ground for the development of the SITA section as a jam vehicle, and pretty soon Astronaut was a two jam song.

Astronaut was one of the stronger songs in Allen’s early repertoire, with standout versions as early as 4/27/06 and 5/28/06. The fall of 2006 was a particularly strong tour for Astronaut. Important versions include 11/4/06 (featuring a powerful main jam and an even stronger outro jam into a Moshi Fameus drum section), 12/7/06 (the second inverted version, and first in over four years) and, most importantly, 11/19/06.

Astronaut reached its zenith in the peak years of 2.0, 2007-2009. After consistently strong versions in the early part of the year, particularly 7/8/07 (a 22 minute standalone if you include the hypnotic intro jam), the band took Astronaut to a new level on 10/9/07, with a spectacular 30+ minute version. Widely considered one of the best ever, the 10/9/07 Astronaut elevated the song to a new level, and landmark versions were performed on 11/1/07 (another best ever contender), 10/26/07 (spicy full version with a powerful main jam) and 10/19/07 (the third inverted version).

2008 was a little more hit-or-miss for Astronaut, but still produced some more than solid versions. 3/19/08 features the first ever three part Astronaut, evidence of the tremendous development of the SITA section as a jam vehicle during the Allen years. Easily the most significant Astronaut of 2008 is the monstrous 30+ minute standalone that opened the day set of Camp Bisco VII on 7/19/08. Universally acclaimed, this Astronaut features two extended and thematic jams, and is considered by many to be the finest Astronaut ever played. A strong dyslexic version at Holidaze, on 12/12/08 and 12/14/08, and its use as the countdown on 12/31/08, cemented 2008 as an important year for Astronaut.

Along with fall tour 2007, the other contender for the strongest era for Astronaut is 2009. Astronaut was solid for the whole year, but was especially strong in the spring and summer. In this era the SITA jam took on a life as its own; previously relegated to mellow and spacey type one status, the SITA jam was by the middle of the year capable of producing type two ragers. The SITA jam section became so strong that Astronauts split in the SITA section became more common than Astronauts split the traditional way: beginning with 4/20/09, of the eight split Astronauts of the year, five are split at the SITA jam. The whole year produced significant Astronauts, such as 2/14/09, 2/28/09, 9/17/09, 9/26/09 and 10/8/09; however, it is the Astronauts from spring and summer, such as 4/3/09 (notable mainly for the SITA jam), 4/20/09, 6/4/09 and 6/27/09, that are worth checking out.

After a few immensely strong years, the star of Astronaut began to fade in 2010 and 2011, when it became more of a rarity (played on average once every 7 shows in 2010 and once every 10-11 shows in 2011). Although it was never shelved, Astronaut’s longest gaps from the rotation occurred in this era, when it wasn’t played for twenty shows between 6/5/10 to 9/8/10 and 12/27/10 to 7/2/11. September 2010 featured a particularly interesting version in which the beginning and end were played on 9/8/10 and were “completed” by a performance of the SITA section on 9/11/10. The version from Camp Bisco X on 7/8/11, which bookends a large palindrome set, is worth checking out as well.

Astronaut became more of a frequent setlist staple in the destination era. In 2017, Astronaut was played a whopping seven times, or on average once every 4-5 shows (making 2017 the year Astronaut was played most frequently), but in 2018 Astronaut was played only three times, or on average once every 12-13 shows (making 2018 the year Astronaut was played the least frequently). The 2017 versions, particularly 2/3/17 and 5/26/17, are standouts from the setbreak era, and 11/2/18, while notably sloppy, features a great theme that builds to the ending. 2019 features a few unique uses of Astronaut, including 1/25/19 and 7/20/19 where parts of Astronaut were "mashed up" with other songs, and one version, 12/27/19, that is considered among the best versions of the decade.

","Just smile as we unveil the surprise",191,["D",1755907200000],["D",997228800000],{"_98":369,"_100":370,"_102":371,"_103":122,"_105":122,"_106":372,"_107":372,"_108":292,"_109":373,"_110":292,"_111":122,"_113":116,"_114":122,"_115":122,"_117":122,"_118":122,"_119":41,"_120":116,"_121":104,"_123":112,"_124":99,"_125":104,"_126":97,"_127":41,"_128":99},12,20,11,15,17,{"_375":376,"_380":381,"_385":386,"_389":390,"_393":394,"_397":398,"_401":402,"_406":407,"_411":412,"_416":417},"48",{"_25":377,"_134":378,"_136":379},"2005-08-26","2005-03-25",154,"88",{"_25":382,"_134":383,"_136":384},"2008-12-12","2008-07-19",146,"118",{"_25":387,"_134":388,"_136":319},"2011-07-02","2010-12-27","122",{"_25":391,"_134":310,"_136":392},"2012-07-07",189,"127",{"_25":229,"_134":395,"_136":396},"2013-04-27",244,"130",{"_25":399,"_134":400,"_136":307},"2014-08-15","2014-02-20","136",{"_25":403,"_134":404,"_136":405},"2015-12-05","2015-07-18",140,"150",{"_25":408,"_134":409,"_136":410},"2018-11-02","2018-04-21",195,"157",{"_25":413,"_134":414,"_136":415},"2020-10-18","2019-12-27",296,"159",{"_25":418,"_134":419,"_136":420},"2021-03-26","2020-10-30",147,"http://sickbarberlicks.weebly.com/astronaut.html",[],{"_21":424,"_50":22,"_51":350,"_53":265,"_55":122,"_57":266,"_31":425,"_33":426,"_35":36,"_23":427,"_61":-5,"_62":63,"_64":354,"_65":428,"_38":36,"_40":36,"_45":-5,"_67":429,"_188":446},"185fec8d-3381-4a98-ab8b-e325704c396d",["D",1582389725396],["D",1582389725396],"2010-04-23-astronaut-2","4ca52a3c-cede-424a-9db4-a1827491c0c6",{"_21":350,"_69":356,"_23":357,"_31":430,"_33":431,"_74":360,"_76":361,"_27":77,"_78":362,"_29":292,"_81":63,"_82":280,"_84":281,"_86":363,"_87":364,"_88":365,"_90":432,"_92":433,"_94":434,"_129":435,"_182":183,"_184":339,"_186":421,"_45":356},["D",1582386622697],["D",1756174175129],["D",1755907200000],["D",997228800000],{"_98":369,"_100":370,"_102":371,"_103":122,"_105":122,"_106":372,"_107":372,"_108":292,"_109":373,"_110":292,"_111":122,"_113":116,"_114":122,"_115":122,"_117":122,"_118":122,"_119":41,"_120":116,"_121":104,"_123":112,"_124":99,"_125":104,"_126":97,"_127":41,"_128":99},{"_375":436,"_380":437,"_385":438,"_389":439,"_393":440,"_397":441,"_401":442,"_406":443,"_411":444,"_416":445},{"_25":377,"_134":378,"_136":379},{"_25":382,"_134":383,"_136":384},{"_25":387,"_134":388,"_136":319},{"_25":391,"_134":310,"_136":392},{"_25":229,"_134":395,"_136":396},{"_25":399,"_134":400,"_136":307},{"_25":403,"_134":404,"_136":405},{"_25":408,"_134":409,"_136":410},{"_25":413,"_134":414,"_136":415},{"_25":418,"_134":419,"_136":420},[],{"_21":428,"_50":22,"_51":264,"_53":265,"_55":104,"_57":-5,"_31":448,"_33":449,"_35":36,"_23":450,"_61":-5,"_62":63,"_64":424,"_65":451,"_38":36,"_40":36,"_45":-5,"_67":452,"_188":469},["D",1582389725505],["D",1582389725505],"2010-04-23-little-shimmy-in-a-conga-line-2","2f6df066-96c5-47ce-bcfc-a094075825ec",{"_21":264,"_69":272,"_23":273,"_31":453,"_33":454,"_74":276,"_76":277,"_27":77,"_78":278,"_29":279,"_81":63,"_82":280,"_84":281,"_86":-5,"_87":282,"_88":181,"_90":455,"_92":456,"_94":457,"_129":458,"_182":338,"_184":339,"_186":340,"_45":272},["D",1582386623147],["D",1756174191371],["D",1755993600000],["D",888451200000],{"_286":287,"_288":289,"_96":101,"_98":290,"_100":291,"_102":292,"_103":104,"_105":116,"_106":292,"_107":104,"_108":122,"_109":292,"_110":292,"_111":116,"_113":122,"_114":104,"_115":97,"_117":116,"_118":104,"_119":116,"_120":122,"_121":104,"_123":56,"_124":97,"_125":99,"_126":41,"_127":99,"_128":101},{"_294":459,"_299":460,"_304":461,"_308":462,"_312":463,"_315":464,"_320":465,"_325":466,"_329":467,"_334":468},{"_25":296,"_134":297,"_136":298},{"_25":301,"_134":302,"_136":303},{"_25":214,"_134":306,"_136":307},{"_25":310,"_134":214,"_136":311},{"_25":219,"_134":310,"_136":314},{"_25":317,"_134":318,"_136":319},{"_25":322,"_134":323,"_136":324},{"_25":327,"_134":165,"_136":328},{"_25":331,"_134":332,"_136":333},{"_25":336,"_134":331,"_136":337},[],{"_21":471,"_50":22,"_51":472,"_53":265,"_55":97,"_57":-5,"_31":473,"_33":474,"_35":36,"_23":475,"_61":-5,"_62":63,"_64":451,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":476,"_188":534},"f2b4baf1-189a-4f49-a2d7-57f783a75a8e","8b897978-44b5-47aa-88a9-da72c53ebc62",["D",1582389725616],["D",1582389725616],"2010-04-23-kamaole-sands",{"_21":472,"_69":477,"_23":478,"_31":479,"_33":480,"_74":481,"_76":77,"_27":77,"_78":482,"_29":483,"_81":63,"_82":484,"_84":85,"_86":-5,"_87":-5,"_88":485,"_90":486,"_92":487,"_94":488,"_129":490,"_182":183,"_184":259,"_186":533,"_45":477},"Kamaole Sands","kamaole-sands",["D",1582386623009],["D",1756174188839],"As light as the clouds, as bright as the sun.
As big as the crowds, and two times the fun.
As dark as the night, as tall as a tree.
As high as a kite, as blue as the sea.

As green as the grass, as fresh as the air.
As thin as the pass, as free as my care.
As long as the trip, as white as the sand.
As soft as your lips, as pure as the land...

Gonna sink your feet in Kamaole Sands.
Walk across the street, and take me by the hand.
Moving to the beat, that's coming from the band.
Basking in the heat of Kamaole's land.

As cold as the freeze, as deep as the mud.
As mild as a breeze, a flower in bud.
As wet as the rain, you swim like a fish.
As hard as the pain, you get what you wish.

As strong as an ox, as calm as a storm.
As quick as a fox, as strange as the norm.
As cool as a cat, who walks down the way.
As blind as a bat, who can see in the day.

Gonna sink your feet in Kamaole Sands.
Walk across the street, and take me by the hand.
Moving to the beat, that's coming from the band.
Basking in the heat of Kamaole's land.","kamaole",95,"e2397ce3-857e-425f-925e-1cb30de780d7",74,["D",1737072000000],["D",970876800000],{"_96":41,"_98":292,"_100":489,"_102":122,"_103":122,"_108":41,"_109":112,"_110":104,"_113":56,"_114":112,"_115":56,"_117":112,"_118":56,"_119":56,"_120":112,"_121":56,"_124":56,"_125":56,"_126":116,"_127":112,"_128":56},14,{"_236":491,"_138":495,"_499":500,"_504":505,"_152":508,"_511":512,"_516":517,"_520":521,"_524":525,"_528":529},{"_25":492,"_134":493,"_136":494},"2008-04-04","2004-12-28",1193,{"_25":496,"_134":497,"_136":498},"2009-12-12","2009-01-18",328,"55",{"_25":501,"_134":502,"_136":503},"2012-10-04","2010-06-09",848,"62",{"_25":506,"_134":233,"_136":507},"2017-05-31",481,{"_25":509,"_134":506,"_136":510},"2018-12-12",560,"65",{"_25":513,"_134":514,"_136":515},"2019-12-11","2018-12-15",361,"66",{"_25":518,"_134":513,"_136":519},"2021-05-30",536,"67",{"_25":522,"_134":518,"_136":523},"2022-05-08",343,"68",{"_25":526,"_134":522,"_136":527},"2023-03-10",306,"71",{"_25":530,"_134":531,"_136":532},"2024-07-15","2023-07-18",363,"http://sickbarberlicks.weebly.com/kamaole-sands.html",[535],{"_21":536,"_344":471,"_345":537,"_31":538,"_33":539},"c7ff4177-f186-4d0f-9d91-a36cd97e6889","completes 04/22 version",["D",1582389725639],["D",1582389725639],{"_21":541,"_50":22,"_51":542,"_53":543,"_55":56,"_57":-5,"_31":544,"_33":545,"_35":36,"_23":546,"_61":-5,"_62":63,"_64":-5,"_65":547,"_38":36,"_40":36,"_45":-5,"_67":548,"_188":576},"9dbe8abc-a970-4a78-828d-d2757f942ae1","6bcc3acf-5ddc-4994-a785-efd1b8f51058","E1",["D",1582389725745],["D",1582389725745],"2010-04-23-big-wrecking-ball","4aabfac6-d067-47d4-92f3-12c360538030",{"_21":542,"_69":549,"_23":550,"_31":551,"_33":552,"_74":553,"_76":77,"_27":77,"_78":554,"_29":555,"_81":63,"_82":280,"_84":77,"_86":-5,"_87":-5,"_88":99,"_90":556,"_92":557,"_94":558,"_129":559,"_182":258,"_184":258,"_186":575,"_45":549},"Big Wrecking Ball","big-wrecking-ball",["D",1582386623989],["D",1756174176259],"

Can't stop you're taking over
Your blues don't matter til your days are through
And they push their little fingers on you baby
It's just their way of checking if it's really you
And we know you're gonna fire rise on a mission
The tabloids talking but you don't listen
A high-class kick-ass big splash success
Now everybody wants to be just like you

They say that you're so crazy
But you're big time, big time baby
The world is ending maybe
But you're big time, big time baby

I feel high cause the day is long
And you wanna get some and it won't be long
You're a big wrecking ball when you come on through
And there's no one else out there make it quite so cool
So you wanna come cry on my shoulder baby
We all freak out our bodies in cages
If you wanna get wild and shine like the dew
Cause everybody wants to get a piece of you

","wrecking",405,["D",1282780800000],["D",1268697600000],{"_110":99},{"_560":561,"_565":566,"_567":568,"_571":572},"1",{"_25":562,"_134":563,"_136":564},"2010-04-16","2010-03-16",31,"2",{"_25":26,"_134":562,"_136":97},"3",{"_25":569,"_134":26,"_136":570},"2010-06-04",42,"5",{"_25":573,"_134":502,"_136":574},"2010-08-26",78,"http://sickbarberlicks.weebly.com/big-wrecking-ball.html",[],{"_21":547,"_50":22,"_51":578,"_53":543,"_55":112,"_57":-5,"_31":579,"_33":580,"_35":36,"_23":581,"_61":-5,"_62":63,"_64":541,"_65":-5,"_38":36,"_40":36,"_45":-5,"_67":582,"_188":607},"b7c85cf4-cc18-4da1-b5e1-c9c6923fb9ac",["D",1582389725800],["D",1582389725800],"2010-04-23-feel-good-inc",{"_21":578,"_69":583,"_23":584,"_31":585,"_33":586,"_74":77,"_76":77,"_27":587,"_78":588,"_29":589,"_81":590,"_82":591,"_84":592,"_86":-5,"_87":-5,"_88":104,"_90":593,"_92":594,"_94":595,"_129":596,"_182":258,"_184":258,"_186":-5,"_45":583},"Feel Good Inc.","feel-good-inc",["D",1582386623989],["D",1756174182689],"First time played on 02/20/2010","feel",394,true,"95da34d7-c5b9-4630-b519-6a6c992161d3","Gorillaz",["D",1283644800000],["D",1266624000000],{"_110":104},{"_560":597,"_565":600,"_567":601,"_603":604},{"_25":562,"_134":598,"_136":599},"2010-02-20",55,{"_25":26,"_134":562,"_136":97},{"_25":602,"_134":26,"_136":289},"2010-06-03","4",{"_25":605,"_134":602,"_136":606},"2010-09-05",94,[],{"_21":66,"_50":22,"_51":609,"_53":54,"_55":112,"_57":266,"_31":610,"_33":611,"_35":36,"_23":612,"_61":-5,"_62":63,"_64":49,"_65":196,"_38":36,"_40":36,"_45":-5,"_67":613,"_188":676},"0b0de750-103b-4c7c-90ba-f07ed542f084",["D",1582389724973],["D",1582389724973],"2010-04-23-m-e-m-p-h-i-s",{"_21":609,"_69":614,"_23":615,"_31":616,"_33":617,"_74":618,"_76":619,"_27":77,"_78":620,"_29":621,"_81":63,"_82":484,"_84":85,"_86":-5,"_87":622,"_88":623,"_90":624,"_92":625,"_94":626,"_129":632,"_182":338,"_184":339,"_186":675,"_45":614},"M.E.M.P.H.I.S.","m-e-m-p-h-i-s",["D",1582386623009],["D",1756174192972],"

Well I just took a left on 57 South.
With a stogie in my hand and a lighter in my mouth.
There's a transient in the backseat and my dog is riding 'gun.
We're making easy money and we're always on the run.

When you're pimping ho's in style, there's just one place to be.
It's nestled in the corner of southwestern Tennessee.
My dog who knew the King he told me just the other day.
The only one from Memphis is the Presley's Adelay.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.

Adelay is in the backseat and the money's in the tank.
The cops are right behind us on a beeline from the bank.
With the pedal to the floor we pass the border and we're free.
And fading in the rearview is Memphis, Tennessee.

Making Easy Money Pimping Hoes In Style.
The only one from Memphis is at Graceland.
Making Easy Money Pimping Hoes In Style.
It's good to have you in the band.\\r

","Transcribed by Rich Steele
~~Memphis

(intro/main riff)

E
B 3
G 1 1 1 0(h)1 1 1
D 2 2 2 2 2 2
A 2 2 2 2 2 2
E 0 0 0 0 0 0

The chords for the verses go like this:
( main riff )
Well I just took a left on 57 south.
(play riff below after the end of each line of the verse)

(D) (C#) (D,C#)
E-
B- 3 3 2 2 3 2
G- 2 2 1 1 2 1
D- 4 4 3 3 4 3
A-
E-

B A
Makin easy money pimpin ho's in style.

This is a easy song. figure out the rest. Its all the same chord
progressions. :)

Another riff later in the song:

E
B
G
D 2 5 2 2
A 2 5 5(h)7 7 2 2 5
E 0 5(h)7 5(h)7 0 0 5(h)7

E
B
G
D
A 5 (repeat)
E 5(h)7 7 3~

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Well I'm lost without I-Man
Without my gun in my hand
My ladybug don't understand how I've tried

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
All love aside, I'm denied a second time

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

Now I'm only doing what I can
When everyday I kiss her hand
My ladybug sent her new man to his demise

Now it's aglow inside her eyes
Like a summer sunset on the tides
My ladybug, believes inside, she's got her man

Over it goes, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

","Transcribed by Rob Gibbs
Middle section transcribed by Evan Leon

These are chords that differ from basic major/minor formations that
everyone knows

D/F# A(II) B7 Bm7
e--------2--------------0---------------------2-----
b--------3--------------5---------------------3-----
g--------2--------------6-----------2---------2-----
d--------0--------------7-----------1---------4-----
a--------0--------------0-----------2---------2-----
E--------2------------------------------------2-----

Listen to CD for strum patterns and timing - too lengthy to try and
transcribe everything

Intro: E G D/F#

E G D/F#
Well I'm lost without I-----Man
E G D/F#
Without my gun in my hand
E C A D E G D/F#
My lady bug don't understand how I've tried

(Chords are same for all verses as above)

But I've got time on my side
And now my heart, all filled with pride
Many days to realize my final plan

All I need my arms to provide
Make my coccoon to bask inside
My ladybug is on the rise with another man

So I got my gun in my hand
And I feel its time to take my stand
On the other side, undenied a second time

Chorus: A A(II) D G
A A(II) D G A A(II)
Old brick walls, I'm breakin through
D G A A(II)
I got my gun in my hand
D G A A(II)
I-Man's out and on the loose
D G A A(II)
Now that it's time to take my stand

Bm7 A B7 E (this E is actually the first chord
in the verse progression)

E G D/F#
I'm only doing what I can
And everyday I kiss her hand
My ladybug sent her new man to his demise

That winter glow inside her eyes
Like a summer sunset on the tide
My ladybug, when he's inside, she's got her man

Old brick walls, I'm breakin through
I got my gun in my hand
I-Man's out and on the loose
Now that it's time to take my stand

MIDDLE SECTION

(7/9 means slide from fret 7 to 9, 12p10 means pull-off 12 to 10,
10h12 means hammer-on 10 to 12)

e 5 5 9 9 7 7 5 5 5
b 5 5 5 5 8 8
g 6 6 6 6 6 6 6 6 6 6
d 7 7 7 7 7 7 7 7 7 7
a(0) (0) (0) (0)

e 5 5 5 5 5 5 3 3 1 7 5 3 1 5 5 7/9
b 8 5 5 5 5 5 3 3 1 3 3 3 1 5
g 6 6 6 6 6 4 4 2 4 4 4 2 6 6
d 7 7 7 7 7 7 7 5 5 3 5 5 5 3 7 7

Repeat that whole section once, then:

*
e 9h10h12 12 12p10p9 10 10p9p7 8 8p7p5 9 9 9
b 12 10 5
g
d

Then repeat that line up to the *, and add at the end:

e
b 5
g 6 6 6
d 7 7 7

Repeat this entire section, then this goes right into the jam.","iman","

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April 23, 2010